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The Wine-ghosts of Bremen

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'Cur Rosa Flos Veneris Bacchi depingitur antro,
Causa quod absque mero frigiat ipsa Venus.'
 

Other bad hexameters follow in other parts of the vault known as the Rose cellar; as for instance:

 
'Haec Rosa Luminibus Veneres Nectarque Palato
Objicit, exhalans pocula grata cadis:
Vina vetusta tenet, grandævi munera Bacchi;
Sint procul hinc juvenes; vos decet iste senes.'
 

They are in fact the sort of verses that the traditional Eton boy, who wrote verses for the whole of his Dame's house, could turn out at the rate of a couplet a minute, adding a few false quantities and concords by desire of the accomplice for whom they were written, 'because if you don't, you know, my tutor will never believe they're my own composition.' Finally, over the entrance door, on the other side of which is a medallion of Hauff, erected in 1876, comes the following:–

 
'Was Magen, Leib und Herz, Saft, Kraft, und Geist kann geben,
Betrübte trösten mag, halbtodte kann beleben,
Theilt diese Rose mit, sie hat von hundert Jahren
Den Preis ein edles Oel mit Sorgfalt zu bewahren.'
 

More could be quoted, but this breathes the spirit of the eighteenth century quite sufficiently for our purpose.

As for Roland, he is still in the marketplace, a wonderful fourteenth-century stone figure, nearly twenty feet high, not standing on a pillar, but simply on a pedestal about two feet from the ground. He would certainly find it remarkably difficult to sit down, even on a cask, for he has iron spikes to his knees, which would make him extremely uncomfortable if he bent them. He did not bow his head to me as I went away as he did to Hauff, which I felt deeply. It is generally believed that he only bows his head to those departing visitors who have had enough Nierstein to appreciate the compliment.

C. R. L. F.

THE WINE-GHOSTS OF BREMEN

'Come, come, good wine is a good familiar creature if it be well used.'–Othello, ii. 3.

'There's nothing to be done with the fellow,' I heard them say, as they stumped down the stairs; 'nine o'clock and he is going to doze away his evening like a dormouse. He wouldn't have been like that four years ago.' They were not far wrong from their point of view, good fellows; for this evening there was to be a most brilliant musical tea and muffin fight with dancing and recitation, and these gentlemen had come to invite me (who was a stranger to the High Life of Bremen) to go with them. But I did not feel up to it. Some one, whom I had come to Bremen on purpose to visit, was not to be there, and what's the use of going anywhere where Some one isn't? Besides, I knew I should have to sing if I went, and I didn't choose to sing if she wasn't to be there to hear me. I should only spoil all their fun by looking sulky. I preferred to let them curse me for a dull dog for a few minutes on the steps, rather than let them bore themselves from nine to one in talking to my body only, while my soul would be whole streets off wandering about in the neighbourhood of the Frauenkirche.

It wasn't sleepiness though. I am not a habitual dormouse, and don't like being called one. No, I meant to be thoroughly awake that night, and one of my friends–it was you, Hermann–said as much when he got outside. 'He didn't look sleepy,' I heard him say, 'with those bright eyes of his. But he looked like a man who had been drinking either too much or too little, which probably means that he is going to make a night of it with the bottle, and alone.'

Prophetic soul! Did you know that my eyes were sparkling yet proleptically with the thought of old Rhenish? You didn't know that I had a permit from their High Mightinesses to greet my Lady Rose and the Twelve Apostles. And you certainly didn't know that it was my 'Retreat.'1

In my opinion the habit which I inherit from my grandfather of blazing, so to speak, the tree of life here and there with a notch, and spending a quiet day of meditation over each notch, is not a bad one. To keep the ordinary festivals of the Church only is hardly sufficient; one becomes commonplace, and one's thoughts are too apt to become commonplace on such days. But let the soul that keeps an anniversary of its own making keep it alone; look inwards for a few hours in the year instead of always outwards; sit down at the long table d'hôte of memory, people it with the shadows of the past, and then set to and make out the bill conscientiously. Such days as these my grandfather always kept, and called his 'retreats.' He didn't prepare a banquet for his friends, or pass the time in festivity at all; he simply sat down and feasted his own soul and talked to her in that inner chamber which she had occupied for five-and-seventy years. Even now I can trace, long as it is since the dear old man was laid in the churchyard, the marked passages in his Elzevir Horace which he always read on such days; and as I read, I can see his large blue eyes wandering thoughtfully over the yellow leaves of memory's book. He takes up his pen. Slowly and hesitatingly he draws the black cross beneath the name of some dear departed friend. 'The master is keeping his Retreat,' whispered the servants to us, as we grandchildren were running gaily and noisily up the stairs; and we repeated the words to each other, and imagined that he was making himself Christmas presents, and wondered how he managed to light up his own Christmas tree. And we were not far wrong. They were the tapers of affection that he was kindling upon the tree of Unforgetfulness, each taper the symbol of happy hours of a long life. And when his hours of solitude were passed, and we were admitted in the evening, he sat still and quiet in his chair as if he rejoiced like a child in the Heaven-sent Christmas gifts of the past.

And it was on his Retreat day that he was borne by loving hands to his last resting-place. For the first time for many years, (for he had been confined to his room,) it was 'out into the air,' but it was also 'into his grave.' And again, 'I could not choose but weep they should lay him in the mould.' I had often walked with him along the same road; but when they turned off across the black bridge and laid him deep in the earth, I knew that he was keeping his real Retreat. I was a little boy, and I wondered as they threw a lot of stones and turf on him whether he would ever come up again. He did not. But his image remained in my memory, and when I grew up my favourite pieces in the long picture-gallery of Reflection were his Retreats.

And isn't to-day mine? The First of September? And am I to go and drink weak tea and listen to bad music to-day? No! I have a better prescription in my pocket, directed to the best apothecary in the world–somewhat under the world in fact he dwells. Down therefore to him, and Fiat, sum., haust. ad lib.

It was striking ten o'clock when I descended the broad steps that lead to the noble vault, which with all its contents is the ancient and perpetual inheritance of their High Mightinesses the Corporation of Bremen. There was every probability of my having my drink to myself, as there was a fearful storm raging outside and no one about in the streets. The cellarman stared at me as I presented a slip of paper, signed and sealed by a town-councillor:–

'Admit the Bearer to Drink. Sep. 1st.'

'So late and To-night?' says he. 'It is never late before twelve and never too early after that for good wine,' says I. He looked at the signature and seal, and not without hesitation led the way through the vaults. What a noble sight was there! His lantern shone over long rows of casks, and threw strange forms and shadows on the arches of the cellar; and the pillars seemed to float in the background like busy coopers plying their staves. My companion wanted to open for me one of those smaller rooms where six or eight friends at the most can pack in with comfortable space to let the bottle circulate: and a very proper thing it is, when your companions are the right sort, to sit close together; but when I am to be alone I love free space, where my thoughts and my body can find room to expand. So I chose an old vaulted hall, the largest we passed into, for my solitary banquet-room. 'You expect company?' said the attendant. 'No.' Some have who do not expect,' said he, with an uneasy glance at the shadow on the wall. 'What do you mean?'

'Nothing. It's the first of September.... By-the-bye, there was Mr. Councillor Pumpernickel here a while agone, and he bade me get out some samples for you–samples of my Lady Rose and of the Twelve Apostle casks'; and he began to take down some pretty little bottles with long strips of paper on their necks. 'You don't mean to tell me I am not to be allowed to drink out of the casks themselves.' 'Your honour couldn't possibly be allowed that privilege except in the presence of a town-councillor. Let me fill your honour's glass from this bottle.' 'Not a drop here then,' said I; 'if I mayn't drink from the cask head I will drink at the cask side at least. Come, old fellow, pick up your samples, and give me the light.' He still kept fidgeting about, and shoving the bottles into and out of his pockets, which irritated me much, as I was longing to be off to the Apostle cellar; and at length I spoke quite sharply, 'Come now, march.' This gave him courage apparently, and he answered with some firmness, 'It won't do, sir, really it won't–not to-night.' Thinking he was merely angling to raise his price, I pressed a substantial douceur into his hand, and took him by the arm to lead him along. 'No, no, it wasn't that I meant,' said he, trying to reject the proffered coin; 'but no one shall take me into the Apostle cellar on the night of the first of September, not for love or money!'

 

'Stuff and nonsense! What do you mean?' 'I mean that it's an uncanny thing to go in there on Frau Rosa's own birthday.' I laughed till the vault rang. 'I've heard of a good many ghosts before now, but never heard of a wine-ghost: fancy an old man like you believing such tales: but I tell you, friend, I am serious. I have permission from their High Mightinesses to drink in the cellar tonight, time and place at my own discretion; and in their name I order you to lead me to the cellar of Bacchus.' This finished him. Unwillingly, but without answering, he took the taper and beckoned me to follow. We went first back through the great vault, then through a number of smaller ones, till our path came to an end in a narrow passage. Our steps echoed weirdly in the hollow way, and our very breath as it struck on the walls sounded like distant whisperings. At last we stood before a door, the keys rattled, with a groan the hinge opened, and the light of the candles streamed into the vault. Opposite me sat friend Bacchus on a mighty cask of wine: not slender and delicate like a Grecian youth had the cunning old wood carvers of Bremen made him; no, nor a drunken old sot with goggle eyes and hanging tongue, as vulgar mythology now and then blasphemously represents him (scandalous anthropomorphism I call it!). Because some of his priests, grown grey in his service, have gone about like that; because their bodies may have swelled full of good humour, and their noses been coloured by the burning reflection of the dark red flood; because their eyes may have become fixed through being constantly turned upwards in silent rapture,–are we to ascribe to the god the qualities of his servants? The men of Bremen thought differently. How cheerily and gaily the old boy rides on his cask: the round blooming face, the little bright eyes that looked down so wisely and yet so mockingly, the wide laughing mouth that has been the grave of so many a cask, the whole body overflowing with comfortable good living. It was his arms and legs, however, that specially delighted me. I almost expected to see him snap his chubby fingers, and hear his voice sing out a gay hurrah! Why, he looked as if at any moment he might jump off his seat and trundle his cask round the cellar, till the Rose and the Apostles joined in the merry dance, and chased each other round whooping. 'Merciful powers,' cried the cellarmaster, clinging tightly to me, 'I saw his eye roll and his feet move!' 'Peace, you old fool!' said I, feeling however rather queer, and looking anxiously at the wine god; 'it's only the dancing reflection of your taper. Well, we'll go on to the Apostle cellar, the samples will taste better there.' But as I followed the old man out of Bacchus' private room, I looked round, and the figure certainly seemed to nod his little head, and stretch out his legs, and give a shake as if from an inward giggle. One ascends from Bacchus to a smaller vault, the subterranean celestial firmament I called it, the seat of blessedness, where dwell the twelve mighty casks, each called after an apostle. What funeral vault of a royal race can compare with such a catacomb as this? Pile coffin on coffin, trim the everlasting lamps that burn before the ashes of the mighty dead, let black-on-white marble speak in epigrammatic phrase the virtues of the departed: take your garrulous cicerone with his crape-trimmed hat and cloak, listen to his praises of Prince This, who fell at the battle of That, and of Princess Tother on whose tomb the virgin myrtle is intertwined with the half-opened rosebud; see and drink in all the associations of such a place; but will it move you like this? Here sleeps, and has slept for a century, the noblest race of all. Dark-brown their coffins, and all unadorned–no tinsel, no lying epitaphs, simply their names inscribed on each in large plain letters, as I could see when the old fellow placed the taper on them. ANDREW, JOHN, JUDAS, PETER, and here on the right PAUL, on the left JAMES, good James. Paul is Nierstein of 1718, and James Rüdesheim, ye gods! Rüdesheim of 1726!

Ask not of their virtues; no one has any right to ask: like dark-red gold their blood sparkles in my glass; when it was first ripened on the hills of St. John it was pale and blonde, but a century has coloured it. What a bouquet! quite beyond the power of words to express. Take all the scents from all the flowers and trees, and all the spices of Araby and Ind, fill the cool cellar with ambergris, and let the amber itself be dissolved into fumes–and the result will be but poor and scentless compared to the liquid sunshine of Bingen and Laubenheim, of Nierenstein and Johannisberg. 'Why do you shake your head?' said I to my companion at last; 'you've no reason to be ashamed of these old fellows here. Come, fill your glass and here's good luck to the whole Twelve of them!'

'Heaven forbid that I should do anything of the kind,' he replied; 'it's an uncanny toast and an uncanny night for it. Taste them, sir, and let's pass on, I shiver in their presence.' 'Good-night, then, gentlemen–remember that I am everywhere and for ever at your service, most noble Lords of the Rhine.' 'Surely,' said the old fellow, 'those few drops haven't made you so drunk that you would raise the whole crew of sprites already? If you talk like that again I shall be off, though I should get the sack for it: I tell you that on this night the spirits imprisoned in these casks rise and hold infernal carnival here in this very spot, aye, and other spirits besides! I wouldn't be here after twelve o'clock for worlds.' 'Well, I'll be quiet, you old driveller, if you'll only take me on to my Lady Rose's apartment itself.' At last we reached it, the little garden of the queen of flowers. There she lay in all her majestic girth, the biggest cask I ever saw in my life, and every glass worth a golden guinea. Frau Rosa was born in 1615. Ah, where are the hands that planted her parent vine? where are the eyes that watched the ripening clusters? where the sun-browned feet that hurried to the festival when she was pressed in the sunny Rheingau, and streamed a pale gold rivulet into the vat? Like the waves of the stream that lapped the base of her cradle, they are gone no one knows whither. And where are their High-Mightinesses of the Hansa, who ruled when the Hansa was a League indeed, those worthy senators of Bremen who brought the blushing maiden to this cool grot for the edification of their grandchildren? Gone too–with two centuries over their heads, and we can only pour wine on their tombs.

Good luck to you, departed High-Mightinesses, and good luck to your living representatives, who have so courteously extended such hospitality to a Southerner! 'And goodnight to you, my Lady Rose,' added the old servant more kindly. 'Come along, sir, we can get out this way without going back, mind you don't stumble over the casks.' 'My good man, you don't imagine I'm going away, do you?' I replied. 'I have only just begun my night. Bring me some of that special '22, two or three bottles, into that big room behind there. I saw that wine growing green and saw it pressed, and now I'm going to prove to my palate that we can still grow something worth drinking.' The old boy expostulated, entreated, threatened, swore nothing should induce him to stay;–who wanted him to stay? Swore he daredn't leave me here;–did he think I was going to carry off Frau Rosa in my arms? Finally he agreed to let me remain if he might padlock me into the big room, and come at six o'clock tomorrow to wake me and receive his reward. Then, with a heavy heart, he put three bottles of the '22 on the table, wiped the glass, poured me out a little, and wished me good-night, double-locking and padlocking the door behind me, more apparently out of tender anxiety for me than out of fear for his cellar. The clock struck half-past eleven as I heard him say a prayer and hurry away. When he shut the outer door of the vaults at the top of the stairs, there was an echo like the thunder of cannons through the halls and passages.

1Schalttag, lit. 'intercalary day'–used of the 29th of February in leap years–impossible to translate except by a circumbendibus. Hence we have borrowed from ecclesiastical phraseology a word which, to a certain extent, possesses the same meaning in English. So far as we are aware Hauff is peculiar in using Schalttag in this sense.