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The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 399, Supplementary Number

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At length he became convinced that his last hour drew near; and he blessed God that his struggle was about to terminate. As soon as this idea took possession of his mind, he grew a little more tranquil; and, excepting when he thought of Beatrice, awaited the final hour with a kind of satisfaction. In this pious mood of mind, he one evening wandered to his usual haunt on the seaside. The sun had set—the moon and all the stars were in heaven—and the earth and the sea were sleeping in the silver light. He set him down on a lofty rock overhanging the sea, which was deep and still in that part; and with the waves on his left, and the earth in all its loveliness on his right, he raised his eyes towards heaven, and was absorbed in devotion. At that moment, a face of unutterable beauty presented itself in the bright moonlight before him. With a single glance, he discovered it was that of Lucifer, but softened to angelic loveliness. Uttering a wild and piercing shriek, he started from it towards the edge of the precipice. Beatrice for it was she—instantly caught him by the hand to drag him back; and pronounced his name. The words and the touch dissipated his illusion; and with the rapidity of lightning revealed to his mind the fatal secret of his misery. He now saw that, having been occupied with thoughts of her when he painted his picture, he had lent a portion of her beauty to the fallen archangel; and hence the pain her looks had occasionally inflicted on him. While this conviction darted into his mind, he was already falling over the precipice; but he still grappled at the rock, and made desperate efforts to recover himself. Beatrice, also, finding that he was going and drawing her after him, for she still held him by the hand, caught hold of a tuft of grass which grew on the edge of the cliff and grasped it convulsively. In this situation they hung for an instant, suspended over the abyss; but the grass-tuft by which she clung gradually gave way; and in another instant a sullen plunge in the deep waters below told that the loves and miseries of Spinello and Beatrice were ended.

Note.—The passage of Lanzi, to which I referred at the commencement, is as follows:—

"The 'Fall of the Angels,' still remains in St. Angelo, at Arezzo, in which Lucifer is represented so terrible, that it afterwards haunted the dreams of the artist, and, deranging both his mind and body, hastened his death. Bernardo Daddi was his scholar."—History of Painting in, Italy, vol. i. p. 65. Roscoe's Translation.

First in the poetry is the Bechuana Boy, an affecting narrative, by Mr. Pringle, as may be implied from one verse:

 
He came with open aspect bland,
And modestly before me stood,
Caressing with a kindly hand
That fawn of gentle brood;
Then meekly gazing in my face
Said in the language of his race,
With smiling look yet pensive tone—
"Stranger—I'm in the world alone."
 

The Irish Mother to her Child, a Song, by Mr. Banim, has great force and feeling, with the date 1828, significantly appended to this stanza:

 
Alas! my boy, so beautiful! alas! my love, so brave!
And must your manly Irish limbs still drag it to the grave?
And thou, my son, yet have a son, foredoomed a slave to be?
Whose mother, too, must weep o'er him the tears I weep o'er thee.
 

Here, too is an exquisite snatch—on Memory:

 
Fond Memory, like a mockingbird,
Within the widow'd heart is heard,
Repeating every touching tone
Of voices that from earth hath gone.
 

Queen Catharine's Sorrow is a ballad of mournful minstrelsy. Next is the Bard's Address to his youngest Daughter, by Mr. Hogg—beginning

 
Come to my arms, my dear wee pet!
My gleesome, gentle Harriet!
 

with all the sweetness and affection of shepherd love. The Poet's Oak, by Allan Cunningham, is a beautiful finish to the volume, which is altogether equal to any of its compeers.

The Illustrations, twelve in number, may challenge comparison with those of any similar work. Lyra, the frontispiece, after Wood, by T.A. Dean, is one of the loveliest creations of art; Vesuvius, after Turner, by Jeavons, is a most elaborate picture of that sublime spectacle of Nature; Echo, from Arnald's picture in the last exhibition, is finely executed by Goodall; and with still greater fidelity, Wilkie's Reading the News, is engraved by H. Robinson; but spirited and finished as it is, we must object to the quantity of smoke from the joint on the baker's board, and more especially from the pie; besides which, the bakehouse must be at some distance. The picture has a pleasant accompaniment, by Mr. Charles Knight. Catharine of Arragon, and Mary Queen of Scots and the Commissioners of the Scottish Church, are so purely historical as almost to tell their own tale; the first, after Leslie, by W. Humphreys, is in every line a lesson. The remainder of the plates are of unequal merit, and the elegantly embossed plum-colour leather binding is even an improvement on that of last year.

The Amulet

This has always been with us a favourite work, and we rejoice to say that the present is equal to any of its predecessors. It is more sprightly than its title implies, and even less sombre than the Friendship's Offering; and the interest of most of the prose articles is far from perishable. Two of them by Dr. Walsh—Are there more worlds inhabited than our globe?—and the First Invasion of Ireland,—are excellent papers, though too azure for some who have not the philosophical mind of Lady Mary S–d. Among the Tales, the Two Delhis; Annie Leslie, by Mrs. S.C. Hall; the Glen of St. Kylas, by Mr. Carne; the Anxious Wife, by the Editor; a Tale of Pentland, by the Ettrick Shepherd; and the Austral Chief, by the Rev. Mr. Ellis,—may be read and re-read with increasing interest, which is not a general characteristic of "Annual" sketches. Our extract is one of the most buoyant pieces in the volume—

A CASTLE IN THE AIR

By Miss Mitford. 5

"Can any one tell me of a house to be let hereabouts?" asked I, this afternoon, coming into the room, with an open letter in my hand, and an unusual animation of feeling and of manner. "Our friends, the Camdens, want to live amongst us again, and have commissioned me to make inquiries for a residence."

This announcement, as I expected, gave general delight; for Mr. Camden is the most excellent and most agreeable person under the sun, except his wife, who is even more amiable than her amiable husband: to regain such neighbours was felt to be an universal benefit, more especially to us who were so happy as to call them friends. My own interest in the house question was participated by all around me, and the usual enumeration of vacant mansions, and the several objections to each (for where ever was a vacant mansion without its objection?) began with zeal and rapidity.

"Cranley Hall," said one.

"Too large!"

"Hinton Park?"

"Too much land."

"The White House at Hannonby—the Belvidere, as the late people called it?"

"What! is that flourishing establishment done up? But Hannonby is too far off—ten miles at least."

"Queen's Bridge Cottage?"

"Ay, that sweet place would have suited exactly, but it's let. The Browns took it only yesterday."

"Sydenham Court?"

"That might have done too, but it's not in the market. The Smiths intend to stay."

"Lanton Abbey?"

"Too low; grievously damp."

By this time, however, we had arrived at the end of our list; nobody could remember another place to be let, or likely to be let, and confessing ourselves too fastidious, we went again over our catalogue raisonée with expectations much sobered, and objections much modified, and were beginning to find out that Cranley Hall was not so very large, nor Lanton Abbey so exceedingly damp, when one of our party exclaimed suddenly, "We never thought of Hatherden Hill! surely that is small enough and dry enough!" and it being immediately recollected that Hatherden was only a mile off, we lost sight of all faults in this great recommendation, and wrote immediately to the lawyer who had the charge of letting the place, whilst I myself and my most efficient assistant, sallied forth to survey it on the instant.

It was a bright cool afternoon about the middle of August, and we proceeded in high spirits towards our destination, talking, as, we went, of the excellence and agreeableness of our delightful friends, and anticipating the high intellectual pleasure, the gratification to the taste and the affections, which our renewed intercourse with persons so accomplished and so amiable, could not fail to afford; both agreeing that Hatherden was the very place we wanted, the very situation, the very distance, the very size. In agreeing with me, however, my companion could not help reminding me rather maliciously how very much, in our late worthy neighbours, the Norrises' time, I had been used to hate and shun this paragon of places; how frequently I had declared Hatherden too distant for a walk, and too near for a drive; how constantly I had complained of fatigue in mounting the hill, and of cold in crossing the common; and how, finally, my half yearly visits of civility had dwindled first into annual, then into biennial calls, and would doubtless have extended themselves into triennial marks of remembrance, if our neighbours had but remained long enough. "To be sure," added he, recollecting, probably, how he, with his stricter sense of politeness, used to stave off a call for a month together, taking shame to himself every evening for his neglect, retaining 'at once the conscience and the sin!' "To be sure, Norris was a sad bore! We shall find the hill easier to climb when the Camdens live on the top of it." An observation to which I assented most heartily.

 

On we went gaily; just pausing to admire Master Keep, the shoemaker's farming, who having a bit of garden ground to spare, sowed it with wheat instead of planting it with potatoes, and is now, aided by his lame apprentice, very literally carrying his crop. I fancy they mean to thrash their corn in the woodhouse, at least there they are depositing the sheaves. The produce may amount to four bushels. My companion, a better judge, says to three; and it has cost the new farmer two superb scarecrows, and gunpowder enough for a review, to keep off the sparrows. Well, it has been amusement and variety, however! and gives him an interest in the agricultural corner of the county newspaper. Master Keep is well to do in the world, and can afford himself such a diversion. For my part, I like these little experiments, even if they be not over gainful. They show enterprise: a shoemaker of less genius would never have got beyond a crop of turnips.

On we went—down the lane, over the bridge, up the hill—for there really is a hill, and one of some steepness for Berkshire, and across the common, once so dreary, but now bright and glittering, under the double influence of an August sun, and our own good spirits, until we were stopped by the gate of the lawn, which was of course locked, and obliged to wait until a boy should summon the old woman who had charge of the house, and who was now at work in a neighbouring harvest-field, to give us entrance.

–– the aged portress (Dame Wheeler, Susan's grandmother) had given us admittance, and we soon stood on the steps in front of the house, in calm survey of the scene before us. Hatherden was just the place to like or not to like, according to the feeling of the hour; a respectable, comfortable country house, with a lawn before, a paddock on one side, a shrubbery on the other; offices and a kitchen garden behind, and the usual ornaments of villas and advertisements, a greenhouse and a veranda. Now my thoughts were couleur de rose, and Hatherden was charming. Even the beds intended for flowers on the lawn, but which, under a summer's neglect, were now dismal receptacles of seeds and weeds, did not shock my gardening eye so much as my companion evidently expected. "We must get my factotum, Clarke, here to-morrow," so ran my thoughts, "to clear away that rubbish, and try a little bold transplanting; late hollyhocks, late dahlias, a few pots of lobellias and chrysanthemums, a few patches of coreopsis and china-asters, and plenty of scarlet geraniums, will soon make this desolation flourishing. A good gardener can move any thing now-a-days, whether in bloom or not," thought I, with much complacency, "and Clarke's a man to transplant Windsor forest without withering a leaf. We'll have him to-morrow."

The same good disposition continued after I entered the house. And when left alone in the echoing empty breakfast-room, with only one shutter opened, whilst Dame Wheeler was guiding the companion of my survey to the stableyard, I amused myself with making in my own mind, comparisons between what had been, and what would be. There she used to sit, poor Mrs. Norris, in this large airy room, in the midst of its solid handsome furniture, in a great chair at a great table, busily at work for one of her seven small children; the table piled with frocks, trousers, petticoats, shirts, pinafores, hats, bonnets, all sorts of children's gear, masculine and feminine, together with spelling books, copy books, ivory alphabets, dissected maps, dolls, toys, and gingerbread, for the same small people. There she sat a careful mother, fretting over their naughtiness and their ailments; always in fear of the sun, or the wind, or the rain, of their running to heat themselves, or their standing still to catch cold: not a book in the house fit for a person turned of eight years old! not a grown up idea! not a thought beyond the nursery! One wondered what she could have talked of before she had children. Good Mrs. Norris, such was she. Good Mr. Norris was, for all purposes of neighbourhood, worse still. He was gapy and fidgetty, and prosy and dosy, kept a tool chest and a medicine chest, weighed out manna and magnesia, constructed fishing-flies, and nets for fruit-trees, turned nutmeg-graters, lined his wife's work-box, and dressed his little daughter's doll; and had a tone of conversation perfectly in keeping with his tastes and pursuits, abundantly tedious, thin, and small. One talked down to him, worthy gentleman, as one would to his son Harry. These were the neighbours that had been. What wonder that the hill was steep, and the way long, and the common dreary? Then came pleasant thoughts of the neighbours that were to be. The lovely and accomplished wife, so sweet and womanly; the elegant and highly-informed husband, so spirited and manly! Art and literature, and wisdom and wit, adorning with a wreathy and garlandy splendour all that is noblest in mind and purest in heart! What wonder that Hatherden became more and more interesting in its anticipated charms, and that I went gaily about the place, taking note of all that could contribute to the comfort of its future inhabitants.

5This ingenious lady is the most indefatigable of all lady-writers of the present day. Her "Sketches" will soon reach the famed "One Thousand and One." At this moment too, our favourite authoress is engaged on two tragedies for the patent theatres—one Inez de Castro, which has been poetized in half-a-dozen forms of late, and is even in the Amulet before us: the subject and title of the second tragedy is Otho: both will probably be of a melo-dramatic cast, which founded the success of Rienzi. If it should be so, the fault will not rest with the fair authoress, the managers, or admirers of the pure drama; we need not add where the blame lies.