The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 399, Supplementary Number

His constant and almost devotional application to his great picture had considerably shattered his nerves, and he felt his natural susceptibility so much increased, that, although it was now summer, the horrible idea which had so long haunted him soon returned; and a cloud spread itself over his imagination, which all the hurricanes that vex the ocean could not have blown away. To dissipate this unaccountable sadness, he wandered forth alone, or with Beatrice, over the sunny fields; but he felt, as he wandered, that his heart was a fountain which sent forth two streams,—the one cool, delicious, healing, as the rivers of Paradise; the other dark, bitter, and burning, like the waters of hell; and they gushed forth alternately, accordingly as his thoughts communicated with the recollection of his own picture, or with the landscapes around him, painted in celestial colours by the hand of God. Beatrice, who walked by his side, was herself a mystery. To feel the pressure of her hand, to hear her breathe, to listen to the music of her voice, was a bliss unspeakable; and there was a sovereign beauty in her countenance which seemed to cast forth rays of joy and gladness upon every thing around her, as the sun lights up with smiles the cool waves of the morning. Yet Spinello felt that as often as this fragment of Paradise, as it might justly be termed, was turned towards him, lightnings appeared to gleam from it which dismayed and withered his soul. At such moments a piercing cold darted through his frame; and when it passed away, a tremor and shivering succeeded, which withered all his energies. In fact, whether in the society of Beatrice or not, Spinello now found that the terrible form of Lucifer, which his genius had created, was ever present with him, standing, as it were, like a mighty shadow, between him and the external world, and eclipsing the glory of earth and heaven.

The summer passed away in this manner, and autumn drew near; and as the glories of the sun became dimmer, the figure of Lucifer appeared to increase in dimensions and brilliancy, and acquired more power over the imagination of Spinello. Tortured by an enemy who appeared to have passed by some dreadful process into the very core of his being, Spinello felt his energies and his health departing from him; while his imagination, into which every faculty of his mind appeared to be fast melting, increased in force and volume, as a wintry torrent is increased by the waters of every neighbouring streamlet. At length it occurred to him that perhaps this demon of his fancy, which he was well convinced was an unreal phantom, yet could not banish, might possess no resemblance to the figure his pencil had produced; and might disappear, or at least be reduced to the condition of ordinary ideas, by a comparison with the bodily representative of his original conception. This thought presented itself to his mind one night in October, as he lay tossing about in sleepless agony upon his bed. He instantly started up, dressed, threw on his cloke, which the coolness of the night, windy and dark, rendered necessary; and seizing a lighted torch, issued forth towards the church.

The holy edifice stood in those days, when Arezzo was but a small place, at some little distance from the dwellings of the citizens, and was surrounded by a thick grove of sycamores mingled with pine trees. The townsfolk had long retired to rest, and the streets were empty and desolate. Not even the shadow of a monk flitted by him as he passed, with his torch flaring in the wind, and casting an awful and almost magical light upon the houses, painted, according to the fashion of the time and country, in broad stripes of deep red and white. As he approached the church, the wind, whistling through the pine branches, which swung to and fro, and flapped against each other, like the wings of the fabled Simoorg, or of some mighty demon struggling with the blast, sounded like numerous voices issuing from the black roof of clouds above him, and shrieking as he passed. At length he entered the church, which in those times stood open day and night to the piety of the people, and drew near the altar. Upon the walls on both sides were suspended rude images of the Saviour carved in wood, and blackened by time, and numerous antique scripture pieces by Giotto, Cimabue, and other fathers of the art, which seemed to start into momentary existence as Spinello's torch cast its red light upon them. At every step, his heart beat violently against his side, and appeared as if it would mount into his throat and choke him. But his courage did not fail, and he ascended the Mosaic steps of the chancel, and, with his torch in one hand, climbed up upon the altar and lifted his eyes towards the picture. As he stood on tip-toe on the altar and passed his torch along the wall, the mighty ranks of the fallen angels, in headlong flight before the thunderbolts of heaven, seemed to emerge from the darkness, with the awful form of Lucifer in the extreme rear reluctantly yielding even to Omnipotence itself, while blasting lightnings played about his brow and eyes, that flashed with the fires of inextinguishable fury. On first casting his eyes over his picture, a feeling of self-complacency and pride stole over the soul of the artist. But as he continued to gaze with a kind of idolatry at the work of his own hands, his imagination became excited by degrees, and life appeared to be infused into the figure of the gigantic demon. In spite of the singular beauty of the features, which looked like those of an archangel, the face before him appeared to be but a mask, beneath which all the passions of hell were struggling, gnawing, and stinging, and devouring the heart of their possessor. "The baleful eyes, that witnessed huge affliction and dismay," appeared to flame in the obscure light, like the fabled carbuncle of the Kaianian king; and the mighty limbs seemed to make an effort to free themselves from the canvass, and spring forth upon the floor of God's temple. As this idea rushed upon the mind of Spinello, the wind, moaning through the aisles, and multiplied by the echoes, sounded like the voices of wailing and desolation, which, the imagination may suppose, mingled in dismal concert when the spirits fell from heaven; and the artist, overpowered by the crowd of horrors which fastened like hungry vultures upon his fancy, sprang from the altar, and, stumbling in his haste, extinguished his torch. His imagination, now wrought up to a frenzied pitch by the awful scene, distinguished in every moan of the blast the shrieks of a fallen spirit; and the wind, as if to increase his misery, raised its voice and swept through the sacred building with tremendous power, howling, and shrieking, and gibbering as it passed. The demoniac excitement of the moment now became too great to be endured. Spinello sunk upon the ground, struck his forehead against an angle of the altar, and fainted away. How long he remained in this condition, he could never conjecture; but when he recovered his senses, all around him appeared like the illusion of a dream. The wind had died away, the darkness had disappeared, the moon had risen, and was now throwing in its mild and beautiful light through the long windows upon the checkered pavement; and, rising from the ground, he crawled out of the church and reached his lodgings.

The next day he was too unwell to leave his bed; and Bernardo, with his whole family, who loved the young man, and were anxious to discover and remove the cause of his misery, came to see and console him. Beatrice was the first who entered; and when Spinello heard the sound of her footsteps, which he could most accurately distinguish, a beam of joy visited his heart, a tear of delight trembled in his eye, and he blessed her fervently. When he lifted his eyes to her countenance, however, the vision of the preceding night seemed to be renewed, and the hated form of Lucifer, with all his infernal legions, swept before his fancy. Ignorant of what was passing through his mind, and with a heart yearning towards him with more than a sister's love, Beatrice approached his bed; and, kneeling down beside it, took hold of his hand which was stretched out languidly towards her. She felt that it was burning with fever, and that his whole frame was at that moment agitated in a fearful manner. He spoke not a word; but turned away his face, as if by a desperate effort to recover his composure, while he held her hand with a convulsive grasp. She saw his chest heave, and his eyes roll awfully, as he gradually turned towards her. And at length, finding it was vain to struggle any longer to conceal his feelings, he threw himself upon his face, pressed her trembling hand to his lips, and burst into a passionate and uncontrollable flood of tears. Beatrice, surprised and overcome by the scene, hid her own face in the clothes and wept with him; while her father, her mother, and the whole family, stood motionless upon the floor of the apartment, transfixed with sorrow and oblivious of every other consideration.

By degrees the young man recovered his composure, as persons generally do after shedding tears, and his heart seemed to be relieved. Beatrice also experienced the same change; and her father, a humane and compassionate old man, supposing that love might have some share in the misery of his lodger, after motioning his whole family to leave the room, drew near the bed, and inquired of Spinello whether his affection for Beatrice had any share in his present unhappiness; and whether her hand, for her heart he perceived was already his, would make any change in the state of his mind. At this new proof of the old man's love, Spinello could scarcely contain himself. For the moment Lucifer left him, while visions of delight and joy painted themselves upon his fancy. To reveal to Bernardo, however, or to any other human being, the real cause of his misery, would, he was fully persuaded, expose him to the suspicion of insanity. His expressions of gratitude, though few and brief, were vehement and sincere; and his mind becoming wholly occupied with this new idea, his fever soon left him; and in a few days he was again able to breathe the balmy air, with his future bride by his side.

His health still appeared, however, to be but feeble; and the benefit of change of residence being understood in those times as well as in our own, Spinello was counselled to remove for a season to some sea-port town on the coast of Naples. Through mere chance, and not from any classical predilection, he chose Gaëta, anciently Cajeta, whither Laelius and Scipio used to retire from the politics of Rome, to amuse themselves with picking up shells upon the sand. To render the excursion more pleasant and profitable, Bernardo determined to accompany his intended son-in-law, and to make Beatrice also a partner of the journey; and their preparations being soon completed, they departed in good spirits, and in due time arrived at the place of their destination.

Lodgings were taken in the neighbourhood of the town, near the beach; and the lovers, now comparatively happy, daily strolled together along the margin of the Tyrrhene sea, which, rolling its blue waves in tranquil succession towards the shore, broke in soft murmurs at their feet.

They had now been some months at Gaëta, when Beatrice was suddenly called home by her mother, who had been seized with a dangerous illness. Her father of course accompanied her on her return: but Spinello, in spite of his entreaties and remonstrances, was compelled to remain where he was; as Beatrice, who feared that Arezzo might recall all his gloomy ideas, peremptorily insisted that he should never return, but settle at Gaëta, or remove to Naples. He therefore submitted, but with a heavy heart; and saw his guardians, as it were, depart from him, and leave him to himself.

What he seemed to fear when they left him, soon came to pass. With solitude Lucifer returned; and he now presented himself so frequently, and in such awful colours to Spinello's mind, that the little fabric of health which had been reared with so much care, was quickly thrown down, while visions of horror swept over the ruins. His health, which now declined more rapidly than ever, was soon irrecoverably destroyed; his frame wasted visibly away; and as his body grew weaker, his visions increased in horror, until at length the intellect tottered upon its basis, and almost gave way beneath their intolerable pressure. In a few weeks he was shrunk to a skeleton, while his eyes shone with preternatural brilliancy; so that the people of the house where he lodged, were terrified at his appearance and avoided his looks. For his own part, he was scarcely conscious, of the existence of the external world, every thing around him appearing like the creations of a dream—mere shadows with whom he could have no sympathy. There seemed, in fact, to be but two beings in the universe—himself and Lucifer; and he felt that he was engaged in a struggle which must terminate the existence of the one or the other. When he succeeded in freeing himself for a moment from the fangs of this vision, and could repel it to some little distance from his mental eye, he perceived, as distinctly as possible, its illusory nature, and wondered at the power it exerted over his imagination. If, however, he obtained a momentary respite of this kind, it was not, as in the case of Prometheus (whose vulture was of the same brood as his demon), by night, but at sunrise, when the god of the Magi stepped, as it were, upon his throne to receive the homage of the earth. The hour of repose, as night is to the fortunate and the happy, was to him the hour of torture; and he daily lingered about the sea-shore, anxiously watching the setting sun, and trembling more and more as the glorious luminary approached the termination of his career and disappeared behind the purple waves. As soon as darkness descended upon the earth, Lucifer, if absent before, invariably alighted with it, and stood beside his victim, who clapping his hands upon his eyes, would fly with a howl or a shriek towards the habitations of men.