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The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 358, February 28, 1829

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An Undress.—A thick covering of garments.

A Treasure.—A lady's maid, skilful in the mysteries of building up heads, and pulling down characters; ingenious in the construction of caps, capes, and scandal, and judicious in the application of paint and flattery; also, a footman, who knows, at a single glance, what visiters to admit to the presence of his mistress, and whom to refuse.

Immortality.—An imaginary privilege of living for ever, conferred upon heroes, poets, and patriots.

Taste.—The art of discerning the precise shades of difference constituting a bad or well dressed man, woman, or dinner.

Tact.—The art of wheedling a rich old relation, winning an heiress, or dismissing duns with the payment of fair promises.

Album.—A ledger kept by ladies for the entry of compliments, in rhyme, paid on demand to their beautiful hair, complexions fair, the dimpled chin, the smiles that win, the ruby lips, where the bee sips, &c. &c.; the whole amount being transferred to their private account from the public stock.

Resignation.—Giving up a place.

A Heathen.—An infidel to the tenets of ton, a Goth; a monster; a vulgar wretch. One who eats twice of soup, swills beer, takes wine, knows nothing about ennui, dyspepsia, or peristaltic persuaders, and does not play ecarté; a creature—nobody.

Vice.—An instrument made use of by ladies in netting for the purpose of securing their work.

A Martyr.—A gentleman subject to the gout.

Temperate.–Quiet, an epithet applied only to horses.

Bore.—A country acquaintance, or relation, a leg of mutton, a hackney-coach, &c., children, or a family party.

Love.—Admiration of a large fortune.

Courage.—Shooting a fellow creature, perhaps a friend, from the fear of being thought a coward.

Christmas.—That time of year when tradesmen, and boys from school, become troublesome.

OLD POETS

A KISS

 
Best charge and bravest retreat in Cupid's fight,
A double key which opens to the heart,
Most rich, when most his riches it impart,
Nest of young joys, schoolmaster of delight,
Teaching the mean at once to take and give,
The friendly stay, where blows both wound and heal,
The petty death where each in other live,
Poor hope's first wealth, hostage of promise weak,
Breakfast of love.
 
SIR P. SYDNEY.

SIGHT

 
—–Nine things to sight required are
The power to see, the light, the visible thing:
Being not too small, too thin, too nigh, too far,
Clear space, and time the form distinct to bring.
 
J. DAVIES.

MERCY AND JUSTICE

 
Oh who shall show the countenance and gestures
Of Mercy and Justice; which fair sacred sisters,
With equal poise doth ever balance even,
The unchanging projects of the King of heaven.
The one stern of look, the other mild aspecting,
The one pleas'd with tears, the other blood affecting;
The one bears the sword of vengeance unrelenting
The other brings pardon for the true repenting.
 
J. SYLVESTER
 
I know that countenance cannot lie
Whose thoughts are legible in the eye.
 
M. ROYDON.

INGRATITUDE

 
Unthankfulness is that great sin,
Which made the devil and his angels fall:
Lost him and them the joys that they were in,
And now in hell detains them bound in thrall.
 
SIR J. HARRINGTON.
 
Thou hateful monster base ingratitude,
Soul's mortal poison, deadly killing-wound,
Deceitful serpent seeking to delude,
Black loathsome ditch, where all desert is drown'd;
Vile pestilence, which all things dost confound.
At first created to no other end,
But to grieve those, whom nothing could offend.
 
M. DRAYTON.

HEAVEN

 
From hence with grace and goodness compass'd round,
God ruleth, blesseth, keepeth all he wrought,
Above the air, the fire, the sea and ground
Our sense, our wit, our reason and our thought;
Where persons three, with power and glory crown'd,
Are all one God, who made all things of naught.
Under whose feet, subjected to his grace
Sit nature, fortune, motion, time and place.
 
 
This is the place from whence like smoke and dust
Of this frail world, the wealth, the pomp, the power,
He tosseth, humbleth, turneth as he lust,
And guides our life, our end, our death and hour,
No eye (however virtuous, pure and just)
Can view the brightness of that glorious bower,
On every side the blessed spirits be
Equal in joys though differing in degree.
 
E. FAIRFAX.

MARRIAGE

 
In choice of wife prefer the modest chaste,
Lilies are fair in show, but foul in smell,
The sweetest looks by age are soon defaced,
Then choose thy wife by wit and loving well.
Who brings thee wealth, and many faults withal,
Presents thee honey mix'd with bitter gall.
 
D. LODGE.

PRIDE

 
Pride is the root of ill in every state,
The source of sin, the very fiend's fee:
The bead of hell, the bough, the branch, the tree;
From which do spring and sprout such fleshly seeds,
As nothing else but moans and mischief breeds.
 
G. GASCOIGNE.

SPIRIT OF THE Public Journals

NOTES FROM THE LONDON REVIEW, NO. 1. ANCIENT AND MODERN LUXURIES

As a learned doctor, a passionate admirer of the Nicotian plant, was not long since regaling himself with a pinch of snuff, in the study of an old college friend, his classical recollections suddenly mixed with his present sensation, and suggested the following question:—"If a Greek or a Roman were to rise from the grave, how would you explain to him the three successive enjoyments which we have had to-day after dinner,—tea, coffee, and snuff? By what perception or sensation familiar to them, would you account for the modern use of the three vulgar elements, which we see notified on every huckster's stall?—or paint the more refined beatitude of a young barrister comfortably niched in one of our London divans, concentrating his ruminations over a new Quarterly, by the aid of a highly-flavoured Havannah?" The doctor's friend, whose ingenuity is not easily taken at fault, answered, "By friction, which was performed so consummately in their baths. It is no new propensity of animal nature, to find pleasure from the combination of a stimulant, and a sedative. The ancients chafed their skins, and we chafe our stomachs, exactly for that same double purpose of excitement and repose (let physiologists explain their union) which these vegetable substances procure now so extensively to mankind. In a word, I would tell the ancient Greeks or Romans, that the dealer in tea, coffee, tobacco, and snuff, is to us what the experienced practioner of the strigil was to them; with this difference, however, that while we spare our skins, our stomachs are in danger of being tanned into leather."

THE STAGE

We may compare tragedy to a martyrdom by one of the old masters; which, whatever be its merit, represents persons, emotions, and events so remote from the experience of the spectator, that he feels the grounds of his approbation and blame to be in a great measure conjectural. The romance, such as we generally have seen it, resembles a Gothic window-piece, where monarchs and bishops exhibit the symbols of their dignity, and saints hold out their palm branches, and grotesque monsters in blue and gold pursue one another through the intricacies of a never-ending scroll, splendid in colouring, but childish in composition, and imitating nothing in nature but a mass of drapery and jewels thrown over the commonest outlines of the human figure. The works of the comedian, in their least interesting forms, are Dutch paintings and caricatures: in their best, they are like Wilkie's earlier pictures, accurate imitations of pleasing, but familiar objects—admirable as works of art, but addressed rather to the judgment than to the imagination.

ENGLISH WOMEN

Nothing could be more easy than to prove, in the reflected light of our literature, that from the period of our Revolution to the present time, the education of women has improved among us, as much, at least, as that of men. Unquestionably that advancement has been greater within the last fifty years, than during any previous period of equal length; and it may even be doubted whether the modern rage of our fair countrywomen for universal acquirement has not already been carried to a height injurious to the attainment of excellence in the more important branches of literary information.

But in every age since that of Charles II, Englishwomen have been better educated than their mothers. For much of this progress we are indebted to Addison. Since the Spectator set the example, a great part of our lighter literature, unlike that of the preceding age, has been addressed to the sexes in common: whatever language could shock the ear of woman, whatever sentiment could sully her purity of thought, has been gradually expunged from the far greater and better portion of our works of imagination and taste; and it is this growing refinement and delicacy of expression, throughout the last century, which prove, as much as any thing, the increasing number of female readers, and the increasing homage which has been paid to the better feelings of their sex.

 

Mr. Lee, the high-constable of Westminster, in the Police Report, says, "I have known the time when I have seen the regular thieves watching Drummonds' house, looking out for persons coming out: and the widening of the pavement of the streets has, I think, done a great deal of good. With respect to pick-pocketing, there is not a chance of their doing now as they used to do. If a man attempts to pick a pocket, it is ten to one if he is not seen, which was not the case formerly."