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The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 361, Supplementary Issue (1829)

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THE DEATHWATCH MAGNIFIED

Although the present may be a late hour to dissipate the faith placed in signs and tokens, we are persuaded that a more intimate knowledge of this insect will not prove uninteresting to our readers.3

The name death watch was evidently derived from the importance attached to the beatings of the insect, which, by superstitious people, were formerly supposed to prognosticate death to some one of the family in whose house it was heard. The natural size of the insect is about a quarter of an inch in length, of a dark brown colour, spotted, with transparent wings under the vagina, or sheath, a huge cap or helmet on the head, and two antennae, or feelers, from beneath the eyes.

It is chiefly in the advanced period of spring that these insects commence their noise; and which is the call or signal by which they are mutually attracted to each other, and may be considered as analogous to the call of birds. This noise does not arise from their voice, but from the insect beating on hard substances, with the shield or fore part of its head. The general number of successive distinct strokes is from 7 to 9 or 11. These are given in pretty quick succession, and are repeated at uncertain intervals; and in old houses, where the insects are numerous, they may be heard, if the weather be warm, almost every hour in the day. The noise exactly resembles that made by beating moderately hard with the finger on a table. Mr. Stackhouse carefully observed its manner of beating. He says, the insect raises itself upon its hinder legs, and with the body somewhat inclined, beats its head with great force and agility against the place on which it stands.

This insect, which is the real death-watch of the vulgar, must not be confounded with another minuter insect, which makes a ticking noise like a watch; but instead of beating at intervals, it continues its noise for a considerable time without intermission. This latter belongs to a very different tribe. It is usually found in old wood, decayed furniture, neglected books, &c.; and both the male and the female have the power of making this ticking noise, in order to attract each other. The Rev. Mr. Derham seems to have been the first naturalist who examined and described this species; and he says that during the month of July, in one particular summer, they scarcely ever ceased to beat either in day or night. The eggs are generally hatched about the beginning of March: many of them live through the winter; but during that time, to avoid the frost, they bury themselves deep in dust.

Mr. T. Carpenter (of whose paper in Gill's Repository we have already availed ourselves) tells us that these insects are excellent anatomists: in order to render them useful in making some delicate dissections for his microscope, Mr. Carpenter placed a few of the insects within a pill-box, with the heads of three dead flies. He found some time afterwards, that they had cleared the interior of some of the eyes completely from all the blood-vessels, leaving the lenses in the cornea beautifully transparent.

BIRDS' NESTS

The structure of the nests of birds affords, perhaps, one of the most agreeable lessons in Natural History.

Among the most curious nests of our English birds may be named that of the Wren, the long-tailed Titmouse, the Thrush, the Goldfinch, the Chaffinch, the Magpie, and the House Sparrow; to these may also be added the Swallow's, the Martin's, the Wood Pigeon's, and the Wood-Pecker's. Of the nests of Rooks, it may be sufficient to observe, that they are often found to the number of six, or even more in a cluster. Crows' nests are always solitary; they are similar in structure to those of the rook.

Among the nests of Foreign birds, that of the Taylor Bird deserves especial mention; the bird itself is a diminutive one, being little more than three inches long; it is an inhabitant of India. The nest is sometimes constructed of two leaves, one of them dead; the latter is fixed to the living one as it hangs upon the tree, by sewing both together in the manner of a pouch or purse; it is open at the top, and the cavity is filled with fine down; and, being suspended from the branch, the birds are secure from the depredations of snakes and monkeys, to which they might otherwise fall a prey.

In Dr. Latham's collection is a specimen of the taylor bird's nest, composed of a single large leaf, of a fibrous rough, texture, about six inches long independent of the stalk, five inches and a half in breadth, and ending in a point. The sides of this leaf are drawn together so as to meet within three-quarters of an inch; within is the nest, about four inches deep and two broad, opening at the top; the bottom of the leaf is drawn upwards, to assist in the support of it. The interior nest is composed of white down, with here and there a feather and a small portion of white down intermixed.

Another nest of this bird has also been described as composed of several leaves, like those of some kind of hazel sewed together; the inner nest formed of dry bents, fibres, and hairs, suspended from a tree. It is, therefore, probable that this bird, as well as some others, varies the structure of its nest as occasion and the materials may require. These singular works are performed by the bird's using his bill instead of a needle, and vegetable fibres for thread.

The Rufous Bee-eater, or Merops Rufus, constructs also a very singular nest. This bird is a native of Buenos Ayres; the nest is built generally on the naked great branch of a tree, sometimes on the windows of houses, a fence, or a projecting beam of a high house or other building; it is composed of earth, in the form of a baker's oven, and is often built in the short space of two days, both birds being engaged in its construction; it is six inches in diameter, and one thick; a division is within, beginning at the entrance, and carried circularly, so that the eggs are deposited in the inner chamber, on a bed of grass. The swallow and other birds often attempt to obtain possession of this nest, but are generally repulsed by the owners.

Many of the Orioles' nests are also deserving notice. The black and yellow Oriole, inhabiting South America, has a pendent nest, shaped like an alembic; it is affixed to the extreme branches of trees; sometimes, it is said, so many as four hundred nests are found hanging on the same tree.

The Philippine and Pensile Grosbeak make also very curious nests.

In concluding this account of the nests of birds, I may notice here the nest of the Hirundo esculenta, or Esculent Swallow, an inhabitant of China and the Islands of the Indian Ocean. The nest consists of a gelatinous substance, in shape resembling an apple cut down the middle. The nests are found in great numbers together, and are by the luxurious Asiatics made into broths, and otherwise cooked, and are esteemed one of the greatest dainties of the table; they are also occasionally used for glue.—Jennings's Ornithologia.

FINE ARTS

METROPOLITAN IMPROVEMENTS

Abridged from the "Introduction" to Britton's Picture of London, 26th edition, just published

The year 1825 will ever be memorable in the annals of the metropolis; for more novel improvements, changes, and events occurred in that one year than during any other corresponding period. Schemes for the formation of new Companies—the vast speculations arising out of them, tending to the aggrandizement of a few persons, and to the ruin of others, with the utilities of some, and the futilities and impositions of many,—may also be said to belong to this year.

Let us, however, take a brief review of the real improvements and useful novelties that have been progressing, or have commenced in London since that singular and eventful era. Commencing at the court, or west end, we will take an imaginary tour to the east, adverting to such new buildings as are calculated to arrest the attention of the stranger in our progress. Without remarking on the general improvements of the age, we shall find enough to engross our attention in the particular objects before us. The most noted, or conspicuous of these are:—1. The New Palace, with the adjoining Park and Gardens. 2. A Terrace, Street, and Public Buildings on the site of Carlton House. 3. Belgrave Square, and the adjoining Squares and Streets. 4. The Entrance Lodges and Bridge in Hyde Park, with the improvements in the Roads and Walks of the same. 5. The Regent's Park, with its Terraces, Villas, Public Buildings, Zoological Gardens, and Colosseum. 6. The London University. 7. The British Museum. 8. The Post Office. 9. London Bridge, and its Vicinity. 10. St. Katherine's Docks. 11. The New Buildings and Alterations connected with the Houses of Parliament, the Ministerial Offices, and others, at Charing Cross. All these rank among the novelties and embellished features of London; and whilst the design and execution of so many public works manifest the increasing taste, or luxury of the age, they employ and give encouragement to numerous artists, artisans, and tradesmen.

 

Of the Royal Palace, suffice it to remark, in this place, that it is a large pile of building,—has been carried on with great rapidity of execution,—its whole exterior is stone, many parts of which are adorned with sculptured statues, basso-relievo, and other ornaments,—that a highly-decorated triumphal arch, composed of fine white, marble, is to be raised, at a short distance from the centre of the principal front—and that the interior is to be splendidly adorned with marble, scagliola, and other rich materials; whilst the galleries, armoury, chapel, state-rooms, &c. are to display the most gorgeous ornaments of the cabinet-maker, upholsterer, decorative painter, and other artisans.

The Park, in front of this palace, which had continued for nearly a century in one state of formal, tasteless insipidity, has been laid out as a large pleasure-garden, interspersed with lawn, clusters of shrubs and flowers, winding walks, varied surface, and a lake, whose margin is made to wind with every inequality of surface, spreading occasionally into a broad expanse, and then contracting to a narrow arm. In the midst of the larger spaces are islands, covered with aquatic trees and shrubs.

The Gardens, or Pleasure Grounds, belonging to the Palace, partake of the same character; but are adorned with shrubs, plants, and flowers of a more choice description. A large piece of water is likewise formed in the midst of these Gardens.

Belgrave Square, and Vicinity. Immediately to the west of the boundary-wall of the royal gardens is a tract of ground, which, in 1824, was open fields, intersected by mud-banks, and partly occupied by a few sheds, and inhabited by the lowest characters of society. In 1829, the same land, consisting of about 140 acres, is nearly covered with houses of the largest size, surrounding spacious squares, or skirting wide and handsome streets. Of all the extraordinary works carried into effect by London gentlemen and tradesmen, we may fairly adduce this as a pre-eminent example. In the space of about four years, the houses surrounding one large square, called Belgrave, have been erected, some of them finished and occupied, and several others, of nearly equal dimensions and value, completed.

The most prominent feature of this district is Belgrave Square, which includes within the front walls of the houses an area of about ten acres, the centre of which, enclosed by lofty and handsome railing, is laid out as a pleasure garden. The whole of the houses are large, lofty, and spacious, with stuccoed fronts, porches, balustraded balconies; and those in the centre of each side are decorated with columns, or three-quarter columns, vases on the parapet, &c.

Of Eaton Square, one portion only is built at present: as laid out, planted, and railed in, it is intended to occupy an area of about fourteen acres, and will be bounded by four rows of houses on the north side, and the like number on the south side, having the king's private road extending east and west through the centre. It measures 600 yards long by 120 yards wide, between the houses. At the eastern extremity is a new church, built from the designs of Henry Hakewill, Esq.

To the north of this district, at Hyde Park Corner, is a large new edifice appropriated to St. George's Hospital. It is a commodious and handsome building, from the designs of R. Smirke, Esq. Near it, and forming an entrance lodge to the Palace Gardens, is a bold, large, and highly-decorated archway, built from the designs of Decimus Burton, Esq. Opposite is a screen of columns, with three entrance archways, a lodge, &c. constituting an architectural entrance to Hyde Park. Three other lodges, with gates, by Mr. Burton, form so many other entrances to the Park from the east and north—Apsley House, the town mansion of the Duke of Wellington, at the south-east angle of Hyde Park, is rebuilding from the designs of Messrs. B. and C. Wyatt, and will form a handsome object at this entrance to the metropolis.

The Earl of Grosvenor has set a most laudable example to our opulent nobility, in the new wing to his mansion in Grosvenor Street, as a gallery for his valuable pictures. It is a handsome and imposing design, and does honour to the architect, Mr Cundy.

3Philosophers and wits have written on this subject. Sir Thomas Brown, who wrote a book of Vulgar Errors, remarks with great seriousness that the man "who could eradicate this error from the minds of the people, might prevent the fearful passions of the heart, and many cold sweats taking place in grandmothers and nurses"—Swift lets fly the shafts of satire in these lines.— A woodwormThat lies in old wood, like a hare in her form;With teeth, or with claws, it will bite, or will scratch;And chambermaids christen this worm a death-watch;Because, like a watch, it always cries click;Then woe be to those in the house who are sick;For sure as a gun they will give up the ghostIf the maggat cries click when it scratches the post. Gay, too, in a pastoral dirge, says, The wether's bell,Before the drooping flock, toll'd forth her knell;The solemn deathwatch click'd the hour she died.