The Continental Monthly, Vol. 1, No. 6, June, 1862

XIV

'It was past midnight when I reached Toluca. As it was too late to call on Adéle, I alighted at a tavern, where I passed the night, pacing my chamber, and not closing my eyes. Soon after daybreak I sought the house of Pepito's sister; and notwithstanding the earliness of the hour, found Mrs. Percival standing at one of the windows.

''You here, Mr. Rideau!' she exclaimed, with surprise, on seeing me. 'How did you find my retreat?'

''I was told of it by Mr. Livermore.'

''Ah! 'tis he who sent you.'

''Alas! not so, madame.'

''Alas!—you say, alas! What do you mean? Have you ill news?'

''I have, indeed, madame.'

''Arthur is dead!' she cried. 'I know he is dead! But, tell me, I entreat you, tell me all. How—when did this happen?'

'I gave her a detailed account of Arthur's death, to which she listened with rapt attention.

''This opal-mine, like the Golden Fleece, brings misfortune to all who seek it,' she said, when I had finished, 'Poor Arthur! I loved him fondly, devotedly; and his image will live forever in my heart. But at such a crisis it is worse than folly—it is madness to waste time by giving way to grief. Reason teaches us to bow before the inevitable. It is idle to repine at the decrees of Fate. I am alone, now—alone, without a friend or a protector. No matter; I have a stout heart, and the mercy of Providence is above all. But to business: After the death of Mr. Livermore, what became of the papers?'

''I burned them before his death, in obedience to his injunctions.'

''You burned them! I will not believe it!' she exclaimed, in a loud voice, and with a penetrating glance.

'I felt the blood rush to my face; she noticed my anger, and at once added, in milder tone:

''Pardon me! pardon me! I knew not what I said; I am well-nigh crazy; I do believe you, I do indeed; forgive me, and think of the despair to which the loss of those papers reduces me. I have no copy, and with them my secret perishes. I am ruined—ruined irretrievably. The mine is known now only to Pepito!'

''Then, madame, on him you must hereafter rely.'

''Explain to me, pray, how could Arthur, on his dying-bed, have been guilty of so cruel, so mean an act? How could he despoil the woman who had trusted him, and leave her not only forlorn, but destitute?'

'This question embarrassed me, and I was conning an answer, when Adéle resumed:

''Let no false delicacy restrain you; speak out, Mr. Rideau; adversity has taught me endurance, if not courage.'

''Since, madame, you absolutely extort it from me, I must admit that a few moments before he expired, Mr. Livermore—'

''Speak out, plainly; I beg of you, conceal nothing.'

''Well, madame, the words he used were: 'I destroy these papers because they were bought with blood. Ten months ago General Ramiro died, at New-Orleans, by poison—poison administered by Adéle!''

''Poor Arthur! what agony he must have suffered—he must have been delirious. O Arthur! why was I not beside you? Poor Arthur!' As she uttered these words, she raised her streaming eyes to heaven; her lips moved as if in prayer, and a deadly pallor overspread her countenance.

'In a short time her fortitude returned, and turning toward me, she said, in a voice which betrayed no emotion:

''Let us turn from the past and look at the present. Difficulties surround and threaten to overwhelm me. Before I can determine how they are to be met, I have a proposition to make to you, Mr. Rideau, to which I must have an immediate answer. Will you become my partner in this business?'

''Have you enough confidence in me?'

''I have; and for this reason: you have not sought to meddle in this matter, but from the outset have striven to shun it; you have not obtruded yourself, but been drawn into it in spite of your wishes. Do you accept my proposition? Yes, or no?'

''I accept,' I replied, moderating my joyful feelings as well as I possibly could.

''Such being your decision, what course do you advise?'

''Immediate action, for minutes are precious.'

''I foresee we shall agree perfectly. To-day my host purposes starting for the capital; I shall accompany him. If you return without delay, the remainder of the day will suffice to prepare for the journey, and to-morrow we will start for the opal-mine.'

''But where shall I meet you, madame?'

''At the Hotel de las Diligencias.'

''And where shall I find Pepito?'

''At a tavern near the Barrier del Nino Perdido. But you will not, if you please, inform him of my address. For—well, it is an unpleasant matter to mention—but this Pepito seems to be—'

''Desperately in love with you.'

''I hardly meant that—but his attentions are too oppressive to be quite agreeable.'

''I fully understand you, madame. May I inquire if you have had any tidings of Mr. Percival?'

''Do not, I beg, Mr. Rideau, allude to that painful topic—all feelings of resentment are hushed in the grave.'

''What! have you heard of his assassination?'

'' Yes; the news reached me yesterday; I read it in the newspaper.'

'I shortly afterward took my leave—the last words of my new copartner being:

''At five, then, at the Hotel de las Diligencias. Be sure you are punctual.'

'Arrived in Mexico, my first thought was to seek for Pepito. Following the directions given me by Mrs. Percival, I soon found him; and repeating to him a portion of the interview I had with the lady, I finished by proposing to take the place of Mr. Livermore in the bargain that had been made between them.

''I ask nothing better,' was the reply. 'Here are my terms—two thousand dollars the very day we return to Mexico, and I to hold the shells till you hand over the money. That is fair, is it not?'

''Quite. When shall I see you again?'

''At eight to-night, on the Cathedral steps.'

'Hastening home, I devoted the rest of the day to preparing for my journey, and a little before five started for the Hotel de las Diligencias. Mrs. Percival had not yet arrived. Twice again I called, but still in vain. The evening gradually wore away, and at eight I paced the Cathedral Square, and for an hour loitered around the steps; but Pepito, also, failed to keep the rendezvous.

'As the next day was Sunday, I felt assured the most likely place to find Pepito, would be the bull-ring. On reaching it, I found a crowd assembled near one of the entrances, and pushing my way through, I beheld Pepito lying on the ground weltering in his blood. I rushed to him, and kneeling down, raised him in my arms.

''Ah! it is you, Señor,' said he, in a feeble tone. 'This is Pedro's work, but it was his last; for I have killed the traitor.'

''Pepito, tell me, for Heaven's sake, where did you find the shells?'I inquired; for avarice and cupidity reigned, I am ashamed to own, paramount within my breast.

''Those shells? In the plains of Chiapa—three days' journey from the sea—near the little river—in a brook—Ah! glory to God! here comes a priest!'

'At this moment a fat Franciscan friar pressed through the crowd.

''Absolution, padre! absolution!' cried Pepito, to whom the sight of the friar brought back new life.

''Patience, my son, patience! I am very late—very late—and I must not be detained. Wait a little—and after the sports of the day are over, I will return.'

''But, padre, I shall be dead!'

''Well, then, be quick!'

''I have only two sins on my conscience: I have not attended mass for three weeks.'

''That is sad! very sad! Well, what next?'

''Three days ago I stabbed an Inglez—a heretic.'

''Well, my dear son, your sins are venial sins; I absolve you.'

''Pepito, how did that dagger come into your hands?' I exclaimed, for I was astonished to see in his belt the dagger I had lost on the night when Adéle took refuge in my room.

''From my dear—Adéle.'

''And the Inglez—the heretic you stabbed—who was he?'

''Her husband—she wished it—promised to be mine—and I obeyed. But, stand back—I want air—air.'

'I turned away my head, sickened at the fearful revelation. When I again looked, my eyes fell on a corpse. I snatched the dagger, which was still wet with Pedro's blood, from his belt, and hurried almost frantic to the Hotel de las Diligencias. Mrs. Percival had been waiting for me about two hours.

'The violent emotions which raged within me must have been portrayed on my countenance, for on my entering the apartment, she started back in dismay.

''Mrs. Percival,' said I, striving to master the repulsive feeling which the mere sight of her excited, 'Pepito has, within the past hour, been murdered.'

''Murdered!' she repeated. 'And the secret—'

''Is dead—for you—forever! Madame, that infernal mine has for years been driving you to the blackest crime! It is time that the bait fell from the devil's hook.'

''What do you mean by this altered tone?'

''I mean, madame, that, thanks to Heaven, your crimes have been revealed to me. Shall I enumerate the list of your victims—General Ramiro, Arthur Livermore, Edward Percival, your husband, and last of all, Pepito? Your path, since you have sought this mine, is marked at every step by treachery and crime. The boldest heart must shudder to look at the ghastly procession led on by the General you poisoned.'

'''Tis false! God help me, 'tis false!'

''False—is it false—that three days since your husband was murdered at your instigation, by Pepito? Stay—hear me! Look at this dagger! did you not steal it from my room and give it to Pepito to perpetrate the crime? Madame, pause, ere you dare to swear it is false.'

'She trembled, and falling on her knees, exclaimed:

''My God! my God! forgive me!'

''It is not, madame, for erring man to limit the infinite mercy of Heaven; but for such crimes as yours there must be a fearful retribution. Farewell; may you go and sin no more.'

'I left the room, but in a few moments heard a piercing shriek; and rushing back, found the wretched woman extended on the floor in the agonies of death. She had picked up the dagger which I had thrown away, and stabbed herself to the heart.

'And the opal-mine?'

'I meant, at first, to leave the Nibelungen Hoard alone; but time tames all things except the love of gold. I went there; it was rich, but not inexhaustible. You have all had proof that I am neither poor nor parsimonious; but neither am I extravagant. I have all that I want—a cottage at Newport, a neat house in the Rue de la Paix, stocks, and real estate. The opal-mine started me; I have kept myself going very well ever since.

'Gentlemen, my tale is ended. I am sorry it has proved so long, and am grateful to you all for the attentive hearing you have given me. I have been constantly looking round expecting to detect some one of you falling into a gentle slumber; I therefore feel really flattered at finding you all still awake.'

'But what became of the child that Percival was seeking?' shouted one.

'Did you ever find out any thing about Adéle's previous history?' asked another.

'And look here, Rideau, what did you—?'

'Gentlemen, take pity on me; while I have been spinning this long yarn, you have been smoking and imbibing; I am very willing to join you in both; but to-night I am tired out. The next time we meet, I shall be delighted to tell you what particulars I learned on my return to New Orleans, relative to Adéle and her poor orphan child; but no more to-night.'

THE RED, WHITE, AND BLUE

 
Red was the lightning's flashing,
And down through the driving rain,
We saw the red eyes dashing
Of the merciless midnight train;
Soon many crowded together,
Under the lamp's red glow,
But I saw one figure only—
Ah! why did I tremble so?
The eyes that gazed in the darkness
After the midnight train,
Are red with watching and weeping,
For it brings none back again.
Clouds hang in the west like banners,
Red banners of war unfurled,
And the prairie sod is crimson
With the best blood of the world.
 
 
White faces are pressed to the window,
Watching the sun go down,
Looking out to the coming darkness,
That covers the noisy town.
White are the hands, too, and quiet,
Over the pulseless breast;
No more will the vision of parting
Disturb the white sleeper's rest.
Over sleeper, and grave, and tombstone,
Like a pitying mantle spread,
The snow comes down in the night-time,
With a shy and noiseless tread.
 
 
Blue smoke rolls away on the north-wind,
Blue skies grow dusk in the din,
Blue waters look dark with the shadow
That gathers the world within.
Rigid and blue are the fingers
That clutch at the fading sky;
Blue lips in their agony mutter:
'O God! let this cup pass by.'
Blue eyes grow weary with watching;
Strong hands with waiting to do;
While brave hearts echo the watchword:
'Hurrah! for the Red, White, and Blue.'
 

MACCARONI AND CANVAS

IV.
THE FAIR AT GROTTO FERRATA

No matter how well and hearty you may be, if you are in Rome, in summer, when the scirócco blows, you will feel as if convalescent from some debilitating fever; in winter, however, this gentle-breathing south-east wind will act more mildly; it will woo you to the country, induce you to sit down in a shady place, smoke, and 'muse.' That incarnate essence of enterprise, business, industry, economy, sharpness, shrewdness, and keenness—that Prometheus whose liver was torn by the vulture of cent per cent—eternally tossing, restless DOOLITTLE, was one day seen asleep, during bank hours, on a seat in the Villa Madama. The scirócco blew that day: Doolittle fell.

At breakfast, one morning in the latter part of the month of March, Caper proposed to Roejean and another artist named Bagswell, to attend the fair held that day at Grotto Ferrata.

'What will you find there?' asked Roejean.

'Find?—I remember, in the Bohemian Girl, a song that will answer you,' replied Caper; 'the words were composed by the theatrical poet Bunn':

 
'Rank, in its halls, may not find
The calm of a happy mind;
So repair
To the Fair,
And they may be met with there.'
 

'Unsatisfactory, both the grammar and the sentiment,' said Bagswell; 'it won't work; it's all wrong. In the first place, rank, in its hauls, may find the calm of a happy mind: for instance, the captain of a herring-smack may find the calm of a very happy mind in his hauls of No. 1 Digbys; more joy even than the fair could afford him. Let us go!'

Bagswell was a 'funny' Englishman.

They went—taking the railroad. Dashing out of the station, the locomotive carried them, in half an hour, to the station at Frascati, whirling them across the Campagna, past long lines of ruined or half-ruined and repaired aqueducts; past Roman tombs; past Roma Vecchia, the name given to the ruins of an immense villa; landing them at the first slope of the mountains, covered at their base with vineyards, olive and fruit-trees, and corn-fields, while high over them gleamed glistening white snow-peaks.

The walk from Frascati to the Grotto, about three miles, was beautiful, winding over hills through a fine wood of huge old elms and plane-trees. In the warm sun-light, the butterflies were flitting, while the road-side was purple with violets, and white and blue with little flowers. From time to time, our three artists had glimpses of the Campagna, rolling away like the ocean, to dash on Rome, crowned by St. Peter's; the dome of which church towers above the surrounding country, so that it can be seen, far and wide, for thirty miles or more. The road was alive with walkers and riders; here a dashing, open carriage, filled with rosy English; there a contadino, donkey-back, dressed in holiday-suit, with short-clothes of blue woolen, a scarlet waistcoat, his coarse blue-cloth jacket worn on one shoulder, and in his brown, conical-shaped hat, a large carnation-pink. Then came more of the country-people, almost always called villani, (hence our word, villains!) These poor villains had sacks on their backs, or were carrying in their hands—if women, on their heads—loads of bacon, sides of bacon, flitches of bacon, hams, loaves of bread, cheese, and very loud-smelling mortadella; which they had bought and were bringing away from the fair.

'There was one task,' said Roejean, 'that Hercules declined, and that was eating that vile mortadella. He was a strong man; but that was stronger. Wait a moment, till I fill a pipe with caporal, and have a smoke; for if I meet another man with that delicacy, I shall have to give up the Grotto—unless I have a pipe under my nose, as counter-irritant.'

The three artists tramped along gayly, until they approached the town, when they assumed the proud, disdainful mood, assuring spectators that they who wear it are of gentle blood, and are tired of life and weary of traveling around with pockets filled with gold. They only looked coldly at the pens filled with cattle for sale; long-horned, mouse-colored oxen were there; groups of patient donkeys, or the rough-maned, shaggy-fetlocked, bright-eyed small horses of the Campagna; countless pigs, many goats; while above all, the loud-singing jackasses were performing at the top of their lungs. Here were knots of country-people, buying provisions or clothing; there were groups of carriages from Rome, which had rolled out the wealthy forestieri or strangers, drawn up by the way-side, in the midst of all sorts and kinds of hucksters. The road leading to the church, shaded by trees, was crowded with country-people, in picturesque costumes, busily engaged in buying and selling hams, bacon, bacon and hams, and a few more hams. Here and there, a cheese-stand languished, for pork flourished. Now a copper-smith exposed his wares, chief among which were the graceful-shaped conche or water-vessels, the same you see so carefully poised on the heads of so many black-eyed Italian girls, going to or coming from so many picturesque fountains, in—paintings, and all wearing such brilliant costumes, as you find at—Gigi's costume-class. Then came an ironmonger, whose wares were all made by hand, even the smallest nails; for machinery, as yet, is in its first infancy around Rome. At this stand, Roejean stopped to purchase a pallet-knife; not one of the regular, artist-made tools, but a thin, pliable piece of steel, without handle, which experience taught him was well adapted to his work. As usual, the iron-man asked twice as much as he intended to take, and after a sharp bargain, Roejean conquered. Then they came to a stand where there were piles of coarse crockery, and some of a better kind, of classical shape.

Caper particularly admired a beautiful white jug, intended for a water-pitcher, and holding about two gallons. After asking its price, he offered a quarter of the money for it; to Bagswell's horror, the crockery-man took it, and Caper, passing his arm through the handle, was proceeding up the road, when Bagswell energetically asked him what he was going to do with it.

'Enter Rome with it, like Titus with the spolia opima," replied Caper.

'Oh! I say, now,' said the former, who was an Englishman and an historical painter; 'you aren't going to trot all over the fair with that old crockery on your arm. Why, God bless me, they'll swear we are drunk. There comes the Duchess of Brodneck; what the deuce will she say?'

'Say?' said Caper, 'why, I'll go and ask her; this is not court-day.'

Without another word, with water-pitcher on arm, he walked toward the Duchess. Saluting her with marked politeness, he said:

'A countryman of yours, madame, has objected to my carrying this objet de fantaisie, assuring me that it would occasion remarks from the Duchess of Brodneck. May I have the good fortune to know what she says of it?'

'She says,' replied the lady, smiling and speaking slowly and quietly; 'that a young man who has independence enough to carry it, has confidence enough to—fill it.' She bowed, and passed on, Caper politely raising his hat, in acknowledgment of the well-rounded sentence. When he returned to Bagswell, he found the historical painter with eyes the size of grape-shot, at the sublime impudence of the man. He told him what she had said.

'Upon my honor, you Americans have a face of brass; to address a duchess you don't know, and ask her a question like that!'

'That's nothing,' said Caper, 'a little experience has taught me that the higher you fly, in England, the nearer you approach true politeness and courtesy. Believe me, I should never have asked that question of any Englishwoman whose social position did not assure me she was cosmopolitan.'

'Come,' said Bagswell, 'come, after such an adventure, if there is one drop of any thing fit to drink in this town, we'll all go and get lushy.'

They went. They found a door over which hung a green branch. Good wine needs no bush, therefore Italian wine-shops hang it out; for the wine there is not over good. But as luck was with our three artists, in the shop over the door of which hung the green bough, they found that the padrone was an old acquaintance of Roejean; he had married and moved to Grotto Ferrata. He had a barrel of Frascati wine, which was bright, sparkling, sweet, and not watered. This the padrone tapped in honor of his guests, and at their urgent request, sat down and helped empty a couple of bottles. Moreover, he told them that as the town was overcrowded, they would find it difficult to get a good dinner, unless they would come and dine with him, at his private table, and be his guests; which invitation Roejean accepted, to the tavern-keeper's great joy, promising to be back at the appointed time.

Our trio then sauntered forth to see the fair. Wandering among the crowded booths, they came suddenly on a collection of Zingare, looking like their Spanish cousins, the Gitañas. Wild black eyes, coarse black locks of hair, brown as Indians, small hands, small feet—the Gipsies, children of the storm—my Rommani pals, what are you doing here? Only one woman among them was noticeable. Her face was startlingly handsome, with an aquiline nose, thin nostrils, beautifully-arched eyebrows, and eyes like an eagle. She was tall, straight, with exquisitely-rounded figure, and the full drapery of white around her bosom fell from the shoulders in large hanging sleeves; over her head was thrown a crimson and green shawl, folded like the pane of the ciociare, and setting off her raven-black hair and rich red and swarthy complexion.

Roejean stood entranced, and Caper, noticing his rapt air, forbore breaking silence; while the gipsy, who knew that she was the admiration of the forestieri, stood immovable as a statue, looking steadily at them, without changing a feature.

'Piu bellisima che la madonna!' said Roejean, loud enough for her to hear. Then turning to Caper, 'Let's andiammo,' (travel,) said he, 'that woman's face will haunt me for a month. I've seen it before; yes, seen her shut up in the Vatican, immortal on an old Etruscan vase. Egypt, Etruria, the Saracen hordes who once overrun all this Southern Italy, I find, every hour, among live people, some trace of you all; but of the old Roman, nothing!'

'You find the old Roman cropping out in these church processions, festivals, shrines, and superstitions, don't you?' asked Caper.

'No! something of those who made the seal, nothing of the impression on the wax remains for me. Before Rome was, the great East was, and shall be. The Germans are right to call the East the Morning-Land; thence came light.... The longer you live along the wave-washed shore of the Mediterranean, the more you will see what a deep hold the East once had on the people of the coast. The Romans, after all, were only opulent tradesmen, who could buy luxuries without having the education to appreciate them. So utterly did they ignore the Etruscans, who made them what they were, that you seek in vain to find in Roman history any thing but the barest outline of the origin of a people so graceful and refined that the Roman citizen was a boot-black in comparison to one of them. The Saracens flashed light and life, in later days, once more into the Roman leaven. What a dirty, filthy page the whole Gothic middle-age is at best! It lies like a huge body struck with apoplexy, and only restored to its sensual life by the sharp lancet, bringing blood, of these same infidels, these stinging Saracens. Go into the mountains back of us, hunt up the costumes that still remain, and see where they all come from—the East. Look at the crescent earrings and graceful twisted gold-work, from—the East. All the commonest household ware, the agricultural implements, the manner of cooking their food, and all that is picturesque in life and religion—all from the East.'

'Strikes me,' quoth Caper, 'that this question of food touches my weakest point; therefore, let us go and dine, and continue the lecture at a more un-hungry period. But where is Bagswell?'

'He is seeking adventures, of course.'

'Oh! yes, I sec him down there among the billy-goats; let's go and pick him up, and then for mine host of the Green Bough.'

Having found Bagswell, our trio at once marched to the Green Bough, which they saw was filled to overflowing with country-people, eating and drinking, sitting on rough benches, and stowing away food and wine as if in expectation of being very soon shipwrecked on a desert island, where there would be nothing but hard-shell clams and lemons to eat. The landlord at once took the trio up-stairs, where, at a large table, were half-a-dozen of his friends, all of the cleanly order of country-people, stout, and having a well-to-do look that deprecated any thing like famine. A young lady of twenty and two hundred, as Caper summed up her age and weight, was evidently the cynosure of all eyes; two other good-natured women, of a few more years and a very little less weight, and three men, made up the table. Any amount of compliments, as usual, passed between the first six and the last three comers, prefacing every thing with desires that they would act without ceremony; but Caper and Roejean were on a high horse, and they fairly pumped the spring of Italian compliments so dry, that Bagswell could only make a squeaking noise when he tried the handle. This verbifuge of our three artists put their host into an ecstasy of delight, and he circulated all round, rubbing his hands and telling his six friends that his three friends were milordi, in very audible whispers, milordi of the most genial, courtly, polite, complimentary, cosmopolitan, and exquisite description.

After all this, down sat our trio, and for the sake of future ages which will live on steam-bread, electrical beef, and magnetic fish, let us give them the bill of fare set before them:

ALL THE WINE THEY COULD DRINK.

Maccaroni (fettucia) a la Milanese—dish two feet in diameter, one foot and a half high.

Mutton-chops, with tomato-sauce, (pomo d'oro.)

Stewed celery, with Parmesan cheese.

Stewed chickens.

Mutton-chops, bird-fashion, (Uccélli di Castrato. They are made of pieces of mutton rolled into a shape like a bird, and cooked, several at a time, on a wooden spit. They are the kibaubs of the East.)

Baked pie of cocks' combs and giblets.

Roasted pig, a twelve-pounder.

Roast squashes, stuffed with minced veal.

Apples, oranges, figs, and finocchio.

Crostata di visciola, or wild-cherry pie, served on an iron plate the size of a Roman warrior's shield; the dish evidently having been one formerly.

MORE WINE!

The stout young lady rejoicing in the name of Angelucia, or large angel, was fascinated by Roejean's conversational powers and Caper's attentions; the rest of the company, perfectly at ease on finding out that the milordi were not French—Roejean turning American to better please them—and that they were moreover full of fun, talked and laughed as if they were brother Italians. A jollier dinner Caper acknowledged he had never known. One of the Italians was farmer-general for one of the Roman princes; he was a man of broad views, and having traveled to Paris and London, came home with ultra-liberal sentiments, and to Bagswell's astonishment, spoke his mind so clearly on the Roman rulers, that our Englishman's eyes were slightly opened at the by no means complimentary expressions used toward the wire-workers of the Papal government. One Italy, and Rome its capital, was the only platform our princely farmer would take, and he was willing to stake his fortune, a cool one hundred thousand scudi, on regenerated Italy.

Conversation then fell on the fair; and one of the Italians told several stories which were broad enough to have shoved the generality of English and American ladies out of the window of the room. But Angelucia and the two wives of the stout gentlemen never winked; they had probably been to confession that morning, had cleared out their old sins, and were now ready to take in a new cargo. In a little while Roejean sent the waiter out to a café, and he soon returned with coffee for the party, upon which Caper, who had the day before bought some Havana cigars of the man in the Twelve Apostles, in the piazza Dódici Apostoli, where there is a government cigar-store for the sale of them, passed them around, and they were thoroughly appreciated by the diners. The farmer-general gave our three artists a hearty invitation to visit him, promising them all the horses they could ride, all the wine they could drink, and all the maccaroni they could eat. The last clause was inserted for Roejean's benefit, who had played a noble game with the grand dish they had had for dinner, and at which Angelucia had made great fun, assuring Roejean he was Italian to the heart, e piu basso.

Then came good-by, and our artists were off—slowly, meditatively, and extremely happy, but, so far, quite steady. They walked to the castellated monastery of San Basilio, where in the chapel of Saint Nilus they saw the celebrated frescoes of Domenichino, and gazed at them tranquilly and not quite so appreciatingly as they would have done before dinner. Then they came out from the gloom and the air heavy with incense of the chapel to the bright light and lively scenes of the fair, with renewed pleasure. They noticed that every one wore in the hat or in the lappel of the coat, if men—in their hair or in their bosom, if women, artificial roses; and presently coming to a stand where such flowers were for sale, our trio bought half-a-dozen each, and then turned to where the crowd was thickest and the noise greatest. Three or four donkeys loaded with tin-ware were standing near the crowd, when one of them, ambitious of distinction, began clambering over the tops of the others in an insane attempt to get at some greens, temptingly displayed before him. Rattle, bang! right and left went the tins, and in rushed men and women with cudgels; but donkey was not to be stopped, and for four or five minutes the whole fair seemed gathered around the scene, cheering and laughing, with a spirit that set Caper wild with excitement, and induced him to work his way through the crowd and present one old woman who had finally conquered the donkey, with two large roses, an action which was enthusiastically applauded by the entire assembly.