The Atlantic Monthly, Volume 06, No. 38, December, 1860

"Yes, she is certainly more beautiful than I ever dreamed of a woman's being. If she continues, I do not know what perfect thing she will become. She is too exquisite for common use. I wonder her husband is not jealous of every mote in the air, of rain and wind, of every day that passes over her head,–since each must now bear some charm from her in its flight."

Mr. Raleigh was talking to Mrs. McLean as one frequently reposes confidence in a person when quite sure that he will not understand a word you say.

An hour afterward, Mrs. Purcell joined Mrs. McLean.

"So that is Mr. Raleigh, is it?" she said. "He looks as if he had made the acquaintance of Siva the Destroyer. There's nothing left of him. Is he taller, or thinner, or graver, or darker, or what? My dear Kate, your cousin, that promised to be such a hero, has become a mere man-of-business. Did you ever burn firecrackers? You have probably found some that just fizzed out, then." And Mrs. Purcell took an attitude.

"Roger is a much finer man than he was, I think,–so far as I could judge in the short time we have seen each other," replied Mrs. McLean, with spirit.

"Do you know," continued Mrs. Purcell, "what makes the Laudersdale so gay? No? She has a letter from her lord, and he brings you that little Rite next week. I must send for the Colonel to see such patterns of conjugal felicity as you and she. Ah, there is the tea-bell!"

Mr. Raleigh was standing with one hand on the back of his chair, when Mrs. Laudersdale entered. The cheek had resumed its usual pallor, and she was in her customary colors of black and gold. She carried a curiously cut crystal glass, which she placed on the sideboard, and then moved toward her chair. Her eye rested casually for a moment on Mr. Raleigh, as she crossed the threshold, and then returned with a species of calm curiosity.

"Mrs. Laudersdale has forgotten me?" he asked, with a bow. His voice, not susceptible of change in its tone of Southern sweetness, identified him.

"Not at all," she replied, moving toward him, and offering him her hand quietly. "I am happy at meeting Mr. Raleigh again." And she took her seat.

There was something in her grasp that relieved him. It was neither studiedly cold, nor absurdly brief, nor traitorously tremulous. It was simply and forgetfully indifferent. Mr. Raleigh surveyed her with interest during the light table-talk. He had been possessed with a restless wish to see her once more, to ascertain if she had yet any fraction of her old power over him; he had all the more determinedly banished himself from the city,–to find her in the country. Now he sought for some trace of what had formerly aroused his heart. He rose from table convinced that the woman whom he once loved with the whole fervor of youth and strength and buoyant life was no more, that she did not exist, and that Mr. Raleigh might experience a new passion, but his old one was as dead as the ashes that cover the Five Cities of the Plain. He wondered how it might be with her. For a moment he cursed his inconstancy; then he feared lest she were of larger heart and firmer resolve than he,–lest her love had been less light than his; he could scarcely feel himself secure of freedom,–he must watch. And then stole in a deeper sense of loneliness than exile and foreign tongues had taught him,–the knowledge of being single and solitary in the world, not only for life, but for eternity.

The evening was passed in the recitation of affairs by himself and his cousins alone together, and until a week completed its tale of dawns and sunsets there was the same diurnal recurrence of question and answer. One day, as the afternoon was paling, Rite came.

Mr. Raleigh had fallen asleep on the vine-hidden seat outside the bay-window, and was awakened, certainly not by Mrs. Laudersdale's velvets trailing over the drawing-room carpet. She was just entering, slow-paced, though in haste. She held out both of her beautiful arms. A little form of airy lightness, a very snow-wreath, blew into them.

"O ma maman! Est ce que c'est toi," it cried. "O comme tu es douce! Si belle, si molle, si chère!" And the fair head was lying beneath the dark one, the face hidden in the bent and stately neck.

Mr. Raleigh left his seat, unseen, and betook himself to another abode. As he passed the drawing-room door, on his return, he saw the mother lying on a lounge, with the slight form nestled beside her, playing with it as some tame leopardess might play with her silky whelp. It was almost the only portion of the maternal nature developed within her.

It seemed as if the tea-hour were a fated one. Mr. Raleigh had been out on the water and was late. As he entered, Rite sprang up, half-overturning her chair, and ran to clasp his hand.

"I did not know that you and Mr. Raleigh were acquainted," said Mrs. McLean.

"Oh, Madam, Mr. Raleigh and I had the pleasure of being shipwrecked together," was the reply; and except that Mrs. Laudersdale required another napkin where her cup had spilled, all went on smoothly.

Mrs. Laudersdale took Marguerite entirely to herself for a while. She seemed, at first, to be like some one suddenly possessed of a new sense, and who did not know in the least what to do with it; but custom and familiarity destroyed this sentiment. She did not appear to entertain a doubt of her child's natural affection, but she had care to fortify it by the exertion of every charm she possessed. From the presence of dangerous rivals in the house, an element of determination blended with her manner, and she moved with a certain conscious power, as if wonderful energies were but half-latent with her, as if there were kingdoms to conquer and crowns to win, and she the destined instrument You would have selected her, at this time of her lavish devotion to Marguerite, as the one woman of complete capability, of practical effective force, and have declared that there was nothing beyond her strength. The relation between herself and her child was certainly as peculiar as anything else about them; the disparity of age seemed so slight that they appeared like sisters, full of mutual trust, the younger leaning on the elder for support in the most trivial affairs. They walked through the woods together, learned again its glades and coverts, searched its early treasure of blossoms; they went out on the lake and spent long April afternoons together, floating about cove and inlet of island-shores; they returned with innocent gayety to that house which once the mother, in her moment of passion, had fancied to be a possible heaven of delight, and which, since, she had found to be a very indifferent limbo. For, after all, we derive as much happiness from human beings as from Nature, and it was a tie of placid affection that bound her to the McLeans, not of sympathetic union, and her husband was careful never to oppress her with too much of his society. Whether this woman, who had lived a life of such wordless emotion, who had never bestowed a confidence, suddenly blossomed like a rose and took the little new-comer into the gold-dust and fragrance of her heart, or whether there was always between them the thin impalpable division that estranged the past from the present, there was nothing to tell; it seemed, nevertheless, as if they could have no closer bond, had they read each other's thoughts from birth.

That this assumption of Marguerite could not continue exclusive Mr. Raleigh found, when now and then joined in his walks by an airy figure flitting forward at his side: now and then; since Mrs. Laudersdale, without knowing how to prevent, had manifested an uneasiness at every such rencontre;–and that it could not endure forever, another gentleman, without so much reason, congratulated himself,–Mr. Frederic Heath, the confidential clerk of Day, Knight, and Company,–a rather supercilious specimen, quite faultlessly got up, who had accompanied her from New York at her father's request, and who already betrayed every symptom of the suitor. Meanwhile, Mrs. McLean's little women clamorously demanded and obtained a share of her attention,–although Capua and Ursule, with their dark skins, brilliant dyes, and equivocal dialects, were creatures of a more absorbing interest.

One afternoon, Marguerite came into the drawing-room by one door, as Mr. Raleigh entered by another; her mother was sitting near the window, and other members of the family were in the vicinity, having clustered preparatory to the tea-bell.

Marguerite had twisted tassels of the willow-catkins in her hair, drooping things, in character with her wavy grace, and that sprinkled her with their fragrant yellow powder, the very breath of spring; and in one hand she had imprisoned a premature lace-winged fly, a fairy little savage, in its sheaths of cobweb and emerald, and with its jewel eyes.

"Dear!" said Mrs. Purcell, gathering her array more closely about her. "How do you dare touch such a venomous sprite?"

"As if you had an insect at the North with a sting!" replied Marguerite, suffering it, a little maliciously, to escape in the lady's face, and following the flight with a laugh of childlike glee.

"Here are your snowflakes on stems, mamma," she continued, dropping anemones over her mother's hands, one by one;–"that is what Mr. Raleigh calls them. When may I see the snow? You shall wrap me in eider, that I may be like all the boughs and branches. How buoyant the earth must be, when every twig becomes a feather!" And she moved toward Mr. Raleigh, singing, "Oh, would I had wings like a dove!"

"And here are those which, if not daffodils, yet

 
"'Come before the swallow dares, and take
The winds of March with beauty,'"
 

he said, giving her a basket of hepaticas and winter-green.

Marguerite danced away with the purple trophy, and, emptying a carafe into a dish of moss that stood near, took them to Mrs. Laudersdale, and, sitting on the footstool, began to rearrange them. It was curious to see, that, while Mrs. Laudersdale lifted each blossom and let the stem lie across her hand, she suffered it to fall into the place designated for it by Marguerite's fingers, that sparkled in the mosaic till double wreaths of gold-threaded purple rose from the bed of vivid moss and melted into a fringe of the starry spires of winter-green.

"Is it not sweet?" said she then, bending over it.

"They have no scent," said her mother.

"Oh, yes, indeed! the very finest, the most delicate, a kind of aërial perfume; they must of course alchemize the air into which they waste their fibres with some sweetness."

"A smell of earth fresh from 'wholesome drench of April rains,'" said Mr. Raleigh, taking the dish of white porcelain between his brown, slender hands. "An immature scent, just such an innocent breath as should precede the epigea, that spicy, exhaustive wealth of savor, that complete maturity of odor, marriage of daphne and linnaea. The charm of these first bidders for the year's favor is neither in the ethereal texture, the depth or delicacy of tint, nor the large-lobed, blood-stained, ancient leaves. This imponderable soul gives them such a helpless air of babyhood."

"Is fragrance the flower's soul?" asked Marguerite. "Then anemones are not divinely gifted. And yet you said, the other day, that to paint my portrait would be to paint an anemone."

"A satisfactory specimen in the family-gallery," said Mrs. Purcell.

"A flaw in the indictment!" replied Mr. Raleigh. "I am not one of those who paint the lily."

"Though you've certainly added a perfume to the violet," remarked Mr. Frederic Heath, with that sweetly lingering accent familiarly called the drawl, as he looked at the hepaticas.

"I don't think it very complimentary, at any rate," continued Marguerite. "They are not lovely after bloom,–only the little pink-streaked, budded bells, that hang so demurely. Oui, dà! I have exchanged great queen magnolias for rues; what will you give me for pomegranates and oleanders?"

"Are the old oleanders in the garden yet?" asked Mrs. Laudersdale.

"Not the very same. The hurricane destroyed those, years ago; these are others, grand and rosy as sunrise sometimes."

"It was my Aunt Susanne who planted those, I have heard."

"And it was your daughter Rite who planted these."

"She buried a little box of old keepsakes at its foot, after her brother had examined them,–a ring or two, a coin from which she broke and kept one half"–

"Oh, yes! we found the little box, found it when Mr. Heath was in Martinique, all rusted and moulded and falling apart, and he wears that half of the coin on his watch-chain. See!"

Mrs. Laudersdale glanced up indifferently, but Mrs. Purcell sprang from her elegant lounging and bent to look at her brother's chain.

"How odd that I never noticed it, Fred!" she exclaimed. "And how odd that I should wear the same!" And, shaking her châtelaine, she detached a similar affair.

They were placed side by side in Mr. Raleigh's hand; they matched entirely, and, so united, they formed a singular French coin of value and antiquity, the missing figures on one segment supplied by the other, the embossed profile continued and lost on each, the scroll begun by this and ended by that; they were plainly severed portions of the same piece.

"And this was buried by your Aunt Susanne Le Blanc?" asked Mrs. Purcell, turning to Mrs. Laudersdale again, with a flush on her cheek.

"So I presume."

"Strange! And this was given to mamma by her mother, whose maiden name was Susan White. There's some diablerie about it."

"Oh, that is a part of the ceremony of money-hiding," said Mr. Raleigh. "Kidd always buried a little imp with his pots of gold, you know, to work deceitful charms on the finder."

"Did he?" said Marguerite, earnestly.

They all laughed thereat, and went in to tea.

[To be continued.]

EPITHALAMIA

I

THE WEDDING

 
O Love! the flowers are blowing in park and field,
With love their bursting hearts are all revealed.
So come to me, and all thy fragrance yield!
 
 
O Love! the sun is sinking in the west,
And sequent stars all sentinel his rest.
So sleep, while angels watch, upon my breast!
 
 
O Love! the flooded moon is at its height,
And trances sea and land with tranquil light.
So shine, and gild with beauty all my night!
 
 
O Love! the ocean floods the crooked shore,
Till sighing beaches give their moaning o'er.
So, Love, o'erflow me, till I sigh no more!
 

II

THE GOLDEN WEDDING

 
O wife! the fragrant Mayflower now appears,
Fresh as the Pilgrims saw it through their tears.
So blows our love through all these changing years.
 
 
O wife! the sun is rising in the east,
Nor tires to shine, while ages have increased.
So shines our love, and fills my happy breast
 
 
O wife! on yonder beach the ocean sings,
As when it bore the Mayflower's drooping wings.
So in my heart our early love-song rings.
 
 
O wife! the moon and stars slide down the west
To make in fresher skies their happy quest.
So, Love, once more we'll wed among the blest!
 

ARTHUR HALLAM

We were standing in the old English church at Clevedon on a summer afternoon. And here, said my companion, pausing in the chancel, sleeps Arthur Hallam, the friend of Alfred Tennyson, and the subject of "In Memoriam."

 
"'Tis well, 'tis something, we may stand
Where he in English earth is laid."
 

His burial-place is on a hill overhanging the Bristol Channel, a spot selected by his father as a fit resting-place for his beloved boy. And so

 
"They laid him by the pleasant shore,
And in the hearing of the wave."
 

Dying at twenty-two, the hope and pride of all who knew him, "remarkable for the early splendor of his genius," the career of this young man concentres the interest of more than his native country. Tennyson has laid upon his early grave a poem which will never let his ashes be forgotten, or his memory fade like that of common clay. What Southey so felicitously says of Kirke White applies most eloquently to young Hallam:–"Just at that age when the painter would have wished to fix his likeness and the lover of poetry would delight to contemplate him, in the fair morning of his virtues, the full spring-blossom of his hopes,– just at that age hath death set the seal of eternity upon him, and the beautiful hath been made permanent."

Arthur Henry Hallam was born in Bedford Place, London, on the 1st of February, 1811. The eldest son of Henry Hallam, the eminent historian and critic, his earliest years had every advantage which culture and moral excellence could bring to his education. His father has feelingly commemorated his boyish virtues and talents by recording his "peculiar clearness of perception, his facility of acquiring knowledge, and, above all, an undeviating sweetness of disposition, and adherence to his sense of what was right and becoming." From that tearful record, not publicly circulated, our recital is partly gathered. Companions of his childhood have often told us well-remembered incidents of his life, and this is the too brief story of his earthly career.

When about eight years of age, Arthur resided some time in Germany and Switzerland, with his father and mother. He had already become familiar with the French language, and a year later he read Latin with some facility. Although the father judiciously studied to repress his son's marked precocity of talent, Arthur wrote about this time several plays in prose and in rhyme,–compositions which were never exhibited, however, beyond the family-circle.

At ten years of age he became a pupil at a school in Putney, under the tuition of an excellent clergyman, where he continued two years. He then took a short tour on the Continent, and, returning, went to Eton, where he studied nearly five years. While at Eton, he was reckoned, according to the usual test at that place, not a first-rate Latin student, for his mind had a predominant bias toward English literature, and there he lingered among the exhaustless fountains of the earlier poetry of his native tongue. One who knew him well in those years has described him to us as a sweet-voiced lad, moving about the pleasant playing-fields of Eton with a thoughtful eye and a most kindly expression. Afterwards, as Tennyson, singing to the witch-elms and the towering sycamore, paints him, he mixed in all the simple sports, and loved to gather a happy group about him, as he lay on the grass and discussed grave questions of state. And again,–

 
"Thy converse drew us with delight,
The men of rathe and riper years:
The feeble soul, a haunt of fears,
Forgot his weakness in thy sight."
 

His taste for philosophical poetry increased with his years, and Wordsworth and Shelley became his prime favorites. His contributions to the "Eton Miscellany" were various, sometimes in prose and now and then in verse. A poet by nature, he could not resist the Muse's influence, and he expressed a genuine emotion, oftentimes elegantly, and never without a meaning.

In the summer of 1827 he left Eton, and travelled with his parents eight months in Italy. And now began that life of thought and feeling so conspicuous to the end of his too brief career. Among the Alps his whole soul took the impress of those early introductions to what is most glorious and beautiful in Nature. After passing the mountains, Italian literature claimed his attention, and he entered upon its study with all the ardor of a young and earnest student. An Abbate who recognized his genius encouraged him with his assistance in the difficult art of Italian versification, and, after a very brief stay in Italy, at the age of seventeen, he wrote several sonnets which attracted considerable attention among scholars. Very soon after acquiring the Italian language, the great Florentine poet opened to him his mystic visions. Dante became his worship, and his own spirit responded to that of the author of the "Divina Commedia."

His growing taste led him to admire deeply all that is noble in Art, and he soon prized with enthusiasm the great pictures of the Venetian, the Tuscan, and the Roman schools. "His eyes," says his father, "were fixed on the best pictures with silent, intense delight." One can imagine him at this period wandering with all the ardor of youthful passion through the great galleries, not with the stolid stony gaze of a coldblooded critic, but with that unmixed enthusiasm which so well becomes the unwearied traveller in his buoyant days of experience among the unveiled glories of genius now first revealed to his astonished vision.

He returned home in 1828, and went to reside at Cambridge, having been entered, before his departure for the Continent, at Trinity College. It is said that he cared little for academical reputation, and in the severe scrutiny of examination he did not appear as a competitor for accurate mathematical demonstrations. He knew better than those about him where his treasures lay,–and to some he may have seemed a dreamer, to others an indifferent student, perhaps. His aims were higher than the tutor's black-board, and his life-thoughts ran counter to the usual college-routine. Disordered health soon began to appear, and a too rapid determination of blood to the brain often deprived him of the power of much mental labor. At Florence he had been seized with a slight attack of the same nature, and there was always a tendency to derangement of the vital functions. Irregularity of circulation occasioned sometimes a morbid depression of spirits, and his friends anxiously watched for symptoms of returning health. In his third Cambridge year he grew better, and all who knew and loved him rejoiced in his apparent recovery.

About this time, some of his poetical pieces were printed, but withheld from publication. It was the original intention for the two friends, Alfred Tennyson and Arthur Hallam, to publish together; but the idea was abandoned. Such lines as these the young poet addressed to the man who was afterwards to lend interest and immortality to the story of his early loss:–

 
"Alfred, I would that you beheld me now,
Sitting beneath a mossy, ivied wall
On a quaint bench, which to that structure old
Winds an accordant curve. Above my head
Dilates immeasurable a wild of leaves,
Seeming received into the blue expanse
That vaults this summer noon. Before me lies
A lawn of English verdure, smooth, and bright,
Mottled with fainter hues of early hay,
Whose fragrance, blended with the rose-perfume
From that white flowering bush, invites my sense
To a delicious madness,–and faint thoughts
Of childish years are borne into my brain
By unforgotten ardors waking now.
Beyond, a gentle slope leads into shade
Of mighty trees, to bend whose eminent crown
Is the prime labor of the pettish winds,
That now in lighter mood are twirling leaves
Over my feet, or hurrying butterflies,
And the gay humming things that summer loves,
Through the warm air, or altering the bound
Where yon elm-shadows in majestic line
Divide dominion with the abundant light."
 

And this fine descriptive passage was also written at this period of his life:–

 
"The garden trees are busy with the shower
That fell ere sunset: now methinks they talk,
Lowly and sweetly, as befits the hour,
One to another down the grassy walk.
Hark! the laburnum from his opening flower
This cheery creeper greets in whisper light,
While the grim fir, rejoicing in the night,
Hoarse mutters to the murmuring sycamore.
What shall I deem their converse? Would they hail
The wild gray light that fronts yon massive cloud,
Or the half-bow rising like pillared fire?
Or are they sighing faintly for desire
That with May dawn their leaves may be o'erflowed,
And dews about their feet may never fail?"
 

The first college prize for English declamation was awarded to him this year; and his exercise, "The Conduct of the Independent Party during the Civil War," greatly improved his standing at the University. Other honors quickly followed his successful essay, and he was chosen to deliver an oration in the College Chapel just before the Christmas vacation. This was in the year 1831. He selected as his subject the one eminently congenial to his thought; and his theme, "The Influence of Italian upon English Literature," was admirably treated. The oration is before us as we write, and we turn the pages with a fond and loving eye. We remember, as we read, his brief sojourn,–that he died "in the sweet hour of prime,"–and we are astonished at the eloquent wisdom displayed by a lad of twenty summers. "I cannot help considering," he says, "the sonnets of Shakspeare as a sort of homage to the Genius of Christian Europe, necessarily exacted, although voluntarily paid, before he was allowed to take in hand the sceptre of his endless dominion." And he ends his charming disquisition in these words;–"An English mind that has drunk deep at the sources of Southern inspiration, and especially that is imbued with the spirit of the mighty Florentine, will be conscious of a perpetual freshness and quiet beauty resting on his imagination and spreading gently over his affections, until, by the blessing of Heaven, it may be absorbed without loss in the pure inner light of which that voice has spoken, as no other can,–

 
"'Light intellectual, yet full of love,
Love of true beauty, therefore full of joy,
Joy, every other sweetness far above.'"
 

It was young Hallam's privilege to be among Coleridge's favorites, and in one of his poems Arthur alludes to him as a man in whose face "every line wore the pale cast of thought." His conversations with "the old man eloquent" gave him intense delight, and he often alluded to the wonderful talks he had enjoyed with the great dreamer, whose magical richness of illustration took him captive for the time being.

At Abbotsford he became known to Sir Walter Scott, and Lockhart thus chronicles his visit:–

"Among a few other friends from a distance, Sir Walter received this summer [1829] a short visit from Mr. Hallam, and made in his company several of the little excursions which had in former days been of constant recurrence. Mr. Hallam had with him his son, Arthur, a young gentleman of extraordinary abilities, and as modest as able, who not long afterwards was cut off in the very bloom of opening life and genius. His beautiful verses, 'On Melrose seen in Company with Scott,' have since been often printed."

 
"I lived an hour in fair Melrose:
It was not when 'the pale moonlight'
Its magnifying charm bestows;
Yet deem I that I 'viewed it right.'
The wind-swept shadows fast careered,
Like living things that joyed or feared,
Adown the sunny Eildon Hill,
And the sweet winding Tweed the distance crowned well.
 
 
"I inly laughed to see that scene
Wear such a countenance of youth,
Though many an age those hills were green,
And yonder river glided smooth,
Ere in these now disjointed walls
The Mother Church held festivals,
And full-voiced anthemings the while
Swelled from the choir, and lingered down the echoing aisle.
 
 
"I coveted that Abbey's doom:
For if, I thought, the early flowers
Of our affection may not bloom,
Like those green hills, through countless hours,
Grant me at least a tardy waning
Some pleasure still in age's paining;
Though lines and forms must fade away,
Still may old Beauty share the empire of Decay!
 
 
"But looking toward the grassy mound
Where calm the Douglas chieftains lie,
Who, living, quiet never found,
I straightway learnt a lesson high:
And well I knew that thoughtful mien
Of him whose early lyre had thrown
Over these mouldering walls the magic of its tone.
 
 
"Then ceased I from my envying state,
And knew that aweless intellect
Hath power upon the ways of Fate,
And works through time and space uncheck'd.
That minstrel of old Chivalry
In the cold grave must come to be;
But his transmitted thoughts have part
In the collective mind, and never shall depart.
 
 
"It was a comfort, too, to see
Those dogs that from him ne'er would rove,
And always eyed him reverently,
With glances of depending love.
They know not of that eminence
Which marks him to my reasoning sense;
They know but that he is a man,
And still to them is kind, and glads them all he can.
 
 
"And hence their quiet looks confiding,
Hence grateful instincts seated deep,
By whose strong bond, were ill betiding,
They'd risk their own his life to keep.
What joy to watch in lower creature
Such dawning of a moral nature,
And how (the rule all things obey)
They look to a higher mind to be their law and stay!"
 

At the University he lived a sweet and gracious life. No man had truer or fonder friends, or was more admired for his excellent accomplishments. Earnest in whatever he attempted, his enthusiasm for all that was high and holy in literature stamped his career at Trinity as one of remarkable superiority. "I have known many young men, both at Oxford and elsewhere, of whose abilities I think highly, but I never met with one whom I considered worthy of being put into competition with Arthur for a moment," writes his early and intimate friend. "I can scarcely hope to describe the feelings with which I regarded him, much less the daily beauty of his existence, out of which they grew," writes another of his companions. Politics, literature, philosophy he discussed with a metaphysical subtilty marvellous in one so young. The highest comprehension seemed native to his mind, so that all who came within the sphere of his influence were alike impressed with his vast and various powers. The life and grace of a charmed circle, the display of his gifts was not for show, and he never forgot to keep the solemn injunction, "My son, give me thine heart," clearly engraven before him.

Among his favorite authors, while at the University, we have been told he greatly delighted in the old dramatists, Webster, Heywood, and Fletcher. The grace and harmony of style and versification which he found particularly in the latter master became one of his favorite themes, and he often dwelt upon this excellence. He loved to repeat the sad old strains of Bion; and Aeschylus and Sophocles interested him deeply.

On leaving Cambridge, he took his degree and went immediately to London to reside with his father. It was a beautiful relation which always existed between the elder and the younger scholar; and now, as soon as Arthur had been entered on the boards of the Inner Temple, the father and son sat down to read law together. Legal studies occupied the young student till the month of October, 1832, when he became an inmate of the office of an eminent conveyancer in Lincoln's Inn Fields. Although he applied himself diligently to obtain a sound practical knowledge of the profession he had chosen, his former habits of literary pursuit did not entirely desert him. During the winter he translated most of the sonnets in the "Vita Nuova," and composed a dramatic sketch with Raffaello for the hero. About this period he wrote brief, but excellent, memoirs of Petrarch, Voltaire, and Burke, for the "Gallery of Portraits," then publishing by the Society for the Diffusion of Useful Knowledge. But his time, when unoccupied at the office, was principally devoted to metaphysical research and the history of philosophical opinion. His spirits, sometimes apt to be graver than is the wont of youth, now became more animated and even gay, so that his family were cheered on to hope that his health was firmly gaining ground. The unpleasant symptoms which manifested themselves in his earlier years had almost entirely disappeared, when an attack of intermittent fever in the spring of 1833 gave the fatal blow to his constitution. In August, the careful, tender father took his beloved son into Germany, trusting to a change of climate for restoration. Travelling slowly, they lingered among the scenes connected with a literature and a history both were so familiar with, and many pleasant and profitable hours of delightful converse gladdened Arthur's journey. It is difficult to picture a more interesting group of travellers through the picturesque regions they were again exploring.