Za darmo

Notes and Queries, Number 188, June 4, 1853

Tekst
Autor:
0
Recenzje
Oznacz jako przeczytane
Czcionka:Mniejsze АаWiększe Aa

FOLK LORE

Legend of Llangefelach Tower.—A different version of the legend also exists in the neighbourhood, viz. that the day's work on the tower being pulled down each night by the old gentleman, who was apparently apprehensive that the sound of the bells might keep away all evil spirits, a saint, of now forgotten name, told the people that if they would stand at the church door, and throw a stone, they would succeed in building the tower on the "spot where it fell," which accordingly came to pass.

Ceridwen.

Wedding Divination.—Being lately present on the occasion of a wedding at a town in the East Riding of Yorkshire, I was witness to the following custom, which seems to take rank as a genuine scrap of folk-lore. On the bride alighting from her carriage at her father's door, a plate covered with morsels of bride's cake was flung from a window of the second story upon the heads of the crowd congregated in the street below; and the divination, I was told, consists in observing the fate which attends its downfall. If it reach the ground in safety, without being broken, the omen is a most unfavourable one. If on the other hand, the plate be shattered to pieces (and the more the better), the auspices are looked upon as most happy.

Oxoniensis.

SHAKSPEARE CORRESPONDENCE

Shakspearian Drawings.—I have very recently become possessed of some curious drawings by Hollar; those relating to Shakspeare very interesting, evidently done for one Captain John Eyre, who could himself handle the pencil well.

The inscription under one is as follows, in the writing of the said J. Eyre:

"Ye house in ye Clink Streete, Southwarke, now belonging to Master Ralph Hansome, and in ye which Master Shakspeare lodged in ye while he writed and played at ye Globe, and untill ye yeare 1600 it was at the time ye house of Grace Loveday. Will had ye two Rooms over against ye Doorway, as I will possibly show."

Size of the drawing, 12 × 7, "W. Hollar delin., 1643." It is an exterior view, beautifully executed, showing very prominently the house and a continuation of houses, forming one side of the street.

The second has the following inscription in the same hand:

"Ye portraiture of ye rooms in ye which Master Will Shakspeare lodged in Clink Streete, and which is told to us to be in ye same state as when left by himself, as stated over ye door in ye room, and on the walls were many printed verses, also a portraiture of Ben Jonson with a ruff on a pannel."

Size of the drawing 11⅝ × 6⅞, "W. Hollar delin., 1643:" shows the interior of three sides, and the floor and ceiling, with the tables, chairs, and reading-desk; an open door shows the interior of his sleeping-room, being over the entrance door porch.

The third—

"Ye Globe, as to be seen before ye Fire in ye year 1615, when this place was burnt down. This old building," &c.

Here follows a long interesting description. It is an exterior view; size of drawing 7¼ wide × 9⅞ high, "W. H. 1640."

The fourth shows the stage, on which are two actors: this drawing, 7⅞ × 6½, was done by J. Eyre, 1629, and on which he gives a curious description of his accompanying Prince Charles, &c.; at this time he belonged to the Court, as he also accompanied that prince to Spain.

The fifth, done by the same hand in a most masterly manner, pen and ink portrait of Shakspeare, copied, as he writes, from a portrait belonging to the Earl of Essex, with interesting manuscript notice.

The sixth, done also by J. Eyre:

"Ye portraiture of one Master Ben Jonson, as on ye walls of Master Will Shakspeare's rooms in Clinke Streete, Southwarke."—J. E. 1643.

The first three, in justice to Hollar, independent of the admirers of the immortal bard and lovers of antiquities, should be engraved as "Facsimiles of the Drawings." This shall be done on my receiving the names of sixty subscribers, the amount of subscription one guinea, for which each subscriber will receive three engravings, to be paid for when delivered.

P. T.

P. S.—These curious drawings may be seen at No. 1. Osnaburgh Place, New Road.

Thomas Shakspeare.—From a close examination of the documents referred to (as bearing the signature of Thomas Shakspeare) in my last communication to "N. & Q.," Vol. vii., p. 405.), and from the nature of the transaction to which they relate, my impression is, that he was by profession a money scrivener in the town of Lutterworth; a circumstance which may possibly tend to the discovery of his family connexion (if any existed) with William Shakspeare.

Charlecote.

Passage in Macbeth, Act I. Sc. 5.

 
"      ·       ·       ·   Come, thick night,
And pall thee in the dunnest smoke of hell,
That my keen knife see not the wound it makes,
Nor heaven peep through the blanket of the dark,
To cry, Hold, hold!"
 

In Mr. Payne Collier's Notes and Emendations, p. 407., we are informed that the old corrector substitutes blankness for blanket. The change is to me so exceedingly bad, even if made on some sort of authority (as an extinct 4to.), that I should have let it be its own executioner, had not Mr. Collier apparently given in his adhesion to it. I now beg to offer a few obvious reasons why blanket is unquestionably Shakspeare's word.

In the Rape of Lucrece, Stanza cxv., we have a passage very nearly parallel with that in Macbeth:

 
"O night, thou furnace of foul reeking smoke,
Let not the jealous day behold thy face,
Which underneath thy black all-hiding cloak,
Immodestly lies martyr'd with disgrace."
 

In Lucrece, the cloak of night is invoked to screen a deed of adultery; in Macbeth the blanket of night is invoked to hide a murder: but the foul, reeking, smoky cloak of night, in the passage just quoted, is clearly parallel with the smoky blanket of night in Macbeth. The complete imagery of both passages has been happily caught by Carlyle (Sartor Resartus, 1841, p. 23.), who, in describing night, makes Teufelsdröckh say:

"Oh, under that hideous coverlet of vapours, and putrefactions, and unimaginable gases, what a fermenting-vat lies simmering and hid!"

C. Mansfield Ingleby.

Birmingham.

"Discourse of Reason" (Vol. vii., p. 497.).—This phrase, "generally supposed to be peculiarly Shakspearian," which A. E. B. has indicated in his quotation from Philemon Holland, occurs also in Dr. T. Bright's Treatise of Melancholy, the date of which is 1586. In the third page of the dedicatory epistle there is this sentence:

"Such as are of quicke conceit, and delighted in discourse of reason in naturall things."

Here, then, is another authority against Gifford's proposed "emendation" of the expression as it occurs in Hamlet.

M. D.

Minor Notes

The MSS. of Gervase Hollis.—These were taken during the reign of Charles I., and continue down to the middle of Charles II. In Harl. MSS. 6829, will be found a most curious and valuable volume, containing the painted glass, arms, monuments, brasses, and epitaphs in the various churches and chapels, &c. throughout the county of Lincoln. The arms are all drawn in the margin in colours. Being taken before the civil war, they contain all those which were destroyed or defaced by the Parliament army. They were all copied by Gough, which he notices in his Brit. Top., vol. i. p. 519., but not printed.

His genealogical collections are contained in a series of volumes marked with the letters of the alphabet, and comprehended in the Lansdowne Catalogue under No. 207. The Catalogue is very minute, and the contents of the several volumes very miscellaneous; and some of the genealogical notes are simply short memoranda, which, in order to be made available, must be wrought out from other sources. They all relate more or less to the county of Lincoln. One of these, called "Trusbut," was presented to the British Museum by Sir Joseph Banks in 1817, and will be found in Add. MSS. 6118.

E. G. Ballard.

Anagrams.—The publication of two anagrams in your Number for May 7, calls to my mind a few that were made some years ago by myself and some friends, as an experiment upon the anagrammatic resources of words and phrases. A subject was chosen, and each one of the party made an anagram, good, bad, or indifferent, out of the component letters. The following may serve as a specimen of the best of the budget that we made.

 
1. French Revolution.
Violence, run forth!
 
 
2. Swedish Nightingale.
Sing high! sweet Linda. (q. d. di Chamouni.)
 
 
3. Spanish Marriages.
Rash games in Paris; or, Ah! in a miser's grasp.
 
 
4. Paradise Lost.
Reap sad toils.
 
 
5. Paradise Regained.
Dead respire again.
 
C. Mansfield Ingleby.

Birmingham.

 

Family Caul—Child's Caul.—The will of Sir John Offley, Knight, of Madeley Manor, Staffordshire (grandson of Sir Thomas Offley, Lord Mayor of London temp. Eliz.), proved at Doctors' Commons 20th May, 1658, contains the following singular bequest:

"Item, I will and devise one Jewell done all in Gold enammelled, wherein there is a Caul that covered my face and shoulders when I first came into the world, the use thereof to my loving Daughter the Lady Elizabeth Jenny, so long as she shall live; and after her decease the use likewise thereof to her Son, Offley Jenny, during his natural life; and after his decease to my own right heirs male for ever; and so from Heir to Heir, to be left so long as it shall please God of his Goodness to continue any Heir Male of my name, desiring the same Jewell be not concealed nor sold by any of them."

Cestriensis.

Numerous Progeny.—The London Journal of Oct. 26, 1734, contains the following paragraph:

"Letters from Holderness, in Yorkshire, mention the following remarkable inscription on a tombstone newly erected in the churchyard of Heydon, viz. 'Here lieth the body of William Strutton, of Padrington, buried the 18th of May, 1734, aged 97, who had by his first wife 28 children, and by a second wife 17; own father to 45, grandfather to 86, great-grandfather to 97, and great-great-grandfather to 23; in all 251.'"

T. B. H.

Queries

SMITH, YOUNG, AND SCRYMGEOUR MSS

Thomas Smith, in his Vitæ Illustrium, gives extracts from a so-called Ephemeris of Sir Peter Young, but which Sir Peter compiled during the latter years of his life. Thomas Hearne says, in a note to the Appendix to Leland's Collectanea, that he had had the use of some of Smith's MSS. This Ephemeris of Sir Peter Young may be worth the publishing if it can be found: can any of your readers say whether it is among Smith's or Hearne's MSS., or if it be preserved elsewhere? Peter Young, and his brother Alexander, were pupils of Theodore Beza, having been educated chiefly at the expense of their maternal uncle Henry Scrymgeour, to whose valuable library Peter succeeded. It was brought to Scotland by Alexander about the year 1573 or 1574, and was landed at Dundee. It was especially rich in Greek MSS.; and Dr. Irvine, in his "Dissertation on the Literary History of Scotland," prefixed to his Lives of the Scottish Poets, says of these MSS. and library, "and the man who is so fortunate as to redeem them from obscurity, shall assuredly be thought to have merited well from the republic of letters." It is much to be feared, however, that as to the MSS. this good fortune awaits no man; for Sir Peter Young seems to have given them to his fifth son, Patrick Young, the eminent Greek scholar, who was librarian to Prince Henry, and, after his death, to the king, and to Charles I. Patrick Young's house was unfortunately burned, and in it perished many MSS. belonging to himself and to others. If Scrymgeour's MSS. escaped the fire, they are to be sought for in the remnant of Patrick Young's collection, wherever that went, or in the King's Library, of which a considerable part was preserved. Young's house was burned in 1636, and he is supposed to have carried off a large number of MSS. from the royal library, after the king's death in 1649. If therefore Scrymgeour's MSS. were among these, it is possible that they may yet be traced, for they would be sold with Young's own, after his death in 1652. This occurred on the 7th of September, rather suddenly, and he left no will, and probably gave no directions about his MSS. and library, which were sold sub hastâ, probably within a few months after his death, and with them any of the MSS. which he may have taken from the King's Library, or may have had in his possession belonging to others. Smith says that he had seen a large catalogue of MSS. written in Young's own hand. Is this catalogue extant? Patrick Young left two daughters, co-heiresses: the elder married to John Atwood, Esq.; the younger, to Sir Samuel Bowes, Kt. A daughter of the former gave to a church in Essex a Bible which had belonged to Charles I.; but she knew so little of her grandfather's history that she described him as Patrick Young, Esq., library keeper to the king, quite unconscious that he had been rector of two livings, and a canon and treasurer of St. Paul's. Perhaps, after all, the designation was not so incorrect, for though he held so many preferments, he never was in priest's orders, and sometimes was not altogether free from suspicion of not being a member of the Church of England at all, except as a recipient of its dues, and of course, a deacon in its orders.

But it may be worthy of note, as affording another clue by which, perchance, to trace some of Scrymgeour's MSS., that Sir Thomas Bowes, Kt., who was Sir Symonds D'Ewes's literary executor, employed Patrick Young to value a collection of coins, &c., among which he recognised a number that had belonged to the king's cabinet, and which Sir Symonds had purchased from Hugh Peters, by whom they had been purloined. Young taxed Peters with having taken books, and MSS. also, which the other denied, with the exception of two or three, but was not believed. I do not know what relation Sir Thomas Bowes was to Sir Samuel, who married Young's second daughter, nor to Paul Bowes, who edited D'Ewes's Journals in 1682. It is quite possible that some of Scrymgeour's MSS. may have fallen into D'Ewes's hands, may have come down, and be recognisable by some mark.

As to Scrymgeour's books, it is probable that they were deposited in Peter Young's house of Easter Seatoun, near to Arbroath, of which he obtained possession about 1580, and which remained with his descendants for about ninety years, when his great-grandson sold it, and purchased the castle and part of the lands of Aldbar. That any very fine library was removed thither is not probable, especially any bearing Henry Scrymgeour's name; and for this reason, that Thomas Ruddiman was tutor to David Young, and was resident at Aldbar, and would hardly have failed to notice, or to record, the existence of any so remarkable a library as Scrymgeour's, or even of Sir Peter Young's, who was himself an ardent collector of books, as appears from some of his letters to Sir Patrick Vans (recte Vaux) which I have seen, and as might be inferred from his literary tastes and pursuits. There is perhaps reason to believe that Sir Peter's library did not descend in his family beyond his eldest son, Sir James Young, who made an attempt to deprive the sons of his first marriage (the elder of whom died in infancy) of their right of succession to their grandfather's estates, secured to them under their father's marriage contract, and which attempt was defeated by their uncle, Dr. John Young, Dean of Winchester (sixth son of Sir Peter), who acquired from Lord Ramsay, eldest son of the Earl of Dalhousie, part of the barony of Baledmouth in Fife. Dean Young founded a school at St. Andrew's, on the site of which is now built Dr. Bell's Madras College.

Sir Peter Young the elder, knighted in 1605, has been sometimes confounded with his third son, Peter, who received his knighthood at the hands of Gustavus Adolphus, on the occasion of that king being invested with the Order of the Garter.

Another fine library (Andrew Melville's) was brought into Scotland about the same time as Scrymgeour's; and it is creditable to the statesmen of James's reign that there was an order in the Scotch exchequer, that books imported into Scotland should be free from custom. A note of this order is preserved among the Harleian MSS. in the British Museum; but my reference to the number is not at hand.

De Camera.