Making the first hearty spontaneous gesture he had shown, the young man seized the other's outstretched hand. "Yes," he breathed; "by Heaven! I will!"

It was past midnight when Bulstrode, pushing open the curtains of his bedroom, looked out on the frozen world of Washington Square, where of tree and arch not an outline was visible under the disguising snow; and above, in the sky swept clear of clouds by the strongest of winds, rode the round full disk of the Christmas moon.

The adoption of a vagrant, the quixotic decision he had taken to leave New York on Christmas day, the plain facts of the outrageous folly his impulsiveness led him to contemplate, had relegated his more worldly plans to the background. Laying aside his waistcoat, he took out the letter in whose contents he had been absorbed when Cecil Waring crossed the threshold of his drawing-room.

Well … as he re-read at leisure her delightful plan for Christmas day, he sighed that he could not do for them both better than to go two thousand miles away! "Waring thinks himself a vagrant – and so, poor chap, he has been; but there are vagrants of another kind." Jimmy reflected he felt himself to be one of these others, and was led to speculate if there were many outcasts like himself, and what ultimately, if their courage was sufficient to keep them banished to the end, would be the reward?

"Since," he reflected, "there's only one thing I desire – and it's the one thing forbidden – I fail sometimes to quite puzzle it out!"

He had finished his preparations for the night and was about to turn out the light, when, with his hand on the electric button, he paused, for he distinctly heard from downstairs what sounded like a call – a cry.

Taking his revolver from the top drawer, he went into the hall, to feel a draft of icy air blow up the staircase, to see over the balusters the open door of the dining-room and light within it, and to hear more clearly the sounds that had come to him through closed doors declare themselves to be scuffling – struggling – the half-cry of a muffled voice – a fall, then Bulstrode started.

"I'm coming," he declared, and ran down the stairs like a boy.

On the dining-room floor, close to the window wide open to the icy night, lay a man's form, and over him bent another man cruelly, with all the animus of a bird of prey.

The under man was Ruggles, Bulstrode's butler, his eyes starting from their sockets, his mouth open, his color livid; he couldn't have called out, for the other man had seized his necktie, twisted it tight as a tourniquet around the man's gullet, and so kneeling with one knee on his chest, Waring held the big man under.

"I say," panted the young man, "can you lend a hand, sir? I've got him, but I'm not strong enough to keep him."

Bulstrode thought his servant's eyes rolled appealingly at him. He cocked his revolver, holding it quietly, and asked coolly:

"What's the matter with him that he needs to be kept?"

"Would you sit on his chest, Mr. Bulstrode?"

"No," said that gentleman. "I'll cover him so. What's the truth?"

"I heard a queer noise," panted the Englishman, "and came out to see what it was, and this fellow was just getting through the window. There was another chap outside, but he got away. I caught this one from the back, otherwise I could never have thrown him."

"You're throttling him."

"He deserves it."

"Let him up."

"Mr. Bulstrode…!"

"Yes," said that gentleman, decidedly, "let him up."

But Ruggles, released from the hand whose knuckles had ground themselves into his windpipe, could not at once rise. The breath was out of him, for he had been heavily struck in the stomach by a blow from the fist of a man whose training in sport had delightfully returned at need.

Ruggles began to breathe like a porpoise, to grunt and pant and roll over. He staggered to his feet, and with a string of imprecations raised his fist at Waring, but as Bulstrode's revolver was entirely ready to answer at command, he did not venture to leave the spot where he stood.

"Now," said his master, "when you get your tongue your story will be just the same as Mr. Waring's. You found him getting away with the silver. The probabilities are all with you, Ruggles. The police will be here in just about five minutes. Ten to one the guilty man is known to the officers. Now there's an overcoat and hat on the hat-rack in the hall. I give both of you time to get away. There's the front door and the window – which, by the way, you would better shut, Waring, as it's a cold morning."

Neither man moved. Without removing his eyes from the butler or uncovering him, Bulstrode, by means of the messenger-call to the right of the window, summoned the police. The metallic click of the button sounded loud in the room.

Ruggles shook his great hand high in air.

"I'd – I'd – "

"Never mind that," interrupted the householder. "The man who's going had better take his chance. There's one minute lost."

During the next half-second the modern philanthropist breathed in suspense. It was so on the cards that he might be obliged to apologize to his antipathetic butler and find himself sentimentally sold by Waring!

But Ruggles it was who with a parting oath stepped to the door – accelerating his pace as the daze began to pass a little from his brain, and snatched the hat and coat, unlocked the front door, opened it, looked quickly up and down the white streets, and then without a word cut down the steps and across Washington Square, slowly at first, and then on a run.

Bulstrode turned to his visitor.

"Come," he said, "let's go up to bed."

"But," stammered the young man, "you're never going to let him go like that?"

"Yes, I am," confessed the unpractical gentleman. "I couldn't send a man to jail on Christmas day."

"But the police – ?"

"I shall tell them out of my window that it was a false alarm."

Bulstrode shut and locked his door, and turning to Waring, laughed delightedly.

"I must tell you that when he let you in last night Ruggles did not think you were a gentleman. He must have found out this morning that you were very much of a man. It's astonishing where you got your strength, though. He'd make two of you, and you're not fit in any way."

He looked ghastly enough as Bulstrode spoke, and the gentleman put his arm under the Englishman's. "I'll ring for the servants and have some coffee made and fetched to your room. Lean on me." He helped the vagabond upstairs.

The New Yorker, whose sentimental follies were certainly a menace to public safety and a premium to begging and vagabondage and crime, slept well and late, and was awakened finally by the keen, bright ringing of the telephone at his side. As he took up the receiver his whole face illumined.

"Merry Christmas, Jimmy!"

…

"What wonderful roses! Thanks a thousand times!"

…

"But of course I knew! No other man in New York is sentimental enough to have a woman awakened at eight o'clock by a bunch of flowers!"

…

"Forgive you!" (It was clear that she did.)

…

"Jimmy, what a day for Tuxedo, and what a shame I can't go!"

…

"You weren't going! You mean to say that you had refused?"

…

"I don't understand – it's the connection – West?"

"Why, ranches look after themselves. They always do. They go right on. You don't mean it, on Christmas day!"

…

"I shouldn't care for your reasons. They're sure to be ridiculous – unpractical – unnecessary – don't tell them to me."

There was a pause, and then the voice, which had undergone a slight change said:

"Jack's ill again … that's why I couldn't go to Tuxedo. I shall pass the day here in town. I called up to tell you this – and to suggest – but since you're going West…"

Falconer's illnesses! How well Bulstrode knew them, and how well he could see her alone in the familiar little drawing-room by a hearth not built for a Christmas tree! He had promised Waring, "I'll stand by you." It was a kind of vow – a real vow, and the poor tramp had lived up to his.

"Jimmy." There was a note he had never heard before; if a tone can be a tear, it was one.

He interrupted her.

…

"How dear of you!"

…

"But I haven't any Christmas tree!"

…

"You'll fetch one? How dear of you! We'll trim it – with your roses – make it bloom. Come early and help me dress the tree."

Two hours later he opened the door into his breakfast-room with the guiltiness of a truant boy. He wore culprit shame written all over his face, and the young man who stood waiting for him in the window might almost have read his friend's dejection in his embarrassed face.

But Waring came eagerly forward, answered the season's greetings, and said quickly:

"Are you still in the same mind about the West, Mr. Bulstrode?"

(Poor Bulstrode!)

"I mean to say, sir, if you still feel like giving me this chance, I've a favor to ask. Would you let me go alone?"

Bulstrode gasped.

"Since last night a lot has happened to me, not only since you've befriended me, but since I tussled with that fellow here. I'd like a chance to see what I can do alone. If you, as you so generously plan, go with me, I shall feel watched – protected. It will weaken me more than anything else. I suppose I shall go all to pieces, but I'd like to try my strength. If I could suddenly master that chap with my fists after months of dissipation – "

Bulstrode finished for him:

"You can master the rest."

"Don't give me any extra money," pleaded the tramp, as if he foresaw his friend's impulse. "Pay my ticket out West, if you will, and write to the man who is there, and I'll start in."

Bulstrode beamed on him.

"You're a man," he assured him – "a man."

"I may become one."

"You're a fine fellow."

"You'll trust me, then?"

"Implicitly."

"Then let me start to-day. I'm reckless – let me get away. I may get off at the first station and pawn my clothes and drink and drink to a lower hell than before – but let me try alone."

"You shall go alone – and go to-day."

Prosper came in with the coffee; he, too, was beaming, and the servants below-stairs were all agog. Waring was a hero.

"Prosper," said his master, in French, "will you, after you have served breakfast, go out to the market quarters and see if you can discover for me a medium-sized, very well-proportioned little Christmas tree? Fetch it home with you."

Waring smiled faintly.

Bulstrode smiled too, and more comprehendingly, and Prosper smiled and said:

"Mais certainement, monsieur."

THE SECOND ADVENTURE
II
IN WHICH HE TRIES TO BUY A PORTRAIT

Bulstrode was extremely fond of travel, and every now and then treated himself to a season in London or Paris, and in the May following his adventure with Waring he saw, from his apartments in the Hôtel Ritz, from Boulevard, Bois, and the Champs Elysées, as much of the maddeningly delicious Parisian springtime "as was good for him at his age," so he said! It gave the feeling that he was a mere boy, and with buoyant sensations astir in him, life had begun over again.

Any morning between eleven and twelve Bulstrode might have been seen in the Bois de Boulogne briskly walking along the Avenue des Acacias, his well-filled chest thrown out, his step light and assured; cane in hand, a boutonnière tinging the lapel of his coat; immaculate and fresh as a rose, he exhaled good-humor, kindliness, and well-being.

From their traps and motors charming women bowed and smiled, the fine fleur and the beau monde greeted him cordially.

"Regardez moi ce bon Bulstrode qui se promene," if it were a Frenchman, or, "There's dear old Jimmy Bulstrode!" if he were recognized by a compatriot.

Bulstrode was rather slight of build, yet with an evident strength of body that indicated a familiarity with exercise, a healthful habit of sport and activity. His eyes, clear-sighted and strong, looked through the medium of no glass happily and naïvely on the world. Many years before his hair had begun to turn gray, and had not nearly finished the process; it grew thickly, and was quite dark about his ears and on his brow. Having gained experience and kept his youth, he was as rare and delightful as fine wine – as inspiring as spring. It was his heart (Mrs. Falconer said) that made him so, his good, gentle, generous heart! – and she should know. His fastidiousness in point of dress, and his good taste kept him close to elegance of attire.

"You turn yourself out, Jimmy, on every occasion," she had said, "as if you were on the point of meeting the woman you loved." And Bulstrode had replied that such consistent hopefulness should certainly be ultimately rewarded.

He gave the impression of a man who in his youth starts out to take a long and pleasant journey and finds the route easy, the taverns agreeable, and the scenes all the guide-book promised. Midway – (he had turned the page of forty) – midway, pausing to look back, Bulstrode saw the experiences of his travels in their sunny valleys, full of goodly memories, and the future, to his sweet hopefulness, promised to be a pleasant journey to the end.

During the time that he spent in Paris every pet charity in the American colony took advantage of the philanthropic Mr. Bulstrode's passing through the city, and came to him to be set upon its feet, and every pretty woman with an interest, hobby, or scheme came as well to this generous millionaire, told him about her fad and went away with a donation.

One ravishing May morning Bulstrode, taking his usual constitutional in the Bois, paused at the end of the Avenue des Acacias to find it deserted and attractively quiet; he sat down on a little bench the more reposefully to enjoy the day and time.

There are, fortunately, certain things which, unlike money, can be shared only with certain people; and Bulstrode felt that the pleasure of this spring day, the charm of the opposite wood-glades into which he meditatively looked, the tranquil as well as the buoyant joy of life, were among those personal things so delightful when shared – and which, if too long enjoyed alone, bring (let it be scarcely whispered on this bewildering May morning) something like sadness!

Before his happier mood changed his attention was attracted by a woman who came rapidly toward the avenue from a little alley at the side. He looked up quickly at the feminine creature who so aptly appeared upon his musings. She was young; her form in its simple dress assured him this. He could not see her face, for it was covered by her hands. Abruptly taking the opposite direction, she went over to a farther seat, where she sat down, and when the young girl put her arms on the back of the seat, her head upon her arms, and in the remoteness this part of the avenue offered, cried without restraint, the kind-hearted Bulstrode felt that it was too cruel to be true.

But soft-hearted though he was, the gentleman was a worldling as well, and that the outburst was a ruse more than suggested itself to him as he went over to the lovely Niobe whose abundant fair hair sunned from under her simple straw hat and from beneath whose frayed skirt showed a worn little shoe.

He spoke in French.

"Pardon, madame, but you seem in great distress."

The poor thing started violently, and as soon as she displayed her pretty tearful face the American recognized in her a compatriot. She waved him emphatically away.

"Oh, please don't notice me – don't speak to me – I didn't see that anybody was there."

"I am an American, too: can't I do anything for you – won't you let me?"

And he saw at once that she wanted to be left alone. She averted her head determinedly.

"No, no, please don't notice me. Please go away!"

He had nothing to do but to obey her, and as he reluctantly did so a smart pony-cart driven by a lady alone came briskly along and drew up, for the occupant had recognized him.

"Get in!" she rather commanded. "My dear Jimmy, how nice to find you here, and how nice to drive you at least as far as the entrance!"

As the rebuffed philanthropist accepted he cast a ruthful glance at the solitary figure on the bench.

"Do you see that poor girl over there? She's an American, and in real trouble."

"My dear Jimmy!" His companion's tone left him in no doubt as to her scepticism.

"Oh, I know, I know," he interrupted, "but she's not a fraud. She's the real thing."

They were already gayly whirling away from the sad little figure.

"Did you make her cry?"

"I? Certainly not."

"Then let the man who did wipe her tears away!"

But Bulstrode had seen the face of the girl, and he was haunted by it all day until the Bois and its bright atmosphere became only the setting for an unhappy woman, young and lovely, whom it had been impossible for him to help.

Somebody had said that Bulstrode should have his portrait done with his hands in his pockets, and Mrs. Falconer had replied, "Or rather with other people's hands in his pockets!"

The next afternoon he found himself part of a group of people who, out of charity and curiosity, patronized the Western Artists' Exhibition in the Rue Monsieur.

Having made a ridiculously generous donation to the support of this league at the request of a certain lovely lady, Bulstrode followed his generosity by a personal effort, and with not much opposition on his part permitted himself to be taken to the exhibition.

He was not, in the ultra sense of the word, a connaisseur, but he thought he knew a horror when he saw it! So he said, and on this afternoon his eyes ached and his offended taste cried out before he had patiently travelled half-way down the line of canvases.

"My dear lady," he confided sotto voce to his friend, "I feel more inclined to establish a fund for sending all these young women back to the prairies, if that's where they come from, than to aid in this slaughter of public time and taste. Why don't they stay at home – and marry?"

"That's a vulgar and limited point of view to take," his friend reproached him. "Don't you acknowledge that a woman has many careers instead of one? You seem to be thoroughly enjoying your liberty! What if I should ask you why you don't stay at home, and marry?"

Bulstrode looked at his guide comprehensively and smiled gently. His response was irrelevant. "Look at this picture! It's too dreadful for words."

"Hush, you're not a judge. Here and there there is evidence of great talent."

They had drawn up before a portrait, and poor Bulstrode caught his breath with a groan:

"It's too awful! It's crime to encourage it."

Mrs. Falconer tried to lead him on.

"Well, this is an unfortunate place to stop," she confessed. "That portrait represents more tragedy than you can see."

"It couldn't," murmured Bulstrode.

"The poor girl who did it has struggled on here for two years, living sometimes on a franc a day. Just fancy! She has been trying to get orders so that she can stay on and study. Poor thing! The people who are interested say that she's been near to desperation. She is awfully proud, and won't take any assistance but orders. You can imagine they're not besieging her! She has come to her last cent, I believe, and has to go home to Idaho."

"Let her go, my dear friend." Bulstrode was earnest. "It's the best thing she could possibly do!"

His companion put her hand on his arm.

"Please be quiet," she implored. "There she is, standing over by the door. That rather pretty girl with the disorderly blonde hair."

Bulstrode looked up – saw her – looked again, and exclaimed:

"Is that the girl? Do you know her? Present me, will you?"

"Nonsense." She detained him. "How you go from hot to cold! Why should you want to meet her, pray?"

"Oh," he evaded, "it's a curious study. I want to talk to her about art, and if you don't present me I shall speak to her without an introduction."

Not many moments later Bulstrode was cornered in a dingy little room, where tea that tasted like the infusion of a haystack was being served. He had skilfully disassociated Miss Laura Desprey from her Bohemian companions and placed her on a little divan, before which, with a teacup in his hand, he stood.

She wore the same dress, the same hat – and he did not doubt the same shoes which characterized her miserable toilet when he had surprised her childlike display of grief on a bench in the Bois. He had done quite right in speaking to her, and he thanked his stars that she did not in the least remember him.

He thought with kind humor: "No wonder she cries if she paints like that!"

But it was not in a spirit of criticism that he bent his friendly eyes on the Bohemian. He had the pleasure of seeing her plainly this time, for the window back of her admitted a generous square of light against which her blonde head framed itself, and her untidy hair was like a dusty mesh of gold. She regarded the amiable gentleman out of eyes child-like and purely blue. Under her round chin the edges of a black bow tied loosely stood out like the wings of a butterfly. Her dress was careless and poor, but she was grace in it and youth – "and what," thought Bulstrode, "has one a right to expect more of any woman?" He remembered her boots and shuddered. He remembered the one franc a day and began his campaign.

"I want so much to meet the painter of that portrait over there," he began.

Her face lightened.

"Oh, did you like it?"

"I think it's wonderful, perfectly wonderful!"

A slow red crept up the thin contour of her cheek. She leaned forward!

"Do you really mean that?"

He said most seriously:

"Yes, I can frankly say I haven't seen a portrait in a long time which impressed me so much."

His praise was not in Latin Quarter vernacular, and coming from a Philistine, had only a certain value to the artist. But to a lonely stranded girl the words were balm. Bulstrode, in his immaculate dress, his conventional manner, was as foreign a person to the Bohemian student as if he had been an inhabitant of another planet. Her speech was brusque and quick, with a generous burr in her "rs" when she replied.

"I've studied at Julian's two years now. This was my Salon picture, but it didn't get in."

"If one can judge by those that did" – Bulstrode's tact was delightful – "you should feel honorably refused. I suppose you are at work on another portrait?"

The face which his interest had brightened clouded.

"No, I'm going home – to Idaho – I'm not painting any more."

All the tragedy to a whole-souled Latin Quarter art student that this implied was not revealed to Bulstrode, but, as it was, his sensitive kindness felt so much already that it ached. He hastened toward his goal with eagerness:

"I'm so awfully sorry! Because, do you know, I was going to ask you if you couldn't possibly paint my portrait?" It came from him on the spur of the moment. His frank eyes met hers and might have quailed at his hypocrisy, but the expression of joy on her face, eclipsing everything else, dazzled him.

She cried out impulsively:

"Oh – goodness!" so loud that one or two tea-drinkers turned about. After a second, having gained control and half as though she expected some motive she did not understand:

"But you never heard of me before to-day! I don't believe you really liked that portrait over there so very much."

With a candor that impressed her he assured her: "I give you my word of honor I've never felt quite so about any portrait before."

Here Miss Desprey had a cup of tea handed her by a vague-eyed girl who stumbled over Bulstrode in her ministrations, much to her confusion.

Laura Desprey drank her tea with avidity, put the cup down on the table near, and leaning over to her patron, exclaimed:

"I just can't believe I've got an order!"

Bulstrode affirmed smiling: "You have, and if you could arrange to stay over for it – if it would," he delicately put, "be worth your while – "

She said quietly:

"Yes, it would be worth my while."

A distrait look passed over her face for a second, and Bulstrode saw he was forgotten in, as he supposed, a painter's vision of an order and its contingent technicalities.

"I can begin at once." He lost no time. "I'm quite free."

"But – I have no studio."

"There must be studios to rent."

Yes. She knew of one; she could secure it for a month. It would take that time – she was a slow worker.

"But we haven't discussed the price." Before so much poverty and struggle – not that it was new to him, but clothed like this in beauty it was rare and appealed to him – he was embarrassed by his riches. "Now the price. I want," he meditated, "a full-length portrait, with a great deal of background, just as handsome and expensive looking as you can paint it."

He exquisitely sacrificed himself and winced at his own words, and saw her color with amusement and a little scorn, but he went on bravely:

"Now for a man like me, Miss Desprey – I am sure you will know what I mean – a man who has never been painted before – this picture will have to cost me a lot of money. You see otherwise my friends would not appreciate it."

In the vulgarian he was making himself out to be his friends would not have recognized the unpretentious Bulstrode.

"Get the place, Miss Desprey, and let me come as soon as you can. All this change of plans will give you extra expenses – I understand about that! Every time I change my rooms it costs me a fortune. Now if you will let me send you over a check for half payment on the picture, for, let us say" – he made it as large as he dared and a quarter of what he wanted. They were alone in the tea-room, the motley gathering had weeded itself out. Miss Desprey turned pale.

"No," she gasped; "I couldn't take anything like half so much for the whole thing."

Bulstrode said coldly:

"I'm afraid I must insist, Miss Desprey; I couldn't order less than a fifteen-hundred dollar portrait. It's the sum I have planned to pay when I'm painted."

"But a celebrated painter would paint it for that."

Bulstrode smiled fatuously.

"Can't a man pay for his fads? I want to be painted by the person who did that portrait over there, Miss Desprey."

In a tiny studio – the dingy chrysalis of a Bohemian art student – Bulstrode posed for his portrait.

Each morning saw him set forth from the Ritz alert and debonaire in his fastidious toilet – saw him cross the Place Vendôme, the bridge, and lose his worldly figure in the lax nonchalant crowd of the Quarter Latin. At the end of an alley as narrow and picturesque as a lane in a colored print he knocked at a green door, and was admitted to the studio by his protégée. In another second he had assumed his prescribed position according to the pose, and Miss Desprey before her easel began the séance.

On these May days the glass roof admitted delightful gradations of glory to the commonplace atelier. A few cheap casts, a few yards of mustard-toned burlaps, some Botticelli and Manet photographs, a mangy divan, and a couple of chairs were the furnishings. It had been impossible for Bulstrode to pass indifferently the venders of flowers in the festive, brilliant streets, and great bunches of giroflé, hyacinths, and narcissi overflowed the earthenware pitchers and vases with which the studio was plentifully supplied. The soft, sharp fragrance rose above the shut-in odor of the atelier, and, while Miss Desprey worked, her patron looked at her across waves of spring perfume.

Her painting-dress, a garment of beige linen, half belted in at the waist and entirely covering her, made her to Bulstrode, from the crown of her fair hair to the tip of her old tan shoes, seem all of one color. He had taken tremendous interest in his pose, in the progress of the work. He would have looked at the portrait every few moments, but Miss Desprey refused him even a glimpse. He was to wait until all manner of strange things took place on the canvas, till "schemes and composition" were determined, "proper values" arrived at, and he listened to her glib school terms with respect and a sanguine hope that with the aid of such potent technicalities and his interest she might be able to achieve this time something short of atrocious.

He posed faithfully for Miss Desprey, and smiled at her with friendly eyes whenever he caught anything more personal than the squinting glance with which she professionally regarded him, putting him far away or fetching him near, according to her art's requirements. They talked in his rest, and he took pleasure in telling her how he enjoyed his morning walks from his hôtel, how the outdoor life delighted him, and how all the suburban gardens seemed to have been brought to Paris to glow and blossom in the venders' carts or in little baskets on the backs of women and boys, and how thoroughly well worth living he thought life in Paris was.

"There is," he finished, "nothing in the world which compares to the Paris spring-time, I believe, but I have never been West. What is spring like in Idaho?"

Miss Desprey laughed, touched her ruffled hair with painty fingers, blushed, and mused.

"Oh, it's all right, I guess. There's a trolley-line in Centreville, an electric plant and the oil works – no trees, no flowers, and the people all look alike. So you see" – she had a dazzling way of shaking her head, when her fine white teeth, her sunny dishevelled hair, her bright cheeks and eyes seemed all to flash and chime together – "so you see, spring in Centreville and Paris isn't the same thing at all! Things are beautiful everywhere," she assured him slowly as she painted, "if you're happy – and I was very unhappy in Centreville, so I thought I'd come away and try to have a career." She poured out a long stream of garance from the tube on to her palette. Bulstrode watched, fascinated.

"And here in Paris, are you – have you been happy here?"

"Oh, dear no!" she laughed; "perfectly miserable. And it used to seem as though it was cruel of the city to be so gay and happy when I couldn't join in – " Bulstrode, remembering the one franc a day and the very questionable inspiration her poor art could impart, understood; his face was full of feeling – "until," she went slowly on, "lately." She stepped behind the canvas and was lost to sight. "I've been awfully happy in Paris for the first time. I do like beautiful things – but I like beautiful people better – and you're beautiful – beautiful."