My cup of coffee had been drugged, and drugged too strongly. I had been saved from being smothered by having taken an overdose of some narcotic. How I had chafed and fretted at the fever-fit which had preserved my life by keeping me awake! How recklessly I had confided myself to the two wretches who had led me into this room, determined, for the sake of my winnings, to kill me in my sleep by the surest and most horrible contrivance for secretly accomplishing my destruction! How many men, winners like me, had slept, as I had proposed to sleep, in that bed, and had never been seen or heard of more! I shuddered at the bare idea of it.
But, ere long, all thought was again suspended by the sight of the murderous canopy moving once more. After it had remained on the bed – as nearly as I could guess – about ten minutes, it began to move up again. The villains who worked it from above evidently believed that their purpose was now accomplished. Slowly and silently, as it had descended, that horrible bedtop rose towards its former place. When it reached the upper extremities of the four posts, it reached the ceiling, too. Neither hole nor screw could be seen; the bed became in appearance an ordinary bed again – the canopy an ordinary canopy – even to the most suspicious eyes.
Now, for the first time, I was able to move – to rise from my knees – to dress myself in my upper clothing – and to consider of how I should escape. If I betrayed by the smallest noise that the attempt to suffocate me had failed, I was certain to be murdered. Had I made any noise already? I listened intently, looking towards the door.
No! no footsteps in the passage outside – no sound of a tread, light or heavy, in the room above – absolute silence everywhere. Besides locking and bolting my door, I had moved an old wooden chest against it, which I had found under the bed. To remove this chest (my blood ran cold as I thought of what its contents might be!) without making some disturbance was impossible; and, moreover, to think of escaping through the house, now barred up for the night, was sheer insanity. Only one chance was left me – the window. I stole to it on tiptoe.
My bedroom was on the first floor, above an entresol, and looked into a back street. I raised my hand to open the window, knowing that on that action hung, by the merest hairbreadth, my chance of safety. They keep vigilant watch in a house of murder. If any part of the frame cracked, if the hinge creaked, I was a lost man! It must have occupied me at least five minutes, reckoning by time – five hours, reckoning by suspense – to open that window. I succeeded in doing it silently – in doing it with all the dexterity of a house-breaker – and then looked down into the street. To leap the distance beneath me would be almost certain destruction! Next, I looked round at the sides of the house. Down the left side ran a thick water-pipe – it passed close by the outer edge of the window. The moment I saw the pipe I knew I was saved. My breath came and went freely for the first time since I had seen the canopy of the bed moving down upon me!
To some men the means of escape which I had discovered might have seemed difficult and dangerous enough – to me the prospect of slipping down the pipe into the street did not suggest even a thought of peril. I had always been accustomed, by the practice of gymnastics, to keep up my school-boy powers as a daring and expert climber; and knew that my head, hands, and feet would serve me faithfully in any hazards of ascent or descent. I had already got one leg over the window-sill, when I remembered the handkerchief filled with money under my pillow. I could well have afforded to leave it behind me, but I was revengefully determined that the miscreants of the gambling-house should miss their plunder as well as their victim. So I went back to the bed and tied the heavy handkerchief at my back by my cravat.
Just as I had made it tight and fixed it in a comfortable place, I thought I heard a sound of breathing outside the door. The chill feeling of horror ran through me again as I listened. No! dead silence still in the passage – I had only heard the night air blowing softly into the room. The next moment I was on the window-sill, and the next I had a firm grip on the water-pipe with my hands and knees.
I slid down into the street easily and quietly, as I thought I should, and immediately set off at the top of my speed to a branch “prefecture” of Police, which I knew was situated in the immediate neighbourhood. A “subprefect,” and several picked men among his subordinates, happened to be up, maturing, I believe, some scheme for discovering the perpetrator of a mysterious murder which all Paris was talking of just then. When I began my story, in a breathless hurry and in very bad French, I could see that the subprefect suspected me of being a drunken Englishman who had robbed somebody; but he soon altered his opinion as I went on, and before I had anything like concluded, he shoved all the papers before him into a drawer, put on his hat, supplied me with another (for I was bareheaded), ordered a file of soldiers, desired his expert followers to get ready all sorts of tools for breaking open doors and ripping up brick flooring, and took my arm, in the most friendly and familiar manner possible, to lead me with him out of the house. I will venture to say that when the subprefect was a little boy, and was taken for the first time to the play, he was not half as much pleased as he was now at the job in prospect for him at the gambling-house!
Away we went through the streets, the subprefect cross-examining and congratulating me in the same breath as we marched at the head of our formidable posse comitatus. Sentinels were placed at the back and front of the house the moment we got to it; a tremendous battery of knocks was directed against the door; a light appeared at a window; I was told to conceal myself behind the police; then came more knocks and a cry of “Open in the name of the law!” At that terrible summons bolts and locks gave way before an invisible hand, and the moment after the subprefect was in the passage, confronting a waiter half dressed and ghastly pale. This was the short dialogue which immediately took place:
“We want to see the Englishman who is sleeping in this house.”
“He went away hours ago.”
“He did no such thing. His friend went away; he remained. Show us to his bedroom!”
“I swear to you, Monsieur le Sous-prefet, he is not here! he – ”
“I swear to you, Monsieur le Garcon, he is. He slept here; he didn’t find your bed comfortable; he came to us to complain of it; here he is among my men; and here am I ready to look for a flea or two in his bedstead. Renaudin!” (calling to one of the subordinates, and pointing to the waiter), “collar that man, and tie his hands behind him. Now then, gentlemen, let us walk upstairs!”
Every man and woman in the house was secured – the “old soldier” the first. Then I identified the bed in which I had slept, and then we went into the room above.
No object that was at all extraordinary appeared in any part of it. The subprefect looked round the place, commanded everybody to be silent, stamped twice on the floor, called for a candle, looked attentively at the spot he had stamped on, and ordered the flooring there to be carefully taken up. This was done in no time. Lights were produced, and we saw a deep raftered cavity between the floor of this room and the ceiling of the room beneath. Through this cavity there ran perpendicularly a sort of case of iron, thickly greased; and inside the case appeared the screw, which communicated with the bedtop below. Extra lengths of screw, freshly oiled; levers covered with felt; all the complete upper works of a heavy press – constructed with infernal ingenuity so as to join the fixtures below, and when taken to pieces again to go into the smallest possible compass – were next discovered and pulled out on the floor. After some little difficulty the subprefect succeeded in putting the machinery together, and, leaving his men to work it, descended with me to the bedroom. The smothering canopy was then lowered, but not so noiselessly as I had seen it lowered. When I mentioned this to the subprefect, his answer, simple as it was, had a terrible significance. “My men,” said he, “are working down the bedtop for the first time; the men whose money you won were in better practice.”
We left the house in the sole possession of two police agents, every one of the inmates being removed to prison on the spot. The subprefect, after taking down my proces verbal in his office, returned with me to my hotel to get my passport. “Do you think,” I asked, as I gave it to him, “that any men have really been smothered in that bed, as they tried to smother me?”
“I have seen dozens of drowned men laid out at the morgue,” answered the subprefect, “in whose pocket-books were found letters stating that they had committed suicide in the Seine, because they had lost everything at the gaming-table. Do I know how many of those men entered the same gambling-house that you entered? won as you won? took that bed as you took it? slept in it? were smothered in it? and were privately thrown into the river, with a letter of explanation written by the murderers and placed in their pocket-books? No man can say how many or how few have suffered the fate from which you have escaped. The people of the gambling-house kept their bedstead machinery a secret from us– even from the police! The dead kept the rest of the secret for them. Good-night, or rather good-morning, Monsieur Faulkner! Be at my office again at nine o’clock; in the meantime, au revoir!”
The rest of my story is soon told. I was examined and reexamined; the gambling-house was strictly searched all through from top to bottom; the prisoners were separately interrogated, and two of the less guilty among them made a confession. I discovered that the old soldier was master of the gambling-house —justice discovered that he had been drummed out of the army as a vagabond years ago; that he had been guilty of all sorts of villainies since; that he was in possession of stolen property, which the owners identified; and that he, the croupier, another accomplice, and the woman who had made my cup of coffee were all in the secret of the bedstead. There appeared some reason to doubt whether the inferior persons attached to the house knew anything of the suffocating machinery; and they received the benefit of that doubt, by being treated simply as thieves and vagabonds. As for the old soldier and his two head myrmidons, they went to the galleys; the woman who had drugged my coffee was imprisoned for I forget how many years; the regular attendants at the gambling-house were considered “suspicious,” and placed under “surveillance”; and I became, for one whole week (which is a long time), the head “lion” in Parisian society. My adventure was dramatised by three illustrious play-makers, but never saw theatrical daylight; for the censorship forbade the introduction on the stage of a correct copy of the gambling-house bedstead.
One good result was produced by my adventure, which any censorship must have approved: it cured me of ever again trying rouge-et-noir as an amusement. The sight of a green cloth, with packs of cards and heaps of money on it, will henceforth be for ever associated in my mind with the sight of a bed canopy descending to suffocate me in the silence and darkness of the night.
Just as Mr. Faulkner pronounced these words he started in his chair, and resumed his stiff, dignified position in a great hurry. “Bless my soul!” cried he, with a comic look of astonishment and vexation, “while I have been telling you what is the real secret of my interest in the sketch you have so kindly given to me, I have altogether forgotten that I came here to sit for my portrait. For the last hour or more I must have been the worst model you ever had to draw from!”
“On the contrary, you have been the best,” said I. “I have been trying to catch your likeness; and, while telling your story, you have unconsciously shown me the natural expression I wanted to insure my success.”
NOTE BY MRS. KERBY
I cannot let this story end without mentioning what the chance saying was which caused it to be told at the farmhouse the other night. Our friend the young sailor, among his other quaint objections to sleeping on shore, declared that he particularly hated four-post beds, because he never slept in one without doubting whether the top might not come down in the night and suffocate him. I thought this chance reference to the distinguishing feature of William’s narrative curious enough, and my husband agreed with me. But he says it is scarcely worth while to mention such a trifle in anything so important as a book. I cannot venture, after this, to do more than slip these lines in modestly at the end of the story. If the printer should notice my few last words, perhaps he may not mind the trouble of putting them into some out-of-the-way corner, in very small type.
L. K.
MICHEL LORIO’S CROSS, By Hesba Stretton
In the southwest point of Normandy, separated from Brittany only by a narrow and straight river, like the formal canals of Holland, stands the curious granite rock which is called Mont St. Michel. It is an isolated peak, rising abruptly out of a vast plain of sand to the height of nearly four hundred feet, and so precipitous toward the west that scarcely a root of grass finds soil enough in its weather-beaten clefts. At the very summit is built that wonderful church, the rich architecture and flying buttresses of which strike the eye leagues and leagues away, either on the sea or the mainland. Below the church, and supporting it by a solid masonry, is a vast pile formerly a fortress, castle, and prison; with caverns and dungeons hewn out of the living rock, and vaulted halls and solemn crypts; all desolate and solitary now, except when a party of pilgrims or tourists pass through them, ushered by a guide. Still lower down the rock, along its eastern and southern face, there winds a dark and narrow street, with odd, antique houses on either side. The only conveyance that can pass along it is the water-cart which supplies the town with fresh water from the mainland. The whole place is guarded by a strong and high rampart, with bastions and battlemented walls; and the only entrance is through three gateways, one immediately behind the other, with a small court between. The second of these strong gateways is protected by two old cannon, taken from the English in 1423, and still pointed out to visitors with inextinguishable pride by the natives of Mont. St. Michel.
A great plain of sand stretches around the Mont for miles every way – of sand or sea, for the water covers it at flood-tides, beating up against the foot of the granite rocks and the granite walls of the ramparts. But at neap tides and eaux mortes, as the French say, there is nothing but a desert of brown, bare sand, with ripple-marks lying across it, and with shallow, ankle-deep pools of salt water here and there. Afar off on the western sky-line a silver fringe of foam, glistening in the sunshine, marks the distant boundary to which the sea has retreated. On every other side of the horizon rises a belt of low cliffs, bending into a semicircle, with sweeping outlines of curves miles in length, drawn distinctly against the clear sky.
The only way to approach the Mont is across the sands. Each time the tide recedes a fresh track must be made, like the track along snowy roads; and every traveller, whether on foot or in carriage, must direct his steps by this scarcely beaten path. Now and then he passes a high, strong post, placed where there is any dangerous spot upon the plain; for there are perilous quicksands, imperceptible to any eye, lurking in sullen and patient treachery for any unwary footstep. The river itself, which creeps sluggishly in a straight black line across the brown desert, has its banks marked out by rows of these high stakes, with a bush of leafless twigs at the top of each. A dreary, desolate, and barren scene it is, with no life in it except the isolated life upon the Mont.
This little family of human beings, separated from the great tide of life like one of the shallow pools which the ebbing sea has left upon its sands, numbers scarcely a hundred and a half. The men are fishers, for there is no other occupation to be followed on the sterile rock. Every day also the level sweep of sands is wandered over by the women and children, who seek for cockles in the little pools; the babble of whose voices echoes far through the quiet air, and whose shadows fall long and unbroken on the brown wilderness. Now and then the black-robed figure of a priest, or of one of the brothers dwelling in the monument on the top of the rock, may be seen slowly pacing along the same dead level, and skirting the quicksands where the warning posts are erected. In the summer months bands of pilgrims are also to be seen marching in a long file like travellers across the desert; but in winter these visits cease almost wholly, and the inhabitants of the Mont are left to themselves.
Having so little intercourse with the outer world, and living on a rock singled out by supernatural visitants, the people remain more superstitious than even the superstitious Germans and Bretons who are their neighbours. Few of them can read or write. The new thoughts, opinions, and creeds of the present century do not reach them. They are contented with the old faith, bound up for them in the history of their patron, the archangel St. Michel, and with the minute interest taken in every native of the rock. Each person knows the history of every other inhabitant, but knows little else.
From Pontorson to the Mont the road lies along the old Bay of St. Michel, with low hedge-rows of feathery tamarind-trees on each side as far as the beach. It is not at all a solitary road, for hundreds of long, heavy carts, resembling artillery waggons, encumber it, loaded with a gray shaly deposit dug out of the bay: a busy scene of men and women digging in the heavy sand, while the shaggy horses stand by, hanging their heads patiently under the blue-stained sheepskins about their necks.
Two or three persons are at work at every cart; one of them, often a woman, standing on the rising pile, and beating it flat with a spade, while a cheerful clatter of voices is heard on every hand.
But at one time a man might have been seen there working alone, quite alone. Even a space was left about him, as if an invisible circle were drawn, within which no person would venture. If a word were flung at him across this imaginary cordon, it was nothing but a taunt or a curse, and it was invariably spoken by a man. No woman so much as glanced at him. He toiled on doggedly, and in silence, with a weary-looking face, until his task was ended, and the waggon driven off by the owner, who had employed him at a lower rate than his comrades. Then he would throw his blue blouse over his shoulders, and tramp away with heavy tread along the faintly marked trail leading across the beach to Mont St. Michel.
Neither was there any voice to greet him as he gained the gateway, where the men of the Mont congregated, as they always congregate about the entrance to a walled town. Rather, the scornful silence which had surrounded him at his work was here deepened into a personal hatred. Within the gate the women, who were chattering over their nets of cockles, shrank away from him, or broke into a contemptuous laugh. Along the narrow street the children fled at the sight of him, and hid behind their mothers, from whose protection they could shout after him. If the cure met him, he would turn aside into the first house rather than come in contact with him. He was under a ban which no one dared to defy.
The only voice that spoke to him was the fretful, querulous voice of an old, bedridden woman as he lifted the latch and opened the door of a poor house upon the ramparts, which had no entrance into the street; and where he lived alone with his mother, cut off from all accidental intercourse with his neighbours.
“Michel! Michel! how late thou art!” she exclaimed; “if thou hadst been a good son thou wouldst have returned before the hour it is.”
“I returned as soon as my work was finished,” he answered, in a patient voice; “I have not lost a minute by the way.”
“Bah! because no one will ask thee to turn in with them anywhere!” she continued. “If thou wert like everybody else thou wouldst have many a friend to pass thy time with. It is hard for me, thy mother, to have brought thee into the world that all the world should despise and hate thee, as they do this day. Monsieur le Cure says there is no hope for thee if thou art so obstinate; thou must go to hell, though I named thee after our great archangel St. Michel, and brought thee up as a good Christian. Quel malheur! How hard it is for me to lie in bed all day, and think of my son in the flames of hell!”
Very quietly, as if he had heard such complainings hundreds of times before, did Michel set about kindling a few sticks upon the open hearth. This was so common a welcome home that he scarcely heard it, and had ceased to heed it. The room, as the flickering light fell upon it, was one of the cheerless and comfortless chambers to be seen in any peasant’s house: a pile of wood in one corner, a single table with a chair or two, a shelf with a few pieces of brown crockery, and the bed on which the paralytic woman was lying, her hands crossed over her breast, and her bright black eyes glistening in the gloom. Michel brought her the soup he had made, and fed her carefully and tenderly, before thinking of satisfying his own hunger.
“It is of no good, Michel,” she said, when he laid her down again upon the pillow he had made smooth for her; “it is of no good. Thou mayest as well leave me to perish; it will not weigh for thee. Monsieur le Cure says if thou hadst been born a heretic perhaps the good God might have taken it into account. But thou wert born a Christian, as good a Christian as all the world, and thou hast sold thy birthright to the devil. Leave me then, and take thy pleasure in this life, for thou wilt have nothing but misery in the next.”
“I will not leave thee – never!” he answered, briefly. “I have no fear of the next world.”
He was a man of few words evidently. Perhaps the silence maintained around him had partly frozen his power of speech. Even to his mother he spoke but little, though her complaining went on without ceasing, until he extinguished both fire and lamp, and climbed the rude ladder into the loft overhead, where her voice never failed to rouse him from his sleep, if she only called “Michel!” He could not clearly explain his position even to himself. He had gone to Paris many years before, where he came across some Protestants, who had taught him to read the Testament, and instructed him in their religion. The new faith had taken hold of him, and thrust deep roots into his simple and constant nature; though he had no words at command to express the change to others, and scarcely to himself. So long as he had been in Paris there had been no need of this.
But now his father’s death had compelled him to return to his native place, and to the little knot of people who knew him as old Pierre Lorio’s son, a fisherman like themselves, with no more right to read or think than they had. The fierceness of the persecution he encountered filled him with dismay, though it had not shaken his fidelity to his new faith. But often a dumb, inarticulate longing possessed him to make known to his old neighbours the reason of the change in him, but speech failed him. He could only stammer out his confession, “I am no longer a Catholic, I am a Protestant, I cannot pray to the saints, not even to the archangel St. Michel or the Blessed Virgin. I pray only to God.” For anything else, for explanation, and for all argument, he had no more language than the mute, wistful language one sees in the eyes of dumb creatures, when they gaze fully at us.
Perhaps there is nothing more pitiful than the painful want of words to express that which lies deepest within us; a want common to us all, but greatest in those who have had no training in thus shaping and expressing their inmost thoughts.
There was not much to fear from a man like this. Michel Lorio was a living lesson against apostasy. As he went up and down the street, and in and out of the gate, his loneliness and dejection spoke more eloquently for the old faith than any banishment could have done. Michel was suffered to remain under a ban, not formal and ceremonial, but a tacit ban, which quite as effectively set him apart, and made his life more solitary than if he had been dwelling alone on a desert rock out at sea.
Michel accepted his lot without complaint and without bitterness. He never passed Monsieur le Cure without a salutation. When he went daily for water to the great cistern of the monastery, he was always ready to carry the brimful pails too heavy for the arms of the old women and children. If he had leisure he mounted the long flights of grass-grown steps three or four times for his neighbours, depositing his burden at their doors, without a word of thanks for his help being vouchsafed to him. Now and then he overheard a sneer at his usefulness; and his mother taunted him often for his patience and forbearance. But he went on his way silently with deeper yearning for human love and sympathy than he could make known.
If it had not been that, when he was kneeling at the rude dormer-window of his loft and gazing dreamily across the wide sweep of sand, with the moon shining across it and the solemn stars lighting up the sky, he was at times vaguely conscious of an influence, almost a presence, as of a hand that touched him and a voice that spoke to him, he must have sunk under this intense longing for love and fellowship. Had he been a Catholic still, he would have believed that the archangel St. Michel was near and about to manifest himself as in former times in his splendid shrine upon the Mont. The new faith had not cast out all the old superstitious nature; yet it was this vague spiritual presence which supported him under the crushing and unnatural conditions of his social life. He endured, as seeing one who is invisible.
Yet at other times he could not keep his feet away from the little street where all the life there was might be found. At night he would creep cautiously along the ramparts and descend by a quiet staircase into an angle of the walls, where he could look on unseen upon the gathering of townsfolk in the inn where he had often gone with his father in earlier days. The landlord, Nicolas, was a most bitter enemy now. There was the familiar room filled with bright light from an oil-lamp and the brighter flicker of a wood fire where the landlord’s wife was cooking. A deep, low recess in the corner, with a crimson valance stretched across it, held a bed with snow-white pillows, upon one of which rested a child’s curly head with eyes fast sealed against the glare of the lamp. At a table close by sat the landlord and three or four of the wealthier men of the Mont busily and seriously eating the omelets and fried fish served to them from the pan over the fire.
The copper and brass cooking utensils glittered in the light from the walls where they hung. It was a cheery scene, and Michel would stand in his cold, dark corner, watching it until all was over and the guests ready to depart.
“Thou art Michel le diable!” said a childish voice to him one evening, and he felt a small, warm hand laid for an instant upon his own. It was Delphine, Nicolas’s eldest girl, a daring child, full of spirit and courage; yet even she shrank back a step or two after touching him, and stood as if ready to take flight.
“I am Michel Lorio,” he answered, in a quiet, pleasant voice, which won her back to his side. “Why dost thou call me Michel le diable?”
“All the world calls thee that,” answered Delphine; “thou art a heretic. See, I am a good Christian. I say my ave and paternoster every night; if thou wilt do the same thing, no one will call thee Michel le diable.”
“Thou art not afraid of me?” he asked, for the child put her hand again on his.
“No, no! thou art not the real devil!” she said, “and maman has put my name on the register of the monument; so the great archangel St. Michel will deliver me from all evil. What canst thou do? Canst thou turn children into cats? or canst thou walk across the sea without being drowned? or canst thou stand on the highest pinnacle of the church, where the golden image of St. Michel used to be, and cast thyself down without killing thyself? I will go back with thee to thy house and see what thou canst do.”
“I can do none of these things,” answered Michel, “not one; but thou shalt come home with me if thou wilt.”
“Carry me,” she said, “that I may feel how strong thou art.”
He lifted her easily into his arms, for he was strong and accustomed to bear heavier burdens. His heart beat fast as the child’s hand stole round his neck and her soft cheek touched his own. Delphine had never been upon the ramparts before when the stars were out and the distant circle of the cliffs hidden by the night, and several times he was compelled to stop and answer her eager questions; but she would not go into the house when they reached the door.
“Carry me back again, Michel,” she demanded. “I do not like thy mother. Thou shalt bring me again along the ramparts to-morrow night. I will always come to thee, always when I see thee standing in the dark corner by our house. I love thee much, Michel le diable.”
It was a strange friendship carried on stealthily. Michel could not put away from himself this one little tie of human love and fellowship. As for Delphine, she was as silent about her new friend as children often are of such things which affect them deeply. There was a mingling of superstitious feeling in her affection for Michel – a half-dread that gave their secret meetings a greater charm to the daring spirit of the child. The evening was a busy time at the inn, and if Delphine had been missed, but little wonder and no anxiety would have been aroused at her absence. The ramparts were deserted after dark, and no one guessed that the two dark figures sauntering to and fro were Michel and Delphine. When the nights were too cold they took refuge in a little overhanging turret projecting from one of the angles of the massive walls – a darksome niche with nothing but the sky to be seen through a narrow embrasure in the shape of a cross. In these haunts Michel talked in his simple untaught way of his thoughts and of his new faith, pouring into the child’s ear what he could never tell to any other. By day Delphine never seemed to see him; never cast a look toward him as he passed by amid the undisguised ill will of the town. She ceased to speak of him even, with the unconscious and natural dissimulation by which children screen themselves from criticism and censure.