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A Changed Heart: A Novel

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"You have lost no time, Monsieur. Walk in, and please to excuse me a few moments. I must go back to Mrs. Leroy."



They were in a long and dismal hall, flanked with doors, and with a great, wide, old-fashioned staircase sweeping up and losing itself somehow in the upper gloom. Natty opened one of the doors, ushered him into the reception parlor of the establishment, and then flew swiftly up the stairs and was gone.



Captain Cavendish looked about him, that is, as well as he could for the gloom. The parlor of Redmon was furnished after the style of the cabin of a certain "fine ould Irish gintleman," immortalized in song, "with nothing at all for show." No carpet on the dreary Sahara of floor; no curtains on the gloomy windows; no pictures on the dead, blank waste of whitewashed walls; a few chairs, a black, old mahogany table, a dreary horsehair sofa, about as soft as if cushioned with bricks; and that was all. The silence of the place was something blood-chilling; not the squeak of a mouse relieved its deathlike quiet.



Five, ten, fifteen, twenty minutes passed, and the captain, getting desperate, was seriously thinking of making his escape, when a light step came tripping down the stairs, and Natty, all breathless and laughing, came breezily in.



"Are you tired to death waiting?" she laughed gayly. "Mrs. Leroy is dreadfully tiresome over her toilet, and I am femme de chambre, if you please! It is over now, and she desires me to escort you to her presence, and be introduced. I hope you may make a favorable impression!"



"But what am I to do?" said Captain Cavendish, with an appalled face. "How am I to insinuate myself into her good graces? Where is the key to her heart?"



"The key was lost years ago, and her heart is now closed. Don't contradict her, whatever you do. Hush! here we are!"



They had ascended to a hall like the one below; flanked, like it, by doors. Natty, with a glance of wicked delight at his dolorous face, opened the first door to the right, and ushered him at once into the presence of the awful Lady Leroy.



Something – it certainly looked more like an Egyptian mummy than anything else – swathed in shawls and swaddling-clothes, was stuck up in a vast Sleepy Hollow open arm-chair, and had its face turned to the door. That face, and a very yellow, and seared, and wrinkled, and unlovely face it was, buried in the flapping obscurity of a deeply-frilled white cap, was lit by a pair of little, twinkling eyes, bright and keen as two stilettos.



"Mrs. Leroy," said Natty, her tone demure, but her mischievous eyes dancing under their lashes, "this is Captain Cavendish."



"How d'ye do, Captain Cavendish?" said Mrs. Leroy, in a shrill, squeaking voice, like a penny whistle out of tune; "sit down – do! Natty, can't you give the young man a cheer?"



Natty did not cheer, but she placed a chair for him, whispering, as she did so, "Speak loud, or she won't hear you."



"What's the weather like out o' doors?" inquired the old lady, scanning him from head to foot with her little piercing eyes; "be the sun a-shining, hey?"



"No, Madam," said Captain Cavendish, in a loud key, "it is foggy."



She had paid no attention to his reply; she had been staring at him all the time, until even he, cool as any man of the world could be, got a trifle disconcerted. Natty, sitting demurely near, was enjoying it all with silent but intense delight.



"So you're the young English captain Natty was telling me about. You're not so handsome as she said you were; leastways, you ain't to my taste!"



It was Natty's turn now to look disconcerted, which she did with a vengeance, as the dark, laughing eyes of the young officer turned upon her.



"Miss Marsh does me too much honor to mention me at all," he said, speaking more at the young lady than to the old one.



"Hey?" inquired Lady Leroy, shrilly. "What's that? What did you say?"



"I was saying how remarkably well you were looking, ma'am," said the captain, raising his voice, "and that this Redmon is a very fine old place."



"It's not!" screamed Lady Leroy, viciously; "it's the hatefulest, daftest, uncomfortablest hole ever anybody set foot in! Natty!"



"Yes, ma'am!" said Natty. "What is it?"



"Is old Nettleby planting them potatoes to-day?"



"Yes, of course he is."



"He'll plant Carters where he ought to plant Early Blues! I know he will!" cried the old lady in an ecstasy of alarm; "run out as fast as you can, Natty, and tell him not to plant any Carters in the three-cornered field. Run, run, run!"



Natty knew Lady Leroy a great deal too well to expostulate. "I will be back directly," she said, in a low voice, the laughing light in her eyes still, as she passed her visitor; "do not get into trouble if you can help it, in my absence."



She was gone, and Lady Leroy, with her eyes fixed on the opposite wall, seemed to have gone off into a fit of musing. Captain Cavendish tried to look about him, which he had not ventured to do before, under those basilisk eyes. It was a large square room, like all the rest in the house, and stiflingly close and warm. No wonder, for a small cooking-stove was burning away, and every window was closed and shuttered. A bed stood in one corner, an old-fashioned clock ticked in a loud hoarse voice on the mantel-piece, a small round table stood at the old lady's elbow, and the floor was covered with a carpet that had been Brussels once, but which was dirty, and colorless, and ragged now. There was an open cupboard with dishes, and a sort of pantry with a half glass door, through which he could see boxes and barrels, hams and dried beef, and other commissary stores. The chair matched the flinty sofa down stairs, and the only thing to attract attention in the room was a green cabinet of covered wood that stood beside the bed. While he was looking at it, the old-fashioned clock began striking twelve in a gruff and surly way, as if it did it against its better judgment. The sound woke the old lady up from her brown study – woke her up with a sharp jerk.



"It's twelve o'clock!" she exclaimed shrilly, "and I want my dinner! Call Midge!"



This was addressed to Captain Cavendish, and in so peremptory a tone that that gallant young officer looked alarmed and disconcerted.



"Call Midge, I tell you! Call her quick!" yelped Lady Leroy in an excited way. "Call Midge, will you!"



"Where is she? Where will I call her?" said the young man, in considerable consternation.



"Open that door, stupid, and call Midge!" cried the old woman, violently excited; "call her quick, I tell you!"



Thus ordered, Captain Cavendish opened the door and began calling loudly on the unknown lady bearing the name of Midge.



Out of the gloom and dismalness below a hoarse voice shouted in reply, "I'm a coming;" and Captain Cavendish went back to his seat. The voice was that of a man, and of a man with a shocking bad cold, too; and the step lumbering up stairs was a man's step; but for all that, Midge wasn't a man, but a woman. Such a woman! the Egyptian mummy in the arm-chair was a Parisian belle compared to her. Between three and four feet high, and between four and five feet broad, Midge was just able to waddle under the weight of her own fair person, and no more. A shock of hair, very like a tar-mop, stood, bristling defiance at combs and brushes, up on end, like "quills upon the fretful porcupine." To say she had no forehead, and only two pinholes for eyes, and a little round lump of flesh in lieu of a decent nose, would be doing no sort of justice to the subject; for the face, with its fat, puffy cheeks, was altogether indescribable. The costume of the lady was scant, her dress displaying to the best advantage a pair of ankles some fifteen inches in circumference, and a pair of powerful arms, bare to the shoulders, were rolled up in a cotton apron. With the airy tread of an elephant inclined to embonpoint, this sylph-like being crossed the hall and stood in the doorway awaiting orders, while Captain Cavendish stared aghast, and backed a few paces with a feeble "By Jove!"



"What do you want, ma'am?" inquired the damsel in the doorway, who might have been anywhere in the vale of years between twenty and fifty.



"Get my dinner! It's after twelve! Don't I always tell you to come and get my dinner when you hear the clock strike twelve?"



"And how do you suppose I can hear that there clock half a mile off, down in that kitchen!" retorted Midge, sharply. "I ain't jest got ears as sharp as lancets, I'd have you know. I'll take the key!"



Mrs. Leroy produced a key from a pocket somewhere about her; and Midge, rather jerking it out of her hands than otherwise, unlocked the pantry, and began busying herself among the forage there. Mrs. Leroy's keen eyes followed every motion as a cat follows its prey, and Captain Cavendish gazed too, as if fascinated, on the fairy form of Miss Midge. In passing to and fro, Midge had more than once caught his eye, and at last her feelings got the better of her, and, pausing abruptly before him, with her arms akimbo, burst out, "Look here, sir! I don't know who you are, but if you're a doggertype-man, come to take my picter, I'd jest thank you to be quick about it, and not sit there gaping like – "



"Midge!" called a ringing voice in the doorway. It was Nathalie, her face stern, her voice imperative. "Midge, how dare you speak so?"



"Oh, never mind!" said Captain Cavendish, who, in the main, was a good-natured young officer. "I deserve it, I dare say. I have made an unpardonably long call, I believe. Mrs. Leroy, I wish you good morning."



"Good morning!" said Mrs. Leroy, without looking at him, all her eyes being absorbed in the doings of Midge in the culinary department. "Natty, you let him out."



Natty did so, and they both laughed when at a safe distance.

 



"What did you do to Midge?" she inquired, "to tempt her to pour the vials of her wrath on your head, as she was doing when I came in."



"Staring very hard, I am afraid! Where is Barnum, that he does not get hold of that domestic monstrosity?"



"Oh, hush!" said Natty. But the warning came too late. Midge, descending the stairs, had heard the speech, and gave the speaker a look so baleful and vindictive, that, had he been troubled with those feminine miseries, nerves, might have haunted him many a day. He smiled at it then, but he remembered that look long after.



"She is acutely sensitive, dull as she seems," said Natty, with a pained look. "I am sorry she heard you."



"I am sincerely sorry for my thoughtless words, then, Miss Marsh, if they pain you."



"She saved Charley's life once," said Natty, "when he was a little fellow. I have always liked Midge since, and I believe she loves me with the faithful and blind fidelity of – but no irreverence – a dog. A slighting word rankles in her memory long."



"I shall fetch her a peace-offering the next time I come, which, by the way," he said, coolly, "is to be this evening, with your permission. Blake is to be my chaperon on the occasion."



"I regret I shall not see either of you then; but," said Natty, with a funny look, "no doubt Mrs. Leroy will be delighted to entertain you till her bedtime comes, which is precisely nine o'clock."



"Not see us? Are you – "



"I have promised to spend the evening out. When I was with the gardener a few moments ago, Miss Blake came in and asked me to spend the evening with her. Mamma and Miss Rose, the new teacher, are to be there, and I could not refuse."



"Then I shall postpone my call. Oh, there is a summons for you! How impatient your old lady is!"



They shook hands, and parted. Captain Cavendish lit a cigar, and went smoking, meditatingly, down the dreary avenue, and out into the highroad. Standing near the gate was pretty Cherrie, and a refulgent smile greeted him from the rosy lips. He lifted his hat, and passed on; for standing in the doorway was the stalwart young fishermen of the beach.



"Two very pretty girls!" he mused, over his Havana; "

belle blonde, et jolie brunette

. It's extremely convenient their living so near together; one journey does for both. I think I understand now what is meant by the old adage of killing two birds with one stone."



CHAPTER VI.

AN EVENING AT MISS BLAKE'S

The establishment of Miss Joanna Blake was not on a scale of magnificence. Miss Jo's only parlor being about ten feet square, was not too grandly vast at any time, and not exactly adapted for the mirthful throng to disport themselves in. The style of furniture, too, was, some people might think, on a trifle too grand a scale for its dimensions. When Val, and his fourteen or fifteen friends aforesaid, lit their cigars, tilted back their chairs, elevated the heels of their boots on the piano or table, and all puffed away together, the parlor became rather obscure, and a stranger suddenly entering might have conceived the idea that the house was in flames; and that, perhaps, was the reason the parlor always smelt like a tobacconist's shop. Besides the parlor, Miss Jo had a dining-room and a kitchen, and two bedrooms, in the floor, though, and she did her own work.



In the parlor of No. 16 Great St. Peter's Street, the lamp was lit, the drab moreen curtains let down, and the table set for tea. There was a snowy cloth on the mahogany which hid the marks of the bootheels and the stains of the punch-tumblers, and the china cups and saucers, and the glass preserve-plates and butter-dish, and spoon-holder, not to speak of the spoons themselves, which were of real silver, and had cost a dollar a piece, and had a big capital "B" engraven thereon, glittered and flashed in the light. There was buttered toast, and hot biscuit, and pound-cake, and fruit-cake, and mince-pie, and quince-jelly, and cold chicken, and coffee and tea – all the work of Miss Jo's own fair hands; and Miss Jo herself, rather flushed with the heat, but very imposing and stately to look at in a green poplin dress – real Irish poplin at that – and a worked collar a finger-length deep, presided at the tea-tray, and dispensed the hospitalities of the festive board. Val, sitting opposite, did his part, which consisted chiefly in attempting to pass the cake-plates, and spilling their contents, of upsetting everything he touched, and looking mildly but reproachfully at the refractory object afterward. Mrs. Marsh was there, placid, and insipid, and faded, and feeble, as usual; and Miss Rose was there, pale and pretty; and Miss Clowrie was there, smiling and soft of voice, and deft of touch, and purring more than ever; and Miss Blair was there, laughing at all the funny things, and rosy as Hebe herself; and Charley Marsh was there, making a martyr of himself in the attempt to be fascinating to three young ladies at once; and everybody had eaten and drank, forced thereto by Miss Blake, until they were, as Charley forcibly put it, "a misery to themselves." So a move was made to adjourn, which just consisted of pushing their chairs about five inches from the table, not being able to push them any further, and Miss Jo began rattling among the tea-things, which she called clearing them off. Miss Catty, always sweet and obliging, and that sort of a thing, insisted on helping her, and Charley opening the upright, clattered a "Fisher's Hornpipe" in spirited style.



"Come and sing us a song, Laura – that's a good girl," he said, while Val, making an apology, slipped out. "Come and sing 'The Laird o' Cockpen.'"



Miss Blair, all smiles, took her seat, and sung not only "The Laird o' Cockpen," but a dozen others of the same kidney.



"What do you think of that?" inquired Miss Blair, triumphantly rising up, with a finishing bang. "Who says I can't sing? Now, Miss Rose, you sing, I know."



"Of course she does," said Charley. "Miss Rose, permit me to lead you to the instrument."



Miss Rose looked as though she were about to excuse herself, but that impulsive Laura Blair ran over and caught her by both hands.



"Up with you! We won't take any excuses. Charley, the young lady is at your mercy, lead her off."



Charley promptly did so. Miss Rose, smiling graciously, ran her white fingers over the yellow keys, and looked up at him.



"What shall I sing, Monsieur?"



"Anything you please, Mademoiselle. I am prepared to be delighted with 'Old Dan Tucker,' if you chose it."



The white fingers still ran idly over the keys, breaking into a plaintive prelude at last, and in a voice, "low and sweet" as Annie Laurie's own, the song began. The words were those of a gifted young American poetess; the melody, a low sweet air, in a melancholy minor key – Miss Rose's own, perhaps.



The sweet voice faltered a little toward the close; but as a buzz of congratulation ran around the circle she arose hastily. Arose to find herself face to face with two gentlemen who had entered as she began her song, and who had stood silently listening with the rest. It was Captain Cavendish and Val; and the young officer's face wore a look no one in that room had ever seen it wear before – a pale and startled look of anxiety, almost of fear – and as she faced them he backed a few paces involuntarily. Miss Rose, evidently taken completely by surprise, started visibly, growing white and red by turns. But Val was introducing them, and only he and one other present saw the changing faces of the twain. That other was Miss Catty Clowrie, whose eyes were as keen as any other cat's, and who watched them furtively, with vividest interest. Miss Catty was enough of a mathematician to know there is no effect without a cause. What, then, was the cause of this? It was easily enough answered. Captain Cavendish and Miss Rose had met before, and had known each other well, though they were now bowing as perfect strangers. The elegant officer had recovered all his high-bred sangfroid, and was smooth and bland as sweet oil; but Miss Rose's face had settled into so deadly a pallor that Mrs. Marsh, albeit not the most eagle-sighted in the world, noticed it.



"Dear me, Miss Rose, how pale you are! Aren't you well?"



Miss Rose murmured something about the heat, and subsided into the most shadowy corner she could find; and Charley created a diversion by sitting down to the piano himself and rattling off a jingling symphony.



In the midst of it carriage wheels rolled up to the door of No. 16, and the first-floor bell rang loudly a minute after.



"That's Natty," said Charley.



Miss Jo met her in the hall and escorted her to her bedroom, which was the dressing-room for the evening; and presently Miss Nathalie came in, dressed in black silk, trimmed with black lace, and all her beautiful golden hair falling in glittering ringlets over her shoulders, her cheeks glowing with the rapid ride through the night air. Brilliant she looked; and Captain Cavendish's heart, or whatever the thing is that does duty for a heart with men of the world, quickened its beating a little, as he shook hands. Nathalie kissed Miss Rose, sitting so very still in her quiet corner.



"My pale little girl! Here you sit like a white shadow, all by yourself. Charley, what on earth are you shouting there?"



"Now, Natty, it's your turn," said Miss Jo.



"Here's the cards," said Charley, laying hold of a pack. "While Natty's singing we'll play 'Muggins.' Does anybody here know 'Muggins'?"



Nobody did.



"What a disgrace! Then I'll teach you. Miss Jo, I'll sit beside you. Come along, captain; here Laura, Catty, Val, mother; Miss Rose, won't you join us?"



"Don't, Miss Rose," said Natty, who was playing a waltz. "They're nothing but a noisy set. Come here and sing with me."



Natty sung everything – Italian arias, French chansonettes, German and Scotch ballads; her full, rich soprano voice filling the room with melody, as on Sundays it filled the long cathedral aisles. Natty's voice was superb – Miss Rose listened like one entranced. So did another, Captain Cavendish, who made all sorts of blunders in the game, and could not learn it at all, for watching the two black figures at the piano – the little pale girl with the modest brown braids, and the stately heiress with her shining yellow curls. Catty Clowrie watched them and the captain, and the game too, noting everything, and making no mistakes. A very noisy party they were, every one laughing, expostulating, and straining their voices together, and Charley winning everything right and left.



"I say, Cavendish, old fellow! what are you thinking of?" cried Val. "This is the third time I've told you to play."



Captain Cavendish started into recollection, and began playing with the wildest rapidity, utterly at random.



"Look here, Natty," called Charley, as the card-party, more noisy than ever, broke up; "I say it's not fair of you to monopolize Miss Rose all the evening. Here's Captain Cavendish has lost all his spare change, because he couldn't watch the game for watching that piano."



Miss Rose retreated hastily to her corner; Natty wheeled round on the piano-stool.



"What noise you have been making. Have you finished your game?"



Charley jingled a pocketful of pennies – Speckport pennies at that – as large as quoits.



"Yes, we have finished, for the simple reason I have cleaned the whole party completely out, and I have won small change enough to keep me in cigars for the next two months. Who's this?"



"It's somebody for me," said Natty, starting up; "that's Rob Nettleby's knock."



"Don't go yet, Natty," said Val, "it is too early."



"It is half-past ten; I should have been off half an hour ago. Miss Blake, my things, please."



Miss Jo produced a white cloud and large cloak, and Natty's move was a signal for all to depart. Catty, Laura, Miss Rose, and Mrs. Marsh's mufflings had to be got, and the little parlor was a scene of "confusion worse confounded."



Val strolled over to where Captain Cavendish was making himself useful, helping Miss Marsh on with her cloak.



"Natty, I'll go home with you, if you like," said polite Val; "it will be rather a dismal drive up there with no one but Rob Nettleby."



"Mr. Blake is forestalled," said Captain Cavendish, coolly. "Miss Marsh has accorded the honor to me."



"All right," said Val, "I'll go home with Laura Blair, then. Charley can take care of the other three, for Catty lives next door."



Lady Leroy's carryall, with Cherrie Nettleby's elder brother for driver, was waiting at the door. Good-byes were said, Natty kissed her mamma, Laura and Miss Rose, but only shook hands with Miss Clowrie. Captain Cavendish noticed the omission as he seated himself beside her, and they drove off.

 



"I don't like her," said Natty; "I never did, since I was a child. She was such a crafty, cunning little thing in those days – a sort of spy on the rest of us – a sort of female Uriah Heep."



"Is she so still?"



"Oh, no; she is well enough now; but old prejudices cling to one, you know. I don't like her, because I don't like her – an excellent female reason, you understand."



"Does your brother share your prejudices, Miss Marsh?" asked the young officer, with a meaning smile.



"Charley? I don't know. Why?"



"Because I fancy the young lady is rather disposed to regard him with favor. I may be mistaken, though."



Natty suddenly drew herself up.



"I think you are mistaken, Captain Cavendish. Catty Clowrie has sense, whatever else she may lack, and never would dream of so preposterous a thing."



"Pardon! it has been my mistake, then. You seem to be all old friends in this place."



"Oh," said Natty, with her gay laugh, "every one knows every one else in Speckport, and a stranger is a marked being at once. Apropos of strangers, what a perfect darling that Miss Rose is."



"How very young-ladylike! Miss Rose does not sound like a family name; has she no other cognomen?"



"Her letter to me was signed W. Rose. I don't know what the 'W' is for. I think she has the sweetest face I ever saw."



"What a lovely night it is?" was Captain Cavendish's somewhat irrelevant answer; and had the moon been shining, Natty might have seen the flush his face wore. Perhaps it was the sea-breeze, though; for it was blowing up fresh and bracing, and a host of stars spangled a sky of cloudless blue. The monotonous plash of the waves on the shore came dully booming over the rattle of their own carriage-wheels.



"What are the wild waves saying? Miss Rose and I have a bond of sympathy between us: we both love the sea. I suppose," said Natty, going off into another subject, "Mrs. Leroy will read me a lecture for my long stay, when I get back."



"Will she not be asleep?"



"Asleep? No, indeed; I believe if I staid out for a week she would never close an eye until I got back."



"Is she so very fond of you, then?"



"It is not that; though I think she is as fond of me as it is in her nature to be of anything, except," with another laugh, "eating and money. It is fear that keeps her awake; she dreads being left alone."



"Why? Not from an evil conscience, I trust."



"For shame, sir. No, she always keeps a large sum of money in her chamber – you saw that queer cabinet – well, in that; and she is terribly scared of robbers, in spite of all our bolts and bars."



"She should not keep it about her, then."



"Very true; but she will. I sleep in the room next hers, and I presume she feels my presence there a sort of safeguard against burglars. In Midge she has no confidence whatever."



"And yet I should consider Midge the greatest possible safeguard. The sight of her might scare away an army of robbers."



"Now, now!" cried Natty. "I shall not have Midge abused. She is the most faithful and trustworthy creature that ever lived."



"Perhaps so; but you will own that she is not the most lovely. When I was a boy at Eton, I used to read German legends of beautiful princesses guarded by malignant spirits, in uncouth human forms. I thought of the stories this morning when I was at Redmon."



"That's a compliment, I suppose," said Natty, "but I don't relish compliments, I can tell you, at Midge's expense. Here we are at the cottage."



"What cottage is it?" Captain Cavendish asked, forgetting suddenly that he had spent half an hour there that very morning.



"The Nettlebys. The father is our gardener; the sons, the whole family, make themselves useful about the place, all but Cherrie, who is more for ornament than use. Here we are at Redmon, and there is the light burning in Mrs. Leroy's window."



"Does it burn all night?" he asked, looking up at it.



"No; it is a beacon for me. I must go to her room the first thing now, give an account of myself, and extinguish it. Good-night; I hope you will enjoy your solitary journey back."



"I shall have pleasant thoughts of a lady fair to keep me company. Are you sure you can get in?"



"Midge is opening the door now; once more, good-night."



Waving her hand to him, she was gone while she spoke. Midge stood blinking in the doorway, holding a candle above her head, which tar-mop was now tied up in a red flannel petticoat.



She shaded her eyes with her hand, peering out at the tall figure in the loose overcoat; and when she made sure of his identity, slamming the door to with a bang that left no doubt of her feelings toward him.



"Midge, why did you do that?" Natty said, reprovingly.



"Because I never want to see his wicked face here, Miss Natty; that's why!" cried Midge, shrilly; "and I don't want to see him with you, for he is a villain, and he will turn out one,