Drummond's first speculations were very successful, as is so often the case with the innocent and ignorant dabbler in commercial gambling. Mr Burton instructed him what to do with his little capital, and he did it. He knew nothing about business, and was docile to the point of servility to his disinterested friend, who smiled at his two thousand pounds, and regarded it with amused condescension. Two thousand pounds! It meant comfort, ease of mind, moral strength, to Drummond. It made him feel that in the contingency of a bad year, or a long illness, or any of the perils to which men and artists are liable, he would still be safe, and that his wife and child would not suffer; but to the rich City man it was a bagatelle scarcely worth thinking of. When he really consented to employ his mind about it, he made such use of it as astonished and delighted the innocent painter. All that his simple imagination had ever dreamed seemed likely to be carried out. This was indeed money-making he felt – Trade spelt with a very big capital, and meaning something much more splendid than anything he had hitherto dreamt of. But then he could not have done it by himself or without instruction. Burton could not have been more at a loss in Drummond's studio than he would have felt in his friend's counting-house. Mr Burton was 'a merchant;' a vague term which nevertheless satisfied the painter's mind. He was understood to be one of the partners in Rivers's bank, but his own business was quite independent of that. Money was the material he dealt in – his stock-in-trade. He understood the Funds as a doctor understands a patient whose pulse he feels every day. He could divine when they were going to rise and when they were going to fall. And there were other ways in which his knowledge told still more wonderfully. He knew when a new invention, a new manufacture, was going to be popular, by some extraordinary magic which Drummond could not understand. He would catch a speculation of this sort at its tide, and take his profit from it, and bound off again uninjured before the current began to fall. In all these matters he was knowing beyond most men; and he lent to his cousin's husband all the benefit of his experience. For several years Drummond went on adding to his store in a manner so simple and delightful, that his old way of making money, the mode by which months of labour went to the acquisition of a few hundred pounds, looked almost laughable to him. He continued it because he was fond of his art, and loved her for herself alone; but he did it with a sort of banter, smiling at the folly of it, as an enlightened old lady might look at her spinning-wheel. The use of it? Well, as for that, the new ways of spinning were better and cheaper; but still not for the use, but for the pleasure of it! – So Drummond clung to his profession, and worked almost as hard at it as ever. And in the additional ease of his circumstances, not needing to hurry anything for an exhibition, or sacrifice any part of his design for the fancy of a buyer, he certainly painted better than usual, and was made an Associate, to the general satisfaction of his brethren. These were the happy days in which the studio was built. It was connected with the house, as I have said, by a conservatory, a warm, glass-covered, fragrant, balmy place, bright with flowers. 'There must always be violets, and there must always be colour!' he had said to the nurseryman who supplied and kept his fairy palace in order, after the fashion of London. And if ever there was a flowery way contrived into the thorny haunts of art it was this. It would perhaps be rash to say that this was the happy time of Drummond's married life, for they had always been happy, with only that one drawback of Helen's dissatisfaction with her husband's work. They had loved each other always, and their union had been most true and full. But the effect of wealth was mollifying, as it so often is. Prosperity has been railed at much, as dangerous and deadening to the higher being; but prosperity increases amiability and smooths down asperities as nothing else can. It did not remove that one undisclosed and untellable grievance which prevented Mrs Drummond's life from attaining perfection, but it took away ever so many little points of irritation which aggravated that. She got, for one thing, the dining-room she wanted – a prosaic matter, yet one which Helen considered important – and she got, what she had not bargained for, that pretty conservatory, and a bunch of violets every day – a lover-like gift which pleased her. Things, in short, went very well with them at this period of their existence. Her discontents were more lulled to sleep than they had ever been before. She still saw the absence of any divine meaning in her husband's pictures; but she saw it with gentler eyes. The pictures did not seem so entirely his sole standing-ground. If he could not grow absolutely illustrious by that or any personal means of acquiring fame, he might still hold his own in the world by other means. Helen sighed over her Titian-dream, but to a great extent she gave it up. Greatness was not to be; but comfort and even luxury were probable. Her old conditions of life seemed to be coming back to her. It was not what she had dreamed of; but yet it was better to have mediocrity with ease and modest riches, and pleasant surroundings, than mediocrity without those alleviations. To do her justice, had her husband been a great unsuccessful genius, in whom she had thoroughly believed, she would have borne privation proudly and with a certain triumph. But that not being so, she returned to her old starting-ground with a sigh that was not altogether painful, saying to herself that she must learn to be content with what she had, and not long for what she could not have.

Thus they were happier, more hopeful, more at their ease. They went more into society, and received more frequent visits from their friends. The new studio made many social pleasures possible that had not been possible. Of itself it implied a certain rise in the world. It gave grace and completeness to their little house. Nobody could say any longer that it was half a house and half a workshop, as Helen, under her breath, in her impatience, had sometimes declared it to be. The workshop phase was over, the era of self-denial gone – and yet Robert was not driven from the art he loved, nor prevented from putting on his old coat and stealing away in the evenings to visit the mistress who was dearer to him than anything else except his wife.

This was the state of affairs when the painter one day entered Helen's drawing-room in a state of considerable excitement. He was full of a new scheme, greater than anything he had as yet been engaged in. Rivers's bank, which was half as old as London, which held as high repute as the Bank of England, which was the favourite depository of everybody's money, from ministers of state down to dressmakers, was going to undergo a revolution. The Riverses themselves had all died out, except, indeed, the head of the house, who was now Lord Rivers, and had no more than a nominal connection with the establishment which had been the means of bringing him to his present high estate. The other partners had gradually got immersed in other business. Mr Burton, for instance, confessed frankly that he had not time to attend to the affairs of the bank, and the others were in a similar condition: – they had come in as secondaries, and they found themselves principals, and it was too much for them. They had accordingly decided to make Rivers's a joint-stock bank. This was the great news that Drummond brought home to his wife. 'I will put everything we have into it,' he said in his enthusiasm, 'unless you object, Helen. We can never have such another chance. Most speculations have a doubtful element in them. But this is not at all doubtful. There is an enormous business ready made to our hands, and all the traditions of success and the best names in the City to head our list – for of course the old partners hold shares, and will be made directors of the new company – And – you will laugh, Helen, but for you and the child I feel able to brave anything – I am to be a director too.'

'You!' cried Helen, with a surprise which had some mixture of dismay. 'But you don't know anything about business. You can't even – '

'Reckon up my own accounts,' said the painter placidly – 'quite true; but you see it is a great deal easier to calculate on a large scale than on a small scale. I assure you I understand the banking system – at least, I shall when I have given my mind to it. I shouldn't mind even,' he said laughing, 'making an effort to learn the multiplication table. Norah might teach me. Besides, to speak seriously, it doesn't matter in the least: there are clerks and a manager to do all that, and other directors that know all about it, and I shall learn in time.'

'But, then, why be a director at all?' said Helen. She said this more from a woman's natural hesitation at the thought of change, than from any dislike of the idea; for she belonged to the race from which directors come by nature. Poor Drummond could not give any very good reason why he desired this distinction; but he looked very wise, and set before her with gravity all the privileges involved.

'It brings something in,' he said, 'either in the way of salary, or special profits, or something. Ask your cousin. I don't pretend to know very much about it. But I assure you he is very great upon the advantages involved. He says it will be the making of me. It gives position and influence and all that – '

'To a painter!' said Helen: and in her heart she groaned. Her dream came back like a mist, and wove itself about her head. What distinction would it have given to Raphael or to Titian, or even to Gainsborough or Sir Joshua Reynolds, to be made directors of a bank? She groaned in her heart, and then she came back to herself, and caught her husband's eyes looking at her with that grieved and wondering look, half aware of the disappointment he had caused her, humbled, sorry, suspicious, yet almost indignant, the look with which he had sometimes regarded her from among his pictures in the day when art reigned alone over his life. Helen came abruptly to herself when she met that glance, and said hurriedly, 'It cannot change your position much, Robert, in our world.'

'No,' he said, with a glance of sudden brightness in his eyes which she did not understand; 'but, my darling, our world may expand. I should like you to be something more than a poor painter's wife, Helen – you who might be a princess! I should not have ventured to marry you if I had not hoped to make you a kind of princess; but you don't believe I can; do you?' Here he paused, and, she thought, regarded her with a wistful look, asking her to contradict him. But how could she contradict him? It was true. The wife of a pleasant mediocre painter, Associate, or in time Academician – that was all. Not a thorough lady of art such as – such as – Such as whom? Poor Andrea's Lucrezia, who ruined him? That was the only painter's wife that occurred to Helen.

'Dear Robert,' she said earnestly, 'never mind me: so long as I have you and Norah, I care very little about princesses. We are very well and very happy as we are. I think you should be careful, and consider well before you make any change.'

But by this time the brightness that had been hanging about him came back again like a gleam of sunshine. He kissed her with a joyous laugh. 'You are only a woman,' he said, 'after all. You don't understand what it is to be a British director. Fancy marching into the bank with a lordly stride, and remembering the days when one was thankful to have a balance of five pounds to one's credit! You don't see the fun of it, Helen; and the best of the whole is that an R.A. on the board of directors will be an advantage, Burton says. Why, heaven knows. I suppose he thinks it will conciliate the profession. We painters, you see, are known to have so much money floating about! But anyhow, he thinks an R.A. – '

'But, Robert! you are not an R.A.'

'Not yet. I forgot to tell you,' he added, lowering his voice, and putting on a sudden look of gravity, which was half real, half innocently hypocritical. 'Old Welby died last night.'

Then there was a little pause. They were not glad that old Welby was dead. A serious shade came over both their faces for the moment – the homage, partly natural, partly conventional, that human nature pays to death. And then they clasped each other's hands in mutual congratulation. The vacant place would come to Drummond in the course of nature. He was known to be the first on the list of Associates. Thus he had obtained the highest honours of his profession, and it was this and not the bank directorship which had filled him with triumph. His wife's coldness, however, checked his delight. His profession and the public adjudged the honour to him; but Helen had not adjudged it. If the prize had been hers to bestow, she would not have given it to him. This made his heart contract even in the moment of his triumph. But yet he was triumphant. To him it was the highest honour in the world.

'Poor old Welby!' he said. 'He was a great painter; and now that he is dead, he will be better understood. He was fifty before he entered the Academy,' the painter continued, with half-conscious self-glorification. 'He was a long time making his way.'

'And you are more than ten years younger,' said Helen. Surely that might have changed her opinion if anything could. 'Robert, are you to be put upon this bank because you are an R.A.?'

'And for my business talents generally,' he said, with a laugh. His spirits were too high to be subdued. He would not hear reason, nor, indeed, anything except the confused delightful chatter about his new elevation, in which the fumes of happiness get vent. He plunged into an immediate revelation of what he would do in his new capacity. 'It will be odd if one can't make the Hanging Committee a little more reasonable,' he said. 'I shall set my face against that hideous habit of filling up "the line" with dozens of bad pictures because the men have R.A. at their names. Do you remember, Helen, that year when I was hung up at the ceiling? It nearly broke my heart. It was the year before we were married.'

'They were your enemies then,' said Helen, with some visionary remnant of the old indignation which she had felt about that base outrage before she was Robert Drummond's wife. She had not begun to criticise him then – to weigh his pictures and find them wanting; and she could still remember her disgust and hatred of the Hanging Committee of that year. Now no Hanging Committee could do any harm. It had changed its opinion and applauded the painter, but she – had changed her opinion too. Then this artist-pair did as many such people do. By way of celebrating the occasion they went away to the country, and spent the rest of the day like a pair of lovers. Little Norah, who was too small to be carried off on such short notice, was left at home with her governess, but the father and mother went away to enjoy the bright summer day, and each other, and the event which had crowned them with glory. Even Helen's heart was moved with a certain thrill of satisfaction when it occurred to her that some one was pointing her husband out as 'Drummond the painter – the new R.A.' He had won his blue ribbon, and won it honestly, and nobody in England, nobody in the world, was above him in his own profession. He was as good as a Duke, or even superior, for a Duke (poor wretch!) cannot help himself, whereas a painter achieves his own distinction. Helen let this new softness steal into her soul. She even felt that when she looked at the pictures next time they would have a light in them which she had not yet been able to perceive. And the bank, though it was so much more important, sank altogether into the background, while the two rowed down the river in the summer evening, with a golden cloud of pleasure and glory around them. They had gone to Richmond, where so many happy people go to realise their gladness. And were the pair of lovers new betrothed, who crossed their path now and then without seeing them, more blessed than the elder pair? 'I wonder if they will be as happy ten years hence?' Helen said, smiling at them with that mingling of sweet regret and superiority with which we gaze at the reflection of a happiness we have had in our day. 'Yes,' said the painter, 'if she is as sweet to him as my wife has been to me.' What more could a woman want to make her glad? If Helen had not been very happy in his love, it would have made her heart sick to think of all her failures towards him; but she was very happy; and happiness is indulgent not only to its friends, but even to itself.

CHAPTER III

Mr Burton, however, was soon restored to pre-eminence in the affairs of the Drummonds. The very next day he dined with them, and entered on the whole question. The glory which the painter had achieved was his own affair, and consequently its interest was soon exhausted to his friend, who, for his part, had a subject of his own, of which the interest was inexhaustible. Mr Burton was very explanatory, in his genial, mercantile way. He made it clear even to Helen, who was not above the level of ordinary womankind in her understanding of business. He had no difficulty in convincing her that Robert Drummond, R.A., would be an addition to the list of directors; but it was harder to make the reasons apparent why 'Rivers's' should change its character. If it was so firmly established, so profitable, and so popular, why should the partners desire to share their good fortune with others? Mrs Drummond asked. Her husband laughed with the confidence of a man who knew all about it, at the simplicity of such a question, but Mr Burton, on the contrary, took the greatest pains to explain all. He pointed out to her all the advantages of 'new blood.' The bank was doing well, and making enormous profits; but still it might do better with more energetic management. Mr Burton described and deplored pathetically his own over-burdened condition. Sometimes he was detained in the City while the guests at a state dinner-party awaited him at home. His carriage had waited for him for two hours together at the railway, while he was busy in town, toiling over the arrears of work at Rivers's. 'We have a jewel of a manager,' he said, 'or we never could get on at all. You know Golden, Drummond? There never was such a fellow for work – and a head as clear as steel; never forgets anything; never lets an opportunity slip him. But for him, we never could have got on so long in this way. But every man's strength has its limits. And we must have "new blood."'

Thus Helen gradually came to an understanding of the whole, or at least thought she did. At all events, she understood about the 'new blood.' Her own Robert was new blood of the most valuable kind. His name would be important, for the business of 'Rivers's' was to a considerable extent a private business. And his good sense and industry would be important too.

'Talk about business talent,' Mr Burton said; 'business talent means good sense and prudence. It means the capacity to see what ought to be done, and the spirit to do it; and if you add to this discretion enough not to go too far, you have everything a man of business needs. Of course, all technical knowledge has to be acquired, but that is easily done.'

'But is Robert so accomplished as all this?' Helen said, opening her eyes. She would not, for all England, have disclosed to her cousin that Robert, in her eyes, was anything less than perfect. She would not, for her life, have had him know that her husband was not the first of painters and of men; but yet an exclamation of wonder burst from her. She was not herself so sure of his clear-sightedness and discretion. And when Robert laughed with a mixture of vanity and amusement at the high character imagined for him, Helen flushed also with something between anger and shame.

'Your own profession is a different thing,' she said hastily. 'You have been trained for that. But to be an R.A. does not make you a man of business – and painting is your profession, Robert. More will be expected from you now, instead of less.'

'But we are not going to interfere with his time, my dear Helen,' said her cousin cheerfully. 'A meeting of directors once a week or so – a consultation when we meet – his advice, which we can always come to ask. Bless my soul, we are not going to sweep up a great painter for our small concern. No, no; you may make yourself quite easy. In the mean time Drummond is not to give us much more than the benefit of his name.'

'And all his money,' Helen said to herself as she withdrew to the drawing-room, where her little Norah awaited her. His money had increased considerably since this new era in their lives began. It was something worth having now – something that would make the little girl an heiress in a humble way. And he was going to risk it all. She went into the conservatory in the twilight and walked up and down and pondered – wondering if it was wise to do it; wondering if some new danger was about to swallow them up. Her reasonings, however, were wholly founded upon matters quite distinct from the real question. She discussed it with herself, just as her husband would discuss it with himself, in a way common to women, and painters, and other unbusiness-like persons, on every ground but the real one. First, he had followed Reginald Burton's advice in all his speculations, and had gained. Would it be honourable for him to give up following his advice now, especially in a matter which he had so much at heart? Secondly, by every means in his power, Reginald Burton took occasion to throw in her face (Helen's) the glories and splendour of his wife, and of the home he had given her, and all her high estate. Helen herself was conscious of having refused these glories and advantages. She had chosen to be Robert Drummond's wife, and thrown aside the other; but still the mention of Mrs Burton and her luxuries had a certain stinging and stimulating effect upon her. She scorned, and yet would have been pleased to emulate that splendour. The account of it put her out of patience with her own humility, notwithstanding that she took pride in that humility, and felt it more consistent with the real dignity of her position than any splendour. And then, thirdly, the thought would come in that even the magic title of R.A. had not thrown any celestial light into Robert's pictures. That very morning she had stood for half an hour, while he was out, in front of the last, which still stood on his easel, and tried to reason herself into love of it. It was a picture which ought to have been great. It was Francesca and Paolo, in the story, reading together at the crisis of their fate. The glow and ardour of suppressed passion had somehow toned down in Drummond's hands to a gentle light. There was a sunset warmth of colour about the pair, which stood in place of that fiercer illumination; and all the maze of love and madness, all the passion and misery and delight, all the terror of fate involved, and shadow of the dark, awful world beyond, had sunk into a tender picture of a pair of lovers, innocent and sweet. Helen had stood before it with a mixture of discouragement and longing impossible to put into words. Oh, if she could but breathe upon it, and breathe in the lacking soul! Oh, if she could but reflect into Drummond's eyes the passion of humiliation and impatience and love which was in her own! But she could not. As Helen paced up and down the pretty ornamented space, all sweet with flowers, which her husband's love had made for her, this picture rose before her like a ghost. He who painted it was an R.A. It was exquisitely painted – a very miracle of colour and manipulation. There was not a detail which could be improved, nor a line which was out of drawing. He would never do anything better, never, never! Then why should he go on trying, proving, over and over, how much he could, and how much he could not do? Better, far better, to throw it aside for ever, to grow rich, to make himself a name in another way.

Thus Helen reasoned in the vehemence of her thoughts. She was calm until she came to this point. She thought she was very calm, reasonable to the highest pitch, in everything; and yet the blood began to boil and course through her veins as she pursued the subject. Sometimes she walked as far as the door of the studio, and pausing to look in, saw that picture glimmering on the easel, and all the unframed canvases about upon the walls. Many of them were sketches of herself, made from memory, for she never would sit – studies of her in her different dresses, in different characters, according as her husband's fond fancy represented her to himself. She could not see them for the darkness, but she saw them all in her heart. Was that all he could do? Not glorify her by his greatness, but render her the feeble homage of this perpetual, ineffectual adoration. Why was not he like the other painters; like – Her memory failed her for an example; of all the great painters she could think of only Rubens' bacchanalian beauties and that Lucrezia would come to her mind. It was about the time of Mr Browning's poem, that revelation of Andrea del Sarto, which elucidates the man like a very ray from heaven. She was not very fond of poetry, nor anything of a critic; but the poem had seized upon her, partly because of her intense feeling on the subject. Sometimes she felt as if she herself was Andrea – not Robert, for Robert had none of that heart-rending sense of failure. Was she Lucrezia rather, the wife that goaded him into misery? No, no! she could not so condemn herself. When her thoughts reached this point she forsook the studio and the conservatory, and rushed back to the drawing-room, where little Norah, with her head pressed close against the window to take advantage of the last glimmer of light, was reading a book of fairy tales. Great painters had not wives. Those others – Leonardo, and Angelo, and the young Urbinese – had none of them wives. Was that the reason? But not to be as great as Michel Angelo, not to win the highest honours of art, would Robert give up his wife and his child. Therefore was it not best that he should give up being a painter, and become a commercial man instead, and grow rich! Helen sat down in the gathering darkness and looked at the three windows glimmering with their mist of white curtains, and little Norah curled up on the carpet, with her white face and her brown curls relieved against the light. Some faint sounds came in soft as summer and evening made them, through the long casement, which was open, and with it a scent of mignonette, and of the fresh earth in the flower-beds, refreshed by watering and dew. Sometimes the voices of her husband and cousin from the adjoining room would reach her ear; but where she was all was silent, nothing to disturb her thoughts. No, he would never do better. He had won his crown. Helen was proud and glad that he had won it; but in her heart did not consent. He had won and he had not won. His victory was because he had caught the banal fancy of the public, and pleased his brethren by his beautiful work; but he had failed because – because – Why had he failed? Because he was not Raphael or Leonardo – nor even that poor Andrea – but only Robert Drummond, painting his pictures not out of any inspiration within him, but for money and fame. He had gained these as men who seek them frankly so often seem to do. But it was better, far better, that he should make money now, by legitimate means, without pursuing a profession in which he never could be great.

These were not like a wife's reasonings; but they were Helen's, though she was loyal to her husband as ever woman was. She would have liked so much better to worship his works and himself, as most women do; and that would have done him good more than anything else in earth or heaven. But she could not. It was her hard fate that made her eye so keen and so true. It felt like infidelity to him, to come to such a conclusion in his own house, with his kind voice sounding in her ear. But so it was, and she could not make it different, do what she would. He was so pleased when he found she did not oppose his desires, so grateful to her, so strongly convinced that she was yielding her own pleasure to his, that his thanks were both lavish and tender. When their visitor had left them, and they were alone, he poured out his gratitude like a lover. 'I know you are giving in to me,' he said, 'my love, my self-forgetting Helen! It is like you. You always have given up your pleasure to mine. Am I a brute to accept it, and take my own way?'

'I am not making any sacrifice, Robert. Don't thank me, please. It is because I think you have judged right, and this is best.'

'And you think I am so blind and stupid not to see why you say that,' he said in his enthusiasm. 'Helen, I often wonder what providence was thinking of to give you only such a poor fellow as I am. I wish I was something better for your sake, something more like you; but I have not a wish or a hope in the world, my darling, except for you. If I want to be rich, Helen, it is only for you. You know that, at least.'

'And for Norah,' she said, smiling.

'For Norah, but most for Norah's mother, who trusted me when I was nobody, and gave me herself when I had little chance of being either rich or great,' said Drummond. He said it, poor fellow, with a swelling of his heart. His new dignity had for the moment delivered him even from the chill of his wife's unexpressed indifference to his work. With a certain trustful simplicity, which it would have been impossible to call vanity, he accepted the verdict of his profession – even though he had doubts himself as to his own eminence, they must know. He had won the greatness he wanted most, he had acquired a distinction which could not but vanquish his own doubts and hers. And as he was now, he would not change positions with any man in England. He was great, and please God, for Helen's sake, he would be rich too. He put his arm round his wife and drew her into the open conservatory. The moon was up, and shone down upon them, lighting up with a wan and spiritual light the colourless silent flowers. It was curious to see them, with all their leaves silvered, and all their identity gone, yet pouring forth their sweet scents silently, no one noting them. 'How sweet it is here,' said the painter, drawing a long breath in his happiness. It was a moment that lived in his mind, and remained with him, as moments do which are specially happy, detaching themselves from the common tenor of life with all the more distinctness that they are so few.