It glanced past the rag-shop in the cellar, whence welled up stenches to poison the town, into an apartment three flights up that held two women, one young, the other old and bent. The young one had a baby at her breast. She was rocking it tenderly in her arms, singing in the soft Italian tongue a lullaby, while the old granny listened eagerly, her elbows on her knees, and a stumpy clay-pipe, blackened with age, between her teeth. Her eyes were set on the wall, on which the musty paper hung in tatters, fit frame for the wretched, poverty-stricken room, but they saw neither poverty nor want; her aged limbs felt not the cold draught from without, in which they shivered; they looked far over the seas to sunny Italy, whose music was in her ears.
"O dolce Napoli," she mumbled between her toothless jaws, "O suol beato–"
The song ended in a burst of passionate grief. The old granny and the baby woke up at once. They were not in sunny Italy; not under Southern, cloudless skies. They were in "The Bend" in Mulberry Street, and the wintry wind rattled the door as if it would say, in the language of their new home, the land of the free: "Less music! More work! Root, hog, or die!"
Around the corner the sunbeam danced with the wind into Mott Street, lifted the blouse of a Chinaman and made it play tag with his pig-tail. It used him so roughly that he was glad to skip from it down a cellar-way that gave out fumes of opium strong enough to scare even the north wind from its purpose. The soles of his felt shoes showed as he disappeared down the ladder that passed for cellar-steps. Down there, where daylight never came, a group of yellow, almond-eyed men were bending over a table playing fan-tan. Their very souls were in the game, every faculty of the mind bent on the issue and the stake. The one blouse that was indifferent to what went on was stretched on a mat in a corner. One end of a clumsy pipe was in his mouth, the other held over a little spirit-lamp on the divan on which he lay. Something spluttered in the flame with a pungent, unpleasant smell. The smoker took a long draught, inhaling the white smoke, then sank back on his couch in senseless content.
Upstairs tiptoed the noiseless felt shoes, bent on some house errand, to the "household" floors above, where young white girls from the tenements of The Bend and the East Side live in slavery worse, if not more galling, than any of the galley with ball and chain—the slavery of the pipe. Four, eight, sixteen—twenty odd such "homes" in this tenement, disgracing the very name of home and family, for marriage and troth are not in the bargain.
In one room, between the half-drawn curtains of which the sunbeam works its way in, three girls are lying on as many bunks, smoking all. They are very young, "under age," though each and every one would glibly swear in court to the satisfaction of the police that she is sixteen, and therefore free to make her own bad choice. Of these, one was brought up among the rugged hills of Maine; the other two are from the tenement crowds, hardly missed there. But their companion? She is twirling the sticky brown pill over the lamp, preparing to fill the bowl of her pipe with it. As she does so, the sunbeam dances across the bed, kisses the red spot on her cheek that betrays the secret her tyrant long has known, though to her it is hidden yet—that the pipe has claimed its victim and soon will pass it on to the Potter's Field.
"Nell," says one of her chums in the other bunk, something stirred within her by the flash—"Nell, did you hear from the old farm to home since you come here?"
Nell turns half around, with the toasting-stick in her hand, an ugly look on her wasted features, a vile oath on her lips.
"To hell with the old farm," she says, and putting the pipe to her mouth inhales it all, every bit, in one long breath, then falls back on her pillow in drunken stupor.
That is what the sun of a winter day saw and heard in Mott Street.
It had travelled far toward the west, searching many dark corners and vainly seeking entry to others; had gilt with equal impartiality the spires of five hundred churches and the tin cornices of thirty thousand tenements, with their million tenants and more; had smiled courage and cheer to patient mothers trying to make the most of life in the teeming crowds, that had too little sunshine by far; hope to toiling fathers striving early and late for bread to fill the many mouths clamoring to be fed.
The brief December day was far spent. Now its rays fell across the North River and lighted up the windows of the tenements in Hell's Kitchen and Poverty Gap. In the Gap especially they made a brave show; the windows of the crazy old frame-house under the big tree that set back from the street looked as if they were made of beaten gold. But the glory did not cross the threshold. Within it was dark and dreary and cold. The room at the foot of the rickety, patched stairs was empty. The last tenant was beaten to death by her husband in his drunken fury. The sun's rays shunned the spot ever after, though it was long since it could have made out the red daub from the mould on the rotten floor.
Upstairs, in the cold attic, where the wind wailed mournfully through every open crack, a little girl sat sobbing as if her heart would break. She hugged an old doll to her breast. The paint was gone from its face; the yellow hair was in a tangle; its clothes hung in rags. But she only hugged it closer. It was her doll. They had been friends so long, shared hunger and hardship together, and now–.
Her tears fell faster. One drop trembled upon the wan cheek of the doll. The last sunbeam shot athwart it and made it glisten like a priceless jewel. Its glory grew and filled the room. Gone were the black walls, the darkness and the cold. There was warmth and light and joy. Merry voices and glad faces were all about. A flock of children danced with gleeful shouts about a great Christmas-tree in the middle of the floor. Upon its branches hung drums and trumpets and toys, and countless candles gleamed like beautiful stars. Farthest up, at the very top, her doll, her very own, with arms outstretched, as if appealing to be taken down and hugged. She knew it, knew the mission-school that had seen her first and only real Christmas, knew the gentle face of her teacher, and the writing on the wall she had taught her to spell out: "In His Name." His name, who, she had said, was all little children's friend. Was he also her dolly's friend, and would know it among the strange people?
The light went out; the glory faded. The bare room, only colder and more cheerless than before, was left. The child shivered. Only that morning the doctor had told her mother that she must have medicine and food and warmth, or she must go to the great hospital where papa had gone before, when their money was all spent. Sorrow and want had laid the mother upon the bed he had barely left. Every stick of furniture, every stitch of clothing on which money could be borrowed, had gone to the pawnbroker. Last of all, she had carried mamma's wedding-ring, to pay the druggist. Now there was no more left, and they had nothing to eat. In a little while mamma would wake up, hungry.
The little girl smothered a last sob and rose quickly. She wrapped the doll in a threadbare shawl, as well as she could, tiptoed to the door and listened a moment to the feeble breathing of the sick mother within. Then she went out, shutting the door softly behind her, lest she wake her.
Up the street she went, the way she knew so well, one block and a turn round the saloon corner, the sunset glow kissing the track of her bare feet in the snow as she went, to a door that rang a noisy bell as she opened it and went in. A musty smell filled the close room. Packages, great and small, lay piled high on shelves behind the worn counter. A slovenly woman was haggling with the pawnbroker about the money for a skirt she had brought to pledge.
"Not a cent more than a quarter," he said, contemptuously, tossing the garment aside. "It's half worn out it is, dragging it back and forth over the counter these six months. Take it or leave it. Hallo! What have we here? Little Finnegan, eh? Your mother not dead yet? It's in the poor-house ye will be if she lasts much longer. What the–"