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The Duchess of Wrexe, Her Decline and Death

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II

But, with the closing of Uncle Richard's doors the sun was taken from the world. Uncle Richard's house was always soft and dim, like one of those little jewel cases, all wadding and dark wood. Uncle Richard's carpets were so thick and soft that everyone seemed to walk on tip-toe, and the wonderful old prints in the hall and the beautiful dark carving on the staircase and the sudden swiftness of the doors as they closed behind you only helped to increase the impression that everything here, yourself included, was in for a beautiful exhibition, and that light might hurt the exhibits.

Uncle Richard's study, where they always had tea, was lined from roof to ceiling with book-cases, and behind the shining glass there gleamed the backs of the haughtiest and proudest books in the world. For, were they old and dingy, then they were first editions of transcendent value, and were they new and shining, then were they "Editions de luxe," or some of Uncle Richard's favourites bound in the most intricate and precious of bindings.

Some china on the mantelpiece was so valuable that housemaids must surely have a sleepless time because of it, and all the furniture was so conscious of its rich and ancient glories that to sit down on the chairs or to lean on the tables was to offer them terrible insults.

Two Conders and a Corot shone from the grey walls.

In the midst of this was Uncle Richard, elaborately, ironically indifferent to all emotions. "I have governed the country, yes—but really, my friends, scarcely a job for a fine spirit nowadays. I have collected these few things—yes, but after all what does it come to? Don't many pawn-brokers do the same?"

Rachel, as she stood in the room, felt that her newly found independence was slipping away from her. With the departure of the sun had fled also that consciousness of last night's splendours. About her again was creeping that atmosphere that was always with her in this room, something that made her feel that she was a wretched, ignorant Beaminster, and that even if she did learn the value of all these precious things, why then that knowledge was of little enough use to her.

Uncle Richard with his high white forehead, his long dark trousers, his grey spats and his great collar that bent back, in humble deference, before the nobility of his neck and chin, Uncle Richard required a great deal of courage.

"Well, dear, I hope you enjoyed your dance."

"Yes, Uncle Richard, thank you."

"I left early, but everything seemed to be going very well."

"Yes, I think it was all right."

How different this from the fashion in which she had intended to fling her enthusiasm upon him. What, she wondered, would have been the effect had she done so? How would he have taken it? Could she have pierced that melancholy ironical armour that always kept the real man from her?

Meanwhile she was now back again in the old, old world; tea was brought, the footman and butler moved softly about the room. Aunt Adela said a little, Uncle Richard said a little … the lid was down upon the world.

Meanwhile, impossible to imagine that only a quarter of an hour ago there had been that gay confusion in Bond Street, impossible to believe Mrs. Bronson in her carriage anything but common and vulgar, impossible to prefer that dazzling sun to this cloistered quiet.

A wonderful lacquered clock ticked the minutes away. "I'm in a cage—I'm in a cage—and I want to get out," someone in Rachel Beaminster was crying, and someone else replied, "Thank God that you are allowed to be in such a cage at all. There's no other cage so splendid."

Her primrose gown was forgotten; when Uncle Richard asked her questions she answered "Yes," or "No." Her old terrors had returned.

Upon the three of them, sitting thus, Roddy Seddon was announced. Roddy had assaulted and conquered Lord Richard in as masterly a fashion as he had subdued the Duchess and Lady Adela. He had done it simply by presenting so boisterous and honest an allegiance to the Beaminster standard. Lord Richard's irony had been useless against Roddy's ingenuous appeal. Moreover, there was the Duchess's advocacy—young Seddon was the hope of the party.

Roddy brought to view no evidence of last night's energies; he was as fresh, as highly coloured, as browned and bronzed and clear as any pastoral shepherd, his skin was so finely coloured that clothes always seemed, with him, a pity. Lord Richard's melancholy cynicism had poor chance against such vigour.

His eyes, as they fastened upon Rachel, brightened. She gave that dim room such fresh pleasure, sitting there in her primrose frock with her serious eyes and long hands. No, she was not beautiful; he knew that his last night's impression had been the true one; but she was unusual, she would make, he was sure, a most unusual companion. "You wouldn't think it," May Eversley had said, "but there's any amount of fun in Rachel—you'll find it when you know her."

He was not sure but that he saw it now, lurking in her eyes, her mouth, as she sat there, so gravely, opposite to her uncle and aunt.

"How d'ye do, Lady Adela? How d'ye do, Miss Beaminster? How are you, sir? Thanks—I will have some tea. Pretty gorgeous day, ain't it? Rippin' dance of yours last night, Lady Adela."

Meanwhile, Rachel knew that she had nothing to say to him. Out there in the sunlight she might, perhaps, have maintained that relationship that had been begun between them the night before, but in here, with Aunt Adela and Uncle Richard so consciously an audience, with the air so dim and the walls so grey, Roddy Seddon seemed the most strident of strangers.

She sat, silently, whilst he talked to Aunt Adela. "I've never had so toppin' a dance as last night—'pon my soul, no. Young Milhaven, whom I tumbled on at Brook's at luncheon, said the same. Band first-rate, and floor spiffin'."

"I'm glad you liked it, Roddy," said Lady Adela, with a dry little smile. "I must confess to being glad that it's over."

Roddy glanced a little shyly at Rachel. "I suppose you're goin' hard at it now, Miss Beaminster?"

She looked across the tea-table at him. "There's Lady Grode's and Lady Massiter's, and Lady Carloes is giving one for her niece–"

"The Massiter thing ought to be a good one. Always do it well," said Roddy. "'Pon my word, on a day like this makes one hot to think of dancing."

He was perplexed. He had instantly perceived that he had here a Rachel Beaminster very different from last night's heroine. She was now beyond all contemplated intimacy. He had heard others speak of that aloofness that came like a cloud about her. He now saw it for himself.

After a time he came across to her whilst Lady Adela and her brother talked as though the world consisted of one Beaminster railed round by high palings over which a host of foolish people were trying to climb.

He stood beside her smiling in that slightly embarrassed manner of his, a manner that caused those who did not know him to say that they liked Roddy Seddon because he was so modest.

"Such a day it seems a shame to be in town."

"Yes—isn't it lovely?"

"The opera's pretty hot in the evenin' just now. Have you been yet?"

"I've been in Munich often. I've never been here."

"My word! Haven't you really? Wish I could say the same. I'm always bein' dragged–"

"Why do you go if you don't care about it?"

"Can't think—always askin' myself. Why do half the Johnnies go? And yet in a way I like some sorts o' music."

"What kind of music?"

"Sittin' in the dark, in a room, with someone just strokin' the piano up and down—just strokin' it—not hammerin' it. I don't care what the old tune is–"

Rachel laughed a little, but said nothing. Of course, she thought him the most thundering kind of fool, and this made him eager to display to her his wisdom and common sense.

But he could say nothing. There followed the most awkward silence. She did not try to help him, but sat there quietly looking in front of her.

Suddenly she said: "Uncle Richard, I want to see your fans again. I haven't seen them for a long time. I know you've added some lately. Sir Roderick, have you ever seen my uncle's fans?"

"No," he said. "I'd be delighted–"

Lord Richard's eyes lifted. The lines of his mouth grew softer.

Rachel watched him. "Now he'll pretend," she said, "that he doesn't care. He'll pretend that they're nothing to him at all."

He went, in his solemn guarded manner, to a place in the room where a large cabinet was let into the wall. He drew this cabinet forward, and then, out of it, moving his hands almost pontifically, he pulled trays, and on these trays lay the fans.

The others had gathered around him. There were nearly five hundred fans—fans Dutch and Italian and French and Chinese and Japanese; fans of the sixteenth and seventeenth centuries, of the eighteenth and of the Empire—modern Japanese heavy with iron spokes, others light as gossamer, with spokes of ivory or tortoise shell. There were French fans, painted only on one side, with pictures of fantastic shepherds and shepherdesses; there were Chinese fans with bridges and mandarins and towers; Empire fans perforated with tinsel and such lovely shades of colour that they seemed to change as one gazed.

There they all lay in that rich solemn room, quietly, proudly conscious of their beauty, needing no word of praise, catching all the colour and the daintiness and fragrance that had ever been in the world.

Rachel drank in their splendour and then looked about her.

Uncle Richard's eyes were flaming and his hands trembling against the case.

Then she looked at Roddy Seddon. His head was flung back; with eyes and mouth, with every vein, and fibre of his body he was drinking in their glory.

 

His eyes were suddenly caught away. He was staring at her before she looked away—Her eyes said to him, "Why! Do you care like that? Do those things mean that to you?"

She smiled across at him. They were in communion again as they had been last night.

He was surprised that he should be so glad.

CHAPTER VII
IN THE HEART OF THE HOUSE

 
"Our interest's on the dangerous edge of things
The honest thief, the tender murderer,
The superstitious atheist, demirep,
That loves and saves her soul in new French books—
We watch while these in equilibrium keep
The giddy line midway: one step aside,
They're classed and done with. I, then, keep the line—"
 
Bishop Blougram's Apology.

I

The Duchess could but dimly guess at the splendour of that fine May afternoon.

It had been her complaint lately that she was always cold and now the blinds and curtains were closely drawn and a huge fire was blazing. Her chair was close to the flame: she sat there looking, in the fierce light, small and shrivelled; she was reading intently and made no movement except now and again when she turned a page. Dorchester was the only other person there and she sat a little in the shadow, busily sewing.

From where she sat she could see her mistress's face, and behind her carved chair there were the blue china dragons and the deep heavy red curtains and a black oak table covered with little golden trays and glass jars and silver boxes.

Neither heat nor cold nor youth nor age had any effect upon Dorchester. No one knew how old she was, nor how long she had been with her mistress, nor her opinions or sentiments concerning anything in the world.

She was tall and gaunt and snapped her words as she might snap a piece of thread.

From Mrs. Newton and Norris downwards the servants were afraid of her. She made a confidant of no one, was supposed to have no emotions of any kind, absurd and fantastic stories were told of her; she was certainly not popular in the servants' hall and yet at a word from her anything that she requested was done.

With Miss Rand only was it understood that she had a certain friendly relationship; it was said that she liked Miss Rand.

Dorchester had witnessed the whole of the Duchess's career.

As she sat now in the shadow every now and again she looked up and glanced at that sharp white face and those thin hands. What a little body it was to have done so much, to have battled its way through such a career, to have fought and to have won so many conflicts! It seemed to Dorchester only yesterday that splendid time, when the Duchess had been queen of London. Dorchester also had been young then and had had an energy as enduring, a will as finely tempered as had her mistress.

What a character it had been then with its furies and its disciplines, its indulgences and its amazing restrictions, its sympathies and cold clodded cruelties, its tremendous sense of the dramatic moment so that again and again a position that had been nearly surrendered was held and saved. She had never been beautiful, always little and sharp and sometimes even wizened. But she gained her effects one way or another and beat beautiful and wise and wonderful women off the field.

And then sweeping down upon her had come disease. At first it had been fought and magnificently fought. But it was the horror of its unexpected ravages that had been so difficult to combat. She had never known when the pain would be upon her—it might seize her at any public moment and her retreat be compelled before the whole world. There had been doctors and doctors and doctors, and then operation after operation, but no one had done any good until Dr. Christopher had come to her, and now, for years, he had been keeping her alive.

Out of that very necessity of disease, however, had she dragged her drama. She had retired from the world, not as an old woman beaten by pain, but as a priestess might withdraw within her sanctuary or some great queen demand her privacy.

And it had its effect. Very, very carefully were chosen to see her only those who might convey to the world the right impression. The world was given to understand that the Duchess was now more wonderful than she had ever been, and it was so long since the world at large had seen her that every sort of story was abroad.

Certain old ladies like Lady Carloes who played bridge with her gained most of their public importance from their intimacy with her. It was rumoured that at any moment she might return and take her place again in the world, old though she was.

All this was known to Dorchester and she smiled grimly as she thought of it. The real Duchess! Perhaps she and Dr. Christopher alone in all the world knew the intricacies, the inconsistencies of that amazing figure. From the moment that illness had come every peculiarity had grown. Her self-indulgences, her temper, her pride, her egotism—now knew, in private, no restraint. And yet when her friends were there or anyone at all from the outside world she displayed the old dignity, the old grand air, the old imperious quiet that belonged to no one else alive.

But what, during these last years, Lady Adela had suffered! Dorchester herself had had many moments when it had seemed that she had more to control than her strength could maintain, but long custom, an entire absence of the nervous system, and a comforting sense that she was, after all, paid well for her trouble, sustained her endurance.

But Lady Adela had nothing.

The Duchess had always hated her children, but had used them, magnificently, for her purposes. They had all been fools, but they were just the kind of fools that the Beaminster tradition demanded.

Lady Adela had from the first been more of a fool than the others. She had never had the gift of words and before her mother was, as a rule, speechless, and it had been only by her changing colour that an onlooker could have told that her mother's furies moved her.

Often Dorchester had attempted interference, but had found at last that it was better to allow the fury to spend its force. Then also Dorchester had noticed a curious thing. The Duke, Lord Richard, Lord John, Lady Adela were proud of these prides and tempers. They were proud of everything that their mother did; they might suffer, their backs might wince under the blows, but it was part of the tradition that their mother should thus behave.

Dorchester fancied that sometimes there was flashed upon them a sudden suspicion that their mother was in these days only an old, ailing, broken woman—no great figure now, no magnificent tyrant, no mysterious queen of society. And then Dorchester fancied that she had noticed that when such a suspicion had come upon them they had put it hastily aside and locked it up and abused themselves for such baseness.

Curious people, these Beaminsters!

Well, it was no business of hers. And, perhaps, after all she had herself some touch of that feeling, some fierce impatient pride in those very tempests and rebellion. After all, was there anyone in the world like this mistress of hers? Was there another woman who would bear so bravely the pain that she bore? And was not that fierce clutch on life, that energy with which she tried still to play her part in the great game, grand in its own fashion?

Would not Dorchester also fight when her time came?

She looked across the firelight at her mistress. When would arrive the inevitable moment of surrender? How imminent that moment when in the eyes of all those about her the old woman would see that all that was now hers was a quiet abandonment to death!

Well, there would be some fine, savage struggling when that crisis struck into their midst. Dorchester smiled grimly, and then, in spite of herself, sighed a little.

They were all growing old together.

II

At five o'clock came Dr. Christopher, and Dorchester moved into the other room and left the two together. With his large limbs and cheerful smile he made the Duchess seem slighter and more fragile than ever, and she herself felt always with his coming some addition of warmth and strength; each visit, so she might have expressed it, gave her life for at least another tiny span.

That he, knowing so much of the follies and catastrophes of life, should yet be an optimist, would have proved him in her opinion a fool had she not known, by constant proof, that he was anything but that. "Well, one day he will discover his mistake," she would say, and yet, perversely, would cling to him for the sake of this very illusion. He helped her courage, he helped her battle with her pain, he gave her, sometimes, some shadowy sense of shame for her passions and rebellions, but, more than all this, he yielded her a reassurance that life, precious, adorable, wonderful life, was yet for a little time to be hers.

He knew well enough the influence that he possessed, and when, as on this afternoon, he felt it his duty to avail himself of it, he could not pretend that he faced his task with any exultation.

That he should rouse her fury, as he had one or twice already roused it, meant humiliation for him as well as for herself, and afterwards embarrassment for them both as they saw those scenes in retrospect.

She glanced up at him carefully as he came in and knew him well enough to realize that there was something that he must say to her. There had been other such occasions, she remembered them all. Sometimes she herself had been the subject of them, something that was injuring her health, some indulgence that he could not allow her. Sometimes the battle had been about others; she had fought him and on occasions it had seemed that their relationship was broken once and for all, that nothing could cover the words that had been spoken—but always through everything she had admired his courage.

The way had always been to stand up to her.

For a little time they talked about her health, and then there fell a pause. She, leaning back in her chair with her thin, sharp hands on her lap, watched him grimly as he sat on the other side of the fireplace, leaning forward a little, looking into the fire.

"Well," she said at last. "What is it?" Her voice was deep, but every word was clear-cut, resonant.

"There is something—two things," he answered her slowly. "You can dismiss me for an interfering old fool, you know. You often have been tempted to do it before, I dare say."

"I have," she said. "Go on."

But as she spoke she drew her hands a little more closely together. She was not quite so ready for these battles as she had once been. She was afraid a little now. A new sensation for her; she hated that restricting awkwardness that would remain between them for days afterwards.

She looked at his red, cheerful face and wondered impatiently why he must always be meddling in other people's affairs. She hated Quixotes.

"Your Grace," he began again, "has only got to stop me and I'll say no more."

"Oh yes, you will," she said impatiently. "I know you. Say what you please."

"I want to speak about Francis Breton–" He paused, but she said nothing, only for an instant her whole face flashed into stone. The firelight seemed for an instant to hold it there, then, as the flame fell, she was once again indifferent.

Christopher had grasped his courage now. He went on gravely:

"I must speak about him. I know how unpleasant the whole subject is to you. We've had our discussions before and I've fought his battles with all the world more times than I can count. You must remember that I've known Frank all his life—I knew his unhappy father. I've known them both long enough to realize that the boy's been heavily handicapped from the beginning–"

"Must you," she said, looking him now full in the face, "must it be this? Have we not thrashed it out thoroughly enough already? I don't change, you know."

He understood that she was appealing to his regard for their own especial relationship. But there was a note of control in her voice; he knew that now she would listen:

"I've cared for Frank during a number of years. I know he's weak, impulsive, incredibly foolish. He's always been his own worst enemy. I know that the other day he wrote a most foolish letter–"

"It was a letter beyond forgiveness," she said, her voice trembling.

"Yes, I would give anything to have prevented it. I know that when he was in England before I pleaded for him, as I am doing now, and that by a thousand foolhardy actions he negatived anything that I could say for him.

 

"I'm urging no defence for the things that he did, the shady, disreputable things. But he has come back now, I do verily believe, ready, even eager, to turn over a new leaf. I–"

She interrupted him, smiling.

"Yes. That letter–"

"Oh, I know. But isn't it a very proof of what I say—would anyone but a foolhardy boy have done such a thing? Sheer bravado, hoping behind it all to be taken back to the fold—eager, at any rate, not to show a poor spirit, cowardice."

"Over thirty now—old for a boy–"

"In years, yes. But younger, oh! ages younger than that in spirit, in knowledge of the world, in everything that matters—I know," he went on more slowly, smiling a little, "that you've called me sentimentalist times without number—but really here I'm not urging you to anything from sentimental reasons. I'm not asking you to take him back and kill the fatted calf for him.

"I'm asking nothing absurd—only that you, his relations, all that he has of kith and kin, should not be his enemies, should not drive him to desperation—and worse."

"If you imagine," she said steadily, "that his fate is of the smallest concern to me you know me very little. I care nothing of what becomes of him. He and I have been enemies for many years now and a few words from you cannot change that."

"I'm only asking you," he replied, "to give him a chance. See what you can make of him, instead of sending him into the other camp—use him even if you cannot care for him. There's fine stuff there in spite of his follies. The day might come, even now, when you will own yourself proud of him–"

But she had caught him up, leaning forward a little, her voice now of a sharper turn. "The other camp? What other camp?"

He caught the note of danger. "I only mean," he said, choosing now his words with the greatest care, "that if you turn Frank definitely, once and for all, from your doors, there may be others ready to receive him–"

"His men and his women," she broke in scornfully; "don't I know them? I've not lived these years without knowing the raffish tenth-rate lot that failures like Frank Breton affect–"

"No—there are others," Christopher said firmly, "Mrs. Bronson, for instance–"

At that name she broke in.

"Yes—exactly. Mrs. Bronson. Oh! I know the kind of crowd that Mrs. Bronson and her like can gather. They are welcome to Francis and he to them."—She paused. He saw that she was controlling herself with a great effort. For a little while there was silence and then she went on, more quietly:

"There, now you have it. That is why there can never be any truce between Francis and myself. It is more than Francis—it is all the things that he stands for, all the things that will soon make England a rubbish heap for every dirty foreigner to dump his filth on to. Hate him? Why, I'll fight him and all that he stands for so long as there's breath in my body–"

"But Frank is with you," Christopher urged eagerly, "if you'll let him be. He's only in need of your hand and back he'll come. He's waiting there now—longing, in spite of his defiance, for a word. Give him it and in the end I know as surely as I sit here that he'll be worth your while–"

"What can he do for me?"

"Ah! He'll show you. After all, he is one of the family; he's miserable there in his exile. He's got your own spirit—he'd die rather than own to defeat—but he'll repay you if you have him."

He saw then, as she turned towards him, that he had done no good.

"Listen," she said, "I've heard you fairly. Let us leave this now, once and for all. I tell you finally no word that God Almighty could speak on this business could change me one atom. Francis Breton and I are foes for all time. I hate not only himself and the miserable mess that he's made of his life, I hate all this new generation that he stands for.

"I hate these new opinions, I hate this indulgence now towards everything that any fool in the country may choose to think or say. In my day we knew how to use the fools. Took advantage of their muddle, ran the world on it. I loathe this tendency to make everyone as intelligent as they can be! Why! in God's name! Give me two intelligent men and a dozen fools and you'll get something done. Take a wastrel like Frank and turn him out. Take muddlers like my family and keep 'em muddled. Richard ran the country well enough for a time or two, and he's been a muddler from his childhood.

"All this cry to educate the people, to be kind to thieves and murderers! to help the fools—my God! If I still had my say—Whilst there's breath in me I'll fight the lot of them."

She leant back in her chair, waited for breath, and then went on more mildly:

"You may like all this noise and clamour, Doctor. You may like your Mrs. Bronson and the rest—common, vulgar, brainless—ruling the world. Every decent law that held society together is being broken and nobody cares.

"Frank Breton may find his place in this new world. He has no place in mine."

Then she added: "So much for that—what's the other thing?"

But he hesitated. Her voice was tired, even tremulous, and he was aware as he looked across at her that her emotions now treated her more severely than they had once done. At the same time he was aware that giving free play to her temper always did her good.

"Well—perhaps—another day–"

"No—now. I may as well take my scoldings together—it saves time!"

He stood up and, leaning on the mantelpiece with one arm, looked down upon her.

"Here," he said, "I'm afraid I may seem doubly impertinent, but it's a matter that is closer to me than anything in the world. You know that I'm a lonely old bachelor and that all those sentiments that you accuse me of must find some vent somewhere. I'm fonder of Rachel, I think, than I am of anyone in the world, and it's only that affection and the feeling that, in some ways, I know her better than any of you do that give me courage to speak."

He could see that now she was reaching the limits of her patience.

"Well—what of Rachel?"

"I understand—I know—that you—that all of you intend that she shall marry young Seddon–"

"Well?"

"I know that it is impertinent of me, but, as I have said, I think I know Rachel differently from anyone else in the world. She is strange—curiously ignorant of life in many ways, curiously wise in others. Her simplicity—the things that she takes on trust—there is no end to it. The things, too, that she cannot forgive—she doesn't know how often, later on, she will have to forgive them—

"But the first man who breaks her trust–"

"Thank you for this interesting light on Rachel's character. What does it mean?"

"It means," he said abruptly, "that she mustn't be hurt. Your Grace may turn me out of the house here and now if you will, but Seddon is the wrong man for her to marry–"

"What are his crimes?" Her voice was rising, and her hand tapped impatiently on her dress.

"I know him only slightly, but common repute—anyone who is in the London world at all will tell you—his reputation is bad. I've nothing against him myself, but his affairs with women have been many. He is no worse, I dare say, than a thousand others. At least he's young—and I myself, God knows, am no moralist. But to marry him to Rachel will be a crime."

He knew as he heard his own voice drop that the scene that he dreaded was upon him. The air was charged with it. In the strangest way everything in the room seemed to be changed because of it. The furniture, the dragons, the tables, the very trifles of gold and silver, seemed to withdraw, leaving the air weighted with passion.

She was trembling from head to foot. Her voice was very low.

"You've gone too far. What business is this of yours? How dare you come to me with these tales? How dare you? You've taken too much on your shoulders. See to your own house, Doctor–"

He stepped back from the fireplace.

"Please—to-morrow–"

"No. Here and now." Her words flashed at him. "You've begun to think yourself indispensable. Because I've shown you that I rely upon you—Because, at times, I've seemed to need your aid—therefore you've interfered in matters that are no concern of yours."