Beyond Black

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Colette’s eyes darted around, looking for the next pickup. Her helpers were a boy of seventeen, in a sort of snooker player’s outfit, a shiny waistcoat and a skewed bow tie; and, would you believe it, the dozy little slapper from the bar. Colette thought, I’ll need to be everywhere. The first five minutes, thank God, are no guide to the evening to come.

Look, this is how you do it. Suppose it’s a slow night, no one in particular pushing your buttons; only the confused distant chit-chat that comes from the world of the dead. So you’re looking around the hall and smiling, saying, ‘Look, I want to show you how I do what I do. I want to show you it’s nothing scary, it’s just, basically, abilities that we all have. Now can I ask, how many of you,’ she pauses, looks around, ‘how many of you have sometimes felt you’re psychic?’

After that it’s according to, as Colette would say, the demographics. There are shy towns and towns where the hands shoot up, and of course as soon as you’re on stage you can sense the mood, even if you weren’t tipped off about it, even if you’ve never been in that particular place before. But a little word, a word of encouragement, a ‘don’t hold back on me’; sooner or later the hands go up. You look around – there’s always that compromise, between flattering stage lighting, and the need to see their faces. Then you choose a woman near the front, not so young as Leanne but not so old she’s completely buggered up: and you get her to tell you her name.

‘Gillian.’

Gillian. Right. Here goes.

‘Gill, you’re the sort of woman – well,’ she gives a little laugh and a shake of her head, ‘well, you’re a bit of a human dynamo, I mean, that’s how your friends describe you, isn’t it? Always on the go, morning, noon and night, you’re the sort of person, am I right, who can keep all the plates spinning? But if there’s one thing, if there’s one thing, you know, all your friends say, it’s that you don’t give enough time to yourself. I mean, you’re the one everybody depends on, you’re the one everybody comes to for advice, you’re the Rock of Gibraltar, aren’t you, but then you have to say to yourself, hang on, hang on a minute, who do I go to when I want advice? Who’s there for Gilly, when it comes to the crunch? The thing is, you’re very supportive, of your friends, your family, it’s just give give give, and you do find yourself, just now and then, catching yourself up and saying, hang on now, who’s giving back to me? And the thing about you, Gillian – now stop me if you think I’m wrong – is that you’ve got so much to give, but the problem is you’re so busy running round picking up after other people and putting their lives to rights, that you haven’t hardly got any opportunity to develop your own, I mean your own talents, your own interests. When you think back, when you think back to what made you happy as a young girl, and all the things you wanted out of life – you see, you’ve been on what I call a Cycle of Caring, and it’s not given you, Gill, it’s not given you the opportunity to look within, to look beyond – you really are capable, now I’m not telling you this to flatter you, but you really are capable of the most extraordinary things if you put your mind to it, if you just give all those talents of yours a chance to breathe. Now am I right? Say if I’m not right. Yes, you’re nodding. Do you recognise yourself?’

Gillian has of course been nodding since the first time Al paused for breath. In Alison’s experience there’s not a woman alive who, once past her youth, doesn’t recognise this as a true and fair assessment of her character and potential. Or there may be such a woman, out in some jungle or desert: but these blighted exceptions are not likely to be visiting Alison’s Evening of Psychic Arts.

She is now established as a mind-reader; and if she can tell Gillian something about herself, her family, so much the better. But she’s really done enough – Gillian’s brimming with gratification – so even if nobody comes through from spirit, she can just move right on to whoever is her next target. But long before this point Alison has become conscious of a background mutter (at times rising to a roar) situated not there in the hall but towards the back of her skull, behind her ears, resonating privately in the bone. And on this evening, like every other, she fights down the panic we would all feel, trapped with a crowd of dead strangers whose intentions towards us we can’t know. She takes a breath, she smiles, and she starts her peculiar form of listening. It is a silent sensory ascent; it is like listening from a stepladder, poised on the top rung; she listens at the ends of her nerves, at the limit of her capacities. When you’re doing platform work, it’s rare that the dead need coaxing. The skill is in isolating the voices, picking out one and letting the others recede – making them recede, forcing them back if need be, because there are some big egos in the next world. Then taking that voice, the dead voice you’ve chosen, and fitting it to the living body, to the ears that are ready to hear.

So: time to work the room. Colette tensed, forward on her toes, ready to sprint with the mike. ‘This lady. I feel some connection with the law here. Do you have to see a solicitor?’

‘Constantly,’ the woman said. ‘I’m married to one.’

There was a yell of laughter. Al joined it. Colette smirked. She won’t lose them now, she thought. Of course she wanted Al to succeed; of course I do, she told herself. They had a joint mortgage, after all, financially they were tied together. And if I quit working for her, she thought, how would I get another job? When it comes to ‘your last position’, what would I put on my CV?

‘Who’s got indigestion at the back?’ Al’s forehead was damp, the skin at the nape of her neck was clammy. She liked to have clothes with pockets so she could carry a folded cologne tissue, ready for a surreptitious dab, but you don’t usually get pockets in women’s clothes, and it looks stupid taking a handbag out there on stage. ‘This lady,’ she said. She pointed; the lucky opals winked. ‘This is the one I’m speaking to. You’re the one with the heartburn, I can feel it. I have someone here for you who’s very happy in spirit world, a Margo, Marje, can you accept that? A petite woman wearing a turquoise blouse, she was very fond of it, wasn’t she? She says you’ll remember.’

‘I do remember, I do,’ the woman said. She took the mike gingerly, and held it as if it might detonate. ‘Marje was my aunt. She was fond of turquoise and also lilac.’

‘Yes,’ and now Al softened her voice, ‘and she was like a mother to you, wasn’t she? She’s still looking out for you, in spirit world. Now tell me, have you seen your GP about that indigestion?’

‘No,’ the woman said. ‘Well, they’re so busy.’

‘They’re well paid to look after you, my love.’

‘Coughs and colds all around you,’ the woman said. ‘You come out worse than you went in – and you never see the same doctor twice.’

There was an audible smirk from the audience, a wash of fellow feeling. But the woman herself looked fretful. She wanted to hear from Marje; the dyspepsia she lived with every day.

‘Stop making excuses.’ Al almost stamped her foot. ‘Marje says, why are you putting it off? Call the surgery tomorrow morning and book yourself in. There’s nothing to be frightened of.’

Isn’t there? Relief dawned on the woman’s face; or an emotion that would be relief, when it clarified; for the moment she was tremulous, a hand on her ribs, folded in on herself as if to protect the space of the pain. It would take her a while to give up thinking it was cancer.

Now it’s the glasses ploy. Look for a woman in middle age who isn’t wearing glasses and say: have you had your eyes tested recently? Then the whole world of optometry is at your command. If she had an eye test last week, she’ll say, yes, as a matter of fact I have. They’ll applaud. If she says no, not recently, she’ll be thinking, but I know I ought to…As for the woman who says she wears no glasses ever: oh, my love, those headaches of yours! Why don’t you just pop along to Boots? I can see you, a month from now, in some really pretty squarish frames.

You could ask them if they need to see the dentist, since everybody does, all the time; but you don’t want to see them flinch. You’re giving them a gentle nudge, not a pinch. It’s about impressing them without scaring them; softening the edges of their fright and disbelief.

‘This lady – I see a broken wedding ring – did you lose your husband? He passed quite recently? And very recently you planted a rose bush in his memory.’

‘Not exactly,’ the woman said, ‘I placed some – in fact it was carnations – ’

‘ – carnations in his memory,’ said Al, ‘because they were his favourite, weren’t they?’

‘Oh, I don’t know,’ said the woman. Her voice slid off the mike; she was too worried to keep her head still.

‘You know, aren’t men funny?’ Al threw it out to the audience. ‘They just don’t like talking about these things, they think it means they’re oversensitive or something – as if we’d mind. But I can assure you, he’s telling me now, carnations were his favourite.’

‘But where is he?’ the woman said: still off the mike. She wasn’t going to quarrel about the flowers; she was pressed against the back of her seat, almost hostile, on the verge of tears.

Sometimes they waited for you afterwards, the punters, at the back exit, when you were running head down for the car park. In the ghastly lights behind the venue, in the drizzle and the rain, they’d say, when you gave me the message I didn’t know, I didn’t understand, I couldn’t take it in. ‘I know it’s difficult,’ Al would say, trying to soothe them, trying to help them, but trying, for God’s sake, to get them off her back; she would be sweating, shaking, desperate to get into the car and off. But now, thank God, she had Colette, to manage the situation; Colette would smoothly pass over their business card, and say, ‘When you feel ready, you might like to come for a private reading.’

 

Now Alison fished around in the front rows for somebody who’d lost a pet and found a woman whose terrier, on an impulse three weeks ago, had dashed out of the front door into the traffic. ‘Don’t you listen,’ she told the woman, ‘to people who tell you animals have no souls. They go on in spirit, same as we do.’

Animals distressed her, not cats, just dogs: their ownerless whimper as they padded through the afterlife on the trail of their masters. ‘And has your husband gone over too?’ she asked, and when the woman said yes, she nodded sympathetically but pulled her attention away, throwing out a new question, changing the topic: ‘Anybody over here got blood pressure?’

Let her think it, that dog and master are together now; let her take comfort, since comfort’s what she’s paid for. Let her assume that Tiddles and his boss are together in the Beyond. Reunion is seldom so simple; and really it’s better for dogs – if people could just grasp it – not to have an owner waiting for them, spiritside. Without a person to search for, they join up in happy packs, and within a year or two you never hear from them individually: there’s just a joyful, corporate barking, instead of that lost whine, the sore pads, the disconsolate drooping head of the dog following a fading scent. Dogs had figured in her early life – men, and dogs – and much of that life was unclear to her. If you knew what the dogs were up to, she reasoned, if you knew what they were up to in spirit world, it might help you work out where their owners were now. They must be gone over, she thought, most of those men I knew when I was a child; the dogs, for sure, are in spirit, for years have passed and those kind of dogs don’t make old bones. Sometimes in the supermarket she would find herself standing in Pets, eyeing up the squeaky toys, the big tough chews made for big friendly jaws; then she would shake herself, and move slowly back towards organic vegetables, where Colette would be waiting with the trolley, cross with her for vanishing.

She will be cross tonight, Al thought, smiling to herself: I’ve slipped up again about the blood pressure. Colette has nagged her, don’t talk about blood pressure, talk about hypertension. When she’d argued back – ‘they might not understand me’ – Colette lost her temper and said, ‘Alison, without blood pressure we’d all be dead, but if you want to sound like something from the remedial stream, don’t let me get in your way.’

Now a woman put her hand up, admitted to the blood pressure.

‘Carrying a bit of weight, aren’t we, darling?’ Al asked her. ‘I’ve got your mum here. She’s a bit annoyed with you – well, no, I’m pitching it a bit high – concerned, would be more like it. You need to drop a stone, she’s saying. Can you accept that?’ The woman nodded: humiliated. ‘Oh, don’t mind what they think.’ Al swept her hand over the audience; she gave her special throaty chuckle, her woman-to-woman laugh. ‘You’ve no need to worry about what anybody here’s thinking, we could most of us stand to lose a few pounds. I mean, look at me, I’m a size twenty and not ashamed of it. But your mum now, your mum, she says you’re letting yourself go, and that’s a shame, because you know you’re really, look at you, you’ve got such a lot going for you, lovely hair, lovely skin – well, excuse me, but it seems to me your mum’s a plain-spoken lady, so excuse me if I offend anybody, she’s saying, get up off your bum and go to the gym.’

This is Al’s public self: a little bit jaunty and a little bit crude, a bit of a schoolmistress and a bit of a flirt. She often speaks to the public about ‘my wicked sense of humour’, warning them not to take offence; but what happens to her sense of humour in the depth of the night, when she wakes up trembling and crying, with Morris crowing at her in the corner of the room?

Colette thought, you are a size twenty-six. And you are ashamed of it. The thought was so loud, inside her own head, that she was amazed it didn’t jump out into the hall. ‘No,’ Al was saying, ‘please give the mike back to this lady, I’m afraid I’ve embarrassed her and I want to put it right.’ The woman was reluctant, and Al said to her neighbour, ‘Just hold that mike steady under her chin.’ Then Alison told the fat woman several things about her mother, which she’d often thought but not liked to admit to. ‘Oh, and I have your granny. Your granny’s coming through. Sarah-Anne? Now she’s an old soul,’ Al said. ‘You were five when she passed, am I right?’

‘I’m not sure.’

‘Speak up, my love.’

‘Small. I was small.’

‘Yes, you don’t remember much about her, but the point is she’s never left you, she’s still around, looking after the family. And she likes those cabinets you’ve got – I can’t quite make this out – a new kitchen, is it?’

‘Oh my God. Yes,’ the woman said. ‘Yes.’ She shifted in her seat and turned bright red.

Al chuckled, indulging her surprise. ‘She’s often with you in that kitchen. And by the way, you were right not to go for the brushed steel, I know they tried to talk you into it, but it’s so over and done with, there’s nothing worse than a dated kitchen when you come to sell, and besides it’s such a harsh look at the heart of the home. Sarah-Anne says, you won’t go wrong with light oak.’

They burst into applause: the punters, the trade. They are deeply appreciative over information about their kitchen fittings: they marvel at your uncanny knowledge of where they position their bread bin. This is how you handle them; you tell them the small things, the personal things, the things no one else could really know. By this means you make them drop their guard: only then will the dead begin to speak. On a good night, you can hear the scepticism leaking from their minds, with a low hiss like a tyre deflating.

Someone in uniform was trying to get through. It was a policeman, young and keen, with a flushed face; he was eager for promotion. She worked the rows, but no one would own him. Perhaps he was still earthside, employed at the local station: you did get these crossed wires, from time to time. Something to do with radio frequencies, perhaps?

‘This lady, have you got ear trouble? Or ear trouble somewhere in the family? Slowly, the barmaid lurched across the hall in her platform shoes, the mike held out at arm’s length.

‘What?’ the woman said.

‘Ear trouble.’

‘The boy next door to me plays football,’ the woman said, ‘he’s done his knee up. He was getting in trim for the World Cup. Not that he’s playing in it. Only in the park. Their dog died last year, but I don’t think it had ear trouble.’

‘No, not your neighbour,’ Al insisted. ‘You, someone close to you.’

‘I haven’t got anyone close to me.’

‘What about throat trouble? Nose trouble? Anything in the ENT line at all? You have to understand this,’ Al said, ‘when I get a message from spirit world, I can’t give it back. I can’t pick and choose. Think of me as your answering machine. Imagine if people from spirit world had phones. Now your answering machine, you press the button and it plays your messages back. It doesn’t wipe some out, on the grounds that you don’t need to know them.’

‘And it records the wrong numbers, too,’ said a pert girl near the front. She had her friends with her; their sniggers ruffled adjacent rows.

Alison smiled. It was for her to make the jokes; she wouldn’t be upstaged. ‘Yes, I admit we record the wrong numbers. And we record the nuisance calls, if you like to put it that way. I sometimes think they have telesales in the next world, because I never sit down with a nice cup of coffee without some stranger trying to get through. Just imagine – double-glazing salesmen…debt collectors…’

The girl’s smile faded. She tensed. Al said, ‘Look, darling. Let me give you a word of advice. Cut up that credit card. Throw away those catalogues. You can break these spending habits – well, you must, really. You have to grow up and exercise some self-control. Or I can see the bailiffs in, before Christmas.’

Al’s gaze rested, one by one, on those who had dared to snigger; then she dropped her voice, whipped her attention away from the troublemaker and became confidential with her audience. ‘The point is this. If I get a message I don’t censor it. I don’t ask, do you need it? I don’t ask, does it make sense? I do my duty, I do what I’m here for. I put it out there, so the person it applies to can pick it up. Now people in spirit world can make mistakes. They can be wrong, just like the living. But what I hear, I pass on. And it may happen, you know, what I tell you may mean nothing to you at the time. That’s why I sometimes have to say to you, stay with that: go home: live with it. This week or next week, you’ll go, oh I get it now! Then you’ll have a little smile, and think, she wasn’t such a fool, was she?’ She crossed the stage; the opals blazed. ‘And then again, there are some messages from spirit world that aren’t as simple as they seem. This lady, for example, when I speak about ear trouble, what I may be picking up is not so much a physical problem – I might be talking about a breakdown in communication.’

The woman stared up at her glassily. Al passed on. ‘Jenny’s here. She went suddenly. She didn’t feel the impact, it was instantaneous. She wants you to know.’

‘Yes.’

‘And she sends her love to Peg. Who’s Peg?’

‘Her aunt.’

‘And to Sally, and Mrs Moss. And Liam. And Topsy.’

Jenny lay down. She’d had enough. Her little light was fading. But wait, here’s another – tonight she picked them up as if she were vacuuming the carpet. But it was almost nine o’clock, and it was quite usual to get on to something serious and painful before the interval. ‘Your little girl, was she very poorly before she passed? I’m getting – this is not recent, we’re going back now, but I have a very clear – I have a picture of a poor little mite who’s really very sick, bless her.’

‘It was leukaemia,’ her mother said.

‘Yes, yes, yes,’ Al said, swiftly agreeing, as if she had thought of it first: so that the woman would go home and say, she told me Lisa had leukaemia, she knew. All she could feel was the weakness and the heat, the energy of the last battle draining away: the flickering pulse at the hairless temple, and the blue eyes, like marbles under translucent lids, rolling into stillness. Dry your tears, Alison said. All the tears of agony you’ve shed, the world doesn’t know, the world can’t count them; and soberly, the woman agreed: nobody knows, she said, and nobody can count. Al, her own voice trembling, assured her, Lisa’s doing fine airside, the next world’s treated her well. A beautiful young woman stood before her – twenty-two, twenty-three – wearing her grandmother’s bridal veil. But whether it was Lisa or not, Al could not say.

Eight fifty, by Colette’s watch. It was time for Al to lighten up. You have to start this process no less than eight minutes before the end of the first half. If the interval catches you in the middle of something thrilling and risky, they simply don’t want to break; but she, Al, she needed the break, to get back there, touch base with Colette, gulp a cold drink and redo her face. So she would begin another ward round now, picking up a few aches and pains. Already she was homing in on a woman who suffered from headaches. Don’t we all? Colette thought. It was one of the nets Al could safely cast. God knows, her own head ached. There was something about these summer nights, summer nights in small towns, that made you feel that you were seventeen again, and had chances in life. The throat ached and clogged then; there was tightness behind her eyes, as if unshed tears had banked up. Her nose was running, and she hadn’t got a tissue.

Al had found a woman with a stiff left knee, and was advising her on traditional Chinese medicine; it was a diversion, but they’d go away disappointed if she didn’t throw in some jargon about meridians and ley lines and chakras and feng shui. Gently, soothingly, she was bringing the first part of the evening to a close; and she was having her little joke now, asking about the lady standing at the back, leaning against the wall there, the lady in beige with a bit of a sniffle. It’s ridiculous, Colette thought, she can’t possibly see me, from where she’s standing. She just, somehow, she must just simply know that at some point in the evening I cry. ‘Never mind, my dear,’ Al said. ‘A runny nose is nothing to be ashamed of. Wipe it on your sleeve. We’re not looking, are we?’

 

You’ll pay for it later, Colette thought, and so she will; she’ll have to regurgitate or else digest all the distress that she’s sucked in from the carpet and the walls. By the end of the evening she’ll be sick to her stomach from other people’s chemotherapy, feverish and short of breath; or twitching and cold, full of their torsions and strains. She’ll have a neck spasm, or a twisted knee, or a foot she can hardly put on the floor. She’ll need to climb into the bath, moaning, amid the rising steam of aromatherapy oils from her special travel pack; and knock back a handful of painkillers, which, she always says, she should be allowed to set against her income tax.

Almost nine o’clock. Alison looked up, to the big double doors marked EXIT. There was a little green man above the door, running on the spot. She felt like that little green man. ‘Time to break,’ she said. ‘You’ve been lovely.’ She waved to them. ‘Stretch your legs and I’ll see you in fifteen.’

Morris was sprawled in Al’s chair when she came into her dressing room. He had his dick out and his foreskin pushed back, and he’d been playing with her lipstick, winding it up to the top of the tube. She evicted him with a dig to his shin from her pointed toe; dropped herself into the vacated chair – she shuddered at the heat of it – and kicked off her shoes.

‘Do yourself up,’ she told him. ‘Button your trousers, Morris.’ She spoke to him as if he were a two-year-old who hadn’t learned the common decencies.

She eased off the opals. ‘My hands have swelled up.’ Colette watched her through the mirror. Al’s skin was bland and creamy, flesh and fluid plumping it out from beneath. ‘Is the air conditioning working?’ She pulled at bits of her clothing, detaching them from the sticky bits of herself.

‘As if carnations were anybody’s favourite!’ Colette said.

‘What?’ Al was shaking her hands in the air, as if they were damp washing.

‘That poor woman who was just widowed. You said roses, but she said carnations, so then you said carnations.’

‘Colette, could you try to bear in mind, I’ve talked to about thirty people since then?’

Alison held her arms in a ‘U’ above her head, her naked fingers spread. ‘Let the fluid drain,’ she said. ‘Anything else, Colette? Let’s have it.’

‘You always say, oh, keep a note, Colette, keep your eyes open, listen out and tell me what goes right and what goes wrong. But you’re not willing to listen, are you? Perhaps it’s you who’s got the hearing problem.’

‘At least I haven’t got a sniffle problem.’

‘I can never understand why you take your shoes off, and your rings off, when you’ve got to force them back on again.’

‘Can’t you?’ Al sipped her blackcurrant juice, which she brought with her in her own carton. ‘What can you understand?’ Though Al’s voice was lazy, this was turning into a nasty little scrap. Morris had lain down across the doorway, ready to trip up anyone who came in.

‘Try thinking yourself into my body,’ Al suggested. Colette turned away and mouthed, no thank you. ‘It’s hot under the lights. Half an hour and I’m fit to drop. I know you’ve been running around with the mike, but it’s easier on the feet to be moving than standing still.’

‘Is it really? How would you know that?’

‘It’s easy, when you’re thin. Everything’s easier. Moving. Thinking. Deciding what you’ll do and what you won’t. You have choices. You can choose your clothes. Choose your company. I can’t.’ Al drank the end of her carton, with a little sound of sucking and bubbling. She put it down, and squashed the tip of the straw, judiciously, with her forefinger.

‘Oh, and the kitchen units,’ Colette said.

‘What’s your problem? I was right.’

‘It’s just telepathy,’ Colette said.

Just?’

‘Her granny didn’t tell you.’

‘How can you be sure?’

She couldn’t, of course. Like the punters out there, she could entertain simultaneously any number of conflicting opinions. They could believe in Al, and not believe in her, both at once. Faced with the impossible, their minds, like Colette’s, simply scuttled off in another direction.

‘Look,’ Alison said, ‘do we have to go through this every time? I would have thought we’d been on the road together for long enough now. And we’ve been making the tapes, haven’t we? Writing this book you say we’re writing? I’d have thought I’d answered most of your questions by now.’

‘All except the ones that matter.’

Al shrugged. A quick dab of Rescue Remedy under the tongue, and then she began to repaint her lips. Colette could see the effort of concentration needed; the spirits were nagging in her ear, wanting to stake out their places for the second half.

‘You see, I’d have imagined,’ she said, ‘that sometimes, once in a while, you’d feel the urge to be honest.’

Alison gave a little comic shiver, like a character in a pantomime. ‘What, with the punters? They’d run a mile,’ she said. ‘Even the ones with the blood pressure would be up and charging out the door. It’d kill them.’ She stood up and pulled down her clothes, smoothing the creases over her hips. ‘And what would that do but make more work for me?’

‘Your hem’s up at the back,’ Colette said. Sighing, she sank to her knees and gave the satin a tug.

‘I’m afraid it’s my bottom that does it,’ Al said. ‘Oh dear.’ She turned sideways to the mirror, resettled the skirt at what passed for her waistline. ‘Am I OK now?’ She held up her arms, stamped her feet in her high heels. ‘I could have been a flamenco dancer,’ she said. ‘That would have been more fun.’

‘Oh, surely not,’ Colette said. ‘Not more fun than this?’ She nudged her own head at the mirror, and smoothed down her hair; damp, it lay on her head like strings of white licqorice.

The manager put his head around the door. ‘All right?’ he said.

‘Will you stop saying that?’ Colette turned on him. ‘No, not all right. I want you out there for the second half, that girl from the bar is useless. And turn the bloody air conditioning up, we’re all melting.’ She indicated Alison. ‘Especially her.’

Morris rolled lazily on to his back in the doorway and made faces at the manager. ‘Bossy cow, ain’t she?’

‘So sorry to disturb your toilette,’ the manager said, bowing to Alison.

‘OK, OK, time to move.’ Colette clapped her hands. ‘They’re out there waiting.’

Morris grabbed Al’s ankle as she stepped over him. She checked her stride, took a half-pace backwards, and ground her heel into his face.

The second half usually began with a question-and-answer session. When Colette first joined Al she had worried about this part of the evening. She waited for some sceptic to jump up and challenge Al about her mistakes and evasions. But Al laughed. She said, those sort of people don’t come out at night, they stay at home watching Question Time and shouting at the TV.

Tonight they were quick off the mark. A woman stood up, wreathed in smiles. She accepted the microphone easily, like a professional. ‘Well, you can guess what we all want to know.’

Al simpered back at her. ‘The royal passing.’

The woman all but curtsied. ‘Have you had any communication from Her Majesty the Queen Mother? How is she faring in the other world? Has she been reunited with King George?’

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