At first sight it appears as if our Evangelist had departed from the orderly arrangement of which he speaks in his prelude, in thus linking this domestic scene of Judæa with His northern Galilean journey, and to the casual glance this home-flower does certainly seem an exotic in this garden of the Lord. The strangeness, the out-of-placeness, however, vanishes entirely upon a nearer, closer view. If, as is probable, the parable of the Good Samaritan was spoken during that northward journey, its scene lies away in Judæa, in the dangerous road that sweeps down from Jerusalem to Jericho. Now, this road to Jericho lay through the village of Bethany, and in the Evangelist's mind the two places are intimately connected, as we see (chap. xix. vv. 1, 29); so that the idyll of Bethany would follow the parable of the Good Samaritan with a certain naturalness, the one recalling the other by the simple association of ideas. Then, too, it harmonizes so thoroughly with its context, as it comes between a parable on works and a chapter on prayer. In the one, man is the doer, heart and hand going out in the beautiful ministries of love; in the other, man is the receiver, waiting upon God, opening hand and heart for the inflow of Divine grace. In one it is Love in action that we see; in the other it is Love at rest, at rest from activities of her own, in quest of further good. This is exactly the picture our Evangelist draws of the two sisters, and which might have served as a parable had it not been so plainly taken from real life. Perhaps, too, another consideration influenced the Evangelist, and one that is suggested by the studied vagueness of the narrative. He gives no clue as to where the little incident occurred, for the "certain village" might be equally appropriate in Samaria or Judæa; while the two names, Martha and Mary, apart from the corroboration of St. John's Gospel, would not enable us to localize the scene. It is evident that St. Luke wished to throw around them a sort of incognito, probably because they were still living when he wrote, and too great publicity might subject them to inconvenience, or even to something more. And so St. Luke considerately masks the picture, shutting off the background of locality, while St. John, who writes at a later date, when Jerusalem has fallen, and who is under no such obligation of reserve, fixes the scene precisely; for there can be no doubt that the Mary and Martha of his Gospel, of Bethany, are the Martha and Mary of St. Luke; their very characters, as well as names, are identical.
It was in one of His journeys to the south, though we have no means of telling which, that He came to Bethany, a small village on the eastern slope of Olivet, and about three-quarters of an hour from Jerusalem. There are several indications in the Gospels that this was a favourite resort of Jesus during His Judæan ministry (Matt. xxi. 1; John viii. 1); and it is somewhat singular that the only nights that we read He spent in Jerusalem were the night in the garden and the two nights He slept in its grave. He preferred the quiet haven of Bethany; and though we cannot with absolute certainty recognize the village home where Jesus had such frequent welcome, yet throwing the side-light of John xi. 5 upon the haze, it seems in part to lift; for the deep affection Jesus had for the three implies a close and ripened intimacy.
St. John, in his allusions to the family, makes Mary prominent, giving precedence to her name, as he calls Bethany "the village of Mary and her sister Martha" (John xi. 1). St. Luke, however, makes Martha the central figure of his picture, while Mary is set back in the shade, or rather in the sunshine of that Presence which was and is the Light of the world. It was, "Martha received Him into her house." She was the recognized head of the family, "the lady" in fact, as well as by the implication of her name, which was the native equivalent of "lady." It was she who gave the invitation to the Master, and on her devolved all the care of the entertainment, the preparation of the feast, and the reception of the guests; for though the change of pronoun in ver. 38 from "they" to "Him" would lead us to suppose that the disciples had gone another way, and were not with Him now, still the "much serving" would show that it was a special occasion, and that others had been invited to meet Jesus.
It is a significant coincidence that St. John, speaking (xii. 2) of another supper at Bethany, in the house of Simon, states that Martha "served," using the same word that Jesus addressed to her in the narrative of St. Luke. Evidently Martha was a "server." This was her forte, so much so that her services were in requisition outside her own house. Hers was a culinary skill, and she delighted with her sleight of hand to effect all sorts of transformations, as, conjuring with her fire, she called forth the pleasures and harmonies of taste. In this case, however, she overdid it; she went beyond her strength. Perhaps her guests outnumbered her invitations, or something unforeseen had upset her plans, so that some of the viands were belated. At any rate, she was cumbered, distracted, "put about" as our modern colloquialism would have it. Perhaps we might say she was "put out" as well, for we can certainly detect a trace of irritability both in her manner and in her speech. She breaks in suddenly among the guests (the aorist participle gives the rustle of a quick movement), and in the hearing of them all she says to Jesus, "Lord, dost Thou not care that my sister did leave me to serve alone? bid her therefore that she help me." Her tone is sharp, querulous, and her words send a deep chill across the table, as when a sea-fret drifts coldly inland. If Mary was in the wrong thus to sit at the feet of Jesus, Martha certainly was not in the right. There was no occasion to give this public reprimand, this round-hand rebuke. She might have come and secretly called her, as she did afterwards, on the day of their sorrow, and probably Mary would have risen as quickly now as then. But Martha is overweighted, ruffled; her feelings get the better of her judgment, and she speaks, out of the impatience of her heart, words she never would have spoken had she but known that Inspiration would keep their echoes reverberating down all the years of time. And besides, her words were somewhat lacking in respect to the Master. True, she addresses Him as "Lord;" but having done this, she goes off into an interrogative with an implied censure in it, and closes with an imperative, which, to say the least, was not becoming, while all through an undue emphasis is laid upon the first personal pronoun, the "me" of her aggrieved self.
Turning to the other sister, we find a striking contrast, for Mary, as our Evangelist puts it, "also sat at the Lord's feet, and heard His word." This does not imply any forwardness on her part, or any desire to make herself conspicuous; the whole drift of her nature was in the opposite direction. Sitting "at His feet" now that they were reclining at the table, meant sitting behind Him, alone amid the company, and screened from their too-curious gaze by Him who drew all eyes to Himself. Nor does she break through her womanly reserve to take part in the conversation; she simply "heard His word;" or "she kept listening," as the imperfect tense denotes. She put herself in the listening attitude, content to be in the shadow, outside the charmed circle, if she only might hear Him speak, whose words fell like a rain of music upon her soul. Her sister chided her for this, and the large family of modern Marthas – for feminine sentiment is almost entirely on Martha's side – blame her severely, for what they call the selfishness of her conduct, seeking her own enjoyment, even though others must pay the price of it. But was Mary so utterly selfish? and did she sacrifice duty to gratify her inclination? Not at all, and certainly not to the extent our Marthas would have us believe. Mary had assisted in the preparations and the reception, as the "also" of ver. 39 shows; while Martha's own words, "My sister did leave me to serve alone," themselves imply that Mary had shared the labours of the entertainment before taking her place at the feet of Jesus. The probability is that she had completed her task; and now that He who spake as never man spake before was conversing with the guests, she could not forego the privilege of listening to the voice she might not hear again.
It is to Jesus, however, that we must go with our rivalry of claims. He is our Court of Equity. His estimate of character was never at fault. He looked at the essences of things, the soul of things, and not to the outward wrappings of circumstance, and He read that palimpsest of motive, the underlying thought, more easily than others could read the outward act. And certainly Jesus had no apology for selfishness; His whole life was one war against it, and against sin, which is but selfishness ripened. But how does Jesus adjust this sisterly difference? Does He dismiss the listener, and send her back to an unfinished task? Does He pass on to her Martha's warm reproof? Not at all; but He gently reproves the elder sister. "Martha, Martha," He said, as if her mind had wandered, and the iteration was necessary to call her to herself, "thou art anxious and troubled about many things: but one thing is needful: for Mary hath chosen the good part, which shall not be taken away from her."
It is easy to see from this where Jesus thought the blame should rest. It was Martha who had taken too much upon herself. Her generous heart had gone beyond her strength, and far beyond the need. Wishing to do honour to her Guest, studying to please Him, she had been over-lavish in her entertainment, until she had become worried – anxious, troubled, as Jesus said, the former word referring to the inner disquiet, the unrest of soul, and the latter to the outward perturbation, the tremor of the nerves, and the cloudiness that looked from her eyes. The fact was that Martha had misread the tastes of her Guest. She thought to please Him by the abundance of her provision, the largeness of her hospitality; but for these lower pleasures of sense and of taste Jesus cared little. He had meat to eat that others knew not of, and to do the will of Him that sent Him was to Jesus more than any ambrosia or nectar of the gods. The more simple the repast, the more it pleased Him, whose thoughts were high in the heavenly places, even while His feet and the mortal body He wore touched lightly the earth. And so while Martha's motive was pure, her judgment was mistaken, and her eager heart tempted her to works of supererogation, to an excess of care which was anxiety, the fret and fever of the soul. Had she been content with a modest service, such as would have pleased her Guest, she too might have found time to sit at His feet, and to have found there an Elim of rest and a Mount of Beatitudes.
But while Jesus has a kind rebuke for Martha, He has only words of commendation for her sister, whom she has been so openly and sharply upbraiding. "Mary," He said, speaking the name Martha had not uttered, "hath chosen the good part, which shall not be taken away from her." He answers Martha in her own language, her native tongue; for in speaking of Mary's choice as the "good part," it is a culinary phrase, the parlance of the kitchen or the table, meaning the choice bit. The phrase is in apposition with the one thing which is needful, which itself is the antithesis to the "many things" of Martha's care. What the "one thing" is of which Jesus speaks we cannot say with certainty, and almost numberless have been the interpretations given to it. But without going into them, can we not find the truest interpretation in the Lord's own words? We think we may, for in the Sermon on the Mount we have an exact parallel to the narrative. He finds people burdened, anxious about the things of this life, wearying themselves with the interminable questions, "What shall we eat? or What shall we drink?" as if life had no quest higher and vaster than these. And Jesus rebukes this spirit of anxiety, exorcising it by an appeal to the lilies and the grass of the field; and summing up His condemnation of anxiety, He adds the injunction, "Seek ye His kingdom, and these things shall be added unto you" (xii. 31). Here, again, we have the "many things" of human care and strife contrasted with the "one thing" which is of supremest moment. First, the kingdom; this in the mind of Jesus was the summum bonum, the highest good of man, compared with which the "many things" for which men strive and toil are but the dust of the balances. And this was the choice of Mary. She sought the kingdom of God, sitting at the feet of Him who proclaimed it, and who was, though she knew it not as yet, Himself the King. Martha too sought the kingdom, but her distracted mind showed that that was not her only, perhaps not her chief quest. Earthly things weighed too heavily upon her mind and heart, and through their dust the heavenly things became somewhat obscured. Mary's heart was set heavenward. She was the listener, eager to know the will of God, that she might do it. Martha was so busied with her own activities that she could not give her thoughts to Christ; Mary ceased from her works, that so she might enter into His rest, setting the world behind her, that her undivided gaze might be upon Him who was truly her Lord. And so Jesus loved Martha, yet pitied and chided her, while He loved and commended Mary.
Nor was the "good part" ever taken from her, for again and again we find her returning to the feet of Jesus. In the day of their great sorrow, as soon as she heard that the Master had come and called her, she arose quickly, and coming to Jesus, though it was the bare, dusty ground, she fell at His feet, seeking strength and help where she before had sought light and truth. And once more: when the shadow of the cross came vividly near, when Simon gave the feast which Martha served, Mary sought those feet again, to pour upon them the precious and fragrant nard, the sweet odours of which filled all the house, as they have since filled all the world. Yes, Mary did not sit at the feet of Jesus in vain; she had learned to know Christ as few of the disciples did; for when Jesus said, "She has done it for My burying," He intends us to infer that Mary feels, stealing over her retiring but loving soul, the cold and awful shadow of the cross. Her broken alabaster and its poured-out spikenard are her unspoken ode to the Redeemer, her pre-dated homage to the Crucified.
And so we find in Mary the truest type of service. Hers was not always the passive attitude, receiving and never giving, absorbing and not diffusing. There was the service before the session; her hands had prepared and wrought for Christ before she placed herself at His feet, and the sacrifice followed, as she brought her costly gift, to the astonishment of all the rest, her sweet and healing balm for the wounds which were soon to follow.
The life that is all receptive, that has no active ministries of love, no waiting upon Christ in the person of His followers, is an unnatural, an unhealthy life, a piece of morbid selfishness which neither pleases God nor blesses man. On the other hand, the life that is always busy, that is in a constant swirl of outward duties, flying here and there like the stormy petrel over the unresting waves, will soon weary or wear itself out, or it will grow into an automaton, a mechanism without a soul. Receiving, giving, praying, working – these are the alternate chords on which the music of our lives should be struck. Heavenward, earthward, should be the alternate looks – heavenward in our waiting upon God, and earthward in our service for man. That life shines the most and is seen the farthest which reflects most of the heavenly light; and he serves Christ the best who now sits humbly and prayerfully at His feet, and then goes forth to be a "living echo" of His voice, breaking for Him the alabaster of a self-sacrificing love. As one has beautifully expressed it, "The effective life and the receptive life are one. No sweep of arm that does some work for God but harvests also some more of the truth of God and sweeps it into the treasury of the life."3
But if Mary gives us a type of the truest and best service, Martha shows us a kind of service which is only too common. She gave to Jesus a right loving welcome, and was delighted with the privilege of ministering to His wants; but the coming of Jesus brought her, not peace, but distraction – not rest, but worry. Her very service ruffled and irritated her, until mind and heart were like the tempestuous lake ere the spell of the Divine "Peace" fell upon it. And all the time the Christ was near, who could bear each burden, and still all the disquiet of the soul! But Martha was all absorbed in the thought of what she could do for Him, and she forgot how much more He could do for her, giving to her chafed spirit quietness and rest, even amid her toil. The Divine Peace was near her, within her home, but the hurryings of her restless will and her manifold activities effectually excluded that peace from her heart.
And how many who call themselves Christians are true Marthas, serving Christ, but feeling the yoke to chafe, and the burden to weight them! perhaps preaching to others the Gospel of rest and peace, and themselves knowing little of its experience and blessedness – like the camels of the desert, which carry their treasures of corn and sweet spices to others, and themselves feed on the bitter and prickly herbs. Ah, you are too much upon your feet! Cease for awhile from your own works, and let God work in you. Wait in His presence. Let His words take hold of you, and His love enthuse you; so will you find rest amid your toil, calmness amid the strife, and you will prove that the fret and the fever of life will all disappear at the touch of the living Christ.
In this chapter we see how the waves of influence, moving outward from their Divine centre, touch the outermost fringe of humanity, sending the pulsations of new excitements and new hopes through classes Religion and Society both had banned. "Now all the publicans and sinners were drawing near unto Him, for to hear Him." It was evidently a movement widespread and deep. The hostility of Pharisees and scribes would naturally give to these outcasts a certain bias in His favour, causing their hearts to lean towards him, while His words of hope fell upon their lives like the breaking of a new dawn. Nor did Jesus forbid their approach. Instead of looking upon it as an intrusion, an impertinence, the attraction was mutual. Instead of receiving them with a cold and scant courtesy, He welcomed them, receiving them gladly, as the verb of the Pharisees' murmur implies. He even mingled with them in social intercourse, with an acceptance, if not an interchange, of hospitality. To the Pharisaic mind, however, this was a flagrant lapse, a breach of the proprieties which was unpardonable and half criminal, and they gave vent to their disapprobation and disgust in the loud and scornful murmur, "This man receiveth sinners, and eateth with them." It is from this hard sentence of withering contempt, as from a prickly and bitter calyx, we have the trifoliate parables of the Lost Sheep, the Lost Coin, and the Lost Man, the last of which is perhaps the crown and flower of all the parables. With minor differences, the three parables are really one, emphasizing, as they reiterate, the one truth how Heaven seeks after the lost of earth, and how it rejoices when the lost is found.
The first parable is pastoral: "What man of you," asks Jesus, using the Tu quoque retort, "having a hundred sheep, and having lost one of them, doth not leave the ninety and nine in the wilderness, and go after that which is lost, until he find it?" It is one of those questions which only need to be asked to be answered, an interrogative which is axiomatic and self-evident. Jesus tries to set his detractors in His place, that they may think His thoughts, feel His feelings, as they look out on the world from His standpoint; but since they cannot follow Him to these redemptive heights, He comes down to the lower level of their vision. "Suppose you have a hundred sheep, and one of them, getting separated from the rest, goes astray, what do you do? Dismissing it from your thought, do you leave it to its fate, the certain slaughter that awaits it from the wild beasts? or do you seek to minimize your loss, working it out by the rule of proportion as you ask, 'What is one to ninety-nine?' then writing off the lost one, not as a unit, but as a common fraction? No; such a supposition is incredible and impossible. You would go in search of the lost directly. Turning your back upon the ninety and nine, and turning your thoughts from them too, you would leave them in their mountain pasture,4 as you sought the lost one. Calling it by its name, you would climb the terraced hills, and awake the echoes of the wadies, until the flinty heart of the mountain had felt the sympathy of your sorrow, repeating with you the lost wanderer's name. And when at last you found it you would not chide or punish it; you would not even force it to retrace its steps across the weary distance, but taking compassion on its weakness, you would lift it upon your shoulders and bear it rejoicing home. Then forgetful of your own weariness, fatigue and anxiety swallowed up in the new-found joy, you would go round to your neighbours, to break the good news to them, and so all would rejoice together."
Such is the picture, warm in colour and instinct with life, Jesus sketches in a few well-chosen words. He delicately conceals all reference to Himself; but even the chromatic vision of the Pharisees would plainly perceive how complete was its justification of His own conduct, in mingling thus with the erring and the lost; while to us the parable is but a veil of words, through which we discern the form and features of the "Good Shepherd," who gave even His life for the sheep, seeking that He might save that which was lost.
The second, which is a twin parable, is from domestic life. As in the parables of the kingdom, Jesus sets beside the man with the mustard-seed the woman with her leaven, so here He makes the same distinction, clothing the Truth both in a masculine and a feminine dress. He asks again, "Or what woman" (He does not say "of you," for if women were present amongst His hearers they would be in the background) "having ten pieces of silver, if she lose one piece, doth not light a lamp, and sweep the house, and seek diligently until she find it? And when she hath found it, she calleth together her friends and neighbours, saying, Rejoice with me, for I have found the piece which I had lost." Much objection has been taken to this parable for its supposed want of naturalness and reality. "Is it likely," our objectors say, "that the loss of a small coin like a drachma, whose value was about sevenpence-halfpenny, could be the occasion of so much concern, and that its recovery should be enough to call forth the congratulations of all the village matrons? Surely that is not parable, but hyperbole." But things have a real as well as an intrinsic value, and what to others would be common and cheap, to its possessor might be a treasure beyond reckoning, with all the added values of association and sentiment. So the ten drachmas of the woman might have a history; they might have been a family heirloom, moving quietly down the generations, with whole poems, ay, and even tragedies, hidden within them. Or we can conceive of a poverty so dire and strait that even one small coin in the emergent circumstance might grow into a value far beyond its intrinsic worth. But the parable does not need all these suppositions to steady it and keep it from falling to the ground. When rightly understood it becomes singularly natural, the truth of truth, if such an essence can be distilled in human speech. The probable interpretation is that the ten drachmas were the ten coins worn as a frontlet by the women of the east. This frontlet was given by the bridegroom to the bride at the time of marriage, and like the ring of western life, it was invested with a kind of sanctity. It must be worn on all public occasions, and guarded with a jealous, sacred care; for should one of its pieces be lost, it would be regarded as an indication that the possessor had not only been careless, but also that she had been unfaithful to her marriage vow. Throwing, then, this light of eastern custom upon the parable, how vivid and lifelike it becomes! With what intense eagerness would she seek for the missing coin! Lighting her lamp – for the house would be but dimly lighted with its open door and its small unglazed window – how carefully and almost tremblingly she would peer along its shelves, and sweep out the corners of her few rooms! and how great would be her joy as she saw it glistening in the dust! Her whole soul would go out after it, as if it were a living, sentient thing. She would clasp it in her hand, and even press it to her lips; for has it not taken a heavy care and sorrow from her heart? That one coin rising from the dust has been to her like the rising of another sun, filling her home with light and her life with melody; and what wonder that she hastens to communicate her joy, as, standing by her door, after the eastern wont, she holds up the missing treasure, and calls on her neighbours and friends (the substantives are feminine now) to rejoice with her.
The third parable carries the thought still higher, forming the crown of the ascending series. Not only is there a mathematical progression, as the lost fraction increases from one-hundredth to one-tenth, and then to one-half of the whole, but the intrinsic value of the loss rises in a corresponding series. In the first it was a lost sheep, a loss which might soon be replaced, and which would soon be forgotten; in the second it was a lost coin, which, as we have seen, meant the loss of what was more valuable than gold, even honour and character; while in the third it is a lost child. We call it the parable of the Prodigal Son; it might with equal propriety be called the Parable of the Bereaved Father, for the whole story crystallizes about that name, repeating it, in one form or another, no less than twelve times.
"A certain man," so begins this parabolic Paternoster, "had two sons." Tired of the restraints of home and the surveillance of the father's eye, the younger of them determined to see the world for himself, in order, as the sequel shows, that he might have a free hand, and give loose reins to his passions. With a cold, impertinent bluntness, he says to the father, whose death he thus anticipates, "Father, give me the portion of thy substance that falleth to me," a command whose sharp, imperative tone shows but too plainly the proud, masterful spirit of the youth. He respects neither age nor law; for though the paternal estate could be divided during the father's life, no son, much less the younger, had any right to demand it. The father grants the request, dividing "unto them," as it reads, "his living;" for the same line which marks off the portion of the younger marks out too that of the elder son, though he holds his portion as yet only in promise. Not many days after – for having found its wings, the foolish bird is in haste to fly – the youth gathers all together, and then takes his journey into a far country. The down grades of life are generally steep and short, and so one sentence is enough to describe this descensus Averni, down which the youth plunges so insanely: "He wasted his substance with riotous living," scattering it, as the verb means, throwing it away after low, illicit pleasures. "And when he had spent all" – the "all" he had scrambled for and gathered a short while before – "there arose a mighty famine in that country; and he began to be in want;" and so great were his straits, so remorseless the pangs of hunger, that he was glad to attach himself to a citizen of that country as swineherd, living out in the fields with his drove, like the swineherds of Gadara. But such was the pressure of the famine that his mere pittance could not cope with famine prices, and again and again he hungered to have his fill of the carob-pods, which were dealt out statedly and sparingly to the swine. But no man gave even these to him; he was forgotten, as one already dead.
Such is the picture Jesus draws of the lost man, a picture of abject misery and degradation. When the sheep wandered it strayed unwittingly, blindly, getting farther from its fellows and its fold even when bleating vainly for them. When the drachma was lost it did not lose itself, nor had it any consciousness that it had dropped out of its proper environment. But in the case of the lost man it was altogether different. Here it is a wilful perversity, which breaks through the restraints of home, tramples upon its endearments, and throws up a blighted life, scarred and pealed amid the husks and swine of a far country. And it is this element of perversity, self-will, which explains, as indeed it necessitates, another marked difference in the parables. When the sheep and the drachma were lost there was an eager search, as the shepherd followed the wanderer over the mountain gullies, and the woman with broom and lamp went after the lost coin. But when the youth is lost, flinging himself away, the father does not follow him, except in thought, and love, and prayer. He sits "still in the house," nursing a bitter grief, and the work on the farm goes on just as usual, for the service of the younger brother would probably be not much missed. And why does not the father summon his servants, bidding them go after the lost child, bringing him home, if necessary, by force? Simply because such a finding would be no finding. They might indeed carry the wanderer home, setting down his feet by the familiar door; but of what use is that if his heart is still wayward and his will rebellious? Home would not be home to him; and with his heart in the far country, he would walk even in his father's fields and in his father's house as an alien, a foreigner. And so all embassies, all messages would be in vain; and even a father's love can do no more than wait, patiently and prayerfully, in hopes that a better spirit may yet come over him, and that some rebound of feeling may bring him home, a humbled penitent. The change comes at length, and the slow morning dawns.