The "decline and fall" of the Unionist administration are symbolized and explained in two cartoons in the late summer of 1905. In one Mr. Balfour is seen, a lonely swimmer, wallowing in the sea of Public Opinion. A voice from the Tug (Tory Organization) hails him, urging him to keep afloat and he'll "drift in to the shore" (Session 1906). He replies that he "can't do much against a tide like this." The sources of weakness are even better diagnosed in the cartoon of August 30, "Shelved," showing the group of statesmen who had resigned – the Duke of Devonshire, Mr. Ritchie, Lord Balfour of Burleigh, Lord George Hamilton and Mr. George Wyndham.

The rout of the Government at the General Election of 1906 was a veritable débâcle. Liberal candidates were returned who never got in before or after: there is a story of one so overwhelmed by his wholly unexpected success that he fainted on the declaration of the poll. Ministers went down like ninepins, and on the meeting of the new Parliament Punch descants on the disappearance of the "old familiar faces" – Mr. Arthur Balfour and his brother Gerald, Alfred Lyttelton and St. John Brodrick, Bonar Law, Sir John Gorst, Sir Albert Rollit, Sir W. Hart Dyke, Gibson Bowles, and, "saddest fate of all and most lamented," Mr. Henry Chaplin. The emergence of a new, formidable, but uncertain factor was at once recognized in the cartoon in which John Bull looks over the wall at a bull labelled Labour Vote. The Trade Disputes Bill, the first and most notable concession to the demands of Trade Unionism, is discussed in the next section.

Britannia: "That's a nasty-looking object, Mr. Boatman!"

Lord Tw-dm-th: "Bless your 'eart, mum, 'e won't 'urt you. I've been here, man an' boy, for the last six months, an' we don't take no account o' them things!"

Punch was more preoccupied with Lord Haldane's new army scheme, and when the War Minister, in introducing it, declared that the country would not be "dragooned into conscription," interpreted his statement "in other and less conventional terms" as indicating a conviction that "it is the inalienable right of the free-born British citizen to decline to lift a finger in his country's defence." Lord Haldane's proposals for retrenchment are symbolized in his efforts to make big toy soldiers fit his box, instead of making the box fit the soldiers. Wasters and loafers who had cheered "Bobs" on his return from South Africa are shown expressing indignation at his wanting to enforce universal military service. Punch's reluctant admission of our national lethargy finds vent in a dialogue emphasizing the predominance of the Panem et Circenses spirit – devotion to the Big Loaf and spectacular games – coupled with a loss of our supremacy in games. The pageant mania became acute in 1907, when Punch satirically asks, "Can you cite any other country where it is impossible to walk out of doors without colliding with an historical pageant?"

Lord Haldane's visit to Germany in 1906 is burlesqued in a diary professing to reveal his paramount interest in German philosophy and literature; and a picture, in which he appears in a Pickelhaube, expresses the misgivings of two British soldiers who had overheard him "talking to himself in German – something horrible." This attitude of critical distrust is maintained throughout the next four years. In March, 1908, the new gun designed for the Territorial Force prompts a dialogue between the War Minister and Field-Marshal Punch: —

Mr. Haldane: "In the event of invasion, I shall depend upon my brave Territorial force to manipulate this magnificent and complicated weapon."

F. – M. Punch: "Going to give them any training?"

Mr. H.: "Oh, perhaps a fortnight or so a year."

F. – M. Punch: "Ah! Then they'll need to be pretty brave, won't they?"

Further satire is expended in August of the same year on "A Skeleton Army; or, The Charge of the Very Light Brigade": —

Haldane (at Cavalry Manoeuvres): "You see those three men? Well, they're pretending to be one hundred. Isn't that imaginative?"

Mr. Punch: "Realistic, you mean. That's about what it will come to with us in real warfare."

Shade of Paul Krüger: "What! Botha Premier? Well, these English do 'stagger humanity'!"

Punch was not happy about our Navy either, and in 1906 he had rallied Lord Tweedmouth, then at the Admiralty, for reassuring Britannia against the German menace. It was no use to say, "We don't take no account of them things"; the monster was there, and could not be belittled. By the end of the year, however, Punch's complacency was restored by the advance in our naval gunnery, and Britannia is seen proudly showing the impressive tabulated results of our big gun practice. The Germans are the only modern people who have a single word to express delight in the misfortunes of others —Schadenfreude. It is not a noble sentiment, but a suspicion of it mingles with Punch's comments on Germany's internal troubles. In 1878 he had shown Bismarck squeezing down the Socialist Jack-in-the-Box, and nearly thirty years later repeats the formula at the expense of Count von Bülow; but the Socialist Jack-in-the-Box was now a much more formidable figure: it was "a bigger task for a smaller man."

The twenty-fifth anniversary of the Triple Alliance fell in 1907, and Punch indicated that Italy's allegiance was already wearing thin. In performing the trio "We are a happy Family," Austria's "We are" is marked piano, and that of Italy dubioso.

In the domain of high politics, Imperial and International, 1907 was marked by two notable events. The grant of autonomy to the Transvaal undoubtedly contained an element of risk, but the sequel showed that magnanimity was the best policy. General Botha's Premiership proved a symbol of reconciliation destined in time to bear "rare and refreshing fruit," and Punch was fairly entitled to invoke the reluctant testimony of Krüger's shade: "What! Botha Premier? Well, these English do 'stagger humanity'!" Secondly, there was the Hague Conference, over which Punch maintained his attitude of scepticism, on the ground that each Power was unwilling to lead the way in disarmament. In his cartoon of the various nations at the door of the Conference everybody says, "After you, Sir," to everybody else. The Government's extensive programme of legislation for the following session is shown in the picture of "C. – B." at the piano accompanying the Infant Prodigy, 1908. The programme includes the "Twilight of the Lords," "Etudes Pacifiques"; "Danse anti-Bacchanale" and "Irish Rhapsody" with Campobello, McKenna, Asquith and Birrell as soloists. The campaign against the Lords, opened at Edinburgh by "C. – B." in October, 1907, suggested the cartoon of the "Fiery Cross" with the Premier as a kilted warrior shouting, "Doon wi' the Lords!" while the accompanying verses, in the ballad manner of Scott, describe the passing on of the fiery cross by Lord Crewe, John Morley, Mr. Sinclair (now Lord Pentland), Lord Tweedmouth, Mr. Runciman, and "Lloyd McGeorge."

Naval Misgivings

The mention of Lord Tweedmouth reminds one that the question of our naval supremacy had entered on a new phase. As Punch put it in his "Charivaria" in November, 1907, "There seems to be a difference of opinion between the Prince of Wales and Sir John Fisher. Some little time ago His Royal Highness, speaking at the Guildhall, cried: 'Wake up, England!' Sir John, speaking in the same place, has now issued the advice: 'Sleep quietly in your beds.'"

In the spring of 1908 occurred the awkward incident of the Kaiser's letter to Lord Tweedmouth on Naval Retrenchment. Punch, in his "Essence of Parliament," benevolently minimizes the First Lord's indiscretion, which, along with other causes, led to his withdrawal from the Admiralty; at the same time there appeared some highly ironical reflections on the attitude of the advocates of the Two-Power-Standard. In an ingenious adaptation of Tennyson's ballad of "The Revenge," Sir Thomas Howard refuses to fight because he is one ship short of the Two-Power-Standard.

In early Victorian days the Duke of Wellington was commonly alluded to as "the Duke" par excellence. In the opening years of the present century, in political circles at any rate, when people spoke of "the Duke" they always meant the Duke of Devonshire, and for reasons which are tersely and correctly given in Punch's brief memorial verses when he died in March, 1908: —

If to have held his way with steadfast will,
Unspoiled of Fortune, deaf to praise or blame,
Asking no favour but to follow still
The patriot's single aim: —

If, in contempt of other pride of race,
By honesty that chose the nobler part,
Careless of fame's reward, to win a place
Near to the common heart: —

If these be virtues large, heroic, rare,
Then is it well with him, the dead, to-day,
Who leaves a public record clean and fair,
That Time shall not gainsay.

The tribute is one which, we think, would have appealed to the dead statesman, a man of few words, but who in the words of another Duke, the Duke of Argyll, was "firm as the rock, and clear as the crystal that adorns the rock."

A few weeks later Sir Henry Campbell-Bannerman, broken in health, resigned the Premiership, dying so soon afterwards that he virtually died in harness. Punch did not overstate things in describing his death as "a common grief" to Liberals and Unionists, for he had outlived the obloquy of party bitterness and revealed as Premier qualities which his successor, Mr. Asquith, fittingly described when he spoke of him as "our revered and trusted chief." By a strange and happy irony of fate, the statesman who had opposed the Boer war was responsible for the policy of reconciliation which might have been much harder if that war had not been waged.

Germany loomed large on the political horizon in 1908. This was the year of Mr. Lloyd George's visit to inquire into the working of the scheme of national insurance, a visit which Punch treated with undisguised irony as a belated afterthought. It was also the year of the Kaiser's famous interview, published in the Daily Telegraph, in which he claimed credit for magnanimity to England during the Boer war, with the result of annoying his Chancellor and having to consent to a revision of his conception of the Imperial prerogative. Punch's open letter to "The Great Misunderstood" exhibits considerable scepticism of his friendliness, and a set of verses, in the same spirit, are inspired by the activities of the German Women's Navy League. An English M.P. had been exhibiting a toy model of a German gunboat used by this organization as a collecting box, and it was alleged that these toys were handed about in German schools with the request: "Give us your pence, so that we can thrash the English."

The Kaiser's Soliloquy

The Kaiser's fiftieth birthday is commemorated in a "Soliloquy in Berlin," in which the Emperor boasts of having swept aside Bismarck and repressed the "too clamorous people" by police, prison or exile, and defends his impulsive loquacity against his critics. The King must know best, and "while all the discontented loose their tongues and rave against him, shall the King be still?" Moreover, he claims to have kept the world from war: —

And I have kept the peace. Was that well done?
I know not, but I know I kept the peace,
I, whose blood boiled to hear the clash of swords,
At whose command a million men would spring
Obedient to the conflict; I, whose soul
was made for glorious battle, who could lead
Ten thousand thundering horsemen to the charge,
Have kept the peace, while others urged to war.

Simultaneously Punch illustrates the growing patriotic fervour at home. Golfers are becoming shy of being detected on their way to or from the links by men in uniform. And Punch praises An Englishman's Home as a "wonderful play," in which the case for national service is presented "with rare tact, and void of offence even to the most violent anti-militarist." Indeed, he goes so far as to admit that the author's advocacy is impaired by his making the vulgar cheerful young "slacker" delightfully human, while the good young patriot is too stagey and talkative. German aggressiveness is illustrated in the cartoon showing the German sailor adopting our "Jingo" song, the copyright having expired. Editorially, though obliquely, Punch deplores the subservience of vital questions of foreign policy to party questions, and gives special praise to Sir Edward Grey. "Prenderby," who impersonates a detached view, pleads for a Coalition Cabinet – a Ministry of all the patriots. In the spring of 1909 Mr. Asquith figures as the Night Watchman who cries "All's well," but John Bull from his window replies: "So you say. All the same, I shall sit up for a bit." This was the time of the cry for more Dreadnoughts: "We want Eight and we won't wait." The vote of censure on the Government for their inadequate naval preparations was rejected by 353 votes to 135, and Punch satirized the Labour Party's idea of battleships in a pictorial representation of H.M.S. Inoffensive, Innocuous, etc. It is curious to find in another of Punch's editorial dialogues one of the speakers constantly harping on what might happen in 1914 when Dreadnoughts would be obsolete; while the happy-go-lucky attitude of the average subaltern towards a possible war is expressed in the wish attributed to one of them: "Let's hope it will come between the polo and the huntin'." Lord Roberts's National Service Bill was thrown out in the Lords in July by a narrow majority. Punch's artist is most frankly honorific to Lord Roberts; but the summary of the debate given by his Parliamentary representative is not even non-committal, for it contrives to disparage Lord Milner while emphasizing the opposition of the Duke of Northumberland and the caution of Lord Lansdowne.

Mr. Birrell as Chief Secretary

At the close of the year the impenitence of the Belgian administrators of the Congo is held up to execration in the cartoon of the slave-driver outside the European Hall of Deliberation, armed with a whip, and saying, "I'm all right. They're still talking"; while a naked slave lies helpless and prostrate in the foreground.

After a brief and ineffectual tenure of office at the Board of Education, Mr. Birrell had, whether out of heroic self-sacrifice or ignorance, accepted the most thankless and arduous of all portfolios – that of the Irish Chief Secretaryship. For the sequel, one has to turn to the Report of the Hardinge Committee of Inquiry into the Dublin revolution of Easter, 1916 – one of the most lacerating public documents ever devoted to the dissection of Ministerial incompetence. But in 1909 there was, no doubt, much that appealed to Punch in the notion of setting a professional humorist to govern a quick-witted people. There never was a greater mistake. Much was and is forgiven to a Minister who amuses the House, but the legacy of hatred, faithfully cherished by those who forgot nothing but benefits received, was not to be cancelled by epigrams which provoked the facile laughter of St. Stephen's. There was, however, a probably quite unintended though extra appropriateness in the title of the verses to him as "The Right Man in the Wrong Place," for the chief ground of complaint against the Chief Secretary was that he was conspicuous by his absence from Ireland at all critical moments, and eclipsed the "Absentee landlords" at their own game. In 1909 Punch contented himself with showing Mr. Birrell as a Lecturer on Old Age Pensions as a means of allaying discontent, and reducing the method to absurdity. The boon was naturally popular, since, as Punch noted on good authority, it had been claimed and received by more than 50,000 people not qualified under the Act.

The Three Witches: "Double, double, toil and trouble!"

Macbeth, act IV, scene 1.

Wait and See

In 1910 two general elections, fought on questions of internal policy, and the conflict over the Parliament Bill diverted attention from foreign politics. Lord Rosebery's scheme for the reform of the Upper Chamber is treated in light-hearted fashion in the cartoon of the Selection Committee of the Peers' Royal Academy. Lord Curzon and Lord Lansdowne criticize Lord Rosebery's "problem picture": Lord Halsbury bluntly ejaculates, "Take it away." Punch, however, recognized the serious intentions of the Government in "The Constitution in the Melting Pot," where Mr. Winston Churchill, Mr. Asquith and Mr. Lloyd George are the three witches bending over the cauldron. The Unionists had gained some ground in the January elections, but not nearly enough; in December, when party feeling ran much higher, they failed to improve their position, in spite of the offer of a Referendum to determine the question of Tariff Reform, and of their insistent warnings as to the danger of single-chamber Government. Punch, with some reserves, was decidedly opposed to the Government programme, and a hostile critic alike of the platform exuberance of Mr. Lloyd George and the "wait and see" policy of Mr. Asquith: —

Schemes are shattered, plots are changed,
Plans arranged and re-arranged!
Words are eaten; every day
Broken pledges thrown away;
Here the riddle – where the key?
Wait and see!

Does his wandering course reveal
Only love of Britain's weal?
Does he toil through heavy sand
Seeking how to keep his land
Clean and prosperous and free?
Wait and see!

Is it that he turns his eyes
To a goal that needs disguise?
Just a paltry party score,
Checked by some about him, more —
More particular than he?
Wait and see!

Is he one whose wavering mind
Lightly veers to every wind,
Hither pitched and thither tossed,
While the country pays the cost
Of his flaccid vertebræ?
Wait and see!

Be it not that he has sold
All the faith that men should hold
Sacred; that he walks his ways,
Flogged by those whom he obeys,
At whose word he bows the knee —
Wait and see!

Wait and see, and wait again:
But the country waits in vain.
Waits for order – finding none;
Sees but duty left undone.

What will Britain's verdict be?
Wait and see!

Our Mr. Asquith: "Five hundred coronets, dirt cheap! This line of goods ought to make business a bit brisker, what?"

Our Mr. Lloyd George: "Not half; bound to go like hot cakes."

Both (together): "Peep-bo! I see you!"

After the proposed "Federalization" of the British Isles

The proposed "federalization" of the British Isles is burlesqued in the figure of John Bull, looking very much ashamed of himself, arrayed in top-boots, with a kilt, a shamrock-sprigged waistcoat, a Welsh steeple-crowned hat, and a shillelagh. The "People's Budget" is disparaged in a picture showing the general apathy of those whom it was intended to benefit. And as for the threatened creation of 500 Liberal Peers to outvote the recalcitrant "backwoodsmen," Punch satirized the plan as a mere piece of window-dressing. In "The Chance of a Lifetime" Mr. Asquith is seen arraying his shop-front with 500 coronets "dirt cheap," Mr. Lloyd George as his assistant handing up the hat-boxes with the comment, "Bound to go like hot cakes."

Death of King Edward

Perhaps the shrewdest comment on international politics made by Punch in this year is to be found in his "Charivaria" column for November 9: —

Sir Edward Grey declared at Darlington that he saw no need for war. Unfortunately, however, this is a great age for luxuries.

Here Punch added a gloss to a wise truism. A remark in the Isle of Man Weekly Times at the beginning of the year touched the nadir of sordid parochialism. Discussing the "inevitableness" of a war with Germany, the writer observed: "It would mean the ruination of the Island. It would kill all chances of a successful season, upon which the Island depends." Punch "lifted" the quotation, but here the text beggared any comment.

By the assassination of the King and Crown Prince of Portugal in the autumn, monarchy was ended in the country of our "Oldest Ally." Punch denounced murder whether as the maker or unmaker of kings; and on this occasion added to his condolences with the survivors a caustic reference to France, who is shown briefly congratulating Portugal on becoming a Republic; but she is "too busy to talk, having just escaped another revolution at home" – an allusion to the railway strike and its suppression by the drastic measures of M. Briand's Ministry. The death of King Edward in May, at the height of his popularity and prestige, was happily unattended by violence or upheaval, and left the position of the Crown unshaken. Punch was not one of those who regarded King Edward as the initiator of our foreign policy, but gratefully acknowledged his services in smoothing the path of his Ministers: —

At midnight came the Majesty of Death —
Kings of the earth abide this King's decree —
Sudden, and kindlier so, to seal the breath
And set the spirit free.

And now the Peace he held most near his heart,
That Peace to which his country's steps he led —
So well for us he played his royal part —
Broods o'er him lying dead.

Crown Prince of Germany (in India, writing home): "Dear Papa, I am doing myself proud. These English aren't half bad fellows when you get to know them."

Thus passes Britain's crown from King to King,
Yet leaves secure a nation's deathless love,
Dearer than Empire, yea, a precious thing
All earthly crowns above.

The German Menace

In the winter of 1910 the German Crown Prince visited India, and was welcomed and fêted wherever he went. Punch regarded the tour as making for rapprochement and represented the Prince as an amiable young sportsman writing home to "dear Papa" to say that he was "doing himself proud and finding the English not half such bad fellows when you get to know them." A more critical view of Germany's intentions is revealed in the cartoon "The Blind Side," in which a German officer applauds a Dutchman for the resolve to fortify his sea-front against England as a true economy. It might be costly, but "see what you save on the Eastern Frontier where there's nobody but us." A similar element of misgiving is betrayed in "the New Haroun Al Raschid" – a dream of Baghdad, "Made in Germany" – with the Kaiser in Oriental costume seated on the engine of a "non-stop" express to the Persian Gulf.

Design for a figure of Britannia, as certain people would like to see her. (See reports of debate on the proposal to reduce expenditure on the Navy.)

The War in Tripoli

In the spring of 1911 the proposed reduction of expenditure on the Navy inspired Punch's "Little-Navy Exhibit" – a design for a figure of Britannia, "as certain people would like to see her," with a pointless trident, diminutive shield and helmet, in spectacles and elastic-sided boots, leading a starveling lion with its tail between its legs. Simultaneously Germany's idea of the Pax Germanica is satirized in a picture of the Teuton Dovecote, with cannons pointing from each door, surmounted by the German Eagle warning the Arbitration bird: "No foreign doves required; we hatch our own, thank you." Our relations with the U.S.A. are symbolized in "Dis-armageddon," President Taft and Sir Edward Grey shaking hands over a grave with the notice, "All hatchets may be buried here." Hostility to the "Declaration of London" had grown throughout the year. It had been described as "a sword for the Unionist Party"; picture posters represented the destruction under it of neutral ships carrying food to Great Britain, and Punch, without going the lengths of the Morning Post, the Imperial Maritime League, or Mr. T. Gibson Bowles, was far from enthusiastic over its ratification. "I'm sure," his Britannia remarks, looking at herself in the glass, "my costumiers want me to look my best. But I have a sort of feeling that this thing may rather hamper my sea-legs." Germany's complaints against the policy of "isolating" or "surrounding" her were now frequently heard, and are unsympathetically treated in the portrait of the German officer in full uniform, with his knuckles to his eyes, dolorously protesting, "Nobody loves me – and they all want to trample on me!" Nor was Punch inclined to look more favourably on Italy's policy of aggrandisement in North Africa. The inglorious war with Turkey in Cyrenaica brought no credit to the combatants or to the Concert of Europe. Punch summed up the situation by showing Dame Europa (of the Hague Academy for Young Gentlemen) looking sourly with folded arms at two boys "scrapping" in a corner, and observing, "I thoroughly disapprove of this, and as soon as ever it's over I shall interfere to put a stop to it." The conduct of the war led to ugly charges against the Italians, and in "The Euphemisms of Massacre" Turkey, surveying a scene of carnage at Tripoli, sarcastically remarks: "When I was charged with this kind of thing in Bulgaria, nobody excused me on the ground of 'military exigencies'!"

The Anglo-Russian agreement in regard to Persia was defended by Sir Edward Grey in November, 1911, as having ended friction between the two Powers. Punch thought otherwise, and in December he showed the Bear cheerfully sitting on the tail of the Persian Cat while the British Lion remarks: "If we hadn't such a thorough understanding I might almost be tempted to ask what you're doing there with our little play-fellow." Yet Sir Edward Grey's explanations satisfied the Unionists better than the advanced Liberals and the Labour Party. Already the Government were being attacked for seeing events through French spectacles, and in a memorable cartoon Punch recorded the emergence of the demand for "The New Diplomacy." An "Advanced Democrat," having made his way into a room with "Private. Members Only" on the door, remarks to the Foreign Secretary: "Look here, we've decided that this isn't to be a private room any more; and you're to put your cards on the table and then we can all take a hand." Whereon Sir Edward Grey replies: "What, and let my opponents see them too?" In this context one may be permitted to recall a picture, published about the same time, of a constable applying a familiar test to a belated reveller protesting his sobriety: —

Constable: "Can you say 'British Constitution'?"

Belated One (with strongest "Die-Hard" convictions): "There ishn't one now!"

Punch's Almanack for 1912 treats of current events in a light-hearted spirit. There is one picture, however, with an ominous and prophetic heading, "Period – The War of 1914," in which an irate M.F.H. abuses the invaders – unmistakable Germans – for heading the fox. The artist, Mr. J. L. C. Booth, a very gallant gentleman, fell in Gallipoli in 1915. But there were other and more unmistakable omens at the opening of the New Year, when M. Caillaux, before resigning, had attempted to reconstruct his Cabinet with M. Delcassé as Foreign Minister – a situation typified by Punch in his cartoon of "The return of the scapegoat." M. Caillaux resigned under a cloud; M. Delcassé failed to form a Government, but remained on as Minister of Marine under M. Poincaré. For the moment Germany's troubles at home diverted attention from her foreign relations. The demands of the Socialists are illustrated in the dialogue between the Kaiser on the summit of a rocky peak and a figure climbing up to the summit. "What business have you here?" asks the Kaiser, and the Socialist answers: "I, too, want 'a place in the sun.'"

Advanced Democrat (to Foreign Secretary): "Look here, we've decided that this isn't to be a private room any more and you're to put your cards on the table and then we can all take a hand." Foreign Secretary: "What, and let my opponents see them too?"

In March the Navy estimates issued by Mr. Churchill as First Lord were expressly stated to be conditional upon the naval programmes of other nations: Punch accordingly showed him as the Plain Dealer hoisting as his signal "England expects that every nation will do its duty – by not increasing its armaments." The rival views on naval concentration are shown a little later in the "Geography Lesson" given by "Dr." Kitchener – Lord Kitchener had gone to Egypt as Agent-General in the previous year – to Master Churchill and Master Asquith. "What do you know about the Mediterranean?" he asks, and Master Churchill replies: "Well, it looks a nice place for ships; but, to tell you the truth, we've been concentrating our attention on the North Sea lately, haven't we, Herbert?" and Master Asquith replies: "That is so."

The appointment of Baron Marschall von Bieberstein as German Ambassador in London was well received. He was Germany's strongest diplomatist. He had raised the prestige of his country to an unexampled pitch at Constantinople without losing the respect of his British colleagues, and was credited with the desire to promote a better understanding with England. Unfortunately he died suddenly before Punch's expectations could be realized. Meanwhile Mr. Haldane at the War Office had "turned turtle (dove)" to such an extent that in Punch's view his occupation was nearly gone. Yet the travesty of Dicksee's "Harmony," with the Kaiser playing on a Krupp organ to a stout and adoring Germany, is by no means reassuring. Consols were steadily "slumping," and the organized resistance of Ulster was already regarded as serious. Punch's views in the course of the next few years underwent a good deal of modification, but he was never sympathetic to Sir Edward Carson. When the old cry, "Ulster will fight," was raised to discredit the son of the statesman who had invented the phrase, Punch called it "a silly game. If Ulster fights against free speech, then Ulster will be wrong." When the "Covenant" of Resistance to Home Rule was signed by the Ulster Loyalists in September, 1912, Punch satirized their action under the heading "Ulster will write," with General Carson on horseback, waving a pen and crying, "Up, nibs, and at 'em!"