If any one has the smallest doubt of this neglect of truth in public schools he can kill his doubt with one plain question. Can any one on earth believe that if the seeing and telling of the whole truth were really one of the ideals of the English governing class, there could conceivably exist such a thing as the English party system? Why, the English party system is founded upon the principle that telling the whole truth does not matter. It is founded upon the principle that half a truth is better than no politics. Our system deliberately turns a crowd of men who might be impartial into irrational partisans. It teaches some of them to tell lies and all of them to believe lies. It gives every man an arbitrary brief that he has to work up as best he may and defend as best he can. It turns a room full of citizens into a room full of barristers. I know that it has many charms and virtues, fighting and good-fellowship; it has all the charms and virtues of a game. I only say that it would be a stark impossibility in a nation which believed in telling the truth.
LIMERICKS AND COUNSELS OF PERFECTION
It is customary to remark that modern problems cannot easily be attacked because they are so complex. In many cases I believe it is really because they are so simple. Nobody would believe in such simplicity of scoundrelism even if it were pointed out. People would say that the truth was a charge of mere melodramatic villainy; forgetting that nearly all villains really are melodramatic. Thus, for instance, we say that some good measures are frustrated or some bad officials kept in power by the press and confusion of public business; whereas very often the reason is simple healthy human bribery. And thus especially we say that the Yellow Press is exaggerative, over-emotional, illiterate, and anarchical, and a hundred other long words; whereas the only objection to it is that it tells lies. We waste our fine intellects in finding exquisite phraseology to fit a man, when in a well-ordered society we ought to be finding handcuffs to fit him.
This criticism of the modern type of righteous indignation must have come into many people's minds, I think, in reading Dr. Horton's eloquent expressions of disgust at the "corrupt Press," especially in connection with the Limerick craze. Upon the Limerick craze itself, I fear Dr. Horton will not have much effect; such fads perish before one has had time to kill them. But Dr. Horton's protest may really do good if it enables us to come to some clear understanding about what is really wrong with the popular Press, and which means it might be useful and which permissible to use for its reform. We do not want a censorship of the Press; but we are long past talking about that. At present it is not we that silence the Press; it is the Press that silences us. It is not a case of the Commonwealth settling how much the editors shall say; it is a case of the editors settling how much the Commonwealth shall know. If we attack the Press we shall be rebelling, not repressing. But shall we attack it?
Now it is just here that the chief difficulty occurs. It arises from the very rarity and rectitude of those minds which commonly inaugurate such crusades. I have the warmest respect for Dr. Horton's thirst after righteousness; but it has always seemed to me that his righteousness would be more effective without his refinement. The curse of the Nonconformists is their universal refinement. They dimly connect being good with being delicate, and even dapper; with not being grotesque or loud or violent; with not sitting down on one's hat. Now it is always a pleasure to be loud and violent, and sometimes it is a duty. Certainly it has nothing to do with sin; a man can be loudly and violently virtuous – nay, he can be loudly and violently saintly, though that is not the type of saintliness that we recognise in Dr. Horton. And as for sitting on one's hat, if it is done for any sublime object (as, for instance, to amuse the children), it is obviously an act of very beautiful self-sacrifice, the destruction and surrender of the symbol of personal dignity upon the shrine of public festivity. Now it will not do to attack the modern editor merely for being unrefined, like the great mass of mankind. We must be able to say that he is immoral, not that he is undignified or ridiculous. I do not mind the Yellow Press editor sitting on his hat. My only objection to him begins to dawn when he attempts to sit on my hat; or, indeed (as is at present the case), when he proceeds to sit on my head.
But in reading between the lines of Dr. Horton's invective one continually feels that he is not only angry with the popular Press for being unscrupulous: he is partly angry with the popular Press for being popular. He is not only irritated with Limericks for causing a mean money-scramble; he is also partly irritated with Limericks for being Limericks. The enormous size of the levity gets on his nerves, like the glare and blare of Bank Holiday. Now this is a motive which, however human and natural, must be strictly kept out of the way. It takes all sorts to make a world; and it is not in the least necessary that everybody should have that love of subtle and unobtrusive perfections in the matter of manners or literature which does often go with the type of the ethical idealist. It is not in the least desirable that everybody should be earnest. It is highly desirable that everybody should be honest, but that is a thing that can go quite easily with a coarse and cheerful character. But the ineffectualness of most protests against the abuse of the Press has been very largely due to the instinct of democracy (and the instinct of democracy is like the instinct of one woman, wild but quite right) that the people who were trying to purify the Press were also trying to refine it; and to this the democracy very naturally and very justly objected. We are justified in enforcing good morals, for they belong to all mankind; but we are not justified in enforcing good manners, for good manners always mean our own manners. We have no right to purge the popular Press of all that we think vulgar or trivial. Dr. Horton may possibly loathe and detest Limericks just as I loathe and detest riddles; but I have no right to call them flippant and unprofitable; there are wild people in the world who like riddles. I am so afraid of this movement passing off into mere formless rhetoric and platform passion that I will even come close to the earth and lay down specifically some of the things that, in my opinion, could be, and ought to be, done to reform the Press.
First, I would make a law, if there is none such at present, by which an editor, proved to have published false news without reasonable verification, should simply go to prison. This is not a question of influences or atmospheres; the thing could be carried out as easily and as practically as the punishment of thieves and murderers. Of course there would be the usual statement that the guilt was that of a subordinate. Let the accused editor have the right of proving this if he can; if he does, let the subordinate be tried and go to prison. Two or three good rich editors and proprietors properly locked up would take the sting out of the Yellow Press better than centuries of Dr. Horton.
Second, it's impossible to pass over altogether the most unpleasant, but the most important part of this problem. I will deal with it as distantly as possible. I do not believe there is any harm whatever in reading about murders; rather, if anything, good; for the thought of death operates very powerfully with the poor in the creation of brotherhood and a sense of human dignity. I do not believe there is a pennyworth of harm in the police news, as such. Even divorce news, though contemptible enough, can really in most cases be left to the discretion of grown people; and how far children get hold of such things is a problem for the home and not for the nation. But there is a certain class of evils which a healthy man or woman can actually go through life without knowing anything about at all. These, I say, should be stamped and blackened out of every newspaper with the thickest black of the Russian censor. Such cases should either be always tried in camera or reporting them should be a punishable offence. The common weakness of Nature and the sins that flesh is heir to we can leave people to find in newspapers. Men can safely see in the papers what they have already seen in the streets. They may safely find in their journals what they have already found in themselves. But we do not want the imaginations of rational and decent people clouded with the horrors of some obscene insanity which has no more to do with human life than the man in Bedlam who thinks he is a chicken. And, if this vile matter is admitted, let it be simply with a mention of the Latin or legal name of the crime, and with no details whatever. As it is, exactly the reverse is true. Papers are permitted to terrify and darken the fancy of the young with innumerable details, but not permitted to state in clean legal language what the thing is about. They are allowed to give any fact about the thing except the fact that it is a sin.
Third, I would do my best to introduce everywhere the practice of signed articles. Those who urge the advantages of anonymity are either people who do not realise the special peril of our time or they are people who are profiting by it. It is true, but futile, for instance, to say that there is something noble in being nameless when a whole corporate body is bent on a consistent aim: as in an army or men building a cathedral. The point of modern newspapers is that there is no such corporate body and common aim; but each man can use the authority of the paper to further his own private fads and his own private finances.
ANONYMITY AND FURTHER COUNSELS
The end of the article which I write is always cut off, and, unfortunately, I belong to that lower class of animals in whom the tail is important. It is not anybody's fault but my own; it arises from the fact that I take such a long time to get to the point. Somebody, the other day, very reasonably complained of my being employed to write prefaces. He was perfectly right, for I always write a preface to the preface, and then I am stopped; also quite justifiably.
In my last article I said that I favoured three things – first, the legal punishment of deliberately false information; secondly, a distinction, in the matter of reported immorality, between those sins which any healthy man can see in himself and those which he had better not see anywhere; and thirdly, an absolute insistence in the great majority of cases upon the signing of articles. It was at this point that I was cut short, I will not say by the law of space, but rather by my own lawlessness in the matter of space. In any case, there is something more that ought to be said.
It would be an exaggeration to say that I hope some day to see an anonymous article counted as dishonourable as an anonymous letter. For some time to come, the idea of the leading article, expressing the policy of the whole paper, must necessarily remain legitimate; at any rate, we have all written such leading articles, and should never think the worse of any one for writing one. But I should certainly say that writing anonymously ought to have some definite excuse, such as that of the leading article. Writing anonymously ought to be the exception; writing a signed article ought to be the rule. And anonymity ought to be not only an exception, but an accidental exception; a man ought always to be ready to say what anonymous article he had written. The journalistic habit of counting it something sacred to keep secret the origin of an article is simply part of the conspiracy which seeks to put us who are journalists in the position of a much worse sort of Jesuits or Freemasons.
As has often been said, anonymity would be all very well if one could for a moment imagine that it was established from good motives. Suppose, for instance, that we were all quite certain that the men on the Thunderer newspaper were a band of brave young idealists who were so eager to overthrow Socialism, Municipal and National, that they did not care to which of them especially was given the glory of striking it down. Unfortunately, however, we do not believe this. What we believe, or, rather, what we know, is that the attack on Socialism in the Thunderer arises from a chaos of inconsistent and mostly evil motives, any one of which would lose simply by being named. A jerry-builder whose houses have been condemned writes anonymously and becomes the Thunderer. A Socialist who has quarrelled with the other Socialists writes anonymously, and he becomes the Thunderer. A monopolist who has lost his monopoly, and a demagogue who has lost his mob, can both write anonymously and become the same newspaper. It is quite true that there is a young and beautiful fanaticism in which men do not care to reveal their names. But there is a more elderly and a much more common excitement in which men do not dare to reveal them.
Then there is another rule for making journalism honest on which I should like to insist absolutely. I should like it to be a fixed thing that the name of the proprietor as well as the editor should be printed upon every paper. If the paper is owned by shareholders, let there be a list of shareholders. If (as is far more common in this singularly undemocratic age) it is owned by one man, let that one man's name be printed on the paper, if possible in large red letters. Then, if there are any obvious interests being served, we shall know that they are being served. My friends in Manchester are in a terrible state of excitement about the power of brewers and the dangers of admitting them to public office. But at least, if a man has controlled politics through beer, people generally know it: the subject of beer is too fascinating for any one to miss such personal peculiarities. But a man may control politics through journalism, and no ordinary English citizen know that he is controlling them at all. Again and again in the lists of Birthday Honours you and I have seen some Mr. Robinson suddenly elevated to the Peerage without any apparent reason. Even the Society papers (which we read with avidity) could tell us nothing about him except that he was a sportsman or a kind landlord, or interested in the breeding of badgers. Now I should like the name of that Mr. Robinson to be already familiar to the British public. I should like them to know already the public services for which they have to thank him. I should like them to have seen the name already on the outside of that organ of public opinion called Tootsie's Tips, or The Boy Blackmailer, or Nosey Knows, that bright little financial paper which did so much for the Empire and which so narrowly escaped a criminal prosecution. If they had seen it thus, they would estimate more truly and tenderly the full value of the statement in the Society paper that he is a true gentleman and a sound Churchman.
Finally, it should be practically imposed by custom (it so happens that it could not possibly be imposed by law) that letters of definite and practical complaint should be necessarily inserted by any editor in any paper. Editors have grown very much too lax in this respect. The old editor used dimly to regard himself as an unofficial public servant for the transmitting of public news. If he suppressed anything, he was supposed to have some special reason for doing so; as that the material was actually libellous or literally indecent. But the modern editor regards himself far too much as a kind of original artist, who can select and suppress facts with the arbitrary ease of a poet or a caricaturist. He "makes up" the paper as man "makes up" a fairy tale, he considers his newspaper solely as a work of art, meant to give pleasure, not to give news. He puts in this one letter because he thinks it clever. He puts in these three or four letters because he thinks them silly. He suppresses this article because he thinks it wrong. He suppresses this other and more dangerous article because he thinks it right. The old idea that he is simply a mode of the expression of the public, an "organ" of opinion, seems to have entirely vanished from his mind. To-day the editor is not only the organ, but the man who plays on the organ. For in all our modern movements we move away from Democracy.
This is the whole danger of our time. There is a difference between the oppression which has been too common in the past and the oppression which seems only too probable in the future. Oppression in the past, has commonly been an individual matter. The oppressors were as simple as the oppressed, and as lonely. The aristocrat sometimes hated his inferiors; he always hated his equals. The plutocrat was an individualist. But in our time even the plutocrat has become a Socialist. They have science and combination, and may easily inaugurate a much greater tyranny than the world has ever seen.
ON THE CRYPTIC AND THE ELLIPTIC
Surely the art of reporting speeches is in a strange state of degeneration. We should not object, perhaps, to the reporter's making the speeches much shorter than they are; but we do object to his making all the speeches much worse than they are. And the method which he employs is one which is dangerously unjust. When a statesman or philosopher makes an important speech, there are several courses which the reporter might take without being unreasonable. Perhaps the most reasonable course of all would be not to report the speech at all. Let the world live and love, marry and give in marriage, without that particular speech, as they did (in some desperate way) in the days when there were no newspapers. A second course would be to report a small part of it; but to get that right. A third course, far better if you can do it, is to understand the main purpose and argument of the speech, and report that in clear and logical language of your own. In short, the three possible methods are, first, to leave the man's speech alone; second, to report what he says or some complete part of what he says; and third, to report what he means. But the present way of reporting speeches (mainly created, I think, by the scrappy methods of the Daily Mail) is something utterly different from both these ways, and quite senseless and misleading.
The present method is this: the reporter sits listening to a tide of words which he does not try to understand, and does not, generally speaking, even try to take down; he waits until something occurs in the speech which for some reason sounds funny, or memorable, or very exaggerated, or, perhaps, merely concrete; then he writes it down and waits for the next one. If the orator says that the Premier is like a porpoise in the sea under some special circumstances, the reporter gets in the porpoise even if he leaves out the Premier. If the orator begins by saying that Mr. Chamberlain is rather like a violoncello, the reporter does not even wait to hear why he is like a violoncello. He has got hold of something material, and so he is quite happy. The strong words all are put in; the chain of thought is left out. If the orator uses the word "donkey," down goes the word "donkey." If the orator uses the word "damnable," down goes the word "damnable." They follow each other so abruptly in the report that it is often hard to discover the fascinating fact as to what was damnable or who was being compared with a donkey. And the whole line of argument in which these things occurred is entirely lost. I have before me a newspaper report of a speech by Mr. Bernard Shaw, of which one complete and separate paragraph runs like this —
"Capital meant spare money over and above one's needs. Their country was not really their country at all except in patriotic songs."
I am well enough acquainted with the whole map of Mr. Bernard Shaw's philosophy to know that those two statements might have been related to each other in a hundred ways. But I think that if they were read by an ordinary intelligent man, who happened not to know Mr. Shaw's views, he would form no impression at all except that Mr. Shaw was a lunatic of more than usually abrupt conversation and disconnected mind. The other two methods would certainly have done Mr. Shaw more justice: the reporter should either have taken down verbatim what the speaker really said about Capital, or have given an outline of the way in which this idea was connected with the idea about patriotic songs.
But we have not the advantage of knowing what Mr. Shaw really did say, so we had better illustrate the different methods from something that we do know. Most of us, I suppose, know Mark Antony's Funeral Speech in "Julius Cæsar." Now Mark Antony would have no reason to complain if he were not reported at all; if the Daily Pilum or the Morning Fasces, or whatever it was, confined itself to saying, "Mr. Mark Antony also spoke," or "Mr. Mark Antony, having addressed the audience, the meeting broke up in some confusion." The next honest method, worthy of a noble Roman reporter, would be that since he could not report the whole of the speech, he should report some of the speech. He might say – "Mr. Mark Antony, in the course of his speech, said —
' When that the poor have cried Cæsar hath wept:
Ambition should be made of sterner stuff.'"
In that case one good, solid argument of Mark Antony would be correctly reported. The third and far higher course for the Roman reporter would be to give a philosophical statement of the purport of the speech. As thus – "Mr. Mark Antony, in the course of a powerful speech, conceded the high motives of the Republican leaders, and disclaimed any intention of raising the people against them; he thought, however, that many instances could be quoted against the theory of Cæsar's ambition, and he concluded by reading, at the request of the audience, the will of Cæsar, which proved that he had the most benevolent designs towards the Roman people." That is (I admit) not quite so fine as Shakspere, but it is a statement of the man's political position. But if a Daily Mail reporter were sent to take down Antony's oration, he would simply wait for any expressions that struck him as odd and put them down one after another without any logical connection at all. It would turn out something like this: "Mr. Mark Antony wished for his audience's ears. He had thrice offered Cæsar a crown. Cæsar was like a deer. If he were Brutus he would put a wound in every tongue. The stones of Rome would mutiny. See what a rent the envious Casca paid. Brutus was Cæsar's angel. The right honourable gentleman concluded by saying that he and the audience had all fallen down." That is the report of a political speech in a modern, progressive, or American manner, and I wonder whether the Romans would have put up with it.
The reports of the debates in the Houses of Parliament are constantly growing smaller and smaller in our newspapers. Perhaps this is partly because the speeches are growing duller and duller. I think in some degree the two things act and re-act on each other. For fear of the newspapers politicians are dull, and at last they are too dull even for the newspapers. The speeches in our time are more careful and elaborate, because they are meant to be read, and not to be heard. And exactly because they are more careful and elaborate, they are not so likely to be worthy of a careful and elaborate report. They are not interesting enough. So the moral cowardice of modern politicians has, after all, some punishment attached to it by the silent anger of heaven. Precisely because our political speeches are meant to be reported, they are not worth reporting. Precisely because they are carefully designed to be read, nobody reads them.
Thus we may concede that politicians have done something towards degrading journalism. It was not entirely done by us, the journalists. But most of it was. It was mostly the fruit of our first and most natural sin – the habit of regarding ourselves as conjurers rather than priests, for the definition is that a conjurer is apart from his audience, while a priest is a part of his. The conjurer despises his congregation; if the priest despises any one, it must be himself. The curse of all journalism, but especially of that yellow journalism which is the shame of our profession, is that we think ourselves cleverer than the people for whom we write, whereas, in fact, we are generally even stupider. But this insolence has its Nemesis; and that Nemesis is well illustrated in this matter of reporting.
For the journalist, having grown accustomed to talking down to the public, commonly talks too low at last, and becomes merely barbaric and unintelligible. By his very efforts to be obvious he becomes obscure. This just punishment may specially be noticed in the case of those staggering and staring headlines which American journalism introduced and which some English journalism imitates. I once saw a headline in a London paper which ran simply thus: "Dobbin's Little Mary." This was intended to be familiar and popular, and therefore, presumably, lucid. But it was some time before I realised, after reading about half the printed matter underneath, that it had something to do with the proper feeding of horses. At first sight, I took it, as the historical leader of the future will certainly take it, as containing some allusion to the little daughter who so monopolised the affections of the Major at the end of "Vanity Fair." The Americans carry to an even wilder extreme this darkness by excess of light. You may find a column in an American paper headed "Poet Brown Off Orange-flowers," or "Senator Robinson Shoehorns Hats Now," and it may be quite a long time before the full meaning breaks upon you: it has not broken upon me yet.
And something of this intellectual vengeance pursues also those who adopt the modern method of reporting speeches. They also become mystical, simply by trying to be vulgar. They also are condemned to be always trying to write like George R. Sims, and succeeding, in spite of themselves, in writing like Maeterlinck. That combination of words which I have quoted from an alleged speech of Mr. Bernard Shaw's was written down by the reporter with the idea that he was being particularly plain and democratic. But, as a matter of fact, if there is any connection between the two sentences, it must be something as dark as the deepest roots of Browning, or something as invisible as the most airy filaments of Meredith. To be simple and to be democratic are two very honourable and austere achievements; and it is not given to all the snobs and self-seekers to achieve them. High above even Maeterlinck or Meredith stand those, like Homer and Milton, whom no one can misunderstand. And Homer and Milton are not only better poets than Browning (great as he was), but they would also have been very much better journalists than the young men on the Daily Mail.
As it is, however, this misrepresentation of speeches is only a part of a vast journalistic misrepresentation of all life as it is. Journalism is popular, but it is popular mainly as fiction. Life is one world, and life seen in the newspapers another; the public enjoys both, but it is more or less conscious of the difference. People do not believe, for instance, that the debates in the House of Commons are as dramatic as they appear in the daily papers. If they did they would go, not to the daily paper, but to the House of Commons. The galleries would be crowded every night as they were in the French Revolution; for instead of seeing a printed story for a penny they would be seeing an acted drama for nothing. But the, people know in their hearts that journalism is a conventional art like any other, that it selects, heightens, and falsifies. Only its Nemesis is the same as that of other arts: if it loses all care for truth it loses all form likewise. The modern who paints too cleverly produces a picture of a cow which might be the earthquake at San Francisco. And the journalist who reports a speech too cleverly makes it mean nothing at all.