CHAPTER XXVII. WE DESCEND INTO A STEAMER’S ENGINE-ROOM
Fleetwood had dropped his friend Lord Feltre at Ancona; his good fortune was to be alone when the clang of bells rang through his head in the reading of Gower’s lines. Other letters were opened: from the Countess Livia, from Lady Arpington, from Captain Kirby-Levellier. There was one from his lawyers, informing him of their receipt of a communication dated South Wales, December 11th, and signed Owain Wythan; to the effect, that the birth of a son to the Earl of Fleetwood was registered on the day of the date, with a copy of the document forwarded.
Livia scornfully stated the tattling world’s ‘latest.’ The captain was as brief, in ordinary words, whose quick run to the stop could be taken for a challenge of the eye. It stamped the adversary’s frown on Fleetwood reading. Lady Arpington was more politic; she wrote of ‘a healthy boy,’ and ‘the healthy mother giving him breast,’ this being ‘the way for the rearing of strong men.’ She condescended to the particulars, that she might touch him.
The earl had not been so reared: his mother was not the healthy mother. One of his multitudinous, shifty, but ineradicable ambitions was to exhibit an excellingly vigorous, tireless constitution. He remembered the needed refreshment of the sea-breezes aboard his yacht during the week following the sleep-discarded nights at Scrope’s and the green tables. For a week he hung to the smell of brine, in rapturous amity with Feltre, until they yellowed, differed, wrangled, hated.
A powerful leaven was put into him by the tidings out of Wales. Gower, good fellow, had gone down to see the young mother three weeks after the birth of her child. She was already renewing her bloom. She had produced the boy in the world’s early manner, lightly, without any of the tragic modern hovering over death to give the life. Gower compared it to a ‘flush of the vernal orchard after a day’s drink of sunlight.’ That was well: that was how it should be. One loathes the idea of tortured women.
The good fellow was perhaps absurdly poetical. Still we must have poetry to hallow this and other forms of energy: or say, if you like, the right view of them impels to poetry. Otherwise we are in the breeding yards, among the litters and the farrows. It is a question of looking down or looking up. If we are poor creatures—as we are if we do but feast and gamble and beget—we shall run for a time with the dogs and come to the finish of swine. Better say, life is holy! Why, then have we to thank her who teaches it.
He gazed at the string of visions of the woman naming him husband, making him a father: the imagined Carinthia—beautiful Gorgon, haggard Venus; the Carinthia of the precipice tree-shoot; Carinthia of the ducal dancing-hall; and she at the altar rails; she on the coach box; she alternately softest of brides, doughtiest of Amazons. A mate for the caress, an electrical heroine, fronted him.
Yes, and she was Lord Fleetwood’s wife, cracking sconces,—a demoiselle Moll Flanders,—the world’s Whitechapel Countess out for an airing, infernally earnest about it, madly ludicrous; the schemer to catch his word, the petticoated Shylock to bind him to the letter of it; now persecuting, haunting him, now immoveable for obstinacy; malignant to stay down in those vile slums and direct tons of sooty waters on his head from its mains in the sight of London, causing the least histrionic of men to behave as an actor. He beheld her a skull with a lamp behind the eyeholes.
But this woman was the woman who made him a father; she was the mother of the heir of the House; and the boy she clasped and suckled as her boy was his boy. They met inseparably in that new life.
Truly, there could not be a woman of flesh so near to a likeness with the beatific image of Feltre’s worshipped Madonna!
The thought sparkled and darkened in Fleetwood’s mind, as a star passing into cloud. For an uproarious world claimed the woman, jeered at all allied with her; at her husband most, of course:—the punctilious noodle! the golden jackass, tethered and goaded! He had choice among the pick of women: the daughter of the Old Buccaneer was preferred by the wiseacre Coelebs. She tricked him cunningly and struck a tremendous return blow in producing her male infant.
By the way, was she actually born in wedlock? Lord Levellier’s assurances regarding her origin were, by the calculation, a miser’s shuffles to clinch his bargain. Assuming the representative of holy motherhood to be a woman of illegitimate birth, the history of the House to which the spotted woman gave an heir would suffer a jolt when touching on her. And altogether the history fumed rank vapours. Imagine her boy in his father’s name a young collegian! No commonly sensitive lad could bear the gibes of the fellows raking at antecedents: Fleetwood would be the name to start roars. Smarting for his name, the earl chafed at the boy’s mother. Her production of a man-child was the further and grosser offence.
The world sat on him. His confession to some degree of weakness, even to folly, stung his pride of individuality so that he had to soothe the pain by tearing himself from a thought of his folly’s partner, shutting himself up and away from her. Then there was a cessation of annoyance, flatteringly agreeable: which can come to us only of our having done the right thing, young men will think. He felt at once warmly with the world, enjoyed the world’s kind shelter, and in return for its eulogy of his unprecedented attachment to the pledge of his word, admitted an understanding of its laughter at the burlesque edition of a noble lady in the person of the Whitechapel Countess. The world sat on him heavily.
He recurred to Gower Woodseer’s letter.
The pictures and images in it were not the principal matter,—the impression had been deep. A plain transcription of the young mother’s acts and words did more to portray her: the reader could supply reflections.
Would her boy’s father be very pleased to see him? she had asked.
And she spoke of a fear that the father would try to take her boy from her.
‘Never that—you have my word!’ Fleetwood said; and he nodded consentingly over her next remark—
‘Not while I live, till he must go to school!’
The stubborn wife would be the last of women to sit and weep as a rifled mother.
A child of the Countess Carinthia (he phrased it) would not be deficient in will, nor would the youngster lack bravery.
For his part, comparison rushing at him and searching him, he owned that he leaned on pride. To think that he did, became a theme for pride. The mother had the primitive virtues, the father the developed: he was the richer mine. And besides, he was he, the unriddled, complex, individual he; she was the plain barbarian survival, good for giving her offspring bone, muscle, stout heart.
Shape the hypothesis of a fairer woman the mother of the heir to the earldom.
Henrietta was analyzed in a glimpse. Courage, animal healthfulness, she, too, might—her husband not obstructing—transmit; and good looks, eyes of the sapphire AEgean. And therewith such pliability as the Mother of Love requires of her servants.
Could that woman resist seductions?
Fleetwood’s wrath with her for refusing him and inducing him in spite to pledge his word elsewhere, haphazard, pricked a curiosity to know whether the woman could be—and easily! easily! he wagered—led to make her conduct warrant for his contempt of her. Led,—that is, misled, you might say, if you were pleading for a doll. But it was necessary to bait the pleasures for the woman, in order to have full view of the precious fine fate one has escaped. Also to get well rid of a sort of hectic in the blood, which the woman’s beauty has cast on that reflecting tide: a fever-sign, where the fever has become quite emotionless and is merely desirous for the stain of it to be washed out. As this is not the desire to possess or even to taste, contempt will do it. When we know that the weaver of the fascinations is purchasable, we toss her to the market where men buy; and we walk released from vile subjection to one of the female heap: subjection no longer, doubtless, and yet a stain of the past flush, often colouring our reveries, creating active phantasms of a passion absolutely extinct, if it ever was the veritable passion.
The plot—formless plot—to get release by the sacrifice or at least a crucial temptation of the woman, that should wash his blood clean of her image, had a shade of the devilish, he acknowledged; and the apology offered no improvement of its aspect. She might come out of the trial triumphant. And benefit for himself, even a small privilege, even the pressure of her hand, he not only shrank from the thought of winning,-he loathed the thought. He was too delicate over the idea of the married woman whom he fancied he loved in her maidenhood. Others might press her hand, lead her the dance: he simply wanted his release. She had set him on fire; he conceived a method for trampling the remaining sparks and erasing stain and scars; that was all. Henrietta rejected her wealthy suitor: she might some day hence be seen crawling abjectly to wealth, glad of a drink from the cup it holds, intoxicated with the draught. An injured pride could animate his wealth to crave solace of such a spectacle.
Devilish, if you like. He had expiated the wickedness in Cistercian seclusion. His wife now drove him to sin again.
She had given him a son. That fluted of home and honourable life. She had her charm, known to him alone.
But how, supposing she did not rub him to bristle with fresh irritations, how go to his wife while Henrietta held her throne? Consideration was due to her until she stumbled. Enough if she wavered. Almost enough is she stood firm as a statue in the winds, and proved that the first page of her was a false introduction. The surprising apparition of a beautiful woman with character; a lightly-thrilled, pleasure-loving woman devoted to her husband or protected by her rightful self-esteem, would loosen him creditably. It had to be witnessed, for faith in it. He reverenced our legendary good women, and he bowed to noble deeds; and he ascribed the former to poetical creativeness, the latter operated as a scourging to his flesh to yield its demoniacal inmates. Nothing of the kind was doing at present.
Or stay: a studious re-perusal of Gower Woodseer’s letter enriched a little incident. Fleetwood gave his wife her name of Carinthia when he had read deliberately and caught the scene.
Mrs. Wythan down in Wales related it to Gower. Carinthia and Madge, trudging over the treeless hills, came on a birchen clump round a deep hollow or gullypit; precipitous, the earl knew, he had peeped over the edge in his infant days. There at the bottom, in a foot or so of water, they espied a lamb; and they rescued the poor beastie by going down to it, one or both. It must have been the mountain-footed one. A man would hesitate, spying below. Fleetwood wondered how she had managed to climb up, and carrying the lamb! Down pitches Madge Winch to help—they did it between them. We who stand aloof admire stupidly. To defend himself from admiring, he condemned the two women for the risk they ran to save a probably broken-legged little beast: and he escaped the melting mood by forcing a sneer at the sort of stuff out of which popular ballads are woven. Carinthia was accused of letting her adventurous impulses and sentimental female compassion swamp thought of a mother’s duties. If both those women had broken their legs the child might have cried itself into fits for the mother, there she would have remained.
Gower wrote in a language transparent of the act, addressed to a reader whose memory was to be impregnated. His reader would have flown away from the simple occurrence on arabesques and modulated tones; and then envisaging them critically, would have tossed his poor little story to the winds, as a small thing magnified: with an object, being the next thought about it. He knew his Fleetwood so far.
His letter concluded: ‘I am in a small Surrey village over a baker’s shop, rent eight shillings per week, a dame’s infant school opposite my window, miles of firwood, heath, and bracken openings, for the winged or the nested fancies. Love Nature, she makes you a lord of her boundless, off any ten square feet of common earth. I go through my illusions and come always back on that good truth. It says, beware of the world’s passion for flavours and spices. Much tasted, they turn and bite the biter. My exemplars are the lately breeched youngsters with two pence in their pockets for the gingerbread-nut booth on a fair day. I learn more from one of them than you can from the whole cavalcade of your attendant Ixionides.’
Mounting the box of his coach for the drive to London, Fleetwood had the new name for the parasitic and sham vital troop at his ears.
‘My Ixionides!’ he repeated, and did not scorn them so much as he rejoiced to be enlightened by the title. He craved the presence of the magician who dropped illumination with a single word; wholesomer to think of than the whole body of those Ixionides—not bad fellows, here and there, he reflected, tolerantly, half laughing at some of their clownish fun. Gower Woodseer and he had not quarrelled? No, they had merely parted at one of the crossways. The plebeian could teach that son of the, genuflexions, Lord Feltre, a lesson in manners. Woodseer was the better comrade and director of routes. Into the forest, up on the heights; and free, not locked; and not parroting day and night, but quick for all that the world has learnt and can tell, though two-thirds of it be composed of Ixionides: that way lies wisdom, and his index was cut that way.
Arrived in town, he ran over the headings of his letters, in no degree anxious for a communication from Wales. There was none. Why none?
She might as well have scrawled her announcement of an event pleasing to her, and, by the calculation, important to him, if not particularly interesting. The mother’s wifeish lines would, perhaps, have been tested in a furnace. He smarted at the blank of any, of even two or three formal words. She sulked? ‘I am not a fallen lamb!’ he said. Evidently one had to be a shivering beast in trouble, to excite her to move a hand.
Through so slight a fissure as this piece of discontent cracked in him, the crowd of his grievances with the woman rushed pell-mell, deluging young shoots of sweeter feelings. She sulked! If that woman could not get the command, he was to know her incapable of submission. After besmutting the name she had filched from him, she let him understand that there was no intention to repent. Possibly she meant war. In which case a man must fly, or stand assailed by the most intolerable of vulgar farces;—to be compared to a pelting of one on the stage.
The time came for him to knock at doors and face his public.
CHAPTER XXVIII. BY CONCESSIONS TO MISTRESS GOSSIP A FURTHER INTRUSION IS AVERTED
Livia welcomed him, with commiserating inquiry behind her languid eyelids. ‘You have all the latest?’ it said
He struck on the burning matter.
‘You wish to know the part you have to play, ma’am.’ ‘Tell me, Russett.’
‘You will contradict nothing.’
Her eyebrows asked, ‘It means?’
‘You have authority from me to admit the facts.’
‘They are facts?’ she remarked.
‘Women love teasing round certain facts, apparently; like the Law courts over their pet cases.’
‘But, Russett, will you listen?’
‘Has the luck been civil of late?’
‘I think of something else at present. No, it has not.’
‘Abrane?’
‘Pray, attend to me. No, not Abrane.’
‘I believe you’ve all been cleared out in my absence. St. Ombre?’
Her complexion varied. ‘Mr. Ambrose Mallard has once or twice… But let me beg you—the town is rageing with it. My dear Russett, a bold front now; there ‘s the chance of your release in view.’
‘A rascal in view! Name the sum.’
‘I must reckon. My head is—can you intend to submit?’
‘So it’s Brosey Mallard now. You choose your deputy queerly. He’s as bad as Abrane, with steam to it. Chummy Potts would have done better.’
‘He wins one night; loses every pound-note he has the next; and comes vaunting—the “dry still Sillery” of the establishment,—a perpetual chorus to his losses!’
‘His consolation to you for yours. That is the gentleman. Chummy doesn’t change. Say, why not St. Ombre? He’s cool.’
‘There are reasons.’
‘Let them rest. And I have my reasons. Do the same for them.’
‘Yours concern the honour of the family.’
‘Deeply: respect them.’
‘Your relatives have to be thought of, though they are few and not too pleasant.’
‘If I had thought much of them, what would our relations be? They object to dicing, and I to leading strings.’
She turned to a brighter subject, of no visible connection with the preceding.
‘Henrietta comes in May.’
‘The month of her colours.’
‘Her money troubles are terrible.’
‘Both of you appear unlucky in your partners,—if winning was the object. She shall have all the distractions we can offer.’
‘Your visit to the Chartreuse alarmed her.’
‘She has rejoiced her husband.’
‘A girl. She feared the Jesuit in your friend.’
‘Feltre and she are about equally affected by music. They shall meet.’
‘Russett, this once: I do entreat you to take counsel with your good sense, and remember that you stand where you are by going against my advice. It is a perfect storm over London. The world has not to be informed of your generosity; but a chivalry that invites the most horrible of sneers at a man! And what can I say? I have said it was impossible.’
‘Add the postscript: you find it was perfectly possible.’
‘I have to learn more than I care to hear.’
‘Your knowledge is not in request: you will speak in my name.’
‘Will you consult your lawyers, Russett, before you commit yourself?’
‘I am on my way to Lady Arpington.’
‘You cannot be thinking how serious it is.’
‘I rather value the opinion of a hard-headed woman of the world.’
‘Why not listen to me?’
‘You have your points, ma’am.’
‘She’s a torch.’
‘She serves my purpose.’
Livia shrugged sadly. ‘I suppose it serves your purpose to be unintelligible to me.’
He rendered himself intelligible immediately by saying, ‘Before I go—a thousand?’
‘Oh, my dear Russett!’ she sighed.
‘State the amount.’
She seemed to be casting unwieldly figures and he helped her with, ‘Mr. Isaacs?’
‘Not less than three, I fear.’
‘Has he been pressing?’
‘You are always good to us, Russett.’
‘You are always considerate for the honour of the family, ma’am. Order for the money with you here to-morrow. And I thank you for your advice. Do me the favour to follow mine.
‘Commands should be the word.’
‘Phrase it as you please.’
‘You know I hate responsibility.’
‘The chorus in classical dramas had generally that sentiment, but the singing was the sweeter for it.’
‘Whom do you not win when you condescend to the mood, you dear boy?’
He restrained a bitter reply, touching the kind of persons he had won: a girl from the mountains, a philosophical tramp of the roads, troops of the bought.
Livia spelt at the problem he was. She put away the task of reading it. He departed to see Lady Arpington, and thereby rivet his chains.
As Livia had said, she was a torch. Lady Endor, Lady Eldritch, Lady Cowry, kindled at her. Again there were flights of the burning brands over London. The very odd marriage; the no-marriage; the two-ends-of-the-town marriage; and the maiden marriage a fruitful marriage; the monstrous marriage of the countess productive in banishment, and the unreadable earl accepting paternity; this Amazing Marriage was again the riddle in the cracker for tattlers and gapers. It rattled upon the world’s native wantonness, the world’s acquired decorum: society’s irrepressible original and its powerfully resisting second nature. All the rogues of the fine sphere ran about with it, male and female; and there was the narrative that suggestively skipped, and that which trod the minuet measure, dropping a curtsey to ravenous curiosity; the apology surrendering its defensible cause in supplications to benevolence; and the benevolence damnatory in a too eloquent urgency; followed by the devout objection to a breath of the subject, so blackening it as to call forth the profanely circumstantial exposition. Smirks, blushes, dead silences, and in the lower regions roars, hung round it.
But the lady, though absent, did not figure poorly at all. Granting Whitechapel and the shillelagh affair, certain whispers of her good looks, contested only to be the more violently asserted; and therewith Rose Mackrell’s tale of her being a ‘young woman of birth,’ having a ‘romantic story to tell of herself and her parentage,’ made her latest performance the champagne event of it hitherto. Men sparkled when they had it on their lips.
How, then, London asked, would the Earl of Fleetwood move his pieces in reply to his countess’s particularly clever indication of the check threatening mate?
His move had no relation to the game, it was thought at first. The world could not suppose that he moved a simple pawn on his marriage board. He purchased a shop in Piccadilly for the sale of fruit and flowers.
Lady Arpington was entreated to deal at the shop, Countess Livia had her orders; his friends, his parasites and satellites, were to deal there. Intensely earnest as usual, he besought great ladies to let him have the overflow of their hothouses; and they classing it as another of the mystifications of a purse crazy for repleteness, inquired: ‘But is it you we are to deal with?’ And he quite seriously said: ‘With me, yes, at present.’ Something was behind the curtain, of course. His gravity had the effect of the ultra-comical in concealing it.
The shop was opened. We have the assurance of Rose Mackrell, that he entered and examined the piles and pans of fruit, and the bouquets cunningly arranged by a hand smelling French. The shop was roomy, splendid windows lighted the yellow, the golden, the green and parti-coloured stores. Four doors off, a chemist’s motley in bellied glasses crashed on the sight. Passengers along the pavement had presented to them such a contrast as might be shown if we could imagine the Lethean ferry-boatload brought sharp against Pomona’s lapful. In addition to the plucked flowers and fruits of the shop, Rose Mackrell more attentively examined the samples doing service at the counters. They were three, under supervision of a watchful-eyed fourth. Dame Gossip is for quoting his wit. But the conclusion he reached, after quitting the shop and pacing his dozen steps, is important; for it sent a wind over the town to set the springs of tattle going as wildly as when the herald’s trumpet blew the announcement for the world to hear out of Wales.
He had observed, that the young woman supervising was deficient in the ease of an established superior; her brows were troubled; she was, therefore, a lieutenant elevated from a lower grade; and, to his thinking, conducted the business during the temporary retirement of the mistress of the shop.
And the mistress of the shop?
The question hardly needs be put.
Rose Mackrell or his humour answered it in unfaltering terms.
London heard, with the variety of feelings which are indistinguishable under a flooding amazement, that the beautiful new fruit and flower shop had been purchased and stocked by the fabulously wealthy young Earl of Fleetwood, to give his Whitechapel Countess a taste for business, an occupation, and an honourable means of livelihood.
There was, Dame Gossip thumps to say, a general belief in this report. Crowds were on the pavement, peering through the shop-windows. Carriages driving by stopped to look. My lord himself had been visible, displaying his array of provisions to friends. Nor was credulity damped appreciably when over the shop, in gold letters, appeared the name of Sarah Winch. It might be the countess’s maiden name, if she really was a married countess.
But, in truth, the better informed of the town, having begun to think its Croesus capable of any eccentricity, chose to believe. They were at the pitch of excitement which demands and will swallow a succession of wilder extravagances. To accelerate the delirium of the fun, nothing was too much, because any absurdity was anticipated. And the earl’s readiness to be complimented on the shop’s particular merits, his gratified air at an allusion to it, whirled the fun faster. He seemed entirely unconscious that each step he now took wakened peals.
For such is the fate of a man who has come to be dogged by the humourist for the provision he furnishes; and, as it happens, he is the more laughable if not in himself a laughable object. The earl’s handsome figure, fine style, and contrasting sobriety heightened the burlesque of his call to admiration of a shop where Whitechapel would sit in state-according to the fiction so closely under the lee of fact that they were not strictly divisible. Moreover, Sarah Winch, whom Chumley Potts drew into conversation, said, he vowed, she came up West from Whitechapel. She said it a little nervously, but without blushing. Always on the side of the joke, he could ask: ‘Who can doubt?’ Indeed, scepticism poisoned the sport.
The Old Buccaneer has written: Friends may laugh; I am not roused. My enemy’s laugh is a bugle blown in the night.
Our enemy’s laugh at us rouses to wariness, he would say. He can barely mean, that a condition of drowsihead is other than providently warned by laughter of friends. An old warrior’s tough fibre would, perhaps, be insensible to that small crackle. In civil life, however, the friend’s laugh at us is the loudest of the danger signals to stop our course: and the very wealthy nobleman, who is known for not a fool, is kept from hearing it. Unless he does hear it, he can have no suspicion of its being about him: he cannot imagine such ‘lese-majeste’ in the subservient courtiers too prudent to betray a sign. So Fleetwood was unwarned; and his child-like unconsciousness of the boiling sentiments around, seasoned, pricked, and maddened his parasites under compression to invent, for a faint relief. He had his title for them, they their tales of him.
Dame Gossip would recount the tales. She is of the order of persons inclining to suspect the tittle of truth in prodigies of scandal. She is rustling and bustling to us of ‘Carinthia Jane’s run up to London to see Sarah Winch’s grand new shop,’ an eclipse of all existing grand London western shops; and of Rose Mackrell’s account of her dance of proud delight in the shop, ending with a ‘lovely cheese’ just as my lord enters; and then a scene, wild beyond any conceivable ‘for pathos and humour’—her pet pair of the dissimilar twins, both banging at us for tear-drops by different roads, through a common aperture:—and the earl has the Whitechapel baby boy plumped into his arms; and the countess fetches him a splendid bob-dip and rises out of a second cheese to twirl and fandango it; and, all serious on a sudden, request, whimperingly beseech, his thanks to her for the crowing successor she has presented him with: my lord ultimately, but carefully, depositing the infant on a basket of the last oranges of the season, fresh from the Azores, by delivery off my lord’s own schooner-yacht in Southampton water; and escaping, leaving his gold-headed stick behind him—a trophy for the countess? a weapon, it may be.
Quick she tucks up her skirts, she is after him. Dame Gossip speaks amusingly enough of the chase, and many eye-witnesses to the earl’s flight at top speed down the right side of the way along by the Green Park; and of a Prince of the Blood, a portly Royal Duke on foot, bumped by one or the other of them, she cannot precisely say which, but ‘thinks it to have been Carinthia Jane,’ because the exalted personage, his shock of surprise abating, turned and watched the chase, in much merriment. And it was called, we are informed, ‘The Piccadilly Hare and Hound’ from that day.
Some tradition of an extenuated nobleman pursued by a light-footed lady amid great excitement, there is; the Dame attaches importance also to verses of one of the ballads beginning to gain currency at the time (issuing ostensibly from London’s poetic centre, the Seven Dials, which had, we are to conjecture, got the story by discolouring filtration through footmen retailing in public-houses the stock of anecdotes they gathered when stationed behind Rose Mackrell’s chair, or Captain Abrane’s, or Chumley ‘Potts’s), and would have the whole of it quoted:—
“‘Tho’ fair I be a powdered peruke,
And once was a gaping silly,
Your Whitechapel Countess will prove, Lord Duke,
She’s a regular tiger-lily.
She’ll fight you with cold steel
or she’ll run you off your legs
Down the length of Piccadilly!”
That will satisfy; and perhaps indicate the hand.
‘Popular sympathy, of course, was all on the side of the Fair, as ever in those days when women had not forfeited it by stepping from their sanctuary seclusion.’
The Dame shall expose her confusions. She really would seem to fancy that the ballad verifies the main lines of the story, which is an impossible one. Carinthia had not the means to travel: she was moneyless. Every bill of her establishment was paid without stint by Mr. Howell Edwards, the earl’s manager of mines; but she had not even the means for a journey to the Gowerland rocks she longed to see. She had none since she forced her brother to take the half of her share of their inheritance, L1400, and sent him the remainder.
Accepted by Chillon John as a loan, says Dame Gossip, and no sooner received than consumed by the pressing necessities of a husband with the Rose Beauty of England to support in the comforts and luxuries he deemed befitting.
Still the Dame leans to her opinion that ‘Carinthia Jane’ may have been seen about London: for ‘where we have much smoke there must be fire.’ And the countess never denying an imputation not brought against her in her hearing, the ballad was unchallenged and London’s wags had it their own way. Among the reasons why they so persistently hunted the earl, his air of a smart correctness shadowed by this new absurdity invited them, as when a spot of mud on the trimmest of countenances arrests observation: Humour plucked at him the more for the good faith of his handsome look under the prolific little disfigurement. Besides, a wealthy despot, with no conception of any hum around him, will have the wags in his track as surely as the flexibles in front: they avenge his exactions.