“Tell her it doesn’t matter—it doesn’t matter a straw!” said Wayworth.
“And she’s so proud—you know how proud she is!” the old lady went on.
“Tell her I’m more than satisfied, that I accept her gratefully as she is.”
“She says she injures your play, that she ruins it,” said his interlocutress.
“She’ll improve, immensely—she’ll grow into the part,” the young man continued.
“She’d improve if she knew how—but she says she doesn’t. She has given all she has got, and she doesn’t know what’s wanted.”
“What’s wanted is simply that she should go straight on and trust me.”
“How can she trust you when she feels she’s losing you?”
“Losing me?” Wayworth cried.
“You’ll never forgive her if your play is taken off!”
“It will run six months,” said the author of the piece.
The old lady laid her hand on his arm. “What will you do for her if it does?”
He looked at Violet Grey’s aunt a moment. “Do you say your niece is very proud?”
“Too proud for her dreadful profession.”
“Then she wouldn’t wish you to ask me that,” Wayworth answered, getting up.
When he reached home he was very tired, and for a person to whom it was open to consider that he had scored a success he spent a remarkably dismal day. All his restlessness had gone, and fatigue and depression possessed him. He sank into his old chair by the fire and sat there for hours with his eyes closed. His landlady came in to bring his luncheon and mend the fire, but he feigned to be asleep, so as not to be spoken to. It is to be supposed that sleep at last overtook him, for about the hour that dusk began to gather he had an extraordinary impression, a visit that, it would seem, could have belonged to no waking consciousness. Nona Vincent, in face and form, the living heroine of his play, rose before him in his little silent room, sat down with him at his dingy fireside. She was not Violet Grey, she was not Mrs. Alsager, she was not any woman he had seen upon earth, nor was it any masquerade of friendship or of penitence. Yet she was more familiar to him than the women he had known best, and she was ineffably beautiful and consoling. She filled the poor room with her presence, the effect of which was as soothing as some odour of incense. She was as quiet as an affectionate sister, and there was no surprise in her being there. Nothing more real had ever befallen him, and nothing, somehow, more reassuring. He felt her hand rest upon his own, and all his senses seemed to open to her message. She struck him, in the strangest way, both as his creation and as his inspirer, and she gave him the happiest consciousness of success. If she was so charming, in the red firelight, in her vague, clear-coloured garments, it was because he had made her so, and yet if the weight seemed lifted from his spirit it was because she drew it away. When she bent her deep eyes upon him they seemed to speak of safety and freedom and to make a green garden of the future. From time to time she smiled and said: “I live—I live—I live.” How long she stayed he couldn’t have told, but when his landlady blundered in with the lamp Nona Vincent was no longer there. He rubbed his eyes, but no dream had ever been so intense; and as he slowly got out of his chair it was with a deep still joy—the joy of the artist—in the thought of how right he had been, how exactly like herself he had made her. She had come to show him that. At the end of five minutes, however, he felt sufficiently mystified to call his landlady back—he wanted to ask her a question. When the good woman reappeared the question hung fire an instant; then it shaped itself as the inquiry:
“Has any lady been here?”
“No, sir—no lady at all.”
The woman seemed slightly scandalised. “Not Miss Vincent?”
“Miss Vincent, sir?”
“The young lady of my play, don’t you know?”
“Oh, sir, you mean Miss Violet Grey!”
“No I don’t, at all. I think I mean Mrs. Alsager.”
“There has been no Mrs. Alsager, sir.”
“Nor anybody at all like her?”
The woman looked at him as if she wondered what had suddenly taken him. Then she asked in an injured tone: “Why shouldn’t I have told you if you’d ’ad callers, sir?”
“I thought you might have thought I was asleep.”
“Indeed you were, sir, when I came in with the lamp—and well you’d earned it, Mr. Wayworth!”
The landlady came back an hour later to bring him a telegram; it was just as he had begun to dress to dine at his club and go down to the theatre.
“See me to-night in front, and don’t come near me till it’s over.”
It was in these words that Violet communicated her wishes for the evening. He obeyed them to the letter; he watched her from the depths of a box. He was in no position to say how she might have struck him the night before, but what he saw during these charmed hours filled him with admiration and gratitude. She was in it, this time; she had pulled herself together, she had taken possession, she was felicitous at every turn. Fresh from his revelation of Nona he was in a position to judge, and as he judged he exulted. He was thrilled and carried away, and he was moreover intensely curious to know what had happened to her, by what unfathomable art she had managed in a few hours to effect such a change of base. It was as if she had had a revelation of Nona, so convincing a clearness had been breathed upon the picture. He kept himself quiet in the entr’actes—he would speak to her only at the end; but before the play was half over the manager burst into his box.
“It’s prodigious, what she’s up to!” cried Mr. Loder, almost more bewildered than gratified. “She has gone in for a new reading—a blessed somersault in the air!”
“Is it quite different?” Wayworth asked, sharing his mystification.
“Different? Hyperion to a satyr! It’s devilish good, my boy!”
“It’s devilish good,” said Wayworth, “and it’s in a different key altogether from the key of her rehearsal.”
“I’ll run you six months!” the manager declared; and he rushed round again to the actress, leaving Wayworth with a sense that she had already pulled him through. She had with the audience an immense personal success.
When he went behind, at the end, he had to wait for her; she only showed herself when she was ready to leave the theatre. Her aunt had been in her dressing-room with her, and the two ladies appeared together. The girl passed him quickly, motioning him to say nothing till they should have got out of the place. He saw that she was immensely excited, lifted altogether above her common artistic level. The old lady said to him: “You must come home to supper with us: it has been all arranged.” They had a brougham, with a little third seat, and he got into it with them. It was a long time before the actress would speak. She leaned back in her corner, giving no sign but still heaving a little, like a subsiding sea, and with all her triumph in the eyes that shone through the darkness. The old lady was hushed to awe, or at least to discretion, and Wayworth was happy enough to wait. He had really to wait till they had alighted at Notting Hill, where the elder of his companions went to see that supper had been attended to.
“I was better—I was better,” said Violet Grey, throwing off her cloak in the little drawing-room.
“You were perfection. You’ll be like that every night, won’t you?”
She smiled at him. “Every night? There can scarcely be a miracle every day.”
“What do you mean by a miracle?”
“I’ve had a revelation.”
Wayward stared. “At what hour?”
“The right hour—this afternoon. Just in time to save me—and to save you.”
“At five o’clock? Do you mean you had a visit?”
“She came to me—she stayed two hours.”
“Two hours? Nona Vincent?”
“Mrs. Alsager.” Violet Grey smiled more deeply. “It’s the same thing.”
“And how did Mrs. Alsager save you?”
“By letting me look at her. By letting me hear her speak. By letting me know her.”
“And what did she say to you?”
“Kind things—encouraging, intelligent things.”
“Ah, the dear woman!” Wayworth cried.
“You ought to like her—she likes you. She was just what I wanted,” the actress added.
“Do you mean she talked to you about Nona?”
“She said you thought she was like her. She is—she’s exquisite.”
“She’s exquisite,” Wayworth repeated. “Do you mean she tried to coach you?”
“Oh, no—she only said she would be so glad if it would help me to see her. And I felt it did help me. I don’t know what took place—she only sat there, and she held my hand and smiled at me, and she had tact and grace, and she had goodness and beauty, and she soothed my nerves and lighted up my imagination. Somehow she seemed to give it all to me. I took it—I took it. I kept her before me, I drank her in. For the first time, in the whole study of the part, I had my model—I could make my copy. All my courage came back to me, and other things came that I hadn’t felt before. She was different—she was delightful; as I’ve said, she was a revelation. She kissed me when she went away—and you may guess if I kissed her. We were awfully affectionate, but it’s you she likes!” said Violet Grey.
Wayworth had never been more interested in his life, and he had rarely been more mystified. “Did she wear vague, clear-coloured garments?” he asked, after a moment.
Violet Grey stared, laughed, then bade him go in to supper. “You know how she dresses!”
He was very well pleased at supper, but he was silent and a little solemn. He said he would go to see Mrs. Alsager the next day. He did so, but he was told at her door that she had returned to Torquay. She remained there all winter, all spring, and the next time he saw her his play had run two hundred nights and he had married Violet Grey. His plays sometimes succeed, but his wife is not in them now, nor in any others. At these representations Mrs. Alsager continues frequently to be present.
THE CHAPERON
I
An old lady, in a high drawing-room, had had her chair moved close to the fire, where she sat knitting and warming her knees. She was dressed in deep mourning; her face had a faded nobleness, tempered, however, by the somewhat illiberal compression assumed by her lips in obedience to something that was passing in her mind. She was far from the lamp, but though her eyes were fixed upon her active needles she was not looking at them. What she really saw was quite another train of affairs. The room was spacious and dim; the thick London fog had oozed into it even through its superior defences. It was full of dusky, massive, valuable things. The old lady sat motionless save for the regularity of her clicking needles, which seemed as personal to her and as expressive as prolonged fingers. If she was thinking something out, she was thinking it thoroughly.
When she looked up, on the entrance of a girl of twenty, it might have been guessed that the appearance of this young lady was not an interruption of her meditation, but rather a contribution to it. The young lady, who was charming to behold, was also in deep mourning, which had a freshness, if mourning can be fresh, an air of having been lately put on. She went straight to the bell beside the chimney-piece and pulled it, while in her other hand she held a sealed and directed letter. Her companion glanced in silence at the letter; then she looked still harder at her work. The girl hovered near the fireplace, without speaking, and after a due, a dignified interval the butler appeared in response to the bell. The time had been sufficient to make the silence between the ladies seem long. The younger one asked the butler to see that her letter should be posted; and after he had gone out she moved vaguely about the room, as if to give her grandmother—for such was the elder personage—a chance to begin a colloquy of which she herself preferred not to strike the first note. As equally with herself her companion was on the face of it capable of holding out, the tension, though it was already late in the evening, might have lasted long. But the old lady after a little appeared to recognise, a trifle ungraciously, the girl’s superior resources.
“Have you written to your mother?”
“Yes, but only a few lines, to tell her I shall come and see her in the morning.”
“Is that all you’ve got to say?” asked the grandmother.
“I don’t quite know what you want me to say.”
“I want you to say that you’ve made up your mind.”
“Yes, I’ve done that, granny.”
“You intend to respect your father’s wishes?”
“It depends upon what you mean by respecting them. I do justice to the feelings by which they were dictated.”
“What do you mean by justice?” the old lady retorted.
The girl was silent a moment; then she said: “You’ll see my idea of it.”
“I see it already! You’ll go and live with her.”
“I shall talk the situation over with her to-morrow and tell her that I think that will be best.”
“Best for her, no doubt!”
“What’s best for her is best for me.”
“And for your brother and sister?” As the girl made no reply to this her grandmother went on: “What’s best for them is that you should acknowledge some responsibility in regard to them and, considering how young they are, try and do something for them.”
“They must do as I’ve done—they must act for themselves. They have their means now, and they’re free.”
“Free? They’re mere children.”
“Let me remind you that Eric is older than I.”
“He doesn’t like his mother,” said the old lady, as if that were an answer.
“I never said he did. And she adores him.”
“Oh, your mother’s adorations!”
“Don’t abuse her now,” the girl rejoined, after a pause.
The old lady forbore to abuse her, but she made up for it the next moment by saying: “It will be dreadful for Edith.”
“What will be dreadful?”
“Your desertion of her.”
“The desertion’s on her side.”
“Her consideration for her father does her honour.”
“Of course I’m a brute, n’en parlons plus,” said the girl. “We must go our respective ways,” she added, in a tone of extreme wisdom and philosophy.
Her grandmother straightened out her knitting and began to roll it up. “Be so good as to ring for my maid,” she said, after a minute. The young lady rang, and there was another wait and another conscious hush. Before the maid came her mistress remarked: “Of course then you’ll not come to me, you know.”
“What do you mean by ‘coming’ to you?”
“I can’t receive you on that footing.”
“She’ll not come with me, if you mean that.”
“I don’t mean that,” said the old lady, getting up as her maid came in. This attendant took her work from her, gave her an arm and helped her out of the room, while Rose Tramore, standing before the fire and looking into it, faced the idea that her grandmother’s door would now under all circumstances be closed to her. She lost no time however in brooding over this anomaly: it only added energy to her determination to act. All she could do to-night was to go to bed, for she felt utterly weary. She had been living, in imagination, in a prospective struggle, and it had left her as exhausted as a real fight. Moreover this was the culmination of a crisis, of weeks of suspense, of a long, hard strain. Her father had been laid in his grave five days before, and that morning his will had been read. In the afternoon she had got Edith off to St. Leonard’s with their aunt Julia, and then she had had a wretched talk with Eric. Lastly, she had made up her mind to act in opposition to the formidable will, to a clause which embodied if not exactly a provision, a recommendation singularly emphatic. She went to bed and slept the sleep of the just.
“Oh, my dear, how charming! I must take another house!” It was in these words that her mother responded to the announcement Rose had just formally made and with which she had vaguely expected to produce a certain dignity of effect. In the way of emotion there was apparently no effect at all, and the girl was wise enough to know that this was not simply on account of the general line of non-allusion taken by the extremely pretty woman before her, who looked like her elder sister. Mrs. Tramore had never manifested, to her daughter, the slightest consciousness that her position was peculiar; but the recollection of something more than that fine policy was required to explain such a failure, to appreciate Rose’s sacrifice. It was simply a fresh reminder that she had never appreciated anything, that she was nothing but a tinted and stippled surface. Her situation was peculiar indeed. She had been the heroine of a scandal which had grown dim only because, in the eyes of the London world, it paled in the lurid light of the contemporaneous. That attention had been fixed on it for several days, fifteen years before; there had been a high relish of the vivid evidence as to his wife’s misconduct with which, in the divorce-court, Charles Tramore had judged well to regale a cynical public. The case was pronounced awfully bad, and he obtained his decree. The folly of the wife had been inconceivable, in spite of other examples: she had quitted her children, she had followed the “other fellow” abroad. The other fellow hadn’t married her, not having had time: he had lost his life in the Mediterranean by the capsizing of a boat, before the prohibitory term had expired.
Mrs. Tramore had striven to extract from this accident something of the austerity of widowhood; but her mourning only made her deviation more public, she was a widow whose husband was awkwardly alive. She had not prowled about the Continent on the classic lines; she had come back to London to take her chance. But London would give her no chance, would have nothing to say to her; as many persons had remarked, you could never tell how London would behave. It would not receive Mrs. Tramore again on any terms, and when she was spoken of, which now was not often, it was inveterately said of her that she went nowhere. Apparently she had not the qualities for which London compounds; though in the cases in which it does compound you may often wonder what these qualities are. She had not at any rate been successful: her lover was dead, her husband was liked and her children were pitied, for in payment for a topic London will parenthetically pity. It was thought interesting and magnanimous that Charles Tramore had not married again. The disadvantage to his children of the miserable story was thus left uncorrected, and this, rather oddly, was counted as his sacrifice. His mother, whose arrangements were elaborate, looked after them a great deal, and they enjoyed a mixture of laxity and discipline under the roof of their aunt, Miss Tramore, who was independent, having, for reasons that the two ladies had exhaustively discussed, determined to lead her own life. She had set up a home at St. Leonard’s, and that contracted shore had played a considerable part in the upbringing of the little Tramores. They knew about their mother, as the phrase was, but they didn’t know her; which was naturally deemed more pathetic for them than for her. She had a house in Chester Square and an income and a victoria—it served all purposes, as she never went out in the evening—and flowers on her window-sills, and a remarkable appearance of youth. The income was supposed to be in part the result of a bequest from the man for whose sake she had committed the error of her life, and in the appearance of youth there was a slightly impertinent implication that it was a sort of afterglow of the same connection.
Her children, as they grew older, fortunately showed signs of some individuality of disposition. Edith, the second girl, clung to her aunt Julia; Eric, the son, clung frantically to polo; while Rose, the elder daughter, appeared to cling mainly to herself. Collectively, of course, they clung to their father, whose attitude in the family group, however, was casual and intermittent. He was charming and vague; he was like a clever actor who often didn’t come to rehearsal. Fortune, which but for that one stroke had been generous to him, had provided him with deputies and trouble-takers, as well as with whimsical opinions, and a reputation for excellent taste, and whist at his club, and perpetual cigars on morocco sofas, and a beautiful absence of purpose. Nature had thrown in a remarkably fine hand, which he sometimes passed over his children’s heads when they were glossy from the nursery brush. On Rose’s eighteenth birthday he said to her that she might go to see her mother, on condition that her visits should be limited to an hour each time and to four in the year. She was to go alone; the other children were not included in the arrangement. This was the result of a visit that he himself had paid his repudiated wife at her urgent request, their only encounter during the fifteen years. The girl knew as much as this from her aunt Julia, who was full of tell-tale secrecies. She availed herself eagerly of the license, and in course of the period that elapsed before her father’s death she spent with Mrs. Tramore exactly eight hours by the watch. Her father, who was as inconsistent and disappointing as he was amiable, spoke to her of her mother only once afterwards. This occasion had been the sequel of her first visit, and he had made no use of it to ask what she thought of the personality in Chester Square or how she liked it. He had only said “Did she take you out?” and when Rose answered “Yes, she put me straight into a carriage and drove me up and down Bond Street,” had rejoined sharply “See that that never occurs again.” It never did, but once was enough, every one they knew having happened to be in Bond Street at that particular hour.
After this the periodical interview took place in private, in Mrs. Tramore’s beautiful little wasted drawing-room. Rose knew that, rare as these occasions were, her mother would not have kept her “all to herself” had there been anybody she could have shown her to. But in the poor lady’s social void there was no one; she had after all her own correctness and she consistently preferred isolation to inferior contacts. So her daughter was subjected only to the maternal; it was not necessary to be definite in qualifying that. The girl had by this time a collection of ideas, gathered by impenetrable processes; she had tasted, in the ostracism of her ambiguous parent, of the acrid fruit of the tree of knowledge. She not only had an approximate vision of what every one had done, but she had a private judgment for each case. She had a particular vision of her father, which did not interfere with his being dear to her, but which was directly concerned in her resolution, after his death, to do the special thing he had expressed the wish she should not do. In the general estimate her grandmother and her grandmother’s money had their place, and the strong probability that any enjoyment of the latter commodity would now be withheld from her. It included Edith’s marked inclination to receive the law, and doubtless eventually a more substantial memento, from Miss Tramore, and opened the question whether her own course might not contribute to make her sister’s appear heartless. The answer to this question however would depend on the success that might attend her own, which would very possibly be small. Eric’s attitude was eminently simple; he didn’t care to know people who didn’t know his people. If his mother should ever get back into society perhaps he would take her up. Rose Tramore had decided to do what she could to bring this consummation about; and strangely enough—so mixed were her superstitions and her heresies—a large part of her motive lay in the value she attached to such a consecration.
Of her mother intrinsically she thought very little now, and if her eyes were fixed on a special achievement it was much more for the sake of that achievement and to satisfy a latent energy that was in her than because her heart was wrung by this sufferer. Her heart had not been wrung at all, though she had quite held it out for the experience. Her purpose was a pious game, but it was still essentially a game. Among the ideas I have mentioned she had her idea of triumph. She had caught the inevitable note, the pitch, on her very first visit to Chester Square. She had arrived there in intense excitement, and her excitement was left on her hands in a manner that reminded her of a difficult air she had once heard sung at the opera when no one applauded the performer. That flatness had made her sick, and so did this, in another way. A part of her agitation proceeded from the fact that her aunt Julia had told her, in the manner of a burst of confidence, something she was not to repeat, that she was in appearance the very image of the lady in Chester Square. The motive that prompted this declaration was between aunt Julia and her conscience; but it was a great emotion to the girl to find her entertainer so beautiful. She was tall and exquisitely slim; she had hair more exactly to Rose Tramore’s taste than any other she had ever seen, even to every detail in the way it was dressed, and a complexion and a figure of the kind that are always spoken of as “lovely.” Her eyes were irresistible, and so were her clothes, though the clothes were perhaps a little more precisely the right thing than the eyes. Her appearance was marked to her daughter’s sense by the highest distinction; though it may be mentioned that this had never been the opinion of all the world. It was a revelation to Rose that she herself might look a little like that. She knew however that aunt Julia had not seen her deposed sister-in-law for a long time, and she had a general impression that Mrs. Tramore was to-day a more complete production—for instance as regarded her air of youth—than she had ever been. There was no excitement on her side—that was all her visitor’s; there was no emotion—that was excluded by the plan, to say nothing of conditions more primal. Rose had from the first a glimpse of her mother’s plan. It was to mention nothing and imply nothing, neither to acknowledge, to explain nor to extenuate. She would leave everything to her child; with her child she was secure. She only wanted to get back into society; she would leave even that to her child, whom she treated not as a high-strung and heroic daughter, a creature of exaltation, of devotion, but as a new, charming, clever, useful friend, a little younger than herself. Already on that first day she had talked about dressmakers. Of course, poor thing, it was to be remembered that in her circumstances there were not many things she could talk about. “She wants to go out again; that’s the only thing in the wide world she wants,” Rose had promptly, compendiously said to herself. There had been a sequel to this observation, uttered, in intense engrossment, in her own room half an hour before she had, on the important evening, made known her decision to her grandmother: “Then I’ll take her out!”
“She’ll drag you down, she’ll drag you down!” Julia Tramore permitted herself to remark to her niece, the next day, in a tone of feverish prophecy.
As the girl’s own theory was that all the dragging there might be would be upward, and moreover administered by herself, she could look at her aunt with a cold and inscrutable eye.
“Very well, then, I shall be out of your sight, from the pinnacle you occupy, and I sha’n’t trouble you.”
“Do you reproach me for my disinterested exertions, for the way I’ve toiled over you, the way I’ve lived for you?” Miss Tramore demanded.
“Don’t reproach me for being kind to my mother and I won’t reproach you for anything.”
“She’ll keep you out of everything—she’ll make you miss everything,” Miss Tramore continued.
“Then she’ll make me miss a great deal that’s odious,” said the girl.
“You’re too young for such extravagances,” her aunt declared.
“And yet Edith, who is younger than I, seems to be too old for them: how do you arrange that? My mother’s society will make me older,” Rose replied.
“Don’t speak to me of your mother; you have no mother.”
“Then if I’m an orphan I must settle things for myself.”
“Do you justify her, do you approve of her?” cried Miss Tramore, who was inferior to her niece in capacity for retort and whose limitations made the girl appear pert.
Rose looked at her a moment in silence; then she said, turning away: “I think she’s charming.”
“And do you propose to become charming in the same manner?”
“Her manner is perfect; it would be an excellent model. But I can’t discuss my mother with you.”
“You’ll have to discuss her with some other people!” Miss Tramore proclaimed, going out of the room.
Rose wondered whether this were a general or a particular vaticination. There was something her aunt might have meant by it, but her aunt rarely meant the best thing she might have meant. Miss Tramore had come up from St. Leonard’s in response to a telegram from her own parent, for an occasion like the present brought with it, for a few hours, a certain relaxation of their dissent. “Do what you can to stop her,” the old lady had said; but her daughter found that the most she could do was not much. They both had a baffled sense that Rose had thought the question out a good deal further than they; and this was particularly irritating to Mrs. Tramore, as consciously the cleverer of the two. A question thought out as far as she could think it had always appeared to her to have performed its human uses; she had never encountered a ghost emerging from that extinction. Their great contention was that Rose would cut herself off; and certainly if she wasn’t afraid of that she wasn’t afraid of anything. Julia Tramore could only tell her mother how little the girl was afraid. She was already prepared to leave the house, taking with her the possessions, or her share of them, that had accumulated there during her father’s illness. There had been a going and coming of her maid, a thumping about of boxes, an ordering of four-wheelers; it appeared to old Mrs. Tramore that something of the objectionableness, the indecency, of her granddaughter’s prospective connection had already gathered about the place. It was a violation of the decorum of bereavement which was still fresh there, and from the indignant gloom of the mistress of the house you might have inferred not so much that the daughter was about to depart as that the mother was about to arrive. There had been no conversation on the dreadful subject at luncheon; for at luncheon at Mrs. Tramore’s (her son never came to it) there were always, even after funerals and other miseries, stray guests of both sexes whose policy it was to be cheerful and superficial. Rose had sat down as if nothing had happened—nothing worse, that is, than her father’s death; but no one had spoken of anything that any one else was thinking of.