Suddenly the door of the cell opens, and the stately figure of the archbishop appears. With straight swift strides he advances to where Wamba lies; his priestly robe drooping around him with a heavy patrician grace, his ebon hair falling over his ample brow, a veil to the glittering eyes beneath, which burn with an evil fire. Like a phantom he stands over the prostrate king – his form in shadow, sombrely defined against the window, and in an instant all the cell seems to palpitate with life; the walls animate with the expectant eyes of monks placed there to watch the swoon of the king – a dark and sinister background revealed by the scanty light, in which Julianus dominates like some wicked giant about to pounce upon his prey.
Ervig was beside him, standing with averted looks that he might not meet the gaze of Wamba, who still lay with half closed eyes, passively watching the movements of his enemies.
Was it to be life or death? He cared not! A chill as of death curdled his blood. The cell whirled and a mighty darkness reeled down upon him. Wounded to the quick, he would not even condescend to expostulate. Before such base treachery his righteous soul revolted. They had him in their power, let them wreak their will. His life was done, his reign ended. Against the law under which he lay there was no appeal. Shut up in a subterranean prison how could he communicate with any who might dare to restore him to his throne? It was subtly planned, and by a master mind!
Wamba is, however, the first to break silence. He heaves a deep sigh and opens his eyes, passing his hands slowly over his face, ghastly under the effects of the poison. “You have been a false friend to me,” he says, addressing himself, not to the archbishop, but to the muffled figure which stands behind him. “You have returned evil for good. In what have I injured you?” His voice is low, but he speaks with the calmness of one who has already passed the gates of death.
“Accuse not Ervig,” answers the archbishop, in a tone of lofty command, placing himself before Wamba, so as to fill with his ample draperies the narrow space of light. “It is the Holy Church in my person you have offended. As an unfaithful son you are cast out. Ervig has but done his duty, for you, Wamba, are a recreant unfit to reign.”
“And does the duty of Ervig lead him to succeed me?” asks Wamba, raising himself painfully from the pallet and leaning forward, so that the outlines of his sunken features appear under the cowl.
“It does,” answers Julianus, still shielding Ervig from the glance of contempt which shoots from the eyes of Wamba.
“It is well,” is the answer. “You made me king, Julianus, against my will. Now, against my will, you unmake me. Poor and wretched instrument,” he adds, raising his hand towards Ervig, who was crouching in the shadow near the wall, “beware how you cross Julianus. Take example by me, and let no love for the Gothic tempt you to do justice to the people.”
“Dare not to question the judgment of God,” exclaims the archbishop, an expression of lofty scorn lighting up the evil brilliancy of his deeply sunken eyes. “To Ervig you owe your life. I would have flung you into the fires of purgatory to purify your sinful soul, but his counsels were of mercy.”
“I thank him not,” replies Wamba. “I am old, and my time in this world is short. I would far rather have sunk into eternal sleep, than lead the life to which you have condemned me.”
So deeply moved was Ervig, despite the dignity which awaited him, that he did not reply. He was a weak, unworthy nature, bad, but not wholly depraved. He had been worked upon and warped by the sophistries of the unscrupulous archbishop, which now, in the presence of his benefactor, seemed to lose all their weight. Even his ambition to reign wavered for the moment before his remorse, as one who having braced himself to commit a crime, yet lacks the courage to carry out the measure of his iniquity.
So evident was this, that, full of the fear of what his affection for Wamba might prompt him to do, Julianus brought the interview to an abrupt end. Without another word he passed out of the cell followed by Ervig, and the army of tonsured monks, who had borne Wamba in, now returned to watch his gradual return to active life.
The “Farmer King” had, however, many friends. The Goths loved him, and the Jews (a powerful contingent, richer than all the rest) respected him. So humble was he in peace, so brilliant in war, and under that calm exterior gifted with such energy that he had inspired the State with a new life, as the last great spirit of the old Dacian stock, that Julianus became seriously alarmed, and hastened to call a Council of Bishops to ratify the accession of Ervig to the throne.
The sentence which was passed upon Wamba was thus worded: “As there are some who, being clothed in the garments of penitence when in peril of death, after having recovered, claim that the vow is not binding – let all such remember that they are baptised without will or knowledge, and yet no man can remove baptism without damnation; as it is with baptism, so with monastic vows, and we [the Council] declare that all who violate this law are worthy of the severest punishment, and are incapable of holding any office or civil dignity during their natural lives.”
By this it would seem that, however the nation clung to the memory of the good old king, yet these once brave and manly warriors had sunk into an incredibly superstitious and priest-ridden nation, fit only to be crushed in the hands of the first bold invader, and that all this internal strife was but as an invitation to the Moors across the Straits, and the Basques in the mountains of the north, to take advantage of their weakness.
Of Ervig it is said that, after a few years passed in vassalage to Julianus, remorse overcame him, and he took to his bed and died.
Under Witica the Court of Toledo was stained with blood. He was an ignorant, arrogant tyrant, who only understood present advantage to himself. To prevent possible rebellion – and hostile parties were many and ran high, as in preceding reigns – he dismantled the city walls and fortresses, and in his mad eagerness for the security of the throne murdered every kinsman whose life lay within his hand. Particularly was his insane jealousy directed against his cousin Favila, Dux of Cantabria, who was executed, and Witica had prepared the same fate for his son Pelayo, but he escaped to become later on the saviour of his country in driving out the Moors from the north of Spain.
Then his suspicions spent themselves on another kinsman, the Gothic chief Theodofredo. His eyes were put out, and he was imprisoned in the damp vault under the castle of Cordoba.
Half Mussulman, and wholly brutal, Witica ingeniously united the vices of both nations – the Iberians and the Goths – and indulged in such a numerous harem as put even the Moors to shame. In vain did the Church thunder against this very peccant son. Julianus was long dead. He laughed at the threats of the Pope, and, like his Gothic ancestor, Alaric, threatened to lay siege to Rome.
“Why,” cried he, when presiding in the Chapter at Toledo, clothed in his royal robes, the crown and sceptre beside him, in the midst of the trembling canons, who knew it was at their life’s peril to venture to contradict him – “why shall not our Gothic damsels adorn themselves with the jewels of the Vatican, and our coffers be replenished with the treasury of St. Peter’s?”
Incensed at the opposition of the Archbishop Sindaredo, who dared to expostulate with him, he appointed his own brother Opas, at heart as profligate as himself, Archbishop of Seville, to take his seat along with Sindaredo in the episcopal chair of Toledo. (Opas was the most unscrupulous prelate that ever wore the mitre. Even Julianus was his inferior in secular power, for Opas was a prince, born of the old Gothic stock.)
“Since the Church of Toledo will not yield to me, her lawful spouse,” said Witica, with savage sarcasm, “she shall, like a harlot, have two husbands – Sindaredo and Opas. No foreign potentate with a triple crown shall preach to me.”
Witica, bad as he was, is yet entitled to be considered as the first reformer. He promulgated a law freeing the clergy from the vow of celibacy. No threats or anathemas of any mitred Julianus stopped him. No obedience to monkish precepts governed his mind. He revelled in lawless licentiousness, and in outraging the pietism of the time. Of Witica it was said that “he taught all Spain to sin.” Naturally the monkish chronicles have unmercifully vilified him. Yet there is much of the humoristic coarseness of the Middle Ages in his character; a grotesque setting at naught of all law and convenance, which the fashion of politer times – not a whit less vile – softened and refined into a quasi-elegance perhaps more repulsive.
While the churches are closed under an interdict, the altars bare, the people disarmed, the castles and fortresses dismantled lest they might harbour enemies, and disorder and sensuality reign unchecked throughout the land, a youthful avenger is growing up in the person of Roderich, son of Theodofredo, now dead, some say murdered, in the gloomy dungeons of Cordoba.
Of royal birth, reared and educated among the cultivated Romans, Roderich is not only a brilliant knight, but a master of all the civilisation of the age, prompt at all martial exercise, of graceful and polished manners, and eager to avenge the wrongs of his father and of the Goths. Like a meteor, this young hero flashes upon Spain, defeats Witica “the Wicked,” in a pitched battle, and imprisons him in the same castle of Cordoba, where his father has lately died. Not a dissentient voice is heard on the battle-field when Roderich, raised on a shield by the soldiers, as was the custom of his ancestors, and standing erect to face the four quarters of the world, is proclaimed King of the Western Goths, in place of the sons of Witica.
And now we come to the history of the beautiful Moor, Egilona, daughter of the King of Algiers, who was at this time shipwrecked on the coast of Spain at Denia. As the royal vessel grounded on the sand (says the chronicle), the rabble of Denia – and what a rabble, in all ages, is that of Spain, how greedy, how rapacious – rushed into the surf, to capture and make spoil. But the grandeur of the illustrious company assembled on the deck somewhat awed them as they paused with greedy eyes, – men and women, sumptuously attired, facing them with all the haughtiness of Oriental dignity. In the stern, closely pressed within a circle of her Moslem guards, stood a lovely princess, lightly veiled, her turban ablaze with jewels, and as the vessel heaved in upon the swell, and the mob found themselves close upon the strangers, scimitars flashed and jewelled daggers gleamed. Then some of the older Moors, understanding the helplessness of their position, leaped on shore, and falling on their knees before the alcaide, who stood by, unable to understand the meaning of what he saw, implored his mercy towards a royal princess.
“She whom you behold,” said one sumptuously robed African, who seemed to lead the expedition, his brow covered by a green turban, on which glittered an aigrette of inestimable worth, “is the only daughter of the King of Algiers, whom we are conducting to her affianced husband, the King of Tunis. Foul winds, as you see, have driven us on your coast. We were compelled to make for land, or imperil the life of our inimitable mistress. Allah has preserved her. Do you, Señor Alcaide, not prove more cruel than the waves.”
The alcaide, a worthy man, much overcome by the magnificence of these sea-borne guests, bowed his head in acquiescence, and called on his alguazils to keep off the crowd. “I will myself conduct your princess to the castle,” he replied to the noble Moor who had addressed him. “Let her freely tread the Spanish soil. It shall be to her as safe as the African land of her fathers.”
“The castle!” cried the same dazzling Moor who had already spoken, stopping the alcaide short. “The castle! You would then treat this regal bride as a captive? By the tomb of the Prophet, Señor Alcaide, you do ill! Know that her ransom will be to you, and to your race for ever, riches incalculable, such as the genii in dreams bear to the faithful – if you deal well with her and let her go.”
Another and another of the circle of superbly robed strangers also spoke.
“All we have is yours, Sir Alcaide.”
The fair captive herself held out her hands in supplication towards the excellent magistrate, who stood perplexed, as divided between duty and inclination.
“Will you,” she asked, in a soft voice, “imprison one whom the sea has set free?”
In vain! The honesty of this Spanish official is a record to all time. He was a Goth of the old school, and cared neither for jewels nor gold. Much as it moved him to withstand the entreaties of so beautiful a creature, his sense of duty conquered.
“Sir Moslem,” he answered, afraid at first to address himself directly to the lady with a churlish refusal, but singling out the illustrious Moor, whose words and presence showed him to be of exalted rank, “and you, fair and virtuous lady, whom the storm has drifted on our shores, greatly does it grieve me to say you nay, but my loyalty to my sovereign, Don Roderich, leaves me no choice. This princess,” – pointing to the lady, who had sunk back fainting in the arms of her attendants, as soon as she was convinced of her failure to move the alcaide – “is a royal captive, whom chance has landed within the Gothic realm. Don Roderich can alone decide her fate. Within the castle I command let her seek shelter and repose, more I cannot promise.”
To the court at Toledo the beautiful African journeyed, shedding many tears. To the Eastern mind she was a slave, awaiting the will of her new master. Yet it was refreshing to her feelings to be received in every town and castle with royal honours, to be still surrounded by her Moorish court, and to travel mounted on a snow-white palfrey, the wonder and astonishment of all who beheld her. Slave though she was, her head was carried high as one accustomed to receive homage. Her clear, dark eyes, sparkling and mild, shone out under the strongly marked eyebrows of the East, profuse braids of black hair hung loosely about her neck, tinkling with golden coins; a veil of silver tissue was twined about her head, to be drawn over the face and bosom at pleasure, under a turban, to which a diadem was attached, decked with bright feathers; a long tunic, woven in the looms of her country, heavy with pearls, and trousers of a transparent fabric descended to her feet, incased in delicate slippers, a loose mantle of changing silk covering all. Nor was her horse unadorned; an embroidered saddle-cloth swept the ground, the bridle and stirrup were inlaid with gems, and even the shoes were wrought in gold.
At length, high over the wide plains which encircle Toledo, the bulk of a lofty castle rises to her eyes; the rock on which it stands so hard and defined in outline, it seems as if nature had planted it there as a pedestal to receive the burden, and to guide the majestic current of the Tagus through solemn defiles round the walls.
There, as now, the Alcazar stands, the servile city grouping at its base in long, flat lines, granite rocks breaking out between, and giant buttresses bordering the deep flood – a sadly tinted scene, terrible and weird, just touched with burning flecks when the sun sets.
In a deep valley beside the Tagus Egilona rested under a silken pavilion prepared for her, to await the coming of the king. Gloomy were her thoughts on the banks of that rock-bound river, black with granite boulders and rash and hasty in its course. What a country was this, after the exotic landscapes of Algiers, the palmy groves and plantains, the orange and lemon orchards, the ruddy pomegranates and olive grounds, and the deep valleys of the hills! What pale, dismal tints! What stern, sunless skies! Terror struck to Egilona’s heart as she asked herself what kind of man this Northern king would be who dwelt in that frowning castle. Would those walls enclose her in a life-long prison? or would the dark flood beside her be her grave? Poor Egilona! a captive and a slave! How could she guess the brilliant future before her, when the aspect of nature itself heightened her fears?
Meanwhile, descending by the winding path which proudly zigzags down the hill, a glittering cavalcade reaches the archway of the Golden Gate (a monument formed in all ages for triumphant conquerors to pass through) to defile upon the bridge upheld by many piers. Gothic chiefs, magnificent in glittering armour, lances, heavy embossed casques, and gold-inlaid corselets, riding deeply-flanked horses, champing bits of gold – the great princes of the Northern court, the magnificent successors of those iron-hearted warriors who well-nigh conquered the world; mules with embroidered saddle-cloths, and gay litters and arabas furnished with striped curtains for such attendant demoiselles as cannot ride; gorgeous chariots, too, horsed with battle-steeds and surrounded by archers and spearmen, flags and banners waving in the sun, pages and attendants bright as exotic birds; and last of all, more dazzling than the rest, Roderich himself, clad in crimson robes, active, vigorous, and graceful, his face aglow with an excitement which heightened the wondrous beauty of his features.
For such a reputation of comeliness to have come down to us from the eighth century argues Roderich a royal Apollo indeed; but whether he favoured the raven, or if his curling locks recalled the glow of the dawn, can only be conjectured.
As he draws rein and dismounts before the silken draperies of the pavilion, within which the peerless Egilona rests, his soul is moved with tender expectation. He enters; their eyes meet, and he is struck dumb! That mischievous boy, Cupid, has pierced him with his dart, and then and there he swears a silent oath that Egilona shall be his queen.
“Come to me,” he says, in a soft voice, as he bends on her his glowing eyes. “Come without fear. Let no sorrow cloud that royal brow. Beside me, your path shall ever be made smooth, and a shelter found, where you shall rest alone. As in the court of your father, so shall you be in mine. All I crave is leave to kiss your feet, most incomparable stranger. This favour you will not refuse.”
At which Egilona, blushing to the painted henna circles which increased the splendour of her eyes under his ardent gaze, bows her dark head.
Then taking her hand, Roderich, kissing the delicate finger-tips tenderly, forbade her to kneel before him as she desired. With his own hands he mounted her on a palfrey, and accompanied her up the ascent to the castle, where he installed her in the richest chambers facing the sun. And, ever more and more enslaved, the handsome young Goth, amorous by temperament and habit, became dearer and dearer to her, and fainter and fainter grew the remembrance of her African home, and that Tunisian bridegroom she had never seen; until, at last, her dainty lips opened with a “Yes,” to his entreaties, and Egilona consented to become a Christian and his queen.
Wonderful are the ways of love! All this took place in a brief space. Not only Egilona, but many of her Moorish damsels, wooed by Gothic knights, eloquent with the words of passion, found their arguments so convincing, that they also not only shared in her conversion, but followed her example in marriage.
Happy Egilona! The shops in the Yacatin, the Jews’ quarter, and the bales of the African merchants travelling from city to city, were ransacked for her use. The most precious merchandise, silks, gems, perfumes, and sweetmeats – all that Europe and the East possessed richest and rarest to please a lady’s eye – were showered upon her, when Don Roderich led her by the broad marble stairs of the Alcazar into the pillared patio, followed by her African retinue, down the steep streets to the Cathedral – very different to what we see it now, though standing on the same spot, and in all ages a fair and stately edifice, said to have been founded by the Virgin herself. Children, according to ancient custom, ran before to throw flowers in her path; and bowls filled with uncut jewels and gold coins were presented to her by noble youths in silken robes. The wedding chorus was sung as she passed by, a poet reciting “How the god of love had wounded the heart of the king,” the Archbishop Opas himself meeting them at the great Puerta, and blessing them as they knelt.
Jousts, tournaments and banquets, followed; the great chiefs appearing resplendent in burnished armour, embossed and enamelled in the ancient style; nothing was too costly for these delicate descendants of the rudely armed Alaric; carpet knights, all plumes and banners and worked scarfs, glittering in and out of silken tents; and revelry and dances presided over by the king and queen.
For twenty days princes and knights, assembled from all parts of Spain, kept holiday at Toledo. Every tongue declared the dark-skinned Egilona peerless among queens, and Don Roderich the comeliest of the Gothic race. Egilona was adored by her Christian consort. He turned no more longing eyes upon the venal fair who hitherto had contended for his favour, and the vessel of state glided over a crystal sea to the soft winds of prosperity under a cloudless sky.
The old lays and ballads make Roderich, in the magnificence of his youth, a rival of the Cid Campeador himself. Even his mortal enemies, the Moors, glorify him in their songs sung to the cither under the orange groves of Granada.
But already the “cloud no bigger than a man’s hand” is rising on the horizon, by-and-by to obscure and darken the sun of his success.
A crown acquired by violence sits uneasily on the usurper’s head. Like Witica, Don Roderich was tormented with suspicions of conspiracies and treachery among his powerful nobles. So little did the fate of his ill-starred predecessor teach him wisdom, that he permitted the same fears to haunt him, of all who were allied to him by blood. Witica’s two sons were banished from Spain, and, to avoid the chance of rebellion, such defences in walls and castles as yet remained were thrown down, and the carefully constructed fortifications of the Romans levelled to the earth. Nor could a rude and warlike race be expected to maintain their early valour in the midst of such luxury and licentiousness as prevailed. For two hundred years the Gothic kings had held Spain by the prowess of their arms, and the simple habits of their forefathers – Ataulfo, Sigeric, Theodoric, Alaric, Amalaric, and his successors up to the frugal-minded Wamba, the “Farmer King.”
Now, under Witica and Roderich, effeminacy and sloth led on to cowardice. The Gothic soldiers who had been galvanised into a temporary show of valour by the recent strife between Witica and Roderich, soon sank back into the inactivity of a wanton court, feasting, dancing, and wassailing in a style more becoming the satraps of an Eastern potentate than the chiefs of a free and generous people. Who could have recognised in these voluptuous youths, who hung about the person of Don Roderich, the descendants of those stern and frugal Teutonic heroes of the North, marching down like thunder-gods to conquer the nations?
Pomp there was, it is true, and splendour, and civilisation, and an elegance of manners and of thought unknown before; but the heart of the Gothic nation was cankered at the core, and the warlike Moors, ever on the lookout to snatch from their grasp the fertile Peninsula showing out so fair across the Straits, noted it with joy.