The Valleys of Tirol: Their traditions and customs and how to visit them

The unpretending village of Stans, situated in the midst of a very forest of fruit-trees, at no great distance from Jenbach, is the birth-place of Joseph Arnold, one of the religious artists, of whom Tirol has produced so many. Without winning, of some it may be said without meriting perhaps, much fame for themselves in the world, without attaining the honour of founding a school, they have laboured painstakingly and successfully to adorn their village temples, and keep alive the faith and devotion of their countrymen. Almost where-ever you go in Tirol you find praiseworthy copies of paintings, whose titles are connected with the celebrated shrines of Italy, modestly reproduced by them, or some fervent attempt at an original rendering of a sacred subject, by men who never aspired that their names should reach beyond the echoes of their own beloved mountains. The prior of Viecht, Eberhard Zobel, discovered the merits of Joseph Arnold and drew him from obscurity, or rather from one degree of obscurity to another less profound, had him instructed according to the best means within his attainment, and gave him occupation in the monastery. His homely aspirations made him content with the sphere to which he was native, and he never went far from it. The altarpiece in the church of Stans, representing St. Lawrence and St. Ulric, is his work and his gift.

From Stans there is a path through the grand scenery of the Stallenthal, leading to the shrine of St. Georgenberg. For a time the pretty villages of the Innthal are lost to sight, and you pass a country known only to the wild game, the hunter, and the pilgrim; the bare rocky precipices relieved only here and there with woods, while the Stallen torrents run noisily below. Who could pass through such a neighbourhood and not think of the crowds of pilgrims who, through ages past, have approached the sacred spot in a spirit of faith and submission, bearing their sins and their sorrows, the burden of their afflictions, moral and physical, and have gone down to their homes comforted?

A wonderful shrine it is: a rock which might seem marked out ‘from the beginning’ to be a shrine; shut out by Nature from earthly communication; piercing the very sky. You stand beneath it and long for an eagle’s wings to bear you aloft: there seems no other means of access. Then a weary winding path is shown you, up which, with many sloping returns upon your former level, and crossing the roaring stream at a giddy height, you at last reach an Absatzbrücke– a bridge or viaduct – over the chasm, uniting the height you have been climbing, with the cliff of S. George. It is a long bridge, and only made of wood; and you fancy it trembles beneath your anxious tread, as you span the seemingly unfathomable abyss. A modest cross, which you cannot fail to observe at its head, records the marvellous preservation of a girl of twenty-one, named Monica Ragel, a farm-servant, who one fine morning in April 1831, in her zeal to gather the fairest flowers for the wreath she was weaving for the Madonna’s altar, attempted to climb the treacherous steep, and losing her footing slipped down the cliff, a distance of one hundred and forty feet. The neighbours crowded to the spot, with all the haste the dangerous footing would admit, and though they had no hope of finding her alive. She was so far uninjured, however, that she was able to resume work within the week.

The buildings found perched at this height cannot fail to convey a striking impression; and this still more do the earnest penitents, who may nearly always be found kneeling within. First, you come upon the little chapel of the ‘Schmerzhaften Mutter,’ with a little garden of graves of those who have longed to lie in death as they dwelt in life – near the shrine; among them is that of the Benedictine Magnus Dagn, whose knowledge of music is referred to in the following simple epitaph, ‘Magnus nomine, major arte, maximus virtute.’ Opposite it is the principal church, containing in one of its chapels one of those most strange of relics, which here and there have come down to us with their legends from ‘the ages of faith.’ In the year 1310, when Rupert I. was the fourteenth abbot of St. Georgenberg, a priest of the order⁸⁹ was saying Mass in this very chapel. Just at the moment of the consecration of the chalice a doubt started in his mind, whether it were possible that at his unworthy bidding so great a mystery should be accomplished as the fulfillment of the high announcement, ‘This is My Blood.’ In this condition of mind he concluded the words of consecration; and behold, immediately, in place of the white wine mingled with water in the chalice, he saw it fill with red blood, overflowing upon the corporal; some portion of this was preserved in a vial, set into a reliquary on the altar. Round the church are the remains of the original monastery, in which the monks of Veicht generally leave some of their number to minister both to the spiritual and corporal needs of pilgrims.

It seems difficult to fix a date for the origin of this pilgrimage, one of the most ancient of Tirol. There is a record that in 992 a chapel was consecrated here to our Lady of Sorrows, by Albuin, Bishop of Brizen; but it was long before this⁹⁰ that Rathold, a young nobleman of Aiblingen in Bavaria, ‘having learnt the hollowness of the joys his position promised him, made up his mind to forsake all, and live in the wilderness to God alone.’ He wandered on, shunning the smooth and verdant plains of his native lands, and the smiling fruitful amenities of the Innthal, till at last he found himself surrounded by wild solitudes in the valley of the Stallen; plunging into its depths, his eye alighted on the almost inaccessible Lampsenjock. Then choosing for his dwelling a peak, on which a few limes had found a ledge and sown themselves, he cut a little cave for his shelter in the rock beneath them, and there he lived and prayed. But after a time a desire came over him to visit the shrines of the mightiest saints; so he took up his pilgrim staff once more, and sped over the mountains and over the plains, till he had knelt at the limine Apostolorum, and pressed his lips upon the soil, fragrant with the martyr’s blood. Nor was his zeal yet satisfied. There was another Apostle the fame of whose shrine was great; and ‘a year and a day’ brought our pilgrim to S. Iago de Compostella. Then, having thus graduated in the school of the saints, he came back to his solitude under the lime-trees on the rock, to practise the lessons of Divine contemplation he had thus imbibed in the perfume of the holy places.

He did not come back alone. From the great storehouse of Rome he had brought a treasure of sacred art – a picture of the Madonna, for which his own hands wrought a little sanctuary. From far and near pious people came to venerate the sacred image; and ‘Unsere liebe Frau zur Linde,’ was the watch-word, at the sound of which the sick and the oppressed revived with hope.

One day, it chanced that a young noble, whom ardent love of the chase had led into this secluded valley, turned aside from following the wild chamois, to inquire what strange power fascinated the peasants into attempting yon steep ascent. Curious himself to see the wonder-working shrine, he scaled the peak, and found to his astonishment, in the modest guardian of the picture, the elder brother who long ago had ‘chosen the better part.’ In token of his joy at the meeting, he made a vow to build on the spot a chapel, as well as a place of shelter for the weary pilgrim. His undertaking was no sooner known than all the people of the neighbouring valleys, nobles and peasants, applied to have their part in the work. Thus supported, it was begun in right earnest; but the workmen had no sooner got it fairly in hand than all the blessing, which for so long had been poured out on the spot, seemed suddenly to be quenched. Nothing would succeed, and every attempt was baffled; and one thing, which was more particularly remarked, was that the men were continually having accidents, and wounding themselves with their tools. More strange still, every day two white doves flew down from above, and carefully picking out every chip and shaving on which blood had fallen, gathered them in their beaks and flew away. Finding that no progress could be made with the work, and that this manœuvre of the doves continued day by day, the pious Reinhold resolved to follow them; and when he at last succeeded in finding their hiding-place, there lay before him, neatly fashioned out of the chips which the doves had carried away, a tiny chapel of perfectly symmetrical form.⁹¹ The hermit saw in the affair the guiding hand of God, demanding of him the sacrifice of seven years’ attachment to his cell; and cheerfully yielding obedience to the token, requested his brother that the chapel should be erected on the spot thus pointed out. Theobald willingly complied, and dedicated it to the patron of chivalry, St. George. The fame of Reinhold’s piety, and of his wonderful chapel, was bruited far and near; and now, not all who came to visit him went back to their homes. Many youths of high degree, fired by the example of the hermit sprung out of their order, applied to join him in his life of austerity; and soon a whole colony had established itself, Camaldolese-fashion, in little huts round his. There seems to have been no lack of zealous followers to sustain the odour of sanctity of St. Georgenberg; early in the twelfth century, the Bishop of Brixen put them under the rule of S. Benedict, to whose monks Tirol, and especially Unterinnthal, already owed so great a debt of gratitude, for keeping alive the faith. His followers endowed it with much of the surrounding land, which the brothers, by hard manual labour, brought into cultivation. They were overtaken by many heavy trials in the course of centuries: at one time it was a fire, driven by the fierce winds, which ravaged their homestead; at another time, avalanches annihilated the traces of their industry. At last, the spirit of prudence prevailing on their earlier energetic hardiness, it was resolved to remove the monastery to Viecht, where the brothers already had a nucleus in a little hospital for the sick among them, and where also was the depôt for their cattle-dealing – a Viehzuchthof,⁹² whence by corruption it derived its name.

The execution of this idea was commenced in 1705. The abbot, Celestin Böhmen, a native of Vienna, had formerly held a grade of officer in the Austrian artillery. Nothing could exceed the zeal with which he took the matter in hand; and plans were laid out for raising the building on the most extensive and costly scale. So grand an edifice required large funds; and these were not slow to flow in, for St. Georgenberg was beloved by all the country round. When he saw the vast sums in his hand, however, the old spirit of the world, and its covetousness, crept over him again, and a morning came when, to the astonishment of the brotherhood, the abbot was nowhere to be found – nor the gold! The progress of the work was effectually arrested for the moment; but zeal overcame even the obstacle presented by this loss, and by 1750 Abbot Lambert had brought to completion the present edifice, in late Renaissance style, which, though imposing and substantial, forms but one wing of Celestin Böhmen’s plan.

If the spirit of the world came over Abbot Celestin in the cloister, the spirit of the cloister came back upon him in the world; and it was not many years before he came back, full of shame and contrition, making open confession of his fault, and placing himself entirely in the hands of his former subjects. Though at this time the monks were yet in the midst of their anxieties for the means for carrying on the work, they suffered themselves to be ruled by a spirit of Christian charity, and refused to give him up to the rigour of the law; and he ended his days with edifying piety at Anras, in the Pusterthal.

A great festival was kept at Viecht, in 1845, in memory of the consecration, which was attended by sixty thousand persons, from Bavaria as well as Tirol.

The library contains an interesting collection of MSS. and early printed books in many languages, and is particularly rich in works illustrative of Tirolean history. In the church are some of Nissl the elder’s wood-carvings, which are always worth attention. The confessionals are adorned with figures of celebrated penitents, by his hand; and other noteworthy works will be found in a series of nine tableaux, showing forth the Passion; also the crucifix over the high altar, and four life-sized carvings. In all these he was assisted by his pupils, Franz Thaler, of Jenbach, who afterwards came to have the charge of the Vienna cabinet of antiquities, and Antony Hüber, the most successful of his school. Perhaps the finest specimen of all is a dead Christ, under the altar, remarkable for the anatomical knowledge displayed. Like many another mountain sanctuary isolated and exposed to the wind, this monastery has more than once been ravaged by fire; in 1868 it was in great part burnt down, and the church-building zeal of Tirol is still being exercised with great energy and open-handedness in building it up again. A festival was held there in October 1870, when five bells from the foundry of Grassmayr of Wilten were set up to command the echoes of the neighbourhood; great pains are now being taken to make the building fireproof.

Close opposite Viecht lies Schwatz;⁹³ a number of straggling houses, called ‘die lange Gasse,’ on the Viecht side belong to it also; between them there is a bridge, which we will not cross now, but continue a little further along the left bank; this, though less rich in smiling pastures than the right, has many points of interest. The next village to Viecht is Vomp, situated at the entrance of the Vomperthal, the sternest and most barren in scenery or settlements of any valley of Tirol, and characterized by a hardy pedestrian as ‘frightfully solitary, and difficult of access: even the boldest Jägers,’ he adds, ‘seldom pursue their game into it.’ The village church of Vomp once possessed a priceless work of Albert Dürer, an ‘Ancona,’ showing forth in its various compartments the history of the Passion; but it was destroyed in 1809, when the French, under Deroi, set fire to the church in revenge for the havoc the Tirolean sharp-shooters had committed among their ranks. Joseph Arnold (in 1814) did his best to repair the loss, by painting another altar-piece, in which we see a less painful than the usual treatment of the martyrdom of St. Sebastian: the artist has chosen the moment at which the young warrior is being bound to the tree where he is to suffer so bravely. Above the village stands the once splendid castle of Sigmundslust, one of the hunting-seats of Sigismund the Monied (der Münzreiche),⁹⁴ now the villa of a private family of Innsbruck, Riccabona by name. Vomp is also the birth-place of Joseph Hell, the wood-carver.

Crossing the Vomperbach, and the fertile plain it waters, you reach Terfens, which earned some renown in the wars of ‘the year nine.’ Outside the village is a little pilgrimage chapel, called Maria-Larch, honoured in memory of a mysterious image of the blessed Virgin, found under a larch fir on the spot, similar to the legend of that at Waldrast.⁹⁵

Passing the ruin of Volandseck, the still inhabited castle of Thierberg (the third of the name we have passed since we entered Tirol) and the village of S. Michael, you come to S. Martin, the parish church of which owes its endowment to a hermit of modern times. There was in the village a convent, deserted, because partly destroyed by fire. In 1638, George Thaler, of Kitzbühel, a man of some means and position, came to live here a life of sanctity: he devoted six hours a-day to prayer, six to sleep, and the rest to manual labour. He maintained a chaplain, and an old servant who waited on him for fifty years. At his death, he left all he possessed to supply the spiritual needs of the hamlet. After leaving S. Martin’s, the scenery grows more pleasing: you enter the Gnadenwald, so called, because its first inhabitants were servants of the earlier princes of Tirol, who pensioned them off with holdings of the surrounding territory. It occupies the lowland bordering the river, which here widens a little, and affords in its recesses a number of the most romantic strolls. Embowered on its border, near the river, stands the village of Baumkirchen, with its outlying offshoot of Fritzens now surpassing it in importance, as it has been chosen for the railway-station. The advance of the iron road has not stamped out the native love for putting prominently forward the external symbols of religion. I one day saw a countryman alight here from the railway, who had been but to Innsbruck to purchase a large and handsome metal cross, to be set up in some prominent point of the village and it was considered a sufficiently important occasion for several neighbours to go out to meet him on his return with it. Again, on the newer houses, probably called into existence by the increased traffic, the old custom of adorning the exterior with frescoes of sacred subjects is well kept up. This is indeed the case on many other parts of the line; but at Fritzens, I was particularly struck with one of unusual merit, both in its execution and its adaptation to the domestic scene it was to sanctify. I would call the attention of any traveller, who has time to stop at Fritzens to see it: the treatment suggests that I should give it the title of ‘the Holy Family at home,’ so completely has the artist realized the lowly life of the earthly parents of the Saviour, and may it not be a comfort to the peasant artizan to see before his eyes the very picture of his daily toil sanctified in its exercise by the hands of Him he so specially reveres?

An analogous incident, which I observed on another occasion, comes back to my memory: it happened, I think, one day at Jenbach. The train stopped to set down a Sister of Charity, who had come to nurse some sick person in the village. The ticket-collector, who was also pointsman, was so much occupied with his deferential bowing to her as he took her ticket, that he had to rush to his points ‘like mad,’ or his reverent feelings might have had serious consequences for the train! So religious indeed is your whole entourage while in Tirol, that I have remarked when travelling through just this part in the winter season, that the very masses of frozen water, arrested by the frost as they rush down the railway cuttings and embankments, assumed in the half-light such forms as Doré might give to prostrate spectres doing penance. The foot-path on to Hall leads through a continuance of the same diversified and well-wooded scenery we have been traversing hitherto; but if time presses, it is well to take the railway for this stage, and make Hall or Innsbruck a starting-point for visiting the intervening places.

Hall is the busiest and most business-like place we have come to yet, and the first whose smoky atmosphere reminds us of home. There is not much to choose between its two inns the ‘Schwarzer Bär’ and the ‘Schwarzer Adler.’ The industry and the smoke of Hall arises from the salt-works, from which Weber also derives its name (from ἁλός, salt; though why it should have been derived from the Greek he does not explain). The first effect which strikes you on arriving, after the smokiness, is the sky-line of its bizarrely-picturesque steeples, among the most bizarre of which is the Münzthurm (the mint-tower), first raised to turn into money the over-flowing silver stores of Sigismund the Monied; and last used to coin the Sandwirthszwänziger, the pieces of honest old Hofer’s brief but triumphant dictatorship. The town has in course of time suffered severely from various calamities: fire, war, pestilence, inundation, and, on one occasion, in 1670, even from earthquake; the church tower was so severely shaken, that the watchman on its parapet was thrown to the ground; the people fled from their houses into the fields, where the Jesuit fathers stood addressing them, in preparation for their last end, which seemed imminent. Loss of life was, however, small; nevertheless, the Offices of the Church were for a long time held in the open air. Notwithstanding all these reverses, the trade in salt, and the advantageous municipal rights granted them in earlier times, have always enabled the people to recover and maintain their prosperity. In the various wars, they have borne their part with signal honour. One of their greatest feats, perhaps, occurred on May 29, 1809. Speckbacher had led his men to a gallant attack on the Bavarians at Volders, blowing up the bridge behind him, and then marched to the relief of Hall; the Bavarians were in possession of the town and bridge, and as they had several pieces of artillery, it was not easy for the patriots to carry it; nevertheless, as their ammunition was failing, and Speckbacher having refused to agree to a truce, because he saw the advantage accruing to him through this deficiency, they destroyed the Hall bridge, as they thought, and retreated homewards under cover of the night. Speckbacher discovered their flight early in the morning, and lost no time in addressing his men on the importance of at once taking possession of their native town: the men were as usual at one with him, and not one shrank from the perilous enterprise of regaining the left bank by such means as the tottering remains of the bridge afforded!

Joseph Speckbacher, who shares with Andreas Hofer the glories of ‘the year nine,’ was a native of Rinn, a village on the opposite bank; but he is honoured with a grave in the Pfarrkirche, at Hall, bearing the following inscription, with the date of his death, 1820:

 
Im Kampfe wild, doch menschlich;
In Frieden still und den Gesetzen treu;
War er als Krieger, Unterthan und Mensch,
Der Ehre wie der Liebe werth.⁹⁶
 

Another object of interest, in the same churchyard, is a wooden crucifix, carved by Joseph Stocker in 1691; as well as the monuments of the Fiegers, and other high families of the middle ages. In the church itself is a ‘Salvator Mundi’ of Albert Dürer, on panel; the altarpiece of the high altar is by Erasmus Quillinus, a pupil of Rubens. One of the chapels, the Waldaufische Kapelle, was built in 1493–5, by one Florian von Waldauf, to whom an eventful history attaches. He was a peasant boy, whom his father’s severity drove away from home: for a long time he maintained himself by tending herds; after that he went for a soldier in the Imperial army, where his talents brought him under the special notice of the Emperor Frederick, and his son Maximilian I., who took him into their councils and companionship. Maximilian made him knight of Waldenstein, and gifted him with lands and revenues. His love of adventure took him into many countries. On one journey, being in a storm at sea, the memory of his early wilfulness overcame him, and he vowed that if he came safe to land, he would build a chapel in his Tirolean home. He subsequently fixed on the Pfarrkirche of Hall, as that in which to fulfil his vow, being the parish church of the castle of Rettenberg which Maximilian had bestowed on him, and enriched it with a wondrous store of relics, which he had collected in his journeyings. Above 40,000 pilgrims flocked from every part of Tirol, to assist at the consecration; and a goodly sight it must have been, when singing and bearing the relics aloft, they streamed down the mountain side and across the river, the last of the procession not having yet left the gates of Castle Rettenberg, while the foremost had already reached the chapel.

There are other churches in Hall; where that of S. Saviour now stands was once a group of crazy cottages; but one day, in the year 1406, in one of them a poor man lay dying, and the priest bore him the holy Viaticum, which knows no distinction between the palace and the hovel: the furniture was as rickety as the tenements themselves; the only table, on which the priest had deposited the sacred vessels, propped against the wall for support, gave way by some accident, and the Santissimo was thrown upon the floor. Johann von Kripp, a wealthy burgher, hearing of what had befallen, bought the cottages, and in reparation for the desecration, built a church on the spot, with the dedication, zum Erlöser.

The town is well provided with educational and charitable institutions; the latter comprising a mad-house worth seeing, under Professor Kaplan, and a deaf and dumb school. The Franciscan monastery is, I think, the only unsuppressed religious house. In the Rathhaus is preserved a quaint old picture, representing the Emperor Sigismund, in hunting costume, coming to ask the assistance of the men of Hall against a conspiracy he had discovered in Innsbruck, assistance which loyal Hall was not slow to supply. Its situation made it a place of some importance to the defences of the country; and the regulations for calling the inhabitants under arms were very complete, so that this service was promptly rendered.

An amusing story is told in evidence of the ready gallantry of the men of Hall. There was a time when Hall was at feud with the neighbouring village of Taur: the watchman, stationed on the tower by night-time, rang the alarm, and announced that the enemy was advancing with lanterns in their hands; at the call to arms, every man jumped from his bed, and seized his weapon, eager to display his prowess against the foe. Prudent Salzmair⁹⁷ Zott, anxious to spare the shedding of neighbours’ blood, hastily donned a shirt of mail over his more penetrable night-gear, and proposed to ride out alone with a flag of truce, to know what meant the unseasonable attack. The warlike burghers with difficulty yielded to his representations, and not having the consolations of the fragrant weed wherewith to wile away their time, set to sharpening their swords and axes, and outvieing each other with many a fierce boast during his absence.

Meantime, Salzmair Zott proceeded on his way without meeting the ghost of a foe, or one ray from their lanterns, till he came to Taur itself, where everything lay buried in peaceful silence. Only as he came back he discovered what had given rise to the alarm: it was midsummer-tide, and a swarm of little worms of St. John⁹⁸ was soaring and fluttering over the fields like a troop provided with lanterns. So with a hearty laugh he despatched the townsmen, ready for the fight, back to their beds. And even now this humorous imitation of the Bauernkrieg⁹⁹ is a by-word for Quixotic enterprises.

Of all the numerous excursions round Hall, the strangest and most interesting is that to Salzberg, the source of the salt, the crystallizing of which and despatching it all over Tirol, to Engadein and to Austria, forms the staple industry of Hall. It is a journey of about three hours, though not much over eight miles, but rugged and steep, and in some parts rather frightful, particularly in the returning descent, for the Salzberg lies 6,300 feet above the sea: but there is a road for an einspanner all the way; entrance is readily obtained, and the gratuities for guide, lighting up, and boat over the subterranean salt lake, exceedingly moderate. There are records extant which shew that there were salt-works in operation in the neighbourhood of Hall early in the eighth century, but these would appear to have been fed by a salt spring which flowed at the foot of the mountain. In the year 1275, however, Niklas von Rohrbach, who seems to be always styled der fromme Ritter (the pious knight), frequently when on his hunting expeditions in the Hallthal, observed how the cattle and wild game loved to lick certain cliffs of the valley; this led him to test the flavour, and finding it rich in salt, he followed up the track till he came to the Salzberg itself, where he prudently conjectured there was an endless supply to be obtained.¹⁰⁰ Ever since this time the salt has been worked pretty much in the same way, namely, by hewing, later by blasting, vast chambers in the rock, which are then filled with water and closed up: at the end of some ten or twelve months, when the water is supposed to be thoroughly impregnated, it is run off through a series of conduits to Hall, where it is evaporated, a hundred pounds of brine yielding about a third the weight of salt. A considerable number of these chambers, an acre or two in extent, have been excavated in the course of time, and you are told that it would take more than a week to walk through all the passages connecting them. ‘Cars filled with rubbish pass you as you thread them,’ says an observant writer, ‘with frightful rapidity; you step aside into a niche, and the young miners seated in the front look like gnomes directing infernal chariots. The crystallizations in some of these chambers lighted up by the torches of a party of visitors have a magical effect, and recall the gilded fret-work of some Moorish palaces. There is a tradition that Hofer and Speckbacher, who never, before their illustrious campaigns, had wandered so far as these few miles from their respective homes, took advantage of the lull succeeding their first triumph at Berg Isel, to come over and visit the strange labyrinths of the Salzberg. It is hardly possible to exaggerate the effect which such a scene might produce on minds so imaginative, and at the same time so unsophisticated. It is not difficult to believe that they regarded such a journey like a visit to the abode of the departed great, or that in presence of the oppressive grandeurs of nature they should have matured their spirit for the defence of their country which was to confound the strategy of practised generals.

Returning through the dark forests of pine and the steep cliffs of the Hallthal, otherwise called the Salzthal, you are arrested by the hamlet of Absam, which in your hurry to push forward you overlooked in the morning. Before reaching it you observe to the east, on an eminence rising out of the plain, Schloss Melans, now serving as a villa to a family of Innsbruck. The peasants have a curious story to account for the rudely sculptured dragons which adorn some of the eave-boards of their houses, though no singular mode of ornamentation, and by others accounted for differently.¹⁰¹ They say that in olden time there was a wonderful old hen which laid her first egg when seven years old, and when the egg was hatched a dragon crept out of it,¹⁰² which made itself a home in the neighbouring moor, and the people in memory of the prodigy carved its likeness on their houses.