VIII
THE BIGGER THE YEAR
As soon as we heard that "The Big Year – A College Story" by Meade Minnigerode was about Yale we knew that we just had to read it. Tales of travel and curious native customs have always fascinated us. According to Mr. Minnigerode the men of Yale walk about their campus in big blue sweaters with "Y's" on them, smoking pipes and singing college songs under the windows of one another. The seniors, he informs us, come out on summer afternoons on roller skates.
Of course, we are disposed to believe that Mr. Minnigerode, like all travelers in strange lands, is prone to color things a little more highly than exact accuracy would sanction. We felt this particularly when he began to write about Yale football. There was, for instance, Curly Corliss, the captain of the eleven, who is described as "starting off after a punt to tear back through a broken field, thirty and forty yards at a clip, tackling an opposing back with a deadliness which was final – never hurt, always smiling – a blond head of curly hair (he never wore a headguard) flashing in and out across the field, the hands clapping together, the plaintive voice calling 'All right, all right, give me the ball!' when a game was going badly, and then carrying it alone to touchdown after touchdown."
Although we have seen all of Yale's recent big games we recognized none of that except "the plaintive voice" and even that would have been more familiar if it had been used to say "Moral victory!" We waited to find Mr. Minnigerode explaining that of course he was referring to the annual contest with the Springfield Training School, but he did no such thing and went straight ahead with the pretense that football at Yale is romantic. To be sure, he attempts to justify this attitude by letting us see a good deal of the gridiron doings through the eyes of a bull terrier who could not well be expected to be captious. Champ, named after the Yale chess team, came by accident to the field just as Curly Corliss was off on one of his long runs. Yes, it was a game against the scrubs. "Some one came tearing along and lunged at Curly as he went by, apparently trying to grab him about the legs. Champ cast all caution to the winds. Interfere with Curly, would he? Well, Champ guessed not! Like an arrow from a bow Champ hurled himself through the air and fastened his jaws firmly in the seat of the offender's pants, in a desperate effort to prevent him from further molesting Curly."
Champ was immediately adopted by the team as mascot. It seems to us he deserved more, for this was the first decent piece of interference seen on Yale field in years. The associate mascot was Jimmy, a little newsboy, who also took football at New Haven seriously. His romanticism, like that of Champ, was understandable. Hadn't Curly Corliss once saved his life? We need not tell you that he had. "Jimmy," as Mr. Minnigerode tells the story, "started to run across the street, without noticing the street-car lumbering around the corner… and then before he knew it Jimmy tripped and fell, and the car was almost on top of him grinding its brakes. Jimmy never knew exactly what happened in the next few seconds, but he heard people shouting, and then something struck him and he was dragged violently away by the seat of the pants. When he could think connectedly again he was sitting on the curb considerably battered – and Curly was sitting beside him, with his trousers torn, nursing a badly cut hand."
We remember there was an incident like that in Cambridge once, only the man who rescued the newsboy was not the football captain but a substitute on the second team. We have forgotten his name. Unlike Corliss of Yale, the Harvard man did not bother to pick up the newsboy. Instead he seized the street car and threw it for a loss.
* * * * *
The first half was over and Princeton led by a score of 10 to 0. Things looked blue for Yale. Neither mascot was on hand. Yale was trying to win with nothing but students. Where was little Jimmy the newsboy? If you must know he was in the hospital, for he had been run over again. The boy could not seem to break himself of the habit. Unfortunately he had picked out the afternoon of the Princeton game when all the Yale players were much too busy trying to stop Tigers to have any time to interfere with traffic. It was only an automobile this time and Jimmy escaped with a mere gash over one eye. Champ, the bull terrier who caused the mixup, was uninjured. "I'm all right now," Jimmy told the doctor, "honest I am – can I go – I gotta take Champ out to the game – he's the mascot and they can't win without him – please, Mister, let me go – I guess they need us bad out there."
Apparently the crying need of Yale football is not so much a coaching system as a good leash to keep the mascots from getting run over. Champ and Jimmy rushed into the locker room just as the big Blue team was about to trot out for the second half. After that there was nothing to it. Yale won by a score of 12 to 10. "Curly clapped his hands together," writes Mr. Minnigerode in describing the rally, "and kept calling out 'Never mind the signal! Give me the ball' in his plaintive voice" —
This sounds more like Yale football than anything else in the book. However, it sufficed. Curly made two touchdowns and all the Yale men went to Mory's and sang "Curly Corliss, Curly Corliss, he will leave old Harvard scoreless." It is said that a legend is now gaining ground in New Haven that Yale will not defeat Harvard again until it is led by some other captain whose name rhymes with "scoreless." The current captain of the Elis is named Jordan. The only thing that rhymes with is "scored on."
Still, as Professor Billy Phelps has taught his students to say, football isn't everything. Perhaps something of Sparta has gone from Yale, for a few years or forever, but just look at the Yale poets and novelists all over the place. There is a new kindliness at New Haven. Take for instance the testimony of the same "Big Year" when it describes a touching little scene between Curly Corliss, the captain of the Yale football team, and his room mate as they are revealed in the act of retiring for the night:
"'Angel!'
"'Yeah,' very sleepily.
"'They all seem to get over it!'
"'Over what?'
"'The fellows who have graduated,' Curly explained. 'I guess they all feel pretty poor when they leave, but they get over it right away. It's just like changing into a new suit, I expect.'
"'Yeah, I guess so'…
"'Well, goo' night, little feller'…
"'Goo' night, Teddy.'"
But we do wish Mr. Minnigerode had been a little more explicit and had told us who tucked them in.
IX
FOR OLD NASSAU
Wadsworth Camp, we find, has done almost as much for Princeton in his novel, "The Guarded Heights," as Meade Minnigerode has accomplished for Yale in "The Big Year."
George Morton might never have gone to any college if it had not been for Sylvia Planter. He was enamored of her from the very beginning when old Planter engaged him to accompany his daughter on rides, but his admiration did not become articulate until she fell off her horse. She seems to have done it extremely well. "He saw her horse refuse," writes Mr. Camp, "straightening his knees and sliding in the marshy ground. He watched Sylvia, with an ease and grace nearly unbelievable, somersault across the hedge and out of sight in the meadow beyond."
It seemed to us that the horse should have received some of the credit for the ease with which Sylvia shot across the hedge, but young Morton was much too intent upon the fate of his goddess to have eyes for anything else. When he found her lying on the ground she was unconscious, and so he told her of his love. That brought her to and she called him "You – you – stable boy." And so George decided to go to college.
His high school preparation had been scant and irregular. He went to Princeton, and after two months' cramming passed all his examinations. Football attracted him from the first as a means to the advancement which he desired. "With surprised eyes," writes our author, "he saw estates as extravagant as Oakmont, and frequently in better taste. Little by little he picked up the names of the families that owned them. He told himself that some day he would enter those places as a guest, bowed to by such servants as he had been. It was possible, he promised himself bravely, if only he could win a Yale or a Harvard game."
Perhaps this explains why one meets so few Princeton men socially. Some, we have found, are occasionally invited to drop in after dinner. These, we assume, are recruited from the ranks of those Princetonians who have tied Yale or Harvard or at least held the score down.
Like Mr. Minnigerode, Mr. Camp employs symbolism in his story. In the Yale novel we had Corliss evidently standing for Coy. Just which Princeton hero George Morton represents we are not prepared to say. In fact, the only Princeton name which comes to mind at the moment is that of Big Bill Edwards who used to sit in the Customs House and throw them all for a loss. Morton can hardly be intended for Edwards because it seems unlikely that anybody would ever have engaged Big Bill to ride horses; no, not even to break them. A little further on, however, we are introduced to the Princeton coach, a certain Mr. Stringham. Here, to be sure, identification is easy. Stringham, we haven't a doubt, is Roper. We could wish Mr. Camp had been more subtle. He might, for instance, have called him Cordier.
In some respects Morton proved an even better football player than Corliss. He did not score any greater number of touchdowns, but he had more of an air with him. Thus, in the account of the Harvard game it is recorded: "Then, with his interference blocked and tumbling, George yielded to his old habit and slipped off to one side at a hazard. The enemy's secondary defense had been drawing in, there was no one near enough to stop him within those ten yards and he went over for a touchdown and casually kicked the goal."
Eventually, George Morton did get asked to all the better houses, but still Sylvia spurned him. "Go away and don't bother me," was the usual form of her replies to his ardent words of wooing. Naturally he knew that he had her on the run. A man who had taken more than one straight arm squarely in the face during the course of his football career was not to be rebuffed by a slip of a girl.
The war delayed matters for a time, and George went and was good at that too. He was a major before he left Plattsburgh. For a time we feared that he was in danger of becoming a snob, but the great democratizing forces of the conflict carried him into the current. One of the most thrilling chapters in the book tells how he exposed his life under very heavy fire to go forward and rescue an American who turned out to be a Yale man.
There was no stopping George Morton. In the end he wore Sylvia down. Nothing else could be expected from such a man. German machine guns and heavy artillery had failed to stop him and he had even hit the Harvard line, upon occasion, without losing a yard.
His head was hard and he could not take a hint. In the end Sylvia just had to marry him. Her right hand swing was not good enough. "As in a dream he went to her, and her curved lips moved beneath his, but he pressed them closer so that she couldn't speak; for he felt encircling them in a breathless embrace, as his arms held her, something thrilling and rudimentary that neither of them had experienced before – "
And as we read the further details of the love scene it seemed to us that George Morton had made a most fortunate choice when he decided to go to Princeton. His football experience stood him in good stead in his love-making, for he had been trained with an eleven which tackled around the neck.
X
MR. DEMPSEY'S FIVE-FOOT SHELF
It is hardly fair to expect Jack Dempsey to take literature very seriously. How, for instance, can he afford to pay much attention to George Bernard Shaw who declared just before the fight that Carpentier could not lose and ought to be quoted at odds of fifty to one? From the point of view of Dempsey, then, creative evolution, the superman and all the rest, are the merest moonshine. He might well take the position that since Mr. Shaw was so palpably wrong about the outcome of the fight two days before it happened, it scarcely behooves anybody to pay much attention to his predictions as to the fate of the world and mankind two thousand years hence.
Whatever the reason, Jack Dempsey does not read George Bernard Shaw much. But he has heard of him. When some reporter came to Dempsey a day or so before the fight and told him that Shaw had fixed fifty to one as the proper odds on Carpentier, the champion made no comment. The newspaper gossiper, disappointed of his sensation, asked if Dempsey had ever heard of Shaw and the fighter stoutly maintained that he had. The examination went no further but it is fair to assume that Dempsey did know the great British sporting writer. It was not remarkable that he paid no attention to his prediction. Dempsey would not even be moved much by a prediction from Hughie Fullerton.
In other words literature and life are things divorced in Dempsey's mind. He does read. The first time we ever saw Dempsey he discussed books with not a little interest. He was not at his training quarters when we arrived but his press agent showed us about – a singularly reverential man this press agent. "This," he said, and he seemed to lower his voice, "is the bed where Jack Dempsey sleeps." All the Louises knew better beds and so did Lafayette even when a stranger in a strange land. Washington himself fared better in the midst of war. Nor can it be said that there was anything very compelling about the room in which Dempsey slept. It had air but not much distinction. There were just two pictures on the wall. One represented a heavy surf upon an indeterminate but rather rockbound coast and the other showed a lady asleep with cupids hovering about her bed. Although the thought is erotic the artist had removed all that in the execution.
Much more striking was the fact that upon a chair beside the bed of Dempsey lay a couple of books and a magazine. It was not The Bookman but Photo Play. The books were "The Czar's Spy" by William Le Queux, "The Spoilers" by Rex Beach, and at least one other Western novel which we have unfortunately forgotten. It was, as we remember it, the Luck of the Lazy Something or Other. The press agent said that Jack read quite a little and pointed to the reading light which had been strung over his bed. He then went on to show us the clothes closet and the bureau of the champion to prove that he was no slave to fashion. We can testify that only one pair of shoes in the room had gray suede tops. Then we saw the kitchen and were done.
There had been awe in the tones of the conductor from the beginning. "Jack's going to have roast lamb for dinner to-night," he announced in an awful hush. Even as we went out he could not resist lowering his voice a little as he said, "This is the hat rack. This is where the champion puts his hat." We had gone only fifty yards away from the house when a big brown limousine drew up. "That," said the press agent, and this time we feared he was going to die, "is Jack Dempsey himself."
The preparation had been so similar to the first act of "Enter Madame" that we expected temperament and gesture from the star. He put us wholly at ease by being much more frightened than any one in the visiting party. As somebody has said somewhere, "Any mouse can make this elephant squeal." Jack Dempsey is decidedly a timid man and we found later that he was a gentle one. He answered, "Yes, sir," and "No, sir," at first. If we had his back and shoulders we'd have a civil word for no man. By and by he grew a little more at ease and somebody asked him what he read. He was not particularly strong on the names of books and he always forgot the author, which detracts somewhat from this article as a guide for readers. There were almost three hundred books at his disposal, since his training quarters had once been an aviation camp. These were the books of the fliers. Practically all the popular novelists and short story writers were represented. We remember seeing several titles by Mary Roberts Rinehart, Irvin Cobb, Zane Grey, Rupert Hughes, and Rex Beach. Older books were scarce. The only one we noticed was "A Tale of Two Cities." This Dempsey had not read. Perhaps Jack Kearns advised against it on account of the possible disturbing psychological effects of the chapter with all the counting.
Dempsey said he had devoted most of his time to Western novels. When questioned he admitted that he did not altogether surrender himself to them. "I was a cowboy once for a while," he said. "There's a lot of hokum in those books." But when pressed as to what he really liked his face did light up and he even remembered the name of the book. "There was one book I've been reading," he burst out; "it's a fine book. It's called 'The Czar's Spy.'"
"Perhaps," suggested Ruth Hale of the visiting party, "a grand duke would say there was a lot of hokum in that."
Dempsey was not to be deterred by any such higher criticism. Never having been a grand duke, he did not worry about the accuracy of the story. It was in a field far apart from life. That we gathered was his idea of the proper field for fiction. In life Dempsey is a stern realist. It is only in reading that he is romantic. A more impressionable man would have been disturbed by the air of secrecy which surrounded the camp of Carpentier. That never worried Dempsey. He prepared himself and never thought up contingencies. He did not even like to talk fight. None of us drew him out much about boxing. Somebody told him that Jim Corbett had reported that when he first met Carpentier he had been vastly tempted to make a feint at the Frenchman to see whether or not he would fall into a proper attitude of defense.
"Yes," giggled Dempsey, "and it would have been funny if Carp had busted him one on the chin." This seemed to him an extraordinary humorous conceit and he kept chuckling over it every now and then. While he was in this good humor somebody sounded him out as to what he would do if he lost; or rather the comment was made that an old time fighter, once a champion, was now coming back to the ring and had declared that he was as good as he ever was.
"Why shouldn't he?" said Dempsey just a little sharply. "Nobody wants to see a man that says he isn't as good as he used to be."
"Would you say that?" he was asked.
"Well," said Dempsey, and this time he reflected a little, "it would all depend on how I was fixed. If I needed the money I would. I'd use all the old alibis."
We liked that frankness and we liked Dempsey again when somebody wanted to know how he could possibly say anything in the ring during the fight to "get the goat of Carpentier." "We ain't nearly well enough acquainted for that," said Dempsey and we gathered that he was of the opinion that you must know a man pretty well before you can insult him. The champion is not a man to whom one would look for telling rejoinders, though he has needed them often enough in the last year and a half. Criticism has hurt him, for he is not insensitive. He is merely inarticulate. This must have been the reason which prompted some sporting writers to feel that he would come into the ring whipped and down from the fact that he had been able to make no reply to all the charges brought against him. It did not work out that way. Dempsey did have a means of expression and he used it. There is no logic in force and yet a man can exclaim "Is that so!" with his fists. Dempsey said it. If we may be allowed to stretch a point it might even be hazarded that the champion's motto is "Say it with cauliflowers."
As the Freudians have it, fighting is his "escape." Decidedly, he is a man with an inferiority complex. But for his boxing skill he would need literature badly. As it is, he does not need to read about hair-breadth escapes. He has them, such as in the second round of the fight on Boyle's Thirty Acres.
In summing up, we can only add that as yet literature has had no large effect upon the life of Jack Dempsey.