A Great Man: A Frolic

CHAPTER XVIII
HIS JACK-HORNERISM

That autumn the Chancelleries of Europe happened to be rather less egotistic than usual, and the English and American publics, seeing no war-cloud on the horizon, were enabled to give the whole of their attention to the balloon sent up into the sky by Mr. Onions Winter. They stared to some purpose. There are some books which succeed before they are published, and the commercial travellers of Mr. Onions Winter reported unhesitatingly that A Question of Cubits was such a book. The libraries and the booksellers were alike graciously interested in the rumour of its advent. It was universally considered a 'safe' novel; it was the sort of novel that the honest provincial bookseller reads himself for his own pleasure and recommends to his customers with a peculiar and special smile of sincerity as being not only 'good,' but 'really good.' People mentioned it with casual anticipatory remarks who had never previously been known to mention any novel later than John Halifax Gentleman.

This and other similar pleasing phenomena were, of course, due in part to the mercantile sagacity of Mr. Onions Winter. For during a considerable period the Anglo-Saxon race was not permitted to forget for a single day that at a given moment the balloon would burst and rain down copies of A Question of Cubits upon a thirsty earth. A Question of Cubits became the universal question, the question of questions, transcending in its insistence the liver question, the soap question, the Encyclopædia question, the whisky question, the cigarette question, the patent food question, the bicycle tyre question, and even the formidable uric acid question. Another powerful factor in the case was undoubtedly the lengthy paragraph concerning Henry's adventure at the Alhambra. That paragraph, having crystallized itself into a fixed form under the title 'A Novelist in a Box,' had started on a journey round the press of the entire world, and was making a pace which would have left Jules Verne's hero out of sight in twenty-four hours. No editor could deny his hospitality to it. From the New York dailies it travelled viâ the Chicago Inter-Ocean to the Montreal Star, and thence back again with the rapidity of light by way of the Boston Transcript, the Philadelphia Ledger, and the Washington Post, down to the New Orleans Picayune. Another day, and it was in the San Francisco Call, and soon afterwards it had reached La Prensa at Buenos Ayres. It then disappeared for a period amid the Pacific Isles, and was next heard of in the Sydney Bulletin, the Brisbane Courier and the Melbourne Argus. A moment, and it blazed in the North China Herald, and was shooting across India through the columns of the Calcutta Englishman and the Allahabad Pioneer. It arrived in Paris as fresh as a new pin, and gained acceptance by the Paris edition of the New York Herald, which had printed it two months before and forgotten it, as a brand-new item of the most luscious personal gossip. Thence, later, it had a smooth passage to London, and was seen everywhere with a new frontispiece consisting of the words: 'Our readers may remember.' Mr. Onions Winter reckoned that it had been worth at least five hundred pounds to him.

But there was something that counted more than the paragraph, and more than Mr. Onions Winter's mercantile sagacity, in the immense preliminary noise and rattle of A Question of Cubits: to wit, the genuine and ever-increasing vogue of Love in Babylon, and the beautiful hopes of future joy which it aroused in the myriad breast of Henry's public. Love in Babylon had falsified the expert prediction of Mark Snyder, and had reached seventy-five thousand in Great Britain alone. What figure it reached in America no man could tell. The average citizen and his wife and daughter were truly enchanted by Love in Babylon, and since the state of being enchanted is one of almost ecstatic felicity, they were extremely anxious that Henry in a second work should repeat the operation upon them at the earliest possible instant.

The effect of the whole business upon Henry was what might have been expected. He was a modest young man, but there are two kinds of modesty, which may be called the internal and the external, and Henry excelled more in the former than in the latter. While never free from a secret and profound amazement that people could really care for his stuff (an infallible symptom of authentic modesty), Henry gradually lost the pristine virginity of his early diffidence. His demeanour grew confident and bold. His glance said: 'I know exactly who I am, and let no one think otherwise.' His self-esteem as a celebrity, stimulated and fattened by a tremendous daily diet of press-cuttings, and letters from feminine admirers all over the vastest of empires, was certainly in no immediate danger of inanition. Nor did the fact that he was still outside the rings known as literary circles injure that self-esteem in the slightest degree; by a curious trick of nature it performed the same function as the press-cuttings and the correspondence. Mark Snyder said: 'Keep yourself to yourself. Don't be interviewed. Don't do anything except write. If publishers or editors approach you, refer them to me.' This suited Henry. He liked to think that he was in the hands of Mark Snyder, as an athlete in the hands of his trainer. He liked to think that he was alone with his leviathan public; and he could find a sort of mild, proud pleasure in meeting every advance with a frigid, courteous refusal. It tickled his fancy that he, who had shaken a couple of continents or so with one little book; and had written another and a better one with the ease and assurance of a novelist born, should be willing to remain a shorthand clerk earning three guineas a week. (He preferred now to regard himself as a common shorthand clerk, not as private secretary to a knight: the piquancy of the situation was thereby intensified.) And as the day of publication of A Question of Cubits came nearer and nearer, he more and more resembled a little Jack Horner sitting in his private corner, and pulling out the plums of fame, and soliloquizing, 'What a curious, interesting, strange, uncanny, original boy am I!'

Then one morning he received a telegram from Mark Snyder requesting his immediate presence at Kenilworth Mansions.

CHAPTER XIX
HE JUSTIFIES HIS FATHER

He went at once to Kenilworth Mansions, but he went against his will. And the reason of his disinclination was that he scarcely desired to encounter Geraldine. It was an ordeal for him to encounter Geraldine. The events which had led to this surprising condition of affairs were as follows:

Henry was one of those men – and there exist, perhaps, more of them than may be imagined – who are capable of plunging off the roof of a house, and then reconsidering the enterprise and turning back. With Henry it was never too late for discretion. He would stop and think at the most extraordinary moments. Thirty-six hours after the roseate evening at the Louvre and the Alhambra, just when he ought to have been laying a scheme for meeting Geraldine at once by sheer accident, Henry was coldly remarking to himself: 'Let me see exactly where I am. Let me survey the position.' He liked Geraldine, but now it was with a sober liking, a liking which is not too excited to listen to Reason. And Reason said, after the position had been duly surveyed: 'I have nothing against this charming lady, and much in her favour. Nevertheless, there need be no hurry.' Geraldine wrote to thank Henry for the most enjoyable evening she had ever spent in her life, and Henry found the letter too effusive. When they next saw each other, Henry meant to keep strictly private the advice which he had accepted from Reason; but Geraldine knew all about it within the first ten seconds, and Henry knew that she knew. Politeness reigned, and the situation was felt to be difficult. Geraldine intended to be sisterly, but succeeded only in being resentful, and thus precipitated too soon the second stage of the entanglement, the stage in which a man, after seeing everything in a woman, sees nothing in her; this second stage is usually of the briefest, but circumstances may render it permanent. Then Geraldine wrote again, and asked Henry to tea at the flat in Chenies Street on a Saturday afternoon. Henry went, and found the flat closed. He expected to receive a note of bewitching, cajoling, feminine apology, but he did not receive it. They met again, always at Kenilworth Mansions, and in an interview full of pain at the start and full of insincerity at the finish Henry learnt that Geraldine's invitation had been for Sunday, and not Saturday, that various people of much importance in her eyes had been asked to meet him, and that the company was deeply disappointed and the hostess humiliated. Henry was certain that she had written Saturday. Geraldine was certain that he had misread the day. He said nothing about confronting her with the letter itself, but he determined, in his masculine way, to do so. She gracefully pretended that the incident was closed, and amicably closed, but the silly little thing had got into her head the wild, inexcusable idea that Henry had stayed away from her 'at home' on purpose, and Henry felt this.

He rushed to Dawes Road to find the letter, but the letter was undiscoverable; with the spiteful waywardness which often characterizes such letters, it had disappeared. So Henry thought it would be as well to leave the incident alone. Their cheery politeness to each other when they chanced to meet was affecting to witness. As for Henry, he had always suspected in Geraldine the existence of some element, some quality, some factor, which was beyond his comprehension, and now his suspicions were confirmed.

He fell into a habit of saying, in his inmost heart: 'Women!'

This meant that he had learnt all that was knowable about them, and that they were all alike, and that – the third division of the meaning was somewhat vague.

Just as he was ascending with the beautiful flunkey in the Kenilworth lift, a middle-aged and magnificently-dressed woman hastened into the marble hall from the street, and, seeing the lift in the act of vanishing with its precious burden, gave a slight scream and then a laugh. The beautiful flunkey permitted himself a derisive gesture, such as one male may make to another, and sped the lift more quickly upwards.

'Who's she?' Henry demanded.

'I don't know, sir,' said the flunkey. 'But you'll hear her ting-tinging at the bell in half a second. There!' he added in triumphant disgust, as the lift-bell rang impatiently. 'There's some people,' he remarked, 'as thinks a lift can go up and down at once.'

Geraldine with a few bright and pleasant remarks ushered Henry directly into the presence of Mark Snyder. Her companion was not in the office.

'Well,' Mr. Snyder expansively and gaily welcomed him, 'come and sit down, my young friend.'

'Anything wrong?' Henry asked.

'No,' said Mark. 'But I've postponed publication of the Q. C. for a month.'

In his letters Mr. Snyder always referred to A Question of Cubits as the Q. C.

'What on earth for?' exclaimed Henry.

He was not pleased. In strict truth, no one of his innumerable admirers was more keenly anxious for the appearance of that book than Henry himself. His appetite for notoriety and boom grew by what it fed on. He expected something colossal, and he expected it soon.

'Both in England and America,' said Snyder.

'But why?'

'Serial rights,' said Snyder impressively. 'I told you some time since I might have a surprise for you, and I've got one. I fancied I might sell the serial rights in England to Macalistairs, at my own price, but they thought the end was too sad. However, I've done business in New York with Gordon's Weekly. They'll issue the Q. C. in four instalments. It was really settled last week, but I had to arrange with Spring Onions. They've paid cash. I made 'em. How much d'you think?'

'I don't know,' Henry said expectantly.

'Guess,' Mark Snyder commanded him.

But Henry would not guess, and Snyder rang the bell for Geraldine.

'Miss Foster,' he addressed the puzzling creature in a casual tone, 'did you draw that cheque for Mr. Knight?'

'Yes, Mr. Snyder.'

'Bring it me, please.'

And she respectfully brought in a cheque, which Mr. Snyder signed.

'There!' said he, handing it to Henry. 'What do you think of that?'

It was a cheque for one thousand and eighty pounds. Gordon and Brothers, the greatest publishing firm of the United States, had paid six thousand dollars for the right to publish serially A Question of Cubits, and Mark Snyder's well-earned commission on the transaction amounted to six hundred dollars.

'Things are looking up,' Henry stammered, feebly facetious.

'It's nearly a record price,' said Snyder complacently. 'But you're a sort of a record man. And when they believe in a thing over there, they aren't afraid of making money talk and say so.'

'Nay, nay!' thought Henry. 'This is too much! This beats everything! Either I shall wake up soon or I shall find myself in a lunatic asylum.' He was curiously reminded of the conjuring performance at the Alhambra.

He said:

'Thanks awfully, I'm sure!'

A large grandiose notion swept over him that he had a great mission in the world.

'That's all I have to say to you,' said Mark Snyder pawkily.

Henry wanted to breathe instantly the ampler ether of the street, but on his way out he found Geraldine in rapid converse with the middle-aged and magnificently-dressed woman who thought that a lift could go up and down at once. They became silent.

'Good-morning, Miss Foster,' said Henry hurriedly.

Then a pause occurred, very brief but uncomfortable, and the stranger glanced in the direction of the window.

'Let me introduce you to Mrs. Ashton Portway,' said Geraldine. 'Mrs. Portway, Mr. Knight.'

Mrs. Portway bent forward her head, showed her teeth, smiled, laughed, and finally sniggered.

'So glad to make your acquaintance, Mr. Knight!' she burst out loudly and uncontrollably, as though Geraldine's magic formula had loosened a valve capable of withstanding enormous strains. Then she smiled, laughed, and sniggered: not because she imagined that she had achieved humour, but because that was her way of making herself agreeable. If anybody had told her that she could not open her mouth without sniggering, she would have indignantly disbelieved the statement. Nevertheless it was true. When she said the weather was changeable, she sniggered; when she hoped you were quite well, she sniggered; and if circumstances had required her to say that she was sorry to hear of the death of your mother, she would have sniggered.

Henry, however, unaccustomed to the phenomena accompanying her speech, mistook her at first for a woman determined to be witty at any cost.

'I'm glad to meet you,' he said, and laughed as if to insinuate that that speech also was funny.

'I was desolated, simply desolated, not to see you at Miss Foster's "at home,"' Mrs. Ashton Portway was presently sniggering. 'Now, will you come to one of my Wednesdays? They begin in November. First and third. I always try to get interesting people, people who have done something.'

'Of course I shall be delighted,' Henry agreed. He was in a mood to scatter largesse among the crowd.

'That's so good of you,' said Mrs. Ashton Portway, apparently overcome by the merry jest. 'Now remember, I shall hold you to your promise. I shall write and remind you. I know you great men.'

When Henry reached the staircase he discovered her card in his hand. He could not have explained how it came there. Without the portals of Kenilworth Mansions a pair of fine horses were protesting against the bearing-rein, and throwing spume across the street.

He walked straight up to the Louvre, and there lunched to the sound of wild Hungarian music. It was nearly three o'clock when he returned to his seat at Powells.

'The governor's pretty nearly breaking up the happy home,' Foxall alarmingly greeted him in the inquiry office.

'Oh!' said Henry with a very passable imitation of guilelessness. 'What's amiss?'

'He rang for you just after you went out at a quarter-past twelve.' Here Foxall glanced mischievously at the clock. 'He had his lunch sent in, and he's been raving ever since.'

'What did you tell him?'

'I told him you'd gone to lunch.'

'Did he say anything?'

'He asked whether you'd gone to Brighton for lunch. Krikey! He nearly sacked me! You know it's his golfing afternoon.'

'So it is. I'd forgotten,' Henry observed calmly.

Then he removed his hat and gloves, found his note-book and pencil, and strode forward to joust with the knight.

'Did you want to dictate letters, Sir George?' he asked, opening Sir George's door.

The knight was taken aback.

'Where have you been,' the famous solicitor demanded, 'since the middle of the morning?'

'I had some urgent private business to attend to,' said Henry. 'And I've been to lunch. I went out at a quarter-past twelve.'

'And it's now three o'clock. Why didn't you tell me you were going out?'

'Because you were engaged, Sir George.'

'Listen to me,' said Sir George. 'You've been getting above yourself lately, my friend. And I won't have it. Understand, I will not have it. The rules of this office apply just as much to you as to anyone.'

'I'm sorry,' Henry put in coldly, 'if I've put you to any inconvenience.'

'Sorry be d – d, sir!' exclaimed Sir George.

'Where on earth do you go for your lunch?'

'That concerns no one but me, Sir George,' was the reply.

He would have given a five-pound note to know that Foxall and the entire staff were listening behind the door.

'You are an insolent puppy,' Sir George stated.

'If you think so, Sir George,' said Henry, 'I resign my position here.'

'And a fool!' the knight added.

'And did you say anything about the thousand pounds?' Aunt Annie asked, when, in the evening domesticity of Dawes Road, Henry recounted the doings of that day so full of emotions.

'Not I!' Henry replied. 'Not a word!'

'You did quite right, my dear!' said Aunt Annie. 'A pretty thing, that you can't go out for a few minutes!'

'Yes, isn't it?' said Henry.

'Whatever will Sir George do without you, though?' his mother wondered.

And later, after he had displayed for her inspection the cheque for a thousand and eighty pounds, the old lady cried, with moist eyes:

'My darling, your poor father might well insist on having you called Shakspere! And to think that I didn't want it! To think that I didn't want it!'

'Mark my words!' said Aunt Annie. 'Sir George will ask you to stay on.'

And Aunt Annie was not deceived.

'I hope you've come to your senses,' the lawyer began early the next morning, not unkindly, but rather with an intention obviously pacific. 'Literature, or whatever you call it, may be all very well, but you won't get another place like this in a hurry. There's many an admitted solicitor earns less than you, young man.'

'Thanks very much, Sir George,' Henry answered. 'But I think, on the whole, I had better leave.'

'As you wish,' said Sir George, hurt.

'Still,' Henry proceeded, 'I hope our relations will remain pleasant. I hope I may continue to employ you.'

'Continue to employ me?' Sir George gasped.

'Yes,' said Henry. 'I got you to invest some moneys for me some time ago. I have another thousand now that I want a sound security for.'

It was one of those rare flashes of his – rare, but blindingly brilliant.

CHAPTER XX
PRESS AND PUBLIC

At length arrived the eve of the consummation of Mr. Onions Winter's mercantile labours. Forty thousand copies of A Question of Cubits (No. 8 of the Satin Library) had been printed, and already, twenty-four hours before they were to shine in booksellers' shops and on the counters of libraries, every copy had been sold to the trade and a second edition was in the press. Thus, it was certain that one immortal soul per thousand of the entire British race would read Henry's story. In literature, when nine hundred and ninety-nine souls ignore you, but the thousandth buys your work, or at least borrows it – that is called enormous popularity. Henry retired to bed in Dawes Road that night sure of his enormous popularity. But he did not dream of the devoted army of forty thousand admirers. He dreamt of the reviews, some of which he knew were to appear on the day of publication itself. A hundred copies of A Question of Cubits had been sent out for review, and in his dreams he saw a hundred highly-educated men, who had given their lives to the study of fiction, bending anxiously over the tome and seeking with conscientious care the precise phrases in which most accurately to express their expert appreciation of it. He dreamt much of the reviewer of the Daily Tribune, his favourite morning paper, whom he pictured as a man of forty-five or so, with gold-rimmed spectacles and an air of generous enthusiasm. He hoped great things from the article in the Daily Tribune (which, by a strange accident, had completely ignored Love in Babylon), and when he arose in the morning (he had been lying awake a long time waiting to hear the scamper of the newsboy on the steps) he discovered that his hopes were happily realized. The Daily Tribune had given nearly a column of praise to A Question of Cubits, had quoted some choice extracts, had drawn special attention to the wonderful originality of the plot, and asserted that the story was an advance, 'if an advance were possible,' on the author's previous book. His mother and Aunt Annie consumed the review at breakfast with an excellent appetite, and lauded the insight of the critic.

What had happened at the offices of the Daily Tribune was this. At the very moment when Henry was dreaming of its reviewer – namely, half-past eleven p.m. – its editor was gesticulating and shouting at the end of a speaking-tube:

'Haven't had proof of that review of a book called A Question of Cubits, or some such idiotic title! Send it down at once, instantly. Do you hear? What? Nonsense!'

The editor sprang away from the tube, and dashed into the middle of a vast mass of papers on his desk, turning them all over, first in heaps, then singly. He then sprang in succession to various side-tables and served their contents in the same manner.

'I tell you I sent it up myself before dinner,' he roared into the tube. 'It's Mr. Clackmannan's "copy" – you know that peculiar paper he writes on. Just look about. Oh, conf – !'

Then the editor rang a bell.

'Send Mr. Heeky to me, quick!' he commanded the messenger-boy.

'I'm just finishing that leaderette,' began Mr. Heeley, when he obeyed the summons. Mr. Heeley was a young man who had published a book of verse.

'Never mind the leaderette,' said the editor. 'Run across to the other shop yourself, and see if they've got a copy of A Question of Cubits– yes, that's it, A Question of Cubits– and do me fifteen inches on it at once. I've lost Clackmannan's "copy."' (The 'other shop' was a wing occupied by a separate journal belonging to the proprietors of the Tribune.)

'What, that thing!' exclaimed Mr. Heeley. 'Won't it do to-morrow? You know I hate messing my hands with that sort of piffle.'

'No, it won't do to-morrow. I met Onions Winter at dinner on Saturday night, and I told him I'd review it on the day of publication. And when I promise a thing I promise it. Cut, my son! And I say' – the editor recalled Mr. Heeley, who was gloomily departing – 'We're under no obligations to anyone. Write what you think, but, all the same, no antics, no spleen. You've got to learn yet that that isn't our speciality. You're not on the Whitehall now.'

'Oh, all right, chief – all right!' Mr. Heeley concurred.

Five minutes later Mr. Heeley entered what he called his private boudoir, bearing a satinesque volume.

'Here, boys,' he cried to two other young men who were already there, smoking clay pipes – 'here's a lark! The chief wants fifteen inches on this charming and pathetic art-work as quick as you can. And no antics, he says. Here, Jack, here's fifty pages for you' – Mr. Heeley ripped the beautiful inoffensive volume ruthlessly in pieces – and here's fifty for you, Clementina. Tell me your parts of the plot I'll deal with the first fifty my noble self.'

Presently, after laughter, snipping out of pages with scissors, and some unseemly language, Mr. Heeley began to write.

'Oh, he's shot up to six foot eight!' exclaimed Jack, interrupting the scribe.

'Snow!' observed the bearded man styled Clementina. 'He dies in the snow. Listen.' He read a passage from Henry's final scene, ending with 'His spirit had passed.' 'Chuck me the scissors, Jack.'

Mr. Heeley paused, looked up, and then drew his pen through what he had written.

'I say, boys,'he almost whispered, 'I'll praise it, eh? I'll take it seriously. It'll be simply delicious.'

'What about the chief?'

'Oh, the chief won't notice it! It'll be just for us three, and a few at the club.'

Then there was hard scribbling, and pasting of extracts into blank spaces, and more laughter.

'"If an advance were possible,"' Clementina read, over Mr. Heeley's shoulder. 'You'll give the show away, you fool!'

'No, I shan't, Clemmy, my boy,' said Mr. Heeley judicially. 'They'll stand simply anything. I bet you what you like Onions Winter quotes that all over the place.'

And he handed the last sheet of the review to a messenger, and ran off to the editorial room to report that instructions had been executed. Jack and Clementina relighted their pipes with select bits of A Question of Cubits, and threw the remaining débris of the volume into the waste-paper basket. The hour was twenty minutes past midnight…

The great majority of the reviews were exceedingly favourable, and even where praise was diluted with blame, the blame was administered with respect, as a dentist might respectfully pain a prince in pulling his tooth out. The public had voted for Henry, and the press, organ of public opinion, displayed a wise discretion. The daring freshness of Henry's plot, his inventive power, his skill in 'creating atmosphere,' his gift for pathos, his unfailing wholesomeness, and his knack in the management of narrative, were noted and eulogized in dozens of articles. Nearly every reviewer prophesied brilliant success for him; several admitted frankly that his equipment revealed genius of the first rank. A mere handful of papers scorned him. Prominent among this handful was the Whitehall Gazette. The distinguished mouthpiece of the superior classes dealt with A Question of Cubits at the foot of a column, in a brief paragraph headed 'Our Worst Fears realized.' The paragraph, which was nothing but a summary of the plot, concluded in these terms: 'So he expired, every inch of him, in the snow, a victim to the British Public's rapacious appetite for the sentimental.'

The rudeness of the Whitehall Gazette, however, did nothing whatever to impair the wondrous vogue which Henry now began to enjoy. His first boom had been great, but it was a trifle compared to his second. The title of the new book became a catchword. When a little man was seen walking with a tall woman, people exclaimed: 'It's a question of cubits.' When the recruiting regulations of the British army were relaxed, people also exclaimed: 'It's a question of cubits.' During a famous royal procession, sightseers trying to see the sight over the heads of a crowd five deep shouted to each other all along the route: 'It's a question of cubits.' Exceptionally tall men were nicknamed 'Gerald' by their friends. Henry's Gerald, by the way, had died as doorkeeper at a restaurant called the Trianon. The Trianon was at once recognised as the Louvre, and the tall commissionaire at the Louvre thereby trebled his former renown. 'Not dead in the snow yet?' the wits of the West End would greet him on descending from their hansoms, and he would reply, infinitely gratified: 'No, sir. No snow, sir.' A music-hall star of no mean eminence sang a song with the refrain:

 
'You may think what you like,
You may say what you like,
It was simply a question of cubits.'
 

The lyric related the history of a new suit of clothes that was worn by everyone except the person who had ordered it.

Those benefactors of humanity, the leading advertisers, used 'A Question of Cubits' for their own exalted ends. A firm of manufacturers of high-heeled shoes played with it for a month in various forms. The proprietors of an unrivalled cheap cigarette disbursed thousands of pounds in order to familiarize the public with certain facts. As thus: 'A Question of Cubits. Every hour of every day we sell as many cigarettes as, if placed on end one on the top of the other, would make a column as lofty as the Eiffel Tower. Owing to the fact that cigarettes are not once mentioned in A Question of Cubits, we regret to say that the author has not authorized us to assert that he was thinking of our cigarettes when he wrote Chapter VII. of that popular novel.'

Editors and publishers cried in vain for Henry. They could get from him neither interviews, short stories, nor novels. They could only get polite references to Mark Snyder. And Mark Snyder had made his unalterable plans for the exploitation of this most wonderful racehorse that he had ever trained for the Fame Stakes. The supply of chatty paragraphs concerning the hero and the book of the day would have utterly failed had not Mr. Onions Winter courageously come to the rescue and allowed himself to be interviewed. And even then respectable journals were reduced to this sort of paragraph: 'Apropos of Mr. Knight's phenomenal book, it may not be generally known what the exact measure of a cubit is. There have been three different cubits – the Scriptural, the Roman, and the English. Of these, the first-named,' etc.

So the thing ran on.

And at the back of it all, supporting it all, was the steady and prodigious sale of the book, the genuine enthusiasm for it of the average sensible, healthy-minded woman and man.

Finally, the information leaked out that Macalistairs had made august and successful overtures for the reception of Henry into their fold. Sir Hugh Macalistair, the head of the firm, was (at that time) the only publisher who had ever been knighted. And the history of Macalistairs was the history of all that was greatest and purest in English literature during the nineteenth century. Without Macalistairs, English literature since Scott would have been nowhere. Henry was to write a long novel in due course, and Macalistairs were to have the world's rights of the book, and were to use it as a serial in their venerable and lusty Magazine, and to pay Henry, on delivery of the manuscript, eight thousand pounds, of which six thousand was to count as in advance of royalties on the book.