The young lady was positive she had made no mistake. 'You so seldom see a dog with just those markings,' she said, 'and I don't think anybody was with him; he came on board at Amblemere and went all round the lake with us.'

'At Amblemere!' cried Daisy, 'that's where we live; and, Aunt Sophy, you know Don has been away all day lots of times lately.'

'What did this dog do on the steamer?' asked Miss Millikin faintly.

'Oh, he was so sweet! he went round to everybody, and sat up so prettily till they gave him biscuits and things – he was everybody's pet; we were all jealous of one another for the honour of feeding him. The second time we brought buns on purpose. But we quite thought he belonged to the steamer.'

Young Mr. Netherby laughed. 'So that is how he took the air! I thought I wasn't far wrong,' he said.

'Put him back in the cart, Daisy,' said Miss Millikin severely; 'I can't bear to look at him.'

Don did his best to follow this dialogue, but all he could make out was that it was about himself, and that he was being as usual exceedingly admired. So he sat and looked as good and innocent and interesting as he knew how. Just then he felt that he would almost rather they did not offer him anything to eat – at least not anything very sweet and rich, for he was still not at all well. It was a relief to be back in the cart and in peace again, though he wondered why Daisy didn't kiss the top of his head as she had done several times in carrying him to the lawn. This time she held him at a distance, and said nothing but two words, which sounded suspiciously like 'You pig!' as she put him down.

Miss Millikin was very grave and silent as they drove home. 'I can't trust myself to speak about it, Daisy,' she said; 'if – if it was true, it shows such an utter want of principle – such deceit; and Don used to be so honest and straightforward! What if we make inquiries at the pier? It – it may be all a mistake.'

They stopped for this purpose at Amblemere. 'Ay, Miss Millikin, mum, he cooms ahn boord reglar, does that wee dug,' said the old boatman, 'and a' makes himsel' rare an' frien'ly, a' do – they coddle him oop fine, amang 'em. Eh, but he's a smart little dug, we quite look for him of a morning coomin' for his constitutionil, fur arl the worl' like a Chreestian!'

'Like a very greedy Christian!' said his disgusted mistress. 'Daisy,' she said, when she returned to the pony-cart, 'it's all true! I – I never have been so deceived in any one; and the worst of it is, I don't know how to punish him, or how to make him feel what a disgraceful trick this is. Nobody else's dog I ever heard of made his mistress publicly absurd in this way. It's so – so ungrateful!'

'Aunt Sophy,' said Daisy, 'I've an idea. Will you leave him to me, and pretend you don't suspect anything? I will cure him this time!'

'You – you won't want to whip him?' said Miss Millikin, 'because, though it's all his own doing, he really is not well enough for it just now.'

'No,' said Daisy, 'I won't tell you my plan, auntie, but it's better than whipping.'

And all this time the unconscious Don was wearing an expression of uncomplaining suffering, and looking meekly sorry for himself, with no suspicion in the world that he had been found out.

Next day he felt much better, and as the morning was bright he thought that, after all, he might manage another steamer trip; his appetite had come back, and his breath was not nearly so short as it had been. He was just making modestly for the gate when Daisy stopped him. 'Where are you going, sir?' she inquired.

Don rolled over instantly with all his legs in the air and a feeble apology in his eye.

'I want you for just one minute first,' said Daisy politely, and carried him into the morning-room. Was he going to be whipped? – she couldn't have the heart – an invalid like him! He tried to protest by his whimpering.

But Daisy did nothing of the kind; she merely took something that was flat and broad and white, and fastened it round his neck with a very ornamental bow and ribbon. Then she opened the French windows, and said in rather a chilly voice, 'Now run away and get on your nasty steamer and beg, and see what you get by it!'

That seemed, as far as he could tell, very sensible advice, and, oddly enough, it was exactly what he had been intending to do. It did not strike him as particularly strange that Daisy should know, because Don was a dog that didn't go very deeply into matters unless he was obliged.

He trotted off at an easy pace down to the village, getting hungrier every minute, and hoping that the people on the steamer would have brought nice things to-day, when, close to the turning that led to the landing-stage, he met Jock, and was naturally obliged to stop for a few moments' conversation.

He was not at all pleased to see him notwithstanding, for I am sorry to say that Don's greediness had so grown upon him of late that he was actually afraid that his humble friend (who was a little slow to find out when he wasn't wanted) would accompany him on to the steamboat, and then of course the good things would have to be divided.

However, Don was a dog that was always scrupulously polite, even to his fellow-dogs, and he did not like to be rude now.

'Hullo!' said Jock (in dogs' language of course, but I have reason to believe that what follows is as nearly as possible what was actually said). 'What's the matter with you this morning?'

Don replied that he was rather out of sorts, and was going down to a certain lane for a dose of dog-grass.

'A little dog-grass won't do me any harm,' said Jock; 'I'll come too.'

This was awkward, but Don pretended to be glad, and they went a little way together.

'But what's that thing round your neck?' asked the Dandie Dinmont.

'Oh,' said Don, 'that? It's a bit of finery they put on me at the cottage. It pleases them, you know. Think it's becoming?'

'Um,' answered Jock; 'reminds me of a thing a friend of mine used to wear. But he had a blind man tied to him. I don't see your blind man.'

'They would have given me a blind man of course if I'd asked for it,' said Don airily, 'but what's the use of a blind man – isn't he rather a bore?'

'I didn't ask; but my friend said he believed the thing round his neck, which was flat and white just like yours (only he had a tin mug underneath his), made people more inclined to give him things – he didn't know why. Do you find that?'

'How stupid of Daisy to forget the mug!' thought Don. 'I could have brought things home to eat quietly then. – I don't know,' he replied to Jock; 'I haven't tried.'

He meant to put it to the test very soon, though – if only he could get rid of Jock.

'By the way,' he said carelessly, 'have you been round by the hotel lately?'

'No,' answered Jock, 'not since the ostler threw a brush at me.'

'Well,' said Don, 'there was a bone outside the porch, which, if I hadn't been feeling so poorly, I should have had a good mind to tackle myself. But perhaps some other dog has got hold of it by this time.'

'I'll soon make him let go if he has!' said Jock, who liked a fight almost as well as a bone. 'Where was it, did you say?'

'Outside the hotel. Don't let me keep you. It was a beautiful bone. Good-morning,' said Don.

He did not think it worth while to explain that he had seen it several days ago, for Don, as you will have remarked already, was a very artful dog.

He got rid of his unwelcome friend in this highly unprincipled manner, and strolled on to the pier full of expectation. Steamers ply pretty frequently on this particular lake, so he had not to wait very long. The little Cygnet soon came hissing up, and the moment the gangway was placed Don stepped on board, with tail proudly erect.

As usual, he examined the passengers, first to see who had anything to give, then who looked most likely to give it to him. Generally he did best with children. He was not fond of children (Daisy was quite an exception), but he was very fond of cakes, and children, he had observed, generally had the best cakes. Don was so accomplished a courtier that he would contrive to make every child believe that he or she was the only person he loved in the whole world, and he would stay by his victim until the cake was all gone, and even a little longer, just for the look of the thing, and then move on to some one else and begin again.

There were no children with any cakes or buns on board this time, however. There was a stout man up by the bows, dividing his attention between scenery and sandwiches; but Don knew by experience that tourists' sandwiches are always made with mustard, which he hated. There were three merry-looking, round-faced young ladies on a centre bench, eating Osborne biscuits. He wished they could have made it sponge-cakes, because he was rather tired of Osborne biscuits; but they were better than nothing. So to these young ladies he went, and, placing himself where he could catch all their eyes at once, he sat up in the way he had always found irresistible.

I don't suppose any dog ever found his expectations more cruelly disappointed. It was not merely that they shook their heads, they went into fits of laughter – they were laughing at him! Don was so deeply offended that he took himself off at once, and tried an elderly person who was munching seed-cake; she did not laugh, but she examined him carefully, and then told him with a frown to go away. He began to think that Daisy's collar was not a success; he ought to have had a mug, or a blind man, or both; he did much better when he was left to himself.

Still he persevered, and went about, wagging his tail and sitting up appealingly. By and by he began to have an uncomfortable idea that people were saying things about him which were not complimentary. He was almost sure he heard the word 'greedy,' and he knew what that meant: he had been taught by Daisy. They must be talking of some other dog – not him; they couldn't possibly know what he was!

Now Don was undeniably a very intelligent terrier indeed, but there was just this defect in his education – he could not read: he had no idea what things could be conveyed by innocent-looking little black marks. 'Of course not,' some of my readers will probably exclaim, 'he was only a dog!' But it is not so absurd as it sounds, for one very distinguished man has succeeded in teaching his dogs to read and even to spell, though I believe they have not got into very advanced books as yet. Still, it may happen some day that all but hopelessly backward or stupid dogs will be able to read fluently, and then you may find that your own family dog has taken this book into his kennel, and firmly declines to give it up until he has finished it. At present, thank goodness, we have not come to this, and so there is nothing remarkable in the mere fact that Don was unable to read. I only mention it because, if he had possessed this accomplishment, he would never have fallen into the trap Daisy had prepared for him.

For the new collar was, as you perhaps guessed long ago, a card, and upon it was written, in Daisy's neatest and plainest round hand: —

I am a very Greedy little Dog, and have Plenty to eat at Home,
So please do not give me anything, or I shall have a Fit and die!

You can easily imagine that, when this unlucky Don sat up and begged, bearing this inscription written legibly on his unconscious little chest, the effect was likely to be too much for the gravity of all but very stiff and solemn persons.

Nearly everybody on board the steamer was delighted with him; they pointed out the joke to one another, and roared with laughter, until he grew quite ashamed to sit up any more. Some teased him by pretending to give him something, and then eating it themselves; some seemed almost sorry for him and petted him; and one, an American, said, 'It was playing it too low down to make the little critter give himself away in that style!' But nobody quite liked to disobey Daisy's written appeal.

Poor Don could not understand it in the least; he only saw that every one was very rude and disrespectful to him, and he tried to get away under benches. But it was all in vain; people routed him out from his hiding-places to be introduced to each new comer; he could not go anywhere without being stared at, and followed, and hemmed in, and hearing always that same hateful whisper of 'Greedy dog – not to be given anything,' until he felt exactly as if he was being washed!

Poor disappointed greedy dog, how gladly he would have given the tail between his legs to be safe at home in the drawing-room with Miss Millikin and Daisy! How little he had bargained for such a terrible trip as this!

I am sure that if Daisy had ever imagined he would feel his disgrace so deeply she would not have had the heart to send him out with that tell-tale card around his neck; but then he would not have received a very wholesome lesson, and would certainly have eaten himself into a serious illness before the summer ended, so perhaps it was all for the best.

This time Don did not go the whole round of the lake; he had had quite enough of it long before the Cygnet reached Highwood, but he did not get a chance until they came to Winderside, and then, watching his opportunity, he gave his tormentors the slip at last.

Two hours later, as Daisy and her aunt sat sketching under the big holm-oak on the lawn, a dusty little guilty dog stole sneakingly in under the garden-gate. It was Don, and he had run all the way from Winderside, which, though he did not appreciate it, had done him a vast amount of good. 'Oh!' cried Daisy, dropping her paint-brush to clap her hands gleefully, 'Look, Aunt Sophy, he has had his lesson already!'

Miss Millikin was inclined to be shocked when she read the ticket. 'It was too bad of you, Daisy!' she said; 'I would never have allowed it if I had known. Come here, Don, and let me take the horrid thing off.'

'Not yet, please, auntie!' pleaded Daisy, 'I want him to be quite cured, and it will take at least till bedtime. Then we'll make it up to him.'

But Don had understood at last. It was this detestable thing, then, that had been telling tales of him and spoiling all his fun! Very well, let him find himself alone with it – just once! And he went off very soberly into the shrubbery, whence in a few minutes came sounds of 'worrying.'

In half an hour Don came out again; his collar was gone, and in his mouth he trailed a long piece of chewed ribbon, which he dropped with the queerest mixture of penitence and reproach at Daisy's feet. After that, of course, it was impossible to do anything but take him into favour at once, and he was generous enough to let Daisy see that he bore her no malice for the trick she had played him.

What became of the card no one ever discovered; perhaps Don had buried it, though Daisy has very strong suspicions that he ate it as his best revenge.

But what is more important is that from that day he became a slim and reformed dog, refusing firmly to go on board a steamer on any pretence whatever, and only consenting to sit up after much coaxing, and as a mark of particular condescension.

So that Daisy's experiment, whatever may be thought of it, was at least a successful one.

TAKEN BY SURPRISE
BEING THE PERSONAL STATEMENT OF BEDELL GRUNCHER, M.A

There are certain misconceptions which a man who is prominently before the public is morally bound to combat – more for the sake of others than his own – as soon as it becomes probable that the popular estimate of his character may be shaken, if not shattered, should he hold his peace. Convinced as I am of this, and having some ground to anticipate that the next few days may witness a damaging blow to my personal dignity and influence for good, I have thought it expedient to publish the true history of an episode which, if unexplained, is only too likely to prejudice me to a serious extent. Any circumstance that tends to undermine or lessen the world's reverence for its instructors is a deplorable calamity, to be averted at all hazards, even when this can only be effected by disclosures scarcely less painful to a delicate mind.

For some years I, Bedell Gruncher, have consecrated my poor talents to the guidance and education of public taste in questions of art and literature. To do this effectively I have laboured – at the cost of some personal inconvenience – to acquire a critical style of light and playful badinage. My lash has ever been wreathed in ribbons of rare texture and daintiest hues; I have thrown cold water in abundance over the nascent flames of young ambition – but such water was systematically tinctured with attar of roses. And in time the articles appearing in various periodicals above the signature of 'Vitriol' became, I may acknowledge without false modesty, so many literary events of the first magnitude. I attribute this to my early recognition of the true function of a critic. It is not for him to set up sign-posts, or even warning-boards, for those who run and read. To attain true distinction he should erect a pillory upon his study table, and start the fun himself with a choice selection of the literary analogues of the superannuated eggs and futile kittens which served as projectiles in the past. The public may be trusted to keep it going, and also to retain a grateful recollection of the original promoter of the sport. My little weekly and monthly pillories became instantly popular, for all my kittens were well aimed, and my eggs broke and stuck in a highly entertaining fashion. We are so constituted that even the worst of us is capable of a kindly feeling towards the benefactor who makes others imperishably ridiculous in our eyes; and to do this was my métier à moi. At first my identity with the lively but terrible 'Vitriol' was kept a profound secret, but gradually, by some means which I do not at present remember, it leaked out, and I immediately became a social, as well as a literary, celebrity. Physically I have been endowed with a presence which, though not of unusual height and somewhat inclined to central expansion, produces, I find, an invariably imposing effect, especially with members of the more emotional and impressionable sex. Consequently I was not surprised even at the really extraordinary sensation I inspired upon my first introduction to a very charming young lady, Miss Iris Waverley, as soon as my nom de guerre was (I forget just now by whom) incidentally alluded to. However, as it turned out, she had another and a deeper reason for emotion: it seemed she had been engaged to a young poet whose verses, to her untaught and girlish judgment, seemed inspired by draughts of the true Helicon, and whose rhythmical raptures had stirred her maiden heart to its depths.

Well, that young poet's latest volume of verse came under my notice for review, and in my customary light-hearted fashion I held it up to general derision for a column or two, and then dismissed it, with an ineffaceable epigrammatic kick, to spin for ever (approximately) down the ringing grooves of criticism.

Miss Waverley, it happened, was inclined to correct her own views by the opinions of others, and was, moreover, exceptionally sensitive to any association of ridicule with the objects of her attachment – indeed, she once despatched a dog she fondly loved to the lethal chamber at Battersea, merely because all the hair had come off the poor animal's tail! My trenchant sarcasms had depoetised her lover in a similar fashion; their livid lightning had revealed the baldness, the glaring absurdity of the very stanzas which once had filled her eyes with delicious tears; he was dismissed, and soon disappeared altogether from the circles which I had (in perfect innocence) rendered impossible to him.

Notwithstanding this, Miss Waverley's first sentiments towards me were scarcely, oddly enough, of unmixed gratitude. I represented the rod, and a very commendable feeling of propriety made her unwilling to kiss me on a first interview, though, as our intimacy advanced – well, there are subjects on which I claim the privilege of a manly reticence.

I hasten over, then, the intermediate stages of antipathy, fear, respect, interest, and adoration. In me she recognised an intellect naturally superior, too indifferent and unambitious to give life to its own imaginings – too honest, too devoted to humanity, to withhold merited condemnation from those of others. I was the radiant sun whose scorching beams melted the wax from the pinions of many a modern Icarus; or, to put the metaphor less ingeniously, the shining light in which, by an irresistible impulse of self-destruction, the poetical and artistic moths flew and incontinently frizzled.

One trait in my character which Iris valued above all others was the caution with which I habitually avoided all associations of a ridiculous nature; for it was my pride to preserve a demeanour of unsullied dignity under circumstances which would have been trying, if not fatal, to an ordinary person. So we became engaged; and if, pecuniarily speaking, the advantage of the union inclined to my side, I cannot consider that I was the party most benefited by the transaction.

It was soon after this happy event that Iris entreated from me, as a gift, a photograph of myself. I could not help being struck by this instance of feminine parsimony with regard to small disbursements, since, for the trifling sum of one shilling, it was perfectly open to her to procure an admirable presentment of me at almost any stationer's; for, in obedience to a widely expressed demand, I had already more than once undergone the ordeal by camera.

But no; she professed to desire a portrait more peculiarly her own – one that should mark the precise epoch of our mutual happiness – a caprice which reminded me of the Salvation Army recruit who was photographed, by desire, 'before and after conversion'; and I demurred a little, until Iris insisted with such captivating pertinacity that – although my personal expenses (always slightly in excess of my income) had been further swelled since my engagement by the innumerable petits soins expected by an absurd custom from every lover – I gave way at length.

It was her desire that my portrait should form a pendant to one of herself which had been recently taken by a fashionable photographer, and I promised to see that this wish should be gratified. It is possible that she expected me to resort to the same artist; but there were considerations which induced me to avoid this, if I could. To the extent of a guinea (or even thirty shillings) I could refuse her nothing; but every one knows what sums are demanded by a photographer who is at all in vogue. I might, to be sure, as a public character, have sat without being called upon for any consideration, beyond the right to dispose of copies of my photograph; but I felt that Iris would be a little hurt if I took this course, and none of the West-end people whom I consulted in the matter quite saw their way to such an arrangement just then. There was a temporary lull, they assured me, in the demand for likenesses of our leading literary men, and I myself had been photographed within too recent a period to form any exception to the rule.

So, keeping my promise constantly in mind, I never entered a secluded neighbourhood without being on the look-out for some unpretending photographic studio which would combine artistic excellence with moderate charges.

And at last I discovered this photographic phœnix, whose nest, if I may so term it, was in a retired suburb which I do not care to particularise. Upon the street level was a handsome plate-glass window, in which, against a background of dark purple hangings and potted ferns, were displayed cartes, cabinets, and groups, in which not even my trained faculties could detect the least inferiority to the more costly productions of the West-end, while the list of prices that hung by the door was conceived in a spirit of exemplary modesty. After a brief period of hesitation I stepped inside, and, on stating my wish to be photographed at once, was invited by a very civil youth with a slight cast in his eye to walk upstairs, which I accordingly did.

I mounted flight after flight of stairs, till I eventually found myself at the top of the house, in an apartment pervaded by a strong odour of chemicals, and glazed along the roof and the whole of one side with panes of a bluish tint. It was empty at the moment of my entrance, but, after a few minutes, the photographer burst impetuously in – a tall young man, with long hair and pale eyes, whose appearance denoted a nervous and high-strung temperament. Perceiving him to be slightly overawed by a certain unconscious dignity in my bearing, which frequently does produce that effect upon strangers, I hastened to reassure him by discriminating eulogies upon the specimens of his art that I had been inspecting below, and I saw at once that he was readily susceptible to flattery.

'You will find me,' I told him frankly, 'a little more difficult to satisfy than your ordinary clientèle; but, on the other hand, I am peculiarly capable of appreciating really good work. Now I was struck at once by the delicacy of tone, the nice discrimination of values, the atmosphere, gradation, feeling, and surface of the examples displayed in your window.'

He bowed almost to the ground; but, having taken careful note of his prices, I felt secure in commending him, even to the verge of extravagance; and, besides, does not the artistic nature demand the stimulus of praise to enable it to put forth its full powers?

He inquired in what style I wished to be taken, whether full-length, half-length, or vignette. 'I will answer you as concisely as possible,' I said. 'I have been pressed, by one whose least preference is a law to me, to have a photograph of myself executed which shall form a counterpart or pendant, as it were, to her own. I have, therefore, taken the precaution to bring her portrait with me for your guidance. You will observe it is the work of a firm in my opinion greatly overrated – Messrs. Lenz, Kamerer, & Co.; and, while you will follow it in style and the disposition of the accessories, you will, I make no doubt, produce, if you take ordinary pains, a picture vastly superior in artistic merit.'

This, as will be perceived, was skilfully designed to put him on his mettle, and rouse a useful spirit of emulation. He took the portrait of Iris from my hands and carried it to the light, where he examined it gravely in silence.

'I presume,' he said at length, 'that I need hardly tell you I cannot pledge myself to produce a result as pleasing as this – under the circumstances?'

'That,' I replied, 'rests entirely with you. If you overcome your natural diffidence, and do yourself full justice, I see no reason why you should not obtain something even more satisfactory.'

My encouragement almost unmanned him. He turned abruptly away and blew his nose violently with a coloured silk handkerchief.

'Come, come,' I said, smiling kindly, 'you see I have every confidence in you – let us begin. I don't know, by the way,' I added, with a sudden afterthought, 'whether in your leisure moments you take any interest in contemporary literature?'

'I – I have done so in my time,' he admitted; 'not very lately.'

'Then,' I continued, watching his countenance with secret amusement for the spasm I find this announcement invariably produces upon persons of any education, 'it may possibly call up some associations in your mind if I tell you that I am perhaps better known by my self-conferred sobriquet of "Vitriol."'

Evidently I had to do with a man of some intelligence – I obtained an even more electrical effect than usual. '"Vitriol!"' he cried, 'not surely Vitriol, the great critic?'

'The same,' I said carelessly. 'I thought I had better mention it.'

'You did well,' he rejoined, 'very well! Pardon my emotion – may I wring that hand?'

It is not my practice to shake hands with a photographer, but I was touched and gratified by his boyish enthusiasm, and he seemed a gentlemanly young fellow too, so I made an exception in his favour; and he did wring my hand – hard.

'So you are Vitriol?' he repeated in a kind of daze, 'and you have sought me out —me, of all people in the world – to have the honour of taking your photograph!'

'That is so,' I said, 'but pardon me if I warn you that you must not allow your head to be turned by what is, in truth, due to the merest accident.'

'But what an accident!' he cried; 'after what I have learnt I really could not think of making any charge for this privilege!'

That was a creditable and not unnatural impulse, and I did not check it. 'You shall take me as often as you please,' I said, 'and for nothing.'

'And may I,' he said, a little timidly – 'would you give me permission to exhibit the results?'

'If I followed my own inclinations,' I replied, 'I should answer "certainly not." But perhaps I have no right to deprive you of the advertisement, and still less to withhold my unworthy features from public comment. I may, for private reasons,' I added, thinking of Iris, 'find it advisable to make some show of displeasure, but you need not fear my taking any proceedings to restrain you.'

'We struggling photographers must be so careful,' he sighed. 'Suppose the case of your lamented demise – it would be a protection if I had some written authority under your hand to show your legal representatives.'

'Actio personalis moritur cum personâ,' I replied; 'if my executors brought an action, they would find themselves non-suited.' (I had studied for the Bar at one period of my life.)

'Quite so,' he said, 'but they might drag me into court, nevertheless. I should really prefer to be on the safe side.'

It did not seem unreasonable, particularly as I had not the remotest intention either of bringing an action or dying; so I wrote him a hasty memorandum to the effect that, in consideration of his photographing me free of charge (I took care to put that in), I undertook to hold him free from all molestation or hindrance whatever in respect of the sale and circulation of all copies resulting from such photographing as aforesaid.