CHAPTER II
Evening was drawing on, sending a soft twilight into the room, when Coleman's dinner was brought in by a shy and silent old colored woman. He had not ordered the meal, nor had he felt the need of it. Doubtless the stimulus afforded by the unusual character of his surroundings held his sense of hunger in abeyance.
The old woman retired as soon as she had arranged the repast on a round mahogany table. Coleman found the oysters, the wine, the broiled fish, the French bread, and the black coffee excellent to such a degree that he ate almost everything before him; then leaning far back in his chair he began to study the silver set from which all those good things had been taken. The platter was in the form of a flounder, the sugar bowl was a frog, the cream pitcher a heron, the coffee-pot a pelican. These curious pieces were exquisitely carved, and on each was cut the name Favart de Caumartin in plain, bold letters. Even on the five-armed silver candle-stick in which burned fragrant myrtle wax tapers appeared that striking inscription. He surveyed the room now with a more critical eye, discovering at once that the pictures, the curtains, the carpets, and indeed all the articles of furniture were costly and beautiful beyond anything he had ever seen before. Evidently he was in Judge Favart de Caumartin's house.
The moon was shining brilliantly when Coleman went forth for a short walk in the street. Not many people were abroad, it being the dinner-hour, but certain cafés were crowded with men and women who were drinking champagne and discussing the dishes on well-spread tables.
At the door of one these gorgeous rooms Coleman met the young man whom a few hours before he had seen leading the singers in the street. It occurred to him that now was as good as any time to present his letter to the Judge, so he forthwith stepped near him and said, lifting his hat:
"I believe I have the honor of meeting Judge Favart de Caumartin?"
The gentleman stared at him a moment very deliberately, then, with just a suspicion of a smile and with a courteous dignity wholly inimitable and indescribable, doffed his queer little black cap as he spoke:
"And who does me the honor of addressing me?"
"I am Hepworth Coleman of New York?"
"Ah!"
"I hold a letter to you from Mr. Phineas Cartwright, of the firm of Cartwright & Vanderveer, bankers."
"Indeed! I feel honored."
Coleman produced the letter and tendered it: but not without a vague feeling of insecurity of some sort. He had not expected this peculiar reserve and caution on the part of the Judge. Could it be that he was to be treated as an infliction to be borne for mere policy's sake. His distrust and doubt, however, were of short duration, for the Judge had no sooner read the epistle, which was much longer than any mere letter of introduction, than his whole manner changed. He held out his hand.
"I am charmed, delighted, sir," he said, with a slight creole accent that made his voice very pleasing. "I am proud to see you. I hope you find your rooms agreeable."
Coleman clasped his hand and felt that measure of relief which comes when one is suddenly lifted out of a very awkward situation.
The Judge read the banker's letter over again with great deliberation and apparently with much concentration of mind, while Coleman, who could not remove his eyes from his fascinating dark face, stood waiting for an opportunity to say:
"You do me infinite honor, Judge, in quartering me in your own house. I had not expected and could not expect such hospitality."
The Judge hesitated, then with a calm smile remarked that whatever he could do for so distinguished a visitor would be but a small expression of the greater hospitality that he would like to bestow were he able.
"And now," he presently continued, "come with me to my own private apartments, where we can have some quiet conversation and a smoke."
Coleman could not fail to see that the Judge was still somewhat touched with wine, though the mood of wild hilarity had passed off.
They passed along the street until they reached a narrow blind alley into which the moonlight fell but dimly between dusky walls.
To Coleman's surprise the Judge led the way into this, then up a flight of winding and rather rickety stairs to a dark hall, along which they passed to what seemed a great distance. At the end the Judge fumbled for some time, and by some means opened a low, heavy door leading into a room that reeked with the odor of tobacco and the fumes of wine. Passing across this by the light of a dim dormer window they reached a close passageway which led to another prison-like door, which the Judge managed to open after a great deal of trouble. The room that they now entered was exceedingly small – a mere cell in extent, as Coleman felt rather than saw, the walls, damp and grimy, being almost within reach on either hand.
"Stand here for one moment, please," said the Judge, touching Coleman's arm, "until I call a servant."
Then he stepped briskly back through the doorway and drew the solid shutter to with a hollow clang. Some strange echoes went wandering away as if from distance to distance, above, below, around, followed by absolute silence. A faint flicker of light came from above, but it seemed a reflection rather than a direct beam from the moon, and the air was close, heavy, atrociously bad.
Coleman stood amazed for a few moments before going to the door, which he found immovable. He groped around the wall only to discover that there was no other outlet.
CHAPTER III
Judge Favart de Caumartin's residence was a large, rambling structure, more like a hotel than like a private house. Considering that his wife was dead and that he had but one living child, a daughter of seventeen, it was strange that he kept up such an extensive establishment, in which, perhaps, twenty rooms stood richly furnished but unoccupied. It was his pleasure, however, and his pleasure was law.
Mlle. Olympe de Caumartin was greatly surprised when by merest chance she discovered Hepworth Coleman making himself quite at home in a remote room of the house. We have seen how she showed her confusion as she stepped into the doorway and found herself face to face with the young man. The glance that passed between them wrought a wonder in the heart of each. I shall not say that they fell in love at first sight. Love cannot be so accurately traced that its origin can be exactly found out in any particular case. It is enough to record that Mlle. Olympe de Caumartin caught something new, something sweet from that momentary gaze, and shut it up in her heart involuntarily, with a thrill that never again quite left her breast. She was back through halls and rooms to her own boudoir, her cheeks and lips rosy with excitement, and a gentle tremor in her limbs.
That evening in the library the Judge told his daughter that he had given a suit of rooms in the farthest wing of the mansion to a wealthy young gentleman from New York.
"I have had letters from Mr. Cartwright, my banker there, asking me to take care of him, and this seemed the best I could do under the circumstances. I did not see my way to bringing him any nearer to us. We don't care to have another member added to our family, eh, Olympe, dear?"
Mlle. de Caumartin blushed. She may have felt a touch of guilt because she could not muster courage to tell her father that she had already visited Mr. Coleman.
"I have not seen him yet," continued the Judge; "I thought it best to let him have some rest before calling upon him. Cartwright advises me that he is of an excellent family – a man to be given the greatest attention, and for my banker's sake, if for nothing else, I must meet the demand upon my hospitality. He came a fortnight earlier than I expected; but I had Jules watching for him, and you know Jules never fails."
"But you should have told me before, father dear," said Mlle. Olympe. "Only a while ago, while wandering through the distant wing of the house, I invaded this young gentleman's apartment. It surprised him evidently as much as it abashed me."
"The obvious moral of which is," replied the Judge quickly, "that you are hereafter to be more careful about what rooms you are stumbling into." As he spoke his dark oval face, with its fine, grave smile, was almost like a boy's. The flush that lay under the skin shone through with a suggestion of some repressed stimulus, as if a great passion had forced it up. In his eyes an underglow, so to call it, smoldered with fascinating vagueness.
Mlle. Olympe sat for a moment on his knee and stroked his long black hair.
"You will stay with me to-night, father, dear," she presently murmured, coaxingly; "you will not go out to-night."
"I must be gone a little while," he said, rising at once, "but just a little while."
She clung close to him.
"Not this night, please," she urged, with a touching tremor in her voice. "Oh! you remember this night a year ago you had that dreadful adventure in the dark room. You must not go out; please, for my sake, do not."
An expert observer could have seen while this was going on a strange, half-worried, almost fiercely concentrated expression in the Judge's eyes. It was as if he mightily wished to remain with his child, but could not by any effort resist some powerful temptation tugging at him and drawing him away.
He kissed her tenderly, pushed her gently from him and went out.
The girl cast herself upon a sofa and buried her face in her hands, as a vision of that night one year before came up before her eyes.
Some strange masked men had brought her father home far in the night, white as a ghost, helpless, speechless, apparently dead. They put him down there in the room and vanished.
He had no wound, no bruise, no mark of any violence. But he recovered very slowly, and he never told what had befallen him.
Mlle. Olympe knew of her father's frequent duels, and if he had been brought in dead or badly off on account of pistol ball or rapier thrust she would not have been surprised beyond measure, but this mysterious performance of the masked men and the unaccountable condition of the Judge were taken hold upon by her imagination and raised to the highest power of romantic meaning.
A year had passed, and she might not have recalled the exact anniversary but for the prattle of an old servant to the effect that she had seen her master, the Judge, marching at the head of a company of masked men, himself wearing an "invisible" mask and a queer black velvet cap.
Mlle. Olympe observed that her father was flushed as if with wine, and his bearing was indicative of some subtile and indescribable excitement within him. When he went away she felt that something startling was going to happen soon.
CHAPTER IV
When Hepworth Coleman suddenly found himself a prisoner in that close, dark room, he did not at first suspect any treachery on the part of Judge Favart de Caumartin. He expected that gentleman to return in the course of a few minutes, but this favorable impression was soon removed by certain startling events that crowded one upon another.
First a low, rumbling, clanging sound, like the beating of metallic gongs in the distance, came through the walls and filled the cell. Then as this died away to utter silence he heard tumultuous whispering all around, above, below. The thousand voices all seemed to be saying the same thing, which presently he made out to be the words: "The Krewe is coming; make ready for the Krewe!" When the whispering ended little purple lights began to flash here and there, but so mysteriously glinted that he could not locate them, and these were followed by phantom faces, wan, waxen, faintly luminous, appearing and fading instantly, succeeded by intense darkness.
Now, Hepworth Coleman was a man of iron nerve, an athlete in body and spirit, who, although full of romantic and poetic impulses, was at the base of his character as brave and steadfast as a lion. Still, even the best courage has its moment of faltering, and just at the point when one whole wall of his cell was withdrawn, so that he stood in the full glare of twenty brilliant chandeliers that lighted a large, gorgeously decorated hall, he felt the blood grow stiflingly heavy on his heart. Before him stood a file of fantastic figures, men oddly clad and strangely armed, who clashed their brazen shields together and pointed their swords at his breast. On the walls of the spacious room hung weird-looking trophies, skulls, pictures of dead men, ghastly and livid, pistols, swords, and strange banners. The floor was carpeted with heavy Persian tapestry, thickly padded underneath.
Coleman stood gazing while the file of armed men – perhaps platoon would be more correct – went through some silent but intricate evolutions after beating their shields together and threatening him with their swords. When the movements were ended one of the masters came up to him and struck him lightly with the flat of his weapon across the cheek, saying in a loud whisper:
"Beware! you are in imminent danger."
Coleman took him at his word and instantly let go a blow from the shoulder. His close-set fist met the masker's jaw with a sound of crushing pasteboard, and down went the man outstretched at full length on the floor, his shield and sword giving forth a muffled clang as they crossed upon the soft carpet.
Quick as a cat Coleman leaped forward and picked up the sword, a beautiful rapier, and, assuming a defensive attitude, cried out boldly:
"Come one at a time and I will fight you all!"
The fantastic figures looked at one another with evident questioning, though not a word was said.
Meantime the fallen one scrambled to his feet and swore two or three bitter French oaths. The leader rebuked him with gestures.
"Come one at a time, you cowardly villains," repeated Coleman, "and I'll soon finish you all. Come on, the first one, if you dare meet a man!"
He was terribly angry, but his voice was steady and even.
There was a space of silence. Then the leader said something to one of the men, who immediately cast aside his shield and advanced with his rapier.
It was a short conflict. Coleman disarmed his antagonist with ease in less than a minute.
Another man came on and shared the same fate, with the addition of a prick through the wrist of the sword-arm.
This was exhilarating to Coleman in his exasperation at being made the butt of some mysterious trick.
"Come next," he cried; "I want the best of you – and the best is a coward. Come on!"
Evidently the mystic band now felt the gravity that the occasion was assuming. The maskers looked to their leader.
"Don't stand there afraid," sneered Coleman; "come on and get your turn. Who's next?"
One after another responded, only to fare badly. As yet, however, all had escaped without deadly hurt, when the leader himself made ready to fight. Those who had come to grief were quietly cared for by others, and all seemed to treat the proceedings as by no means startling or even unusual.
When the leader threw aside his shield and took off his tall plume-covered hat, Coleman was able to recognize Judge Favart de Caumartin, more by his form and bearing than by any disclosure of his features.
As the Judge handled his rapier, all the company of maskers, even the sorely-wounded ones, came forward to look on with eager expectation. His was steel that never yet had failed to find the vitals of his opponent. But, on the other hand, there stood Coleman, steadfast and alert, the very picture of strength and will, and the embodiment of quickness and certainty, his sword bearing at its point a tiny red clot of blood.
They looked with straining eyes and did not feel sure of the result even with their captain as their champion.
"Come on, sir, and take your punishment, you cowardly leader of cowards!" exclaimed Coleman in a most exasperating tone. "Don't stand there dreading it. Pluck up a little nerve and come on!"
It is useless to say that Judge Favart de Caumartin needed no bullying of this sort to urge him into combat. With beautiful swiftness and grace he sprang forward and at once took the offensive. Then followed sword play that was amazing to look at. Each combatant showed that mastery of the fencing art which makes the weapon appear to be a part of the man. So swiftly leaped the shining shafts of steel that the eye saw only fine symmetrical figures shimmering between the fighters, while spangles of fire leaped from the crossing edges. Coleman felt at once that he had met his match; the Judge tingled with the discovery that here at last was a master.
From the first it was a fight to the death if possible. Neither could hope to disarm the other, nor was there probability of any mere disablement ending the contest. The watchers, looking on in breathless suspense, heard with intensely straining ears the almost magically rapid clinking of the blades.
Coleman fought as if with the energy of all the accumulated romance of his recent experiences, half recognizing, as he parried and thrust and feinted and recovered guard, the vivid picturesqueness, the melodramatic unreality, and yet the deadly intensity of the situation. He did not know where he was or why he had been brought there. The whole affair had mystery enough in it to have destroyed the will power of any weaker man; but to him, while the strangeness affected his imagination, there was nothing in the matter to make him falter or to weaken the force of his arm. A fine glow of enthusiasm flashed indeed into his blood, and with it an access of cunning grace and swift certainty of hand and eye. The feeling prevailed that he had in some strange way stepped out of the real world into the world of romance, and as he fought, the charm of heroism fell upon him, and, like the knights of old, he felt the strength of a glorious desperation. All round him the vague spirit of dreamland seemed to hover, though the hideous pictures of skeletons and cadavers gleamed real enough in the glare of the chandeliers. What inspired him most, however, was the knowledge that he was trying his force with that of the greatest duellist in the world, and one who had always killed his man.
There was something more that gave spirit and courage to Coleman: he was in some indirect way remembering the beautiful girl who had appeared at the door of his room, and he half imagined that he was doing battle for the right to know more of her. Youth is a mystery in itself, and love knows no law of origin or of progress. By some cerebral slight, some trick of thinking under a thought, so to say, Coleman was making a love dream keep time to the ringing strokes of his sword. A girl whose name he did not know, whose voice he had never heard, was inspiring him as he strained every nerve.
As the combat proceeded, the lookers-on saw that Coleman's play was new to the Judge, who found great difficulty in meeting and parrying certain eccentric movements that invariably ended in a thrust of lightning quickness. Presently the Judge tore off his mask with his left hand. He had to do this at the risk of his life, for he could not breath freely with it on. But his great skill saved him even then; nay, more, it came near giving him the victory. As Coleman lunged, the agile creole leaped aside and returned quickly with a wicked thrust that barely reached his adversary's breast, piercing it to the depth of a half inch.
Now the fight took on more of passion and less of grace, as if the men felt that it was to be a test of strength at last. Round and round, back and forth, this way and that, they leaped, and recoiled, and advanced; their faces – one dark and beautiful as a southern night, the other fair and magnetic as a New England June day – fixed and staring, the white froth gathering on their lips.
When the end came it was like nothing ever before witnessed in a New Orleans duel. How it happened not one of the observers could tell; but the two men appeared to rush into each other's arms, and then it was seen that each had run the other through.
That broke the charm. The masked men sprang forward and separated the combatants, and all began to speak at once.