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The Cynic's Word Book

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FAIRY, n. A creature, variously fashioned and endowed, that formerly inhabited the meadows and forests. It was nocturnal in its habits, and somewhat addicted to dancing and theft of children. The fairies are now believed by naturalists to be extinct, though a clergyman of the Church of England saw three near Colchester as lately as 1855, while passing through a park after dining with the lord of the manor. The sight greatly staggered him, and he was so affected that his account of it was incoherent. In the year 1807 a troop of fairies visited a wood near Aix and carried off the daughter of a peasant, who had been seen to enter it with a bundle of clothing. The son of a wealthy bourgeois disappeared about the same time, but afterward returned. He had seen the abduction and been in pursuit of the fairies. Justinian Gaux, a writer of the fourteenth century, avers that so great is the fairies' power of transformation that he saw one change itself into two opposing armies and fight a battle with great slaughter, and that the next day, after it had resumed its original shape and gone away, there were seven hundred bodies of the slain which the villagers had to bury. He does not say if any of the wounded recovered. In the time of Henry III, of England, a law was made which prescribed the death penalty for "Kyllynge, wowndynge, or mamynge" a fairy, and it was universally respected.

FAITH, n. Belief without evidence in what is told by one who speaks without knowledge of things without parallel.

FAMOUS, adj. Conspicuously miserable.

 
     Done to a turn on the iron, behold
     Him who to be famous aspired.
 
 
     Content? Well, his grill has a plating of gold,
     And his twistings are greatly admired.
 
 
     Hassan Brubuddy.
 

FASHION, n. A deity whom the wise ridicule, yet the discreet obey.

 
     A king there was who lost an eye
     In some excess of passion;
     And straight his courtiers all did try
     To follow the new fashion.
 
 
     Each dropped one eyelid when before
     The throne he ventured, thinking
     'T would please the king. That monarch swore
     He'd slay them all for winking.
 
 
     What should they do? They were not hot
     To hazard such disaster;
     They dared not close an eye – dared not
     See better than their master.
 
 
     Seeing them lacrymose and glum,
     A leech consoled the weepers:
     He spread small rags with liquid gum
     And covered half their peepers.
 
 
     The court all wore the stuff, the flame
     Of royal anger dying.
     That 's how court-plaster got its name
     Unless I'm greatly lying.
 
 
     Naramy Oof.
 

FEAST, n. A festival. A religious celebration signalized by gluttony and drunkenness, frequently in honor of some holy person distinguished for abstemiousness. In the Roman Catholic Church feasts are "movable" and "immovable," but the celebrants are uniformly immovable until they are full. In their earliest development these entertainments took the form of feasts for the dead; such were held by the Greeks, under the name of Nemeseia, by the Aztecs and Peruvians, as in modern times they are popular with the Chinese; though it is believed that the ancient dead, like the modern, were light eaters. Feasts on the dead are celebrated with great éclat in Fiji. Among the many feasts of the Romans was the Novemdiale, which was held, according to Livy, whenever stones fell from heaven. Of all the feast days of the various Christian churches none has any sanction in the gospel. Men make gods of their bellies, and then these gods ordain festivals.

FELON, n. A person of greater enterprise than discretion, who in embracing an opportunity has formed an unfortunate attachment.

FEMALE, n. One of the opposing, or unfair, sex.

 
     The Maker, at Creation's birth,
     With living things had stocked the earth.
     From elephants to bats and 'snails,
     They all were good, for all were males.
     But when the Devil came and saw
     He said: "By Thine eternal law
     Of growth, maturity, decay,
     These all must quickly pass away
     And leave untenanted the earth
     Unless Thou dost establish birth" —
     Then tucked his head beneath his wing
     To laugh – he had no sleeve – the thing
     With deviltry did so accord,
     That he'd suggested to the Lord.
     The Master pondered this advice,
     Then shook and threw the fateful dice
     Wherewith all matters here below
     Are ordered, and observed the throw;
     Then bent His head in awful state,
     Confirming the decree of Fate.
     From every part of earth anew
     The conscious dust consenting flew,
     While rivers from their courses rolled
     To make it plastic for the mould.
     Enough collected (but no more,
     For niggard Nature hoards her store)
     He kneaded it to flexile clay,
     While Nick unseen threw some away.
     And then the various forms He cast,
     Gross organs first and fine the last;
     No one at once evolved, but all
     By even touches grew and small
     Degrees advanced, till, shade by shade,
     To match all living things, He'd made
     Females, complete in all their parts
     Except (His clay gave out) the hearts.
     "No matter," Satan cried; "with speed
     I 'll fetch the very hearts they need" —
     So flew to Hell and soon brought back
     The number needed, in a sack.
     That night earth rang with sounds of strife —
     Ten million males had each a wife;
     That night sweet Peace her pinions spread
     O'er Hell – ten million devils dead!
 
 
     G.J.
 

FIB, n. A lie that has not cut its teeth. An habitual liar's nearest approach to truth: the perigee of his eccentric orbit.

 
     When David said: "All men are liars," Dave,
     Himself a liar, fibbed like any thief.
     Perhaps he thought to weaken disbelief
     By proof that even himself was not a slave
     To Truth; though I suspect the aged knave
     Had been of all her servitors the chief
     Had he but known a fig's reluctant leaf
     Is more than e'er she wore on land or wave.
     No, David served not the Naked Truth when he
     Struck that sledge-hammer blow at all his race;
     Nor did he hit the nail upon the head:
     For reason shows that it could never be,
     And the facts contradict him to his face.
     Men are not liars all, for some are dead.
 
 
     Bartle Quinker.
 

FICKLENESS, n. The iterated satiety of an enterprising affection.

FIDDLE, n. An instrument to tickle human ears by friction of a horse's tail on the entrails of a cat.

 
     To Rome said Nero: "If to smoke you turn
     I shall not cease to fiddle while you burn."
     To Nero Rome replied: "Pray do your worst,
     'T is my excuse that you were fiddling first."
 
 
     Orm Pludge.
 

FIDELITY, n. A virtue peculiar to those who are about to be betrayed.

FINANCE, n. The art or science of managing revenues and resources for the best advantage of the manager. The pronunciation of this word with the i long and the accent on the first syllable is one of America's most precious discoveries and possessions.

FLAG, n. A colored rag borne above troops and hoisted on forts and ships. It appears to serve the same purpose as certain signs that one sees on vacant lots in London – "Rubbish may be shot here."

FLESH, n. The Second Person of the secular Trinity.

FLOP, v. Suddenly to change one's opinions and go over to another party. The most notable flop on record was that of Saul of Tarsus, who has been severely criticised by some of our partisan journals.

FLY-SPECK, The prototype of punctuation. It is observed by Garvinus that the systems of punctuation in use by the various literary nations depended originally upon the social habits and general diet of the flies infesting the several countries. These creatures, which have always been distinguished for a neighborly and companionable familiarity with authors, liberally or niggardly embellish the manuscripts in process of growth under the pen, according to their bodily habit, bringing out the sense of the work by a species of interpretation superior to, and independent of, the writer's powers. The "old masters" of literature – that is to say, the early writers whose work is so esteemed by later scribes and critics in the same language – never punctuated at all, but worked right along free-handed, without that abruption of' the thought which comes from the use of points. (We observe the same thing in children to-day, whose usage in this particular is a striking and beautiful instance of the law that the infancy of individuals reproduces the methods and stages of development characterizing the infancy of races.) In the work of these primitive scribes all the punctuation is found, by the modern investigator with his optical instruments and chemical tests, to have been inserted by the writers' ingenious and serviceable collaborator, the common house-fly —Musca maledicta. In transcribing these ancient MSS, for the purpose either of making the work their own or preserving what they naturally regard as divine revelations, later writers reverently and accurately copy whatever marks they find upon the papyrus or parchment, to the unspeakable enhancement of the lucidity of the thought and value of the work. Writers contemporary with the copyists naturally avail themselves of the obvious advantages of these marks in their own work, and with such assistance as the flies of their own household may be willing to grant, frequently rival and sometimes surpass the older compositions, in respect at least of punctuation, which is no small glory. Fully to understand the important services that flies perform to literature it is only necessary to lay a page of some popular novelist alongside a saucer of cream-and-molassess in a sunny room and observe "how the wit brightens and the style refines" in accurate proportion to the duration of exposure.

 

FOLLY, n. That "gift and faculty divine" whose creative and controlling energy inspires Man's mind, guides his actions, and adorns his life.

 
     Folly! although Erasmus praised thee once
     In a thick volume, and all authors known,
     If not thy glory yet thy power have shown,
     Deign to take homage from thy son who hunts
     Through all thy maze his brothers, fool and dunce,
     Their lives to mend and to sustain his own,
     However feebly be his arrows thrown,
     Howe'er each hide the flying weapon blunts.
 
 
     All-Father Folly! be it mine to raise,
     With lusty lung, here on this western strand
     With all thine offspring thronged from every land,
     Thyself inspiring me, the song of praise.
     And if too weak, I 'll hire, to help me bawl,
     Dick Watson Gilder, gravest of us all.
 
 
     Aramis Loto Frope
 

FOOL, n. A person who pervades the domain of intellectual speculation and diffuses himself through the channels of moral activity. He is omnific, omniform, omnipercipient, omniscient, omnipotent. He it was who invented letters, printing, the railroad, the steamboat, the telegraph, the platitude, and the circle of the sciences. He created patriotism and taught the nations war – founded theology, philosophy, law, medicine, and San Francisco. He established monarchical and republican government. He is from everlasting to everlasting – such as creation's dawn beheld he fooleth now. In the morning of time he sang upon primitive hills, and in the noonday of existence headed the procession of being. His grandmotherly hand has warmly tucked-in the set sun of civilization, and in the twilight he prepares Man's evening meal of milkand-morality and turns down the covers of the universal grave. And after the rest of us shall have retired for the night of eternal oblivion, he will sit up to write a history of human civilization.

FORCE, n.

 
     "Force is but might," the teacher said —
     "That definition 's just."
 
 
     The boy said naught but thought instead,
     Remembering his pounded head:
     "Force is not might but must!"
 

FOREFINGER, n. The finger commonly used in pointing out two malefactors.

FOREORDINATION, n. This looks like an easy word to define, but when I consider that pious and learned theologians have spent long lives in explaining it, and written libraries to explain their explanations; when I remember that nations have been divided and bloody battles caused by the difference between foreordination and predestination, and that millions of treasure have been expended in the effort to prove and disprove its compatibility with freedom of the will and the efficacy of prayer, praise, and a religious life, – recalling these awful facts in the history of the word, I stand appalled before the mighty problem of its signification, abase my spiritual eyes, fearing to contemplate its portentous magnitude, reverently uncover and humbly refer it to His Eminence Cardinal Gibbons and His Grace Bishop Potter.

FORGETFULNESS, n. A gift of God bestowed upon debtors in compensation for their destitution of conscience.

FORK, n. An instrument used chiefly for the purpose of putting dead animals into the mouth. Formerly the knife was employed for this purpose, and by many worthy persons is still thought to have many advantages over the other tool, which, however, they do not altogether reject, but use to assist in charging the knife. The immunity of these persons from swift and awful death is one of the most striking proofs of God's mercy to those that hate Him.

FORMA PAUPERIS [Latin], n. In the character of a poor person – a method by which a litigant without money for lawyers is considerately permitted to lose his case.

 
     When Adam long ago in Cupid's awful court
     (For Cupid ruled ere Adam was invented)
     Sued for Eve's favor, says an ancient law report,
     He stood and pleaded unhabilimented.
 
 
     "You sue in forma pauperis, I see," Eve cried;
     "Actions can't here be that way prosecuted."
     So all poor Adam's motions coldly were denied:
     He went away – as he had come – nonsuited.
 
 
     G. J.
 

FRANKALMOIGNE, n. The tenure by which a religious corporation holds lands on condition of praying for the soul of the donor. In mediaeval times many of the wealthiest fraternities obtained their estates in this simple and cheap manner, and once when Henry VIII of England sent an officer to confiscate certain vast possessions which a fraternity of monks held by frankalmoigne, "What!" said the Prior, "would your master stay our benefactor's soul in Purgatory?" "Ay," said the officer, coldly, "an ye will not pray him thence for naught he must e'en roast." "But look you, my son," persisted the good man, "this act hath rank as robbery of God!" "Nay, nay, good father, my master the king doth but deliver Him from the manifold temptations of too great wealth."

FREEBOOTER, n. A conqueror in a small way of business, whose annexations lack the sanctifying merit of magnitude.

FREEDOM, n. Exemption from the stress of authority in a beggarly half dozen of restraint's infinite multitude of methods. A political condition that every nation supposes itself to enjoy in practical monopoly. Liberty. The distinction between freedom and liberty is not accurately known; naturalists have never been able to find a living specimen of either.

 
     Freedom, as every schoolboy knows,
     Once shrieked as Kosciusko fell;
     On every wind, indeed, that blows
     I hear her yell.
 
 
     She screams whenever monarchs meet,
     And parliaments as well,
     To bind the chains about her feet
     And toll her knell.
 
 
     And when the sovereign people cast
     The votes they cannot spell,
     Upon the lung-impested blast
     Her clamors swell.
 
 
     For all to whom the power's given
     To sway or to compel,
     Among themselves apportion heaven
     And give her hell.
 
 
     Blary O' Gary,
 

FREEMASONS, n. An order with secret rites, grotesque ceremonies, and fantastic costumes, which, originating in the reign of Charles II, among working artisans of London, has been joined successively by the dead of past centuries in unbroken retrogression until now it embraces all the generations of man on the hither side of Adam and is drumming up distinguished recruits among the pre-Creational inhabitants of Chaos and the Formless Void. The order was founded at different times by Charlemagne, Julius Caesar, Cyrus, Solomon, Zoroaster, Confucius, Thothmes, and Buddha. Its emblems and symbols have been found in the Catacombs of Paris and Rome, on the stones of the Parthenon and the Chinese Great Wall, among the temples of Karnak and Palmyra and in the Egyptian Pyramids – always by a Freemason.

FRIENDLESS, adj. Having no favors to bestow. Destitute of fortune. Addicted to utterance of truth and common sense.

FRIENDSHIP, n. A ship big enough to carry two in fair weather, but none in foul.

 
     The sea was calm and the sky was blue;
     Merrily, merrily sailed we two.
     (High barometer maketh glad.)
     On the tipsy ship, with a dreadful shout,
     The tempest descended and we fell out.
     (O the walking is nasty bad!)
 
 
     Armit Huff Bettle.
 

FROG, n. An amphibious reptile with edible kickers. When young, this creature is called a Mary wog or Thaddeuspole, and as such maintains a tail, subsequently eschewed. The first mention of frogs in profane literature is in Homer's narrative of the war between them and the mice. Skeptical persons have doubted Homer's authorship of the work, but the learned, ingenious, and industrious Dr. Schliemann has set the question forever at rest by uncovering the bones of the slain frogs. One of the forms of moral suasion by which Pharaoh was lobbied in favor of the Israelites was a plague of frogs, but Pharaoh, who liked them fricasêe, remarked, with truly oriental stoicism, that he could stand it as long as the frogs and the Jews could; so the programme was changed. The frog is a diligent songster, having a good voice but no ear. The libretto of his favorite opera, as written by Aristophanes, is brief, simple, and effective – "brekekex-koâx"; the music is apparently by that eminent composer, Richard Wagner. Horses have a frog in each hoof – a thoughtful provision of nature, enabling them to jump.

FRYING-PAN, n. One part of the penal apparatus employed in that hell-upon-earth, a woman's kitchen. The frying-pan was invented by Calvin, and by him used in scrambling span-long infants that had died without baptism; but observing one day the horrible torment of a tramp who had incautiously pulled a fried babe from the waste-dump and devoured it, it occurred to the great divine to rob death of its terrors by introducing the frying-pan into every household in Geneva. Thence it spread to all corners of the world, and has been of invaluable assistance in the propagation of his sombre faith. The following lines (said to be from the pen of His Grace Bishop Potter) seem to imply that the usefulness of this utensil is not limited to this world; but as the consequences of its employment in this life reach over into the life to come, so also itself may be found on the other side, rewarding its devotees:

 
     Old Nick was summoned to the skies.
     Said Peter: "Your intentions
     Are good, but you lack enterprise
     Concerning new inventions.
 
 
     "Now, broiling is an ancient plan
     Of torment, but I hear it
     Reported that the frying-pan
     Sears best the wicked spirit.
 
 
     "Go get one – fill it up with fat —
     Fry sinners brown and good in 't."
     "I know a trick worth two o' that,"
     Said Nick – "I 'll cook their food in't."
 

FUNERAL, n. A pageant whereby we attest our respect for the dead by enriching the undertaker, and strengthen our grief by an expenditure that deepens our groans and doubles our tears.

 
     The savage dies – they sacrifice a horse
     To bear to happy hunting-grounds the corse.
     Our friends expire – we make the money fly
     In hope their souls will chase it through the sky.
 
 
     Jex Wopley.
 

FUTURE, n. That period of time in which our affairs prosper, our friends are true, and our happiness is assured.

Q

GALLOWS, n. A stage for the performance of miracle plays, in which the leading actor is translated to heaven. In this country the gallows is chiefly remarkable for the number of persons who escape it.

 
     Whether on the gallows high
     Or where blood flows the reddest.
     The noblest place for man to die —
     Is where he dies the deadest.
 
 
     Old Play.
 

GARGOYLE, n. A rain-spout projecting from the eaves of mediæval buildings, commonly fashioned into a grotesque caricature of some personal enemy of the architect or owner of the building. This was especially the case in churches and ecclesiastical structures generally, in which the gargoyles presented a perfect rogues' gallery of local heretics and controversialists. Sometimes when a new dean and chapter were installed the old gargoyles were removed and others substituted having a closer relation to the private animosities of the new incumbents.

 

GARTER, n. An elastic band intended to keep a woman from coming out of her stockings and desolating the country. An order of merit established by Edward III of England, and conferred upon persons who have distinguished themselves in the royal favor.

GENEROUS, adj. Originally this word meant noble by birth and was rightly applied to a great multitude of persons. It now means noble by nature, and is taking a bit of a rest.

GENEALOGY, n. An account of one's descent from an ancestor who did not particularly care to trace his own.

GENTEEL, adj. Refined, after the fashion of a gent.

 
     Observe with care, my son, the distinction I reveal:
     A gentleman is gentle and a gent genteel.
     Heed not the definitions your "Unabridged" presents,
     For dictionary makers are generally gents.
 
 
     G.J.
 

GEOGRAPHER, n. A chap who can tell you offhand the difference between the outside of the world and the inside.

 
     Habeam, geographer of wide renown,
     Native of Abu-Keber's ancient town,
     In passing thence along the river Zam
     To the adjacent village of Xelam,
     Bewildered by the multitude of roads,
     Got lost, lived long on migratory toads,
     Then from exposure miserably died,
     And grateful travellers bewailed their guide.
 
 
     Henry Haukhorn.
 

GEOLOGY, n. The science of the earth's crust – to which, doubtless, will be added that of its interior whenever a man shall come up garrulous out of a well. The geological formations of the globe already noted are catalogued thus: The Primary, or lower one, consists of rocks, bones of mired mules, gaspipes, miners' tools, antique statues minus the nose, Spanish doubloons, and ancestors. The Secondary is largely made up of red worms and moles. The Tertiary comprises railway tracks, patent pavements, grass, snakes, mouldy boots, beer bottles, tomato cans, intoxicated citizens, garbage, anarchists, snap-dogs, and fools.

GHOST, n. The outward and visible sign of an inward fear.

 
     He saw a ghost.
     It occupied – that dismal thing! —
     The path that he was following.
     Before he 'd time to stop and fly,
     An earthquake trifled with the eye
     That saw a ghost.
 
 
     He fell as fall the early good;
     Unmoved that awful spectre stood.
     The stars that danced before his ken
     He wildly brushed away, and then
     He saw a post.
 
 
     Jared Macphester.
 

Accounting for the uncommon behavior of ghosts, Heine mentions somebody's ingenious theory to the effect that they are as much afraid of us as we of them. Not quite, if I may judge from such tables of comparative speed as I am able to compile from memories of my own experience.

There is one insuperable obstacle to a belief in ghosts. A ghost never comes naked: he appears either in a winding-sheet or "in his habit as he lived." To believe in him, then, is to believe that not only have the dead the power to make themselves visible after there is nothing left of them, but that the same extraordinary gift inheres in textile fabrics. Supposing the products of the loom to have this ability, what object would they have in exercising it? And why does not the apparition of a suit of clothes sometimes walk abroad without a ghost in it? These be riddles of significance. They reach away down and get a convulsive grasp on the very tap-root of this flourishing faith.

GHOUL, n. A demon addicted to the reprehensible habit of devouring the dead. The existence of ghouls has been disputed by that class of controversialists who are more concerned to deprive the world of comforting beliefs than give it anything good in their place, but nobody now seriously denies it. In 1640 Father Seechi saw one in a cemetery near Florence and frightened it away with the sign of the cross. He describes it as gifted with several heads and an uncommon allowance of limbs, and he saw it in more than one place at a time. The good man was coming away from dinner at the time and explains that if he had not been "heavy with eating" he would have seized the demon at all hazards. Atholston relates that a ghoul was caught by some sturdy peasants in a churchyard at Sudbury and ducked in a horsepond. (He appears to think that so distinguished a criminal should have been ducked in a tank of rose-water.) The water turned at once to blood "and so contynues unto ys daye." The pond has since been bled with a ditch. As late as the beginning of the last century a ghoul was cornered in the crypt of the cathedral at Amiens and the whole population surrounded the place. Twenty armed men with a priest at their head, bearing a crucifix, entered and captured the ghoul, which, thinking to escape by the stratagem, had transformed itself to the semblance of a well-known citizen, but was nevertheless hanged, drawn and quartered in the midst of hideous popular orgies. The citizen whose shape the demon had assumed was so affected by the sinister occurrence that he never again showed himself in Amiens and his fate remains a mystery.

GLUTTON, n. A person who escapes the evils of moderation by committing dyspepsia.

GNOME, n. In North-European mythology, a dwarfish imp inhabiting the interior parts of the earth and having special custody of mineral treasures. Bjorsen, who died in 1765, says gnomes were common enough in the southern parts of Sweden in his boyhood, and he frequently saw them scampering on the hills in the evening twilight. Ludwig Binkerhoof saw three as recently as 1792, in the Black Forest, and Sneddeker avers that in 1803 they drove a party of miners out of a Silesian mine. Basing our computations upon data supplied by these statements, we find that the gnomes probably became extinct about 1640.

GNOSTICS, n. A sect of philosophers who tried to engineer a fusion between the early Christians and the Platonists. The former would not go into the caucus and the combination failed, greatly to the chagrin of the fusion managers.

GNU, n. An animal of South Africa, which in its domesticated state resembles a horse, a buffalo, and a stag. In its wild condition it is something like a thunderbolt, an earthquake, and a cyclone.

 
     A hunter from Kew caught a distant view
     Of a peacefully meditative gnu,
     And he said: "I'll pursue, and my hands imbrue
     In its blood at a closer interview."
     But that beast did ensue and the hunter it threw
     O'er the top of a palm that adjacent grew;
     And he said as he flew: "It is well I withdrew
     Ere, losing my temper, I wickedly slew
     That really meritorious gnu."
 
 
     Jarn Leffer.
 

GOOD, adj. Sensible, madam, to the worth of this present writer. Alive, sir, to the advantages of letting him alone.

GOOSE, n. A bird that supplies quills for writing. These, by some occult process of nature, are penetrated and suffused with various degrees of the bird's intellectual energies and emotional character, so that when inked and drawn mechanically across paper by a person called an "author," there results a very fair and accurate transcript of the fowl's thought and feeling. The difference in geese, as discovered by this ingenious method, is considerable: many are found to have only trivial and insignificant powers, but some are seen to be very great geese indeed.

GORGON, n.

 
     The Gorgon was a maiden bold
     Who turned to stone the Greeks of old
     Who looked upon her awful brow.
     We dig them out of ruins now,
     And swear that workmanship so bad
     Proves all the ancient sculptors mad.
 

GOUT, n. A physician's name for the rheumatism of a rich patient.

GRACES, n. Three beautiful goddesses, Aglaia, Thalia, and Euphrosyne, who attended upon Venus, serving without salary. They were at no expense for board and clothing, for they ate nothing to speak of and dressed according to the weather, wearing whatever breeze happened to be blowing.

GRAMMAR, n. A system of pitfalls thoughtfully prepared for the feet of the self-made man, along the path by which he advances upon our understanding.

GRAPE, n.

 
     Hail noble fruit! – by Homer sung,
     Anacreon and Khayyam;
     Thy praise is ever on the tongue
     Of better men than I am.
 
 
     The lyre my hand has never swept,
     The song I cannot offer:
     My humbler service pray accept —
     I 'll help to kill the scoffer.
 
 
     The water-drinkers and the cranks
     Who load their skins with liquor —
     I 'll gladly bare their belly-tanks
     And tap them with my sticker.
 
 
     Fill up, fill up, for wisdom cools
     When e'er we let the wine rest.
     Here's death to Prohibition's fools
     And every kind of vine-pest!
 
 
     Jamrach Holobom.
 

GRAPESHOT, n. An argument which the future is preparing in answer to the demands of American Socialism.

GRAVE, n. A place in which the dead are laid to await the coming of the medical student.

 
     Beside a lonely grave I stood —
     With brambles 't was encumbered;
     The winds were moaning in the wood,
     Unheard by him who slumbered.
 
 
     A rustic standing near, I said:
     "He cannot hear it blowing!"
     "'Course not," said he: "the feller's dead —
     He can't hear nowt that's going."
 
 
     "Too true," I said; "alas, too true —
     No sounds his sense can quicken!"
     "Well, Mister, wot is that to you? —
     The deadster ain't a kickin'."
 
 
     I knelt and prayed: "O Father smile
     On him, and mercy show him!"
     That countryman looked on the while,
     And said: "Ye did n't know him."
 
 
     Pobeter Dunk.
 

GRAVITATION, n. The tendency of all bodies to approach one another with a strength proportioned to the quantity of matter they contain – the quantity of matter they contain being ascertained by the strength of their tendency to approach one another. This is a lovely and edifying illustration of how science, having made A the proof of B, makes B the proof of A.