The Man in the Iron Mask

CHAPTER 3 Who Messire Jean Percerin Was.

The king’s tailor, Messire Jean Percerin, occupied a rather large house in the Rue St. Honore, near the Rue de l’Arbre Sec. He was a man of great taste in elegant stuffs, embroideries, and velvets, being hereditary tailor to the king. The preferment of his house reached as far back as the time of Charles IX.; from whose reign dated, as we know, fancy in bravery difficult enough to gratify. The Percerin of that period was a Huguenot, like Ambrose Pare, and had been spared by the Queen of Navarre, the beautiful Margot, as they used to write and say, too, in those days; because, in sooth, he was the only one who could make for her those wonderful riding-habits which she so loved to wear, seeing that they were marvelously well suited to hide certain anatomical defects, which the Queen of Navarre used very studiously to conceal. Percerin being saved, made, out of gratitude, some beautiful black bodices, very inexpensively indeed, for Queen Catherine, who ended by being pleased at the preservation of a Huguenot people, on whom she had long looked with detestation. But Percerin was a very prudent man; and having heard it said that there was no more dangerous sign for a Protestant than to be smiled upon by Catherine, and having observed that her smiles were more frequent than usual, he speedily turned Catholic with all his family; and having thus become irreproachable, attained the lofty position of master tailor to the Crown of France. Under Henry III., gay king as he was, this position was a grand as the height of one of the loftiest peaks of the Cordilleras. Now Percerin had been a clever man all his life, and by way of keeping up his reputation beyond the grave, took very good care not to make a bad death of it, and so contrived to die very skillfully; and that at the very moment he felt his powers of invention declining. He left a son and a daughter, both worthy of the name they were called upon to bear; the son, a cutter as unerring and exact as the square rule; the daughter, apt at embroidery, and at designing ornaments. The marriage of Henry IV. and Marie de Medici, and the exquisite court-mourning for the afore-mentioned queen, together with a few words let fall by M. de Bassompiere, king of the beaux of the period, made the fortune of the second generation of Percerins. M. Concino Concini, and his wife Galligai, who subsequently shone at the French court, sought to Italianize the fashion, and introduced some Florentine tailors; but Percerin, touched to the quick in his patriotism and his self-esteem, entirely defeated these foreigners, and that so well that Concino was the first to give up his compatriots, and held the French tailor in such esteem that he would never employ any other, and thus wore a doublet of his on the very day that Vitry blew out his brains with a pistol at the Pont du Louvre.

And so it was a doublet issuing from M. Percerin’s workshop, which the Parisians rejoiced in hacking into so many pieces with the living human body it contained. Notwithstanding the favor Concino Concini had shown Percerin, the king, Louis XIII., had the generosity to bear no malice to his tailor, and to retain him in his service. At the time that Louis the Just afforded this great example of equity, Percerin had brought up two sons, one of whom made his debut at the marriage of Anne of Austria, invented that admirable Spanish costume, in which Richelieu danced a saraband, made the costumes for the tragedy of “Mirame,” and stitched on to Buckingham’s mantle those famous pearls which were destined to be scattered about the pavements of the Louvre. A man becomes easily notable who has made the dresses of a Duke of Buckingham, a M. de Cinq-Mars, a Mademoiselle Ninon, a M. de Beaufort, and a Marion de Lorme. And thus Percerin the third had attained the summit of his glory when his father died. This same Percerin III., old, famous and wealthy, yet further dressed Louis XIV.; and having no son, which was a great cause of sorrow to him, seeing that with himself his dynasty would end, he had brought up several hopeful pupils. He possessed a carriage, a country house, men-servants the tallest in Paris; and by special authority from Louis XIV., a pack of hounds. He worked for MM. de Lyonne and Letellier, under a sort of patronage; but politic man as he was, and versed in state secrets, he never succeeded in fitting M. Colbert. This is beyond explanation; it is a matter for guessing or for intuition. Great geniuses of every kind live on unseen, intangible ideas; they act without themselves knowing why. The great Percerin (for, contrary to the rule of dynasties, it was, above all, the last of the Percerins who deserved the name of Great), the great Percerin was inspired when he cut a robe for the queen, or a coat for the king; he could mount a mantle for Monsieur, the clock of a stocking for Madame; but, in spite of his supreme talent, he could never hit off anything approaching a creditable fit for M. Colbert. “That man,” he used often to say, “is beyond my art; my needle can never dot him down.” We need scarcely say that Percerin was M. Fouquet’s tailor, and that the superintendent highly esteemed him. M. Percerin was nearly eighty years old, nevertheless still fresh, and at the same time so dry, the courtiers used to say, that he was positively brittle. His renown and his fortune were great enough for M. le Prince, that king of fops, to take his arm when talking over the fashions; and for those least eager to pay never to dare to leave their accounts in arrear with him; for Master Percerin would for the first time make clothes upon credit, but the second never, unless paid for the former order.

It is easy to see at once that a tailor of such renown, instead of running after customers, made difficulties about obliging any fresh ones. And so Percerin declined to fit bourgeois, or those who had but recently obtained patents of nobility. A story used to circulate that even M. de Mazarin, in exchange for Percerin supplying him with a full suit of ceremonial vestments as cardinal, one fine day slipped letters of nobility into his pocket.

It was to the house of this grand llama of tailors that D’Artagnan took the despairing Porthos; who, as they were going along, said to his friend, “Take care, my good D’Artagnan, not to compromise the dignity of a man such as I am with the arrogance of this Percerin, who will, I expect, be very impertinent; for I give you notice, my friend, that if he is wanting in respect I will infallibly chastise him.”

“Presented by me,” replied D’Artagnan, “you have nothing to fear, even though you were what you are not.”

“Ah! ’tis because—”

“What? Have you anything against Percerin, Porthos?”

“I think that I once sent Mouston to a fellow of that name.”

“And then?”

“The fellow refused to supply me.”

“Oh, a misunderstanding, no doubt, which it will be now exceedingly easy to set right. Mouston must have made a mistake.”

“Perhaps.”

“He has confused the names.”

“Possibly. That rascal Mouston never can remember names.”

“I will take it all upon myself.”

“Very good.”

“Stop the carriage, Porthos; here we are.”

“Here! how here? We are at the Halles; and you told me the house was at the corner of the Rue de l’Arbre Sec.”

“’Tis true, but look.”

“Well, I do look, and I see—”

“What?”

“Pardieu! that we are at the Halles!”

“You do not, I suppose, want our horses to clamber up on the roof of the carriage in front of us?”

“No.”

“Nor the carriage in front of us to mount on top of the one in front of it. Nor that the second should be driven over the roofs of the thirty or forty others which have arrived before us.”

“No, you are right, indeed. What a number of people! And what are they all about?”

“’Tis very simple. They are waiting their turn.”

“Bah! Have the comedians of the Hotel de Bourgogne shifted their quarters?”

“No; their turn to obtain an entrance to M. Percerin’s house.”

“And we are going to wait too?”

“Oh, we shall show ourselves prompter and not so proud.”

“What are we to do, then?”

“Get down, pass through the footmen and lackeys, and enter the tailor’s house, which I will answer for our doing, if you go first.”

“Come along, then,” said Porthos.

They accordingly alighted and made their way on foot towards the establishment. The cause of the confusion was that M. Percerin’s doors were closed, while a servant, standing before them, was explaining to the illustrious customers of the illustrious tailor that just then M. Percerin could not receive anybody. It was bruited about outside still, on the authority of what the great lackey had told some great noble whom he favored, in confidence, that M. Percerin was engaged on five costumes for the king, and that, owing to the urgency of the case, he was meditating in his office on the ornaments, colors, and cut of these five suits. Some, contented with this reason, went away again, contented to repeat the tale to others, but others, more tenacious, insisted on having the doors opened, and among these last three Blue Ribbons, intended to take parts in a ballet, which would inevitably fail unless the said three had their costumes shaped by the very hand of the great Percerin himself. D’Artagnan, pushing on Porthos, who scattered the groups of people right and left, succeeded in gaining the counter, behind which the journeyman tailors were doing their best to answer queries. (We forgot to mention that at the door they wanted to put off Porthos like the rest, but D’Artagnan, showing himself, pronounced merely these words, “The king’s order,” and was let in with his friend.) The poor fellows had enough to do, and did their best, to reply to the demands of the customers in the absence of their master, leaving off drawing a stitch to knit a sentence; and when wounded pride, or disappointed expectation, brought down upon them too cutting a rebuke, he who was attacked made a dive and disappeared under the counter. The line of discontented lords formed a truly remarkable picture. Our captain of musketeers, a man of sure and rapid observation, took it all in at a glance; and having run over the groups, his eye rested on a man in front of him. This man, seated upon a stool, scarcely showed his head above the counter that sheltered him. He was about forty years of age, with a melancholy aspect, pale face, and soft luminous eyes. He was looking at D’Artagnan and the rest, with his chin resting upon his hand, like a calm and inquiring amateur. Only on perceiving, and doubtless recognizing, our captain, he pulled his hat down over his eyes. It was this action, perhaps, that attracted D’Artagnan’s attention. If so, the gentleman who had pulled down his hat produced an effect entirely different from what he had desired. In other respects his costume was plain, and his hair evenly cut enough for customers, who were not close observers, to take him for a mere tailor’s apprentice, perched behind the board, and carefully stitching cloth or velvet. Nevertheless, this man held up his head too often to be very productively employed with his fingers. D’Artagnan was not deceived,—not he; and he saw at once that if this man was working at anything, it certainly was not at velvet.

“Eh!” said he, addressing this man, “and so you have become a tailor’s boy, Monsieur Moliere!”

“Hush, M. d’Artagnan!” replied the man, softly, “you will make them recognize me.”

“Well, and what harm?”

“The fact is, there is no harm, but—”

“You were going to say there is no good in doing it either, is it not so?”

“Alas! no; for I was occupied in examining some excellent figures.”

“Go on—go on, Monsieur Moliere. I quite understand the interest you take in the plates—I will not disturb your studies.”

“Thank you.”

“But on one condition; that you tell me where M. Percerin really is.”

“Oh! willingly; in his own room. Only—”

“Only that one can’t enter it?”

“Unapproachable.”

“For everybody?”

“Everybody. He brought me here so that I might be at my ease to make my observations, and then he went away.”

“Well, my dear Monsieur Moliere, but you will go and tell him I am here.”

“I!” exclaimed Moliere, in the tone of a courageous dog, from which you snatch the bone it has legitimately gained; “I disturb myself! Ah! Monsieur d’Artagnan, how hard you are upon me!”

“If you don’t go directly and tell M. Percerin that I am here, my dear Moliere,” said D’Artagnan, in a low tone, “I warn you of one thing: that I won’t exhibit to you the friend I have brought with me.”

Moliere indicated Porthos by an imperceptible gesture, “This gentleman, is it not?”

“Yes.”

Moliere fixed upon Porthos one of those looks which penetrate the minds and hearts of men. The subject doubtless appeared a very promising one, for he immediately rose and led the way into the adjoining chamber.

CHAPTER 4 The Patterns.

During all this time the noble mob was slowly heaving away, leaving at every angle of the counter either a murmur or a menace, as the waves leave foam or scattered seaweed on the sands, when they retire with the ebbing tide. In about ten minutes Moliere reappeared, making another sign to D’Artagnan from under the hangings. The latter hurried after him, with Porthos in the rear, and after threading a labyrinth of corridors, introduced him to M. Percerin’s room. The old man, with his sleeves turned up, was gathering up in folds a piece of gold-flowered brocade, so as the better to exhibit its luster. Perceiving D’Artagnan, he put the silk aside, and came to meet him, by no means radiant with joy, and by no means courteous, but, take it altogether, in a tolerably civil manner.

“The captain of the king’s musketeers will excuse me, I am sure, for I am engaged.”

“Eh! yes, on the king’s costumes; I know that, my dear Monsieur Percerin. You are making three, they tell me.”

“Five, my dear sir, five.”

“Three or five, ’tis all the same to me, my dear monsieur; and I know that you will make them most exquisitely.”

“Yes, I know. Once made they will be the most beautiful in the world, I do not deny it; but that they may be the most beautiful in the world, they must first be made; and to do this, captain, I am pressed for time.”

“Oh, bah! there are two days yet; ’tis much more than you require, Monsieur Percerin,” said D’Artagnan, in the coolest possible manner.

Percerin raised his head with the air of a man little accustomed to be contradicted, even in his whims; but D’Artagnan did not pay the least attention to the airs which the illustrious tailor began to assume.

“My dear M. Percerin,” he continued, “I bring you a customer.”

“Ah! ah!” exclaimed Percerin, crossly.

“M. le Baron du Vallon de Bracieux de Pierrefonds,” continued D’Artagnan. Percerin attempted a bow, which found no favor in the eyes of the terrible Porthos, who, from his first entry into the room, had been regarding the tailor askance.

“A very good friend of mine,” concluded D’Artagnan.

“I will attend to monsieur,” said Percerin, “but later.”

“Later? but when?”

“When I have time.”

“You have already told my valet as much,” broke in Porthos, discontentedly.

“Very likely,” said Percerin; “I am nearly always pushed for time.”

“My friend,” returned Porthos, sententiously, “there is always time to be found when one chooses to seek it.”

Percerin turned crimson; an ominous sign indeed in old men blanched by age.

“Monsieur is quite at liberty to confer his custom elsewhere.”

“Come, come, Percerin,” interposed D’Artagnan, “you are not in a good temper to-day. Well, I will say one more word to you, which will bring you on your knees; monsieur is not only a friend of mine, but more, a friend of M. Fouquet’s.”

“Ah! ah!” exclaimed the tailor, “that is another thing.” Then turning to Porthos, “Monsieur le baron is attached to the superintendent?” he inquired.

“I am attached to myself,” shouted Porthos, at the very moment that the tapestry was raised to introduce a new speaker in the dialogue. Moliere was all observation, D’Artagnan laughed, Porthos swore.

“My dear Percerin,” said D’Artagnan, “you will make a dress for the baron. ’Tis I who ask you.”

“To you I will not say nay, captain.”

“But that is not all; you will make it for him at once.”

“’Tis impossible within eight days.”

“That, then, is as much as to refuse, because the dress is wanted for the fete at Vaux.”

“I repeat that it is impossible,” returned the obstinate old man.

“By no means, dear Monsieur Percerin, above all if I ask you,” said a mild voice at the door, a silvery voice which made D’Artagnan prick up his ears. It was the voice of Aramis.

“Monsieur d’Herblay!” cried the tailor.

“Aramis,” murmured D’Artagnan.

“Ah! our bishop!” said Porthos.

“Good morning, D’Artagnan; good morning, Porthos; good-morning, my dear friends,” said Aramis. “Come, come, M. Percerin, make the baron’s dress; and I will answer for it you will gratify M. Fouquet.” And he accompanied the words with a sign, which seemed to say, “Agree, and dismiss them.”

It appeared that Aramis had over Master Percerin an influence superior even to D’Artagnan’s, for the tailor bowed in assent, and turning round upon Porthos, said, “Go and get measured on the other side.”

Porthos colored in a formidable manner. D’Artagnan saw the storm coming, and addressing Moliere, said to him, in an undertone, “You see before you, my dear monsieur, a man who considers himself disgraced, if you measure the flesh and bones that Heaven has given him; study this type for me, Master Aristophanes, and profit by it.”

Moliere had no need of encouragement, and his gaze dwelt long and keenly on the Baron Porthos. “Monsieur,” he said, “if you will come with me, I will make them take your measure without touching you.”

“Oh!” said Porthos, “how do you make that out, my friend?”

“I say that they shall apply neither line nor rule to the seams of your dress. It is a new method we have invented for measuring people of quality, who are too sensitive to allow low-born fellows to touch them. We know some susceptible persons who will not put up with being measured, a process which, as I think, wounds the natural dignity of a man; and if perchance monsieur should be one of these—”

“Corboeuf! I believe I am too!”

“Well, that is a capital and most consolatory coincidence, and you shall have the benefit of our invention.”

“But how in the world can it be done?” asked Porthos, delighted.

“Monsieur,” said Moliere, bowing, “if you will deign to follow me, you will see.”

Aramis observed this scene with all his eyes. Perhaps he fancied from D’Artagnan’s liveliness that he would leave with Porthos, so as not to lose the conclusion of a scene well begun. But, clear-sighted as he was, Aramis deceived himself. Porthos and Moliere left together: D’Artagnan remained with Percerin. Why? From curiosity, doubtless; probably to enjoy a little longer the society of his good friend Aramis. As Moliere and Porthos disappeared, D’Artagnan drew near the bishop of Vannes, a proceeding which appeared particularly to disconcert him.

“A dress for you, also, is it not, my friend?”

Aramis smiled. “No,” said he.

“You will go to Vaux, however?”

“I shall go, but without a new dress. You forget, dear D’Artagnan, that a poor bishop of Vannes is not rich enough to have new dresses for every fete.”

“Bah!” said the musketeer, laughing, “and do we write no more poems now, either?”

“Oh! D’Artagnan,” exclaimed Aramis, “I have long ago given up all such tomfoolery.”

“True,” repeated D’Artagnan, only half convinced. As for Percerin, he was once more absorbed in contemplation of the brocades.

“Don’t you perceive,” said Aramis, smiling, “that we are greatly boring this good gentleman, my dear D’Artagnan?”

“Ah! ah!” murmured the musketeer, aside; “that is, I am boring you, my friend.” Then aloud, “Well, then, let us leave; I have no further business here, and if you are as disengaged as I, Aramis—”

“No, not I—I wished—”

“Ah! you had something particular to say to M. Percerin? Why did you not tell me so at once?”

“Something particular, certainly,” repeated Aramis, “but not for you, D’Artagnan. But, at the same time, I hope you will believe that I can never have anything so particular to say that a friend like you may not hear it.”

“Oh, no, no! I am going,” said D’Artagnan, imparting to his voice an evident tone of curiosity; for Aramis’s annoyance, well dissembled as it was, had not a whit escaped him; and he knew that, in that impenetrable mind, every thing, even the most apparently trivial, was designed to some end; an unknown one, but an end that, from the knowledge he had of his friend’s character, the musketeer felt must be important.

On his part, Aramis saw that D’Artagnan was not without suspicion, and pressed him. “Stay, by all means,” he said, “this is what it is.” Then turning towards the tailor, “My dear Percerin,” said he,—“I am even very happy that you are here, D’Artagnan.”

“Oh, indeed,” exclaimed the Gascon, for the third time, even less deceived this time than before.

Percerin never moved. Aramis roused him violently, by snatching from his hands the stuff upon which he was engaged. “My dear Percerin,” said he, “I have, near hand, M. Lebrun, one of M. Fouquet’s painters.”

“Ah, very good,” thought D’Artagnan; “but why Lebrun?”

Aramis looked at D’Artagnan, who seemed to be occupied with an engraving of Mark Antony. “And you wish that I should make him a dress, similar to those of the Epicureans?” answered Percerin. And while saying this, in an absent manner, the worthy tailor endeavored to recapture his piece of brocade.

“An Epicurean’s dress?” asked D’Artagnan, in a tone of inquiry.

“I see,” said Aramis, with a most engaging smile, “it is written that our dear D’Artagnan shall know all our secrets this evening. Yes, friend, you have surely heard speak of M. Fouquet’s Epicureans, have you not?”

“Undoubtedly. Is it not a kind of poetical society, of which La Fontaine, Loret, Pelisson, and Moliere are members, and which holds its sittings at Saint-Mande?”

“Exactly so. Well, we are going to put our poets in uniform, and enroll them in a regiment for the king.”

“Oh, very well, I understand; a surprise M. Fouquet is getting up for the king. Be at ease; if that is the secret about M. Lebrun, I will not mention it.”

“Always agreeable, my friend. No, Monsieur Lebrun has nothing to do with this part of it; the secret which concerns him is far more important than the other.”

“Then, if it is so important as all that, I prefer not to know it,” said D’Artagnan, making a show of departure.

“Come in, M. Lebrun, come in,” said Aramis, opening a side-door with his right hand, and holding back D’Artagnan with his left.

“I’faith, I too, am quite in the dark,” quoth Percerin.

Aramis took an “opportunity,” as is said in theatrical matters.

“My dear M. de Percerin,” Aramis continued, “you are making five dresses for the king, are you not? One in brocade; one in hunting-cloth; one in velvet; one in satin; and one in Florentine stuffs.”

“Yes; but how—do you know all that, monseigneur?” said Percerin, astounded.

“It is all very simple, my dear monsieur; there will be a hunt, a banquet, concert, promenade and reception; these five kinds of dress are required by etiquette.”

“You know everything, monseigneur!”

“And a thing or two in addition,” muttered D’Artagnan.

“But,” cried the tailor, in triumph, “what you do not know, monseigneur—prince of the church though you are—what nobody will know—what only the king, Mademoiselle de la Valliere, and myself do know, is the color of the materials and nature of the ornaments, and the cut, the ensemble, the finish of it all!”

“Well,” said Aramis, “that is precisely what I have come to ask you, dear Percerin.”

“Ah, bah!” exclaimed the tailor, terrified, though Aramis had pronounced these words in his softest and most honeyed tones. The request appeared, on reflection, so exaggerated, so ridiculous, so monstrous to M. Percerin that first he laughed to himself, then aloud, and finished with a shout. D’Artagnan followed his example, not because he found the matter so “very funny,” but in order not to allow Aramis to cool.

“At the outset, I appear to be hazarding an absurd question, do I not?” said Aramis. “But D’Artagnan, who is incarnate wisdom itself, will tell you that I could not do otherwise than ask you this.”

“Let us see,” said the attentive musketeer; perceiving with his wonderful instinct that they had only been skirmishing till now, and that the hour of battle was approaching.

“Let us see,” said Percerin, incredulously.

“Why, now,” continued Aramis, “does M. Fouquet give the king a fete?—Is it not to please him?”

“Assuredly,” said Percerin. D’Artagnan nodded assent.

“By delicate attentions? by some happy device? by a succession of surprises, like that of which we were talking?—the enrolment of our Epicureans.”

“Admirable.”

“Well, then; this is the surprise we intend. M. Lebrun here is a man who draws most excellently.”

“Yes,” said Percerin; “I have seen his pictures, and observed that his dresses were highly elaborated. That is why I at once agreed to make him a costume—whether to agree with those of the Epicureans, or an original one.”

“My dear monsieur, we accept your offer, and shall presently avail ourselves of it; but just now, M. Lebrun is not in want of the dresses you will make for himself, but of those you are making for the king.”

Percerin made a bound backwards, which D’Artagnan—calmest and most appreciative of men, did not consider overdone, so many strange and startling aspects wore the proposal which Aramis had just hazarded. “The king’s dresses! Give the king’s dresses to any mortal whatever! Oh! for once, monseigneur, your grace is mad!” cried the poor tailor in extremity.

“Help me now, D’Artagnan,” said Aramis, more and more calm and smiling. “Help me now to persuade monsieur, for you understand; do you not?”

“Eh! eh!—not exactly, I declare.”

“What! you do not understand that M. Fouquet wishes to afford the king the surprise of finding his portrait on his arrival at Vaux; and that the portrait, which be a striking resemblance, ought to be dressed exactly as the king will be on the day it is shown?”

“Oh! yes, yes,” said the musketeer, nearly convinced, so plausible was this reasoning. “Yes, my dear Aramis, you are right; it is a happy idea. I will wager it is one of your own, Aramis.”

“Well, I don’t know,” replied the bishop; “either mine or M. Fouquet’s.” Then scanning Percerin, after noticing D’Artagnan’s hesitation, “Well, Monsieur Percerin,” he asked, “what do you say to this?”

“I say, that—”

“That you are, doubtless, free to refuse. I know well—and I by no means count upon compelling you, my dear monsieur. I will say more, I even understand all the delicacy you feel in taking up with M. Fouquet’s idea; you dread appearing to flatter the king. A noble spirit, M. Percerin, a noble spirit!” The tailor stammered. “It would, indeed, be a very pretty compliment to pay the young prince,” continued Aramis; “but as the surintendant told me, ‘if Percerin refuse, tell him that it will not at all lower him in my opinion, and I shall always esteem him, only—’”

“‘Only?’” repeated Percerin, rather troubled.

“‘Only,’” continued Aramis, “‘I shall be compelled to say to the king,’—you understand, my dear Monsieur Percerin, that these are M. Fouquet’s words,—‘I shall be constrained to say to the king, “Sire, I had intended to present your majesty with your portrait, but owing to a feeling of delicacy, slightly exaggerated perhaps, although creditable, M. Percerin opposed the project.”’”

“Opposed!” cried the tailor, terrified at the responsibility which would weigh upon him; “I to oppose the desire, the will of M. Fouquet when he is seeking to please the king! Oh, what a hateful word you have uttered, monseigneur. Oppose! Oh, ‘tis not I who said it, Heaven have mercy on me. I call the captain of the musketeers to witness it! Is it not true, Monsieur d’Artagnan, that I have opposed nothing?”

D’Artagnan made a sign indicating that he wished to remain neutral. He felt that there was an intrigue at the bottom of it, whether comedy or tragedy; he was at his wit’s end at not being able to fathom it, but in the meanwhile wished to keep clear.

But already Percerin, goaded by the idea that the king was to be told he stood in the way of a pleasant surprise, had offered Lebrun a chair, and proceeded to bring from a wardrobe four magnificent dresses, the fifth being still in the workmen’s hands; and these masterpieces he successively fitted upon four lay figures, which, imported into France in the time of Concini, had been given to Percerin II. by Marshal d’Onore, after the discomfiture of the Italian tailors ruined in their competition. The painter set to work to draw and then to paint the dresses. But Aramis, who was closely watching all the phases of his toil, suddenly stopped him.

“I think you have not quite got it, my dear Lebrun,” he said; “your colors will deceive you, and on canvas we shall lack that exact resemblance which is absolutely requisite. Time is necessary for attentively observing the finer shades.”

“Quite true,” said Percerin, “but time is wanting, and on that head, you will agree with me, monseigneur, I can do nothing.”

“Then the affair will fail,” said Aramis, quietly, “and that because of a want of precision in the colors.”