CHAPTER XI.
DISAPPOINTMENT
How they should dress themselves for Mrs. Aarons's Friday was a question as full of interest for our girls as if they had been brought up in the lap of wealth and fashion. They were not so ignorant of the habits and customs of "the world" as not to know that evening dress was required of them on this occasion, and they had not seen so many shop windows and showrooms without learning something of its general features as applied to their sex and to the period. Great were the discussions that went on over the momentous subject. Even their studies at the Public Library lost their interest and importance, it is to be feared, for a day or two, while they were anxiously hesitating, first, whether they should accept the invitation, and, secondly, in what costume they should make their first appearance in polite society. The former of these questions was settled without much trouble. Elizabeth's yearning for "friends," the chance of discovering whom might be missed by missing this unusual opportunity; Patty's thirst for knowledge and experience in all available fields, and Eleanor's habit of peaceably falling in with her sisters' views, overcame the repugnance that all of them entertained to the idea of being patronised by, or beholden for attentions that they could not reciprocate to, Mrs. Aarons, against whom they had conceived a prejudice on the first day of contact with her which a further acquaintance had not tended to lessen. But the latter question was, as I have said, a matter of much debate. Could they afford themselves new frocks? – say, black grenadines that would do for the summer afterwards. This suggestion was inquired into at several shops and of several dressmakers, and then relinquished, but not without a struggle. "We are just recovering ourselves," said Elizabeth, with her note-book before her and her pencil in her hand; "and if we go on as we are doing now we shall be able to save enough to take us to Europe next year without meddling with our house-money. But if we break our rules – well, it will throw us back. And it will be a bad precedent, Patty."
"Then we won't break them," said Patty valiantly. "We will go in our black frocks. Perhaps," she added, with some hesitation, "we can find something amongst our mother's things to trim us up a little."
"She would like to see us making ourselves look pretty with her things," said Eleanor.
"Yes, Nelly. That is what I think. Come along and let us look at that bundle of lace that we put in the bottom drawer of the bureau. Elizabeth, does lace so fine as that go with woollen frocks, do you think? We must not have any incongruities if we can help it."
Elizabeth thought that plain white ruffles would, perhaps, be best, as there was so much danger of incongruities if they trusted to their untrained invention. Whereupon Patty pointed out that they would have to buy ruffles, while the lace would cost nothing, which consideration, added to their secret wish for a little special decoration, now that the occasion for it had arisen – the love of adornment being, though refined and chastened, an ingredient of their nature as of every other woman's – carried the day in favour of "mother's things."
"And I think," said Patty, with dignity, when at last Friday came and they had spread the selected finery on their little beds, "I think that ladies ought to know how to dress themselves better than shop-people can tell them. When they want to make themselves smart, they should think, first, what they can afford and what will be suitable to their position and the occasion, and then they should think what would look pretty in a picture. And they should put on that."
Patty, I think, was well aware that she would look pretty in a picture, when she had arrayed herself for the evening. Round the neck of her black frock she had loosely knotted a length of fine, yellow-white Brussels lace, the value of which, enhanced by several darns that were almost as invisibly woven as the texture itself, neither she nor her sisters had any idea of. Of course it did not "go" with the black frock, even though the latter was not what mourning was expected to be, but its delicacy was wonderfully thrown up by its contrast with that background, and it was a most becoming setting for the wearer's brilliant face. Patty had more of the priceless flounce sewn on her black sleeves (the little Vandal had cut it into lengths on purpose), half of it tucked in at the wrists out of sight; and the ends that hung over her breast were loosely fastened down with a quaint old silver brooch, in which a few little bits of topaz sparkled. Elizabeth was not quite so magnificent. She wore a fichu of black lace over her shoulders – old Spanish, that happened just then to be the desire and despair of women of fashion, who could not get it for love or money; it was big enough to be called a shawl, and in putting it on Patty had to fold and tack it here and there with her needle, to keep it well up in its proper place. This was fastened down at the waist with a shawl-pin shaped like a gold arrow, that her grandmother had used to pin her Paisley over her chest; and, as the eldest daughter, Elizabeth wore her mother's slender watch-chain wound round and round her neck, and, depending from it, an ancient locket of old red gold, containing on its outward face a miniature of that beautiful mother as a girl, with a beading of little pearls all round it. Eleanor was dressed up in frills of soft, thick Valenciennes, taken from the bodice of one of the brocaded gowns; which lace, not being too fragile to handle, Elizabeth, ignorant as yet of the artistic excellence of the genuine coffee-colour of age, had contrived to wash to a respectable whiteness. And to Eleanor was given, from the little stock of family trinkets, a string of pearls, fastened with an emerald clasp – pearls the size of small peas, and dingy and yellow from never having been laid out on the grass, as, according to a high authority, pearls should be. Upon the whole, their finery, turned into money, would probably have bought up three of the most magnificent costumes worn in Melbourne that night; yet it can scarcely be said to have been effective. Neither Mrs. Aarons nor her lady friends had the requisite experience to detect its quality and understand what we may call its moral value. Only one person amongst the company discovered that Eleanor's pearls were real, and perhaps only that one had been educated in lace, save rudimentally, in the Melbourne shops. And amongst the nouveaux riches, as poor gentlefolks well know, to have no claims to distinction but such as are out of date is practically to have none.
Late in the evening, Paul Brion, who had not intended to go to this particular Friday, lest his presence should betray to the sisters what he was so anxious to conceal from them, found that he could not resist the temptation to see with his own eyes how they were getting on; and when he had entered the room, which was unusually crowded, and had prowled about for a few minutes amongst the unpleasantly tall men who obstructed his view in all directions, he was surprised and enraged to see the three girls sitting side by side in a corner, looking neglected and lonely, and to see insolent women in long-tailed satin gowns sweeping past them as if they had not been there. One glance was enough to satisfy him that there had been no fear of their not looking "nice." Patty's bright and flushed but (just now) severe little face, rising so proudly from the soft lace about her throat and bosom, seemed to him to stand out clear in a surrounding mist, apart and distinct from all the faces in the room – or in the world, for that matter. Elizabeth's dignified serenity in an uncomfortable position was the perfection of good breeding, and made a telling contrast to the effusive manners of those about her; and fair Eleanor, sitting so modestly at Elizabeth's side, with her hands, in a pair of white silk mittens, folded in her lap, was as charming to look at as heart of man could desire. Other men seemed to be of his opinion, for he saw several hovering around them and looking at them with undisguised interest; but the ladies, who, he thought, ought to have felt privileged to take them up, appeared to regard them coldly, or to turn their backs upon them altogether, literally as well as metaphorically. It was plain that Mrs. Aarons had introduced them to nobody, probably wishing (as was indeed the case – people of her class being morbidly sensitive to the disgrace of unfashionable connections) not to own to them more than she could help.
He withdrew from their neighbourhood before they saw him, and went to seek his hostess, swelling with remonstrant wrath. He found her on a sofa at the other end of the room, talking volubly (she was always voluble, but now she was breathless in her volubility) to a lady who had never before honoured her Fridays, and who, by doing so to-night, had gratified an ambition that had long been paramount amongst the many ambitions which, enclosed in a narrow circle as they were, served to make the interest and occupation of Mrs. Aarons's life. She looked up at Paul as he approached her, and gave him a quick nod and smile, as if to say, "I see you, but you must be perfectly aware that I am unable to attend to you just now." Paul understood her, and, not having the honour of Mrs. Duff-Scott's acquaintance himself, fell back a little behind the sofa and waited for his opportunity. As he waited, he could not help overhearing the conversation of the two ladies, and deriving a little cynical amusement therefrom.
"And, as soon as I heard of it, I begged my husband to go and see if it was really a genuine example of Derby-Chelsea; and, you see, it was," said Mrs. Aarons, with subdued enthusiasm – almost with tears of emotion.
"It was, indeed," assented Mrs. Duff-Scott earnestly. "There was the true mark – the capital D, with the anchor in the middle of it. It is extremely rare, and I had no hope of ever possessing a specimen."
"I knew you would like to have it. I said to Ben. 'Do go and snatch it up at once for Mrs. Duff-Scott's collection.' And he was so pleased to find he was in time. We were so afraid someone might have been before us. But the fact is, people are so ignorant that they have no idea of the value of things of that sort – fortunately."
"I don't call it fortunate at all," the other lady retorted, a little brusquely. "I don't like to see people ignorant – I am quite ready to share and share." Then she added, with a smile, "I am sure I can never be sufficiently obliged to Mr. Aarons for taking so much trouble on my account. I must get him into a corner presently, and find out how much I am in his debt – though, of course, no money can represent the true worth of such a treasure, and I shall always feel that I have robbed him."
"Oh, pray, pray don't talk of payment," the hostess implored, with a gesture of her heavily-ringed hands. "You will hurt him dreadfully if you think of such a thing. He feels himself richly paid, I assure you, by having a chance to do you a little service. And such a mere trifle as it is!"
"No, indeed, it is not a trifle, Mrs. Aarons – very far from it. The thing is much too valuable for me to – to" – Mrs. Duff-Scott hesitated, and her face was rather red – "to deprive you of it in that way. I don't feel that I can take it as a present – a bit of real Derby-Chelsea that you might never find a specimen of again – really I don't."
"Oh, please" – and Mrs. Aarons's voice was at once reproachful and persuasive – "please! I know you wouldn't wish to hurt us."
A little more discussion ensued, which Paul watched with an amused smile; and Mrs. Duff-Scott gave in.
"Well, if you insist – but you are really too good. It makes me quite uncomfortable to take such a treasure from you. However, perhaps, some day I may be able to contribute to your collection."
Like her famous model, Mrs. Ponsonby de Tompkins, Mrs. Aarons stalked her big game with all kinds of stratagems, and china was the lure with which she had caught Mrs. Duff-Scott. This was a lady who possessed not only that most essential and valuable qualification of a lady, riches, but had also a history that was an open page to all men. It had not much heraldic emblazonment about it, but it showed a fair and honourable record of domestic and public circumstances that no self-respecting woman could fail to take social credit for. By virtue of these advantages, and of a somewhat imperious, though generous and unselfish, nature, she certainly did exercise that right to be "proud" which, in such a case, the most democratic of communities will cheerfully concede. She had been quite inaccessible to Mrs. Aarons, whom she was wont to designate a "person," long after that accomplished woman had carried the out-works of the social citadel in which she dwelt, and no doubt she would have been inaccessible to the last. Only she had a weakness – she had a hobby (to change the metaphor a little) that ran away with her, as hobbies will, even in the case of the most circumspect of women; and that hobby, exposed to the seductions of a kindred hobby, broke down and trampled upon the barriers of caste. It was the Derby-Chelsea specimen that had brought Mrs. Duff-Scott to occupy a sofa in Mrs. Aarons's drawing-room – to their mutual surprise, when they happened to think of it.
She rose from that sofa now, slightly perturbed, saying she must go and find Mr. Aarons and acknowledge the obligation under which he had placed her, while all the time she was cudgelling her brains to think by what means and how soon she could discharge it – regretting very keenly for the moment that she had put herself in the way of people who did not understand the fine manners which would have made such a dilemma impossible. Her hostess jumped up immediately, and the two ladies passed slowly down the room in the direction of the corner where our neglected girls were sitting. Paul followed at a respectful distance, and was gratified to see Mrs. Duff-Scott stop at the piano, in place of hunting for her host (who was never a conspicuous feature of these entertainments), and shake hands cordially with a tall German in spectacles who had just risen from the music-stool. He had come to Mrs. Aarons's Friday in a professional capacity, but he was a sufficiently great artist for a great lady to make an equal of him.
"Ah, my dear Herr Wüllner," she said, in a very distinct voice, "I was listening, and I thought I could not be mistaken in your touch. Heller's Wanderstunden, wasn't it?" And they plunged head first into musical talk such as musical people (who never care in the least how much unmusical people may be bored by it) love to indulge in whenever an occasion offers, while Mrs. Aarons stood by, smiling vaguely, and not understanding a word of it. Paul Brion listened to them for a few minutes, and a bright idea came into his head.
CHAPTER XII.
TRIUMPH
Our girls still sat in their corner, but a change had come over them within the last few minutes. A stout man sitting near them was talking to Elizabeth across Eleanor's lap – Eleanor lying back in her seat, and smiling amiably as she listened to them; and Miss King was looking animated and interested, and showed some signs of enjoying herself at last. Patty also had lost her air of angry dignity, and was leaning a little forward, with her hands clasped on her knees, gazing at Herr Wüllner's venerable face with rapt enthusiasm. Paul, regarding her for a moment, felt himself possessed of sufficient courage to declare his presence, and, waiting until he could catch her eye, bowed pleasantly. She looked across at him with no recognition at first, then gave a little start, bent her head stiffly, and resumed her attentive perusal of Herr Wüllner's person. "Ah," thought Paul, "the old fellow has woke her up. And she wants him to play again." Mrs. Duff-Scott had dropped into a chair by the piano, and sat there contentedly, talking to the delighted musician, who had been as a fish out of water since he came into the room, and was now swimming at large in his native element again. She was a distinguished looking matron of fifty or thereabouts, with a handsome, vivacious, intelligent face and an imposing presence generally; and she had an active and well-cultivated mind which concerned itself with many other things than china. Having no necessity to work, no children on whom to expend her exuberant energies, and being incapable of finding the ordinary woman's satisfaction in the ordinary routine of society pleasures, she made ardent pursuits for herself in several special directions. Music was one. Herr Wüllner thought she was the most enlightened being in female shape that he had ever known, because she "understood" music – what was really music and what was not (according to his well-trained theories). She had, in the first place, the wonderful good sense to know that she could not play herself, and she held the opinion that people in general had no business to set themselves up to play, but only those who had been "called" by Divine permission and then properly instructed in the science of their art. "We won't look at bad pictures, nor read trashy books," she would say. "Why should our artistic sense be depraved and demoralised through our ears any more than through our eyes? Mothers should know better, my dear Herr Wüllner, and keep the incapables in the background. All girls should learn, if they like learning – in which case it does them good, and delights the domestic circle; but if at sixteen they can't play – what we call play – after having had every chance given them, they should leave off, so as to use the time better, or confine their performances to a family audience." And Mrs. Duff-Scott had the courage of her convictions, and crushed unrelentingly those presumptuous amateurs (together with their infatuated mammas) who thought they could play when they couldn't, and who regarded music as a mere frivolous drawing-room amusement for the encouragement of company conversation. Herr Wüllner delighted in her. The two sat talking by the piano, temporarily indifferent to what was going on around them, turning over a roll of music sheets that had had a great deal of wear and tear, apparently. Mrs. Aarons sat beside them, fanning herself and smiling, casting about her for more entertaining converse. And Paul Brion stood near his hostess, listening and watching for his opportunity. Presently it came.
Mrs. Duff-Scott lifted up a sheet of crabbed manuscript as yellowed by time as Patty's Brussels lace, and said: "This is not quite the thing for a mixed audience, is it?"
"Ah, no, you are right; it is the study of Haydn that a friend of mine asked of me yesterday, and that I propose to read to him to-night," said Herr Wüllner, in that precise English and with that delicate pronunciation with which the cultivated foreigner so often puts us to shame. "It is, you perceive, an arrangement for one violin and a piano only – done by a very distinguished person for a lady who was for a short time my pupil, when I was a young man. You have heard it with the four-stringed instruments at your house; that was bad – bad! Ach! that second violin squeaked like the squeaking of a pig, and it was always in the wrong place. But in good hands it is sublime. This" – and he sighed as he added more sheets to the one she held and was steadily perusing – "this is but a crippled thing, perhaps; the piano, which should have none of it, has it all – and no one can properly translate that piano part – not one in ten thousand. But it is well done. Yes, it is very well done. And I have long been wanting my friend to try it with me."
"And what about the young lady for whom it was written? – which part did she take?"
"The piano – the piano. But then she had a wonderful execution and sympathy – it was truly wonderful for a lady, and she so young. Women play much better now, as a rule, but I never hear one who is an amateur play as she did. And so quick – so quick! It was an inspiration with her. Yes, this was written on purpose for that lady – I have had it ever since – it has never been published. The manuscript is in her own hand. She wrote out much of her music in her own hand. It was many, many years ago, and I was a young man then. We were fellow-pupils before I became her master, and she was my pupil only for a few weeks. It was a farce – a farce. She did not play the violin, but in everything else she was better than I. Ah, she was a great genius, that young lady. She was a great loss to the world of art."
"Did she die, Herr Wüllner?"
"She eloped," he said softly, "she ran away with a scapegrace. And the ship she sailed in was lost at sea."
"Dear me! How very sad. Well, you must make your friend try it over, and, if you manage it all right, bring him with you to my house on Monday evening and let me hear it."
"That shall give me great pleasure," said the old man, bowing low.
"You have your violin with you, I suppose?" she asked.
"It is in the hall, under my cloak. I do not bring it into this room," he replied.
"Why not?" she persisted. "Go and fetch it, Herr Wüllner, and let Mrs. Aarons hear you play it" – suddenly bethinking herself of her hostess and smiling upon that lady – "if she has never had that treat before."
Mrs. Aarons was eager to hear the violin, and Herr Wüllner went himself, though reluctantly, to fetch his treasure from the old case that he had hidden away below. When he had tuned up his strings a little, and had tucked the instrument lovingly under his chin, he looked at Mrs. Duff-Scott and said softly, "What?"
"Oh," cried Mrs. Aarons, striking in, "play that – you know – what you were talking of just now – what Mrs. Duff-Scott wanted so much to hear. I want to hear it too."
"Impossible – impossible," he said quickly, almost with a shudder. "It has a piano part, and there is no one here to take that."
Then Paul Brion broke in, conscious that he was running heavy risks of all sorts, but resolved to seize his chance.
"I think there is someone who could play it," he said to Mrs. Aarons, speaking with elaborate distinctness. "The Miss Kings – one of them, at any rate – "
"Nonsense," interrupted Mrs. Aarons, sharply, but under her breath. "Not at all likely." She was annoyed by the suggestion, and wished to treat it as if unheard (it was unreasonable, on the face of it, of course); but Mrs. Duff-Scott caught at it in her direct way. "Who are they? Which are the Miss Kings?" she asked of Paul, putting up her eye-glass to see what manner of man had taken upon himself to interfere.
"My dear lady," sighed Herr Wüllner, dropping his bow dejectedly, "it is out of the question, absolutely. It is not normal music at its best – and I have it only in manuscript. It is impossible that any lady can attempt it."
"She will not attempt it if she cannot do it, Herr Wüllner," said Paul. "But you might ask her."
Mrs. Duff-Scott had followed the direction of his eyes, and her attention was violently arrested by the figures of the three girls sitting together, who were so remarkably unlike the majority of Mrs. Aarons's guests. She took note of all their superficial peculiarities in a moment, and the conviction that the lace and the pearls were real flashed across her like an inspiration. "Is it the young lady with the bright eyes?" she inquired. "What a charming face! Yes, Herr Wüllner, we will ask her. Introduce her to me, Mrs. Aarons, will you?"
She rose as she spoke and sailed towards Patty, Mrs. Aarons following; and Paul Brion held his breath while he waited to see how his reckless enterprise would turn out. In a few minutes Patty came towards the piano, with her head up and her face flushed, looking a little defiant, but as self-possessed as the great lady who convoyed her across the room. The events of the evening had roused her spirit, and strung up her nerves like Herr Wüllner's fiddle-strings, and she, too, was in a daring and audacious mood.
"This is it," said the old musician, looking at her critically as he gave a sheet of manuscript into her hand. It was a wonderful chance, of course, but Patty had seen the facsimile of that manuscript many times before, and had played from it. It is true she had never played with the violin accompaniment – had never so much as seen a violin until she came to Melbourne; but her mother had contrived to make her understand how the more delicate and sensitive instrument ought to be deferred to in the execution of the piano part, and what the whole should sound like, by singing the missing air in her flexible trilling voice; and just now she was in that peculiar mood of exaltation that she felt inspired to dare anything and assured that she should succeed. "You will not be able to read it?" Herr Wüllner suggested persuasively, drawing hope from her momentary silence.
"Oh, yes," she said, looking up bravely: "I think so. You will stop me, please, if I do not play it right." And she seated herself at the piano with a quiet air of knowing what she was doing that confounded the two ladies who were watching her and deeply interested Mrs. Duff-Scott. Paul Brion's heart was beating high with anticipated triumph. Herr Wüllner's heart, on the contrary, sank with a mild despair.
"Well, we will have a few bars," he sighed. "And pray, my dear young lady, don't bang the piano – I mean don't play over me. And try to keep time. But you will never do it – with the best intentions, my dear, you will never be able to read it from such a manuscript as that."
Patty looked up at him with a sort of radiant calmness, and said gently, "Go on. You see you have an opening movement to yourself."
Bewildered, the old man dropped his bow upon the strings, and set forth on his hopeless task. And at exactly the right moment the piano glided in, so lightly, so tenderly, and yet with such admirable precision and delicate clearness, that it justified, for once, its trespass upon ground that belonged to more aerial instruments. It was just what Paul Brion had counted on – though Paul Brion had not the least idea what a wild chance had brought about the fulfilment of his expectations. Patty was able to display her chief accomplishment to the very best advantage, and the sisters were thereby promoted to honour. The cold shade of neglect and obscurity was to chill them no more from this happy moment. It was a much greater triumph than Patty herself had any idea of, or than anybody had had the least reason to expect. She knew that piles of music, all in this self-same handwriting (she had never seen any other and supposed that all manuscript music was alike), were stowed away in the old bureau at home, and in the ottoman which she had constructed out of a packing-case, and that long familiarity had made it as easy to her to read as print; but Herr Wüllner was not in a position to make the faintest guess at such a circumstance. When Elizabeth moved her seat nearer to the piano, as if to support her sister, though he was close enough to see it, he did not recognise in the miniature round her neck the face of that young lady of genius who eloped with a scapegrace, and was supposed to have been drowned at sea with her husband. And yet it was that lady's face. Such wonderful coincidences are continually happening in our small world. It was not more wonderful than that Herr Wüllner, Mrs. Duff-Scott, Paul Brion, and Patty King should have been gathered together round one piano, and that piano Mrs. Aarons's.
The guests were laughing and talking and flirting, as they were wont to do under cover of the music that generally prevailed at these Friday receptions, when an angry "Hush!" from the violinist, repeated by Mrs. Duff-Scott, made a little circle of silence round the performers. And in this silence Patty carried through her responsible undertaking with perfect accuracy and the finest taste – save for a shadowy mistake or two, which, glancing over them as if they were mere phantoms of mistakes, and recovering herself instantly, only served to show more clearly the finished quality of her execution, and the thoroughness of her musical experience. She was conscious herself of being in her very best form.
"Ah!" said Herr Wüllner, drawing a long breath as he uttered the exclamation, and softly laying down his violin, "I was mistaken. My dear young lady, allow me to beg your pardon, and to thank you." And he bowed before Patty until his nose nearly touched his knees.
Mrs. Duff-Scott, who was a woman of impulses, as most nice women are, was enthusiastic. Not only had she listened to Patty's performance with all her intelligent ears, but she had at the same time investigated and appraised the various details of her personal appearance, and been particularly interested in that bit of lace about her neck.
"My dear," she said, putting out her hand as the girl rose from the music-stool, "come here and sit by me and tell me where you learned to play like that."
Patty went over to her readily, won by the kind voice and motherly gesture. And, in a very few minutes, Paul had the pleasure of seeing the great lady sitting on a sofa with all three sisters around her, talking to them, and they to her, as if they had known one another for years.
Leaving them thus safe and cared for, he bade good-night to his hostess, and went home to his work, in a mood of high contentment.