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Kid Scanlan

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"Shut up, Stupid!" he butts in. "I wouldn't take a drink of this stuff for what Rockefeller gets for overtime! I want to get it away from that wop, so's he'll have somethin' to moan about when he wakes up."

We went back to the party, and a couple of dames standin' at the punch bowl calls to the Kid. He always was a riot with the women! Helen Dear is there with Van Ness, and he's got to where he's pattin' her hand, while G. Herbert stands in back of 'em lookin' like he wished he had some nails to bite.

I come to a table and there's Miss Vincent sittin' alone and she motions me to sit down with her – so's my back would hide her from the rest of the bunch. She says a little bit of society went a long ways with her, and where was the Kid? Before I can answer her along comes Helen Dear and she plumps down at the table and starts to tell us what a magnificent man Mister Van Ness was. She claims she never seen such a perfect gentleman in her life. I liked to snickered out loud at the disappointed way she pulled that one and then the Kid, G. Herbert and Van Ness suddenly comes around a tree and joins the party.

Scanlan winks at Miss Vincent, and she looks at him inquiringly, but he just shakes his head. I noticed that G. Herbert looked kinda sad, and he must have put his giggler away because he just sat lookin' down at the ground. Van Ness is full of life – I never seen him so cheerful – so I figured that while them and the Kid was alone, Van Ness must have told 'em that Helen Dear had proposed or accepted him.

Finally, Helen Dear looks at her wrist watch and says she'll have to tear herself away, because the train leaves in fifteen minutes. She wastes five of that throwin' soulful looks at Van Ness and he give back as good as he got. G. Herbert offers to get her wraps, comin' to life long enough to make the request, but Helen Dear gives him a sneerin' look and says there was servants there for that purpose. It was a terrible throwdown, and Van Ness nearly grinned, but G. Herbert gamely tried a giggle that sounded like the squeak of a stepped-on rat.

While Helen Dear is gettin' into a coat that couldn't have cost a nickel under five thousand bucks, the Kid gets up and calls Van Ness and G. Herbert aside. They was gone about five minutes. When they came back, Helen Dear is just puttin' on her hat and suddenly the thing slips out of her hands and slides down over one eye.

Then – excuse me a minute, I'm in convulsions! I'll never forget it if I live to see Bryan vote against prohibition! There's Helen Dear gettin' red in the face and strugglin' with that hat and —

"Ha, ha, ha, ha!" shrieks Van Ness —the guy that had lost his laugher! – "Ha, ha, ha, ha!" he yells, holdin' the chair so's he can stand up and pointin' at Helen's hat. "You ought to go in vaudeville!" he hollers. "You'd be a riot with that act! Ha, ha, ha, ha, ha, ha!"

Miss Vincent gasps, the Kid grins, and I all but fainted. Here's this guy laughin' his head off for the first time in ten years and – look at the time he picked to do it! Sweet Cookie!

Helen Dear turns eighteen shades of red and fights for her breath like a fish when you drag it over the side of the boat. Then up steps little G. Herbert. His eyes is kinda glassy, but his face is set and hard. His spine is as straight as a flag pole and he sticks a piece of glass over one eye, just like Van Ness used to do! Dignity? Why he could have took Van Ness when that guy was right —and give him lessons!

"What does this mean, sir!" he says, walkin' up to Van Ness who is holdin' his sides and fallin' off the chair. Laugh? That bird was in hysterics!

"Ha, ha, ha!" bellers Van Ness. "Get a couple of good camera men quick! Ha, ha, ha, ha! It looks like she got hit with a pie!"

"You infernal idiot!" roars G. Herbert. "How dare you laugh at this lady?"

"Oh, boy!" answers Van Ness, finally rollin' off his chair. "Ha, ha, ha, ha!"

"Come, Herbert!" pipes Helen. "We will go back together and my answer is Yes! Thank Heaven that man stands exposed in his true character!"

"Thas' right!" nods Herbert, waggin' his head and glarin' at all of us. "C'mon – hic – Cmon, M' dear!"

Somethin' comes staggerin' up and grabs the Kid by the arm. It was Tony.

"Aha!" he yells. "Who'sa taka my bottle gin, bottle bourbon? Sapristi! You bigga stiffa, I – "

The Kid gives him a slow straight arm, and Tony goes over the table backwards, landin' right beside his master.

"No spika da Engleesh!" says Scanlan, as Tony disappears.

I grabbed him by the arm.

"Show me them bottles," I says, gettin' wise in a flash.

The Kid takes out two empty non-refillables and tosses 'em in the grass.

"My!" he says, dreamily. "How that little guy went to it!"

Toot! Toot! Toot! goes the Santa Fe flier pullin' out with G. Herbert and Helen Dear.

"Ha, ha, ha, ha, ha, ha, ha – ho, ho, ho, ho!" screams Van Ness from under the table. "She promised – ha, ha, ha! to cheer me up – hic – ha, ha, ha! and she – hic – certainly – ha, ha, ha! – made good!"

CHAPTER VI
THE UNHAPPY MEDIUM

They may be such a thing as a ghost, but I don't believe it! At the same time, I'm willin' to admit that my feelin's in the matter ain't gonna prove the ruin of the haunted house promoters. They's a whole lot of things which I look on as plain and simple bunk, that the average guy studies at college. But the reason I say they may be, is because when me and Kid Scanlan come back East this year we stopped off somewheres in the hurrah for prohibition part of the country and was showed over what the advertisin' matter admitted to be the greatest bakery in the world.

I think them ad writers was modest fellers. That joint was not only the world's greatest bakery, it was the world's greatest anything!

I never really knowed a thing about bread, except that you put butter on it, until I give that place the up and down.

What I don't know about the staff of life now would never get you through Yale. I might go farther than that and come right out with the fact that I have become a abandoned bread fiend and got to have it or I foam at the mouth, since I seen how it was made at this dough foundry.

A accommodatin' little guy took hold of me and the Kid and showed us all over the different machine shops where this here bread was mixed, baked and what-notted for the trade. Our charmin' guide must have come from a family of auctioneers and circus barkers and he never heard of no sums under ten or eleven thousand in his life. He knowed more about figures than Joe Grady, who once filled in a summer with a Russian ballet, and he had been wound up and set to deliver chatter at the rate of three words a second, provided the track was fast and he got off in front. He talked with his whole body, waggin' his head, movin' his arms and shufflin' his feet. When he got warmed up and goin' good, he pushed forward at you with his hands like he was tryin' to insert his chatter right into you.

He leads us to a spot about half a mile from where we come in, holds up his hands to Heaven, coughs, blows his nose and gives a little shiver.

"Over there!" he bellers, without no warnin'. "Over there is our marvelous, mastadon, mixin' shop. We use 284,651 pounds of scrupulously sifted and freshly flavored flour, one million cakes of elegant yeast and 156,390 pounds of bakin' powder each and every year! We employ 865 magnificent men there and they get munificent money. We don't permit the use of drugs, alcoholics, tobacco or unions! The men works eight easy hours a delightful day, six days a week and they are happy, hardy and healthy! Promotion is regular, rapid and regardless! Our employees is all loyal, likable and Lithuanians! They own their own cottages, clothes and chickens, bein' thrifty, temperate and – "

"Tasty!" I yells. I couldn't, keep it in no longer!

"What?" snaps the little guy, kinda sore.

"Lay off, Stupid!" says the Kid to me, with a openly admirin' glance at the runt. "Go on with your story," he nods to him. "Never mind Senseless, here, I'm gettin' every word of it!"

The little hick glares at me and points to a shack on the left.

"Over there," he pipes. "Over there is our shippin' plant where the freshly finished and amazingly appetizin' loaves are carefully counted and accurately assembled! For this painstakin' performance we employ 523 more men. None but the skilled, superior and – and – eh – Scandinavian are allowed in that diligent department, and each and every day a grand, glorious total of ten thousand lovely loaves is let loose with nothin' missin' but the consumer's contented cackle as he eagerly eats! We even garnish each loaf with a generous gob of Gazoopis – our own ingenuous invention – before they finally flitter forth! Would you like to see the shop?"

"I certainly wish I could sling chatter like that!" answers the Kid with a sigh. "But I guess it's all in the way a guy was brung up. Gobs of generous Gazoopis!" he mutters, turnin' the words over in his mouth like they was sweet morsels. "Gobs of generous Gazoopis! Oh, boy!"

The little guy throws out his chest and bows with a "I-thank-you" look all over his face. He got me sore just watchin' him. Y'know that runt hated himself!

"Say!" I says to him. "If all that stuff you claim for this roll foundry is on the level, it must take a lot of dough to run it, eh?"

"Are you tryin' to kid me?" he sneers.

"No!" I comes back. "But speakin' of bakeries, I'd sacrifice my sacred silk socks for a flash at them skilled Scandinavians assemblin' that bread, before I move on to nasty New York!"

The Kid slaps me on the back and grins.

"Go on, Foolish!" he says. "You got this bird on the ropes!" He turns to the runt. "All I want," he goes on, "is one peep at them likable Lithuanians – can I git that?"

 

"You guys is as funny as pneumonia to me!" snorts the little guy, gettin' red in the face. "That stuff may pass for comedy in Yonkers or wherever you hicks blowed in from, but it don't git no laugh outa me! D'ye wanna see this shop or don't you – yes or no?"

"Let's go!" I tells him. "You got me all worked up about it!"

"Same here!" says the Kid. "I only wish I could talk like you can, but I guess it's a gift, ain't it?"

The little guy grunts somethin' and nods for us to fall in behind him, and we lock step along till we come to another joint from which was issuin' what I'll lay eight to five was all the noise in the world. How they ever gathered it up and got it in the buildin' I don't know, but I do know it was there! If you'd take a bowlin' alley on Turnverein night, a boiler factory workin' on a rush order and the battle of Gettysburg, wind 'em up and set 'em all off at once, you might get a faint idea of how the inmates of that buildin' was ruinin' the peace and quiet of the surroundin' country. A dynamite explosion in the next block would have attracted as much attention as a whisper in a steamfittin' shop.

"I thought the war was all over!" hollers the Kid, holdin' his ears. "Has the police been tipped off about this?"

"What d'ye mean the police?" screams back the runt. "That there is the mixin' and bakin' shop."

"Yeh?" I cuts in. "Well, I don't know what them skilled Scandinavians of yours is at, but, believe me, they're tryin' all right!"

The runt sneers at us.

"You must be a fine pair of hicks!" he says. "D'ye mean to say you never heard of the Eureka Mixin' and Bakin' machine?"

"I can hear it now, all right!" I tells him, noddin' to the buildin' where the boilermakers was havin' a field day, "but – "

"Sufferin' salmon, what boobs!" he interrupts me. Then he gives us both the once over and starts his sneerer workin' again. "Say!" he asks me. "Who d'ye like to win the battle of Santiago and d'ye think Lincoln will git elected again?"

"I don't know," I comes back. "I'm gonna vote for Jefferson myself!" I looks him right in the eye. "I think Washington is a sucker to hang around Valley Forge all winter, don't you?" I asks him.

"Couple of small time cut-ups, eh?" he says, shakin' his head. "Where d'ye come from?"

"New York," the Kid tells him, "and listen – will you do me a favor and let's hear some more about them likable Lithuanians and gobs of generous Gazoopis?"

"I figured you come from some hick burg like New York," says the runt, ignorin' the Kid's request. "I can spot a guy from New York ten miles away! He knocks Brooklyn, thinks walkin' up Broadway is seein' life, was born in Memphis and is the only thing that keeps the mail order houses in Oshkosh from goin' to the wall! New Yorkers, eh?" he winds up with another insultin' sneer. "I got you!"

"Gobs of generous Gazoopis!" mutters the Kid like he's in a trance. "Sweet Papa!"

The runt looks at him.

"How does that bird fool the almshouse?" he asks me.

I bent down so's I could whisper in the side of his little dome. Them skilled Scandinavians in the buildin' had gone crazy or else some of the night shift had come in with more boilers and things to hit 'em with.

"That's Kid Scanlan, welterweight champion of the world!" I hisses in his ear.

"Ha, ha!" laughs the runt. "That's who he'd like to be, you mean!"

"Our employees is all hale, hearty and hilarious!" grins the Kid at him. "We pay 'em off in money, music and mush! Wow!"

"If that big stiff is tryin' to kid me," begins the runt, gettin' red again, "he – "

"All right, all right!" I butts in quickly. "Don't let's have no violence. Show us what makes that shop go, and we'll grab the next rattler for New York. Y'know the Kid fights Battlin' Edwards on the twenty-first and – "

"Are you on the level with that stuff?" interrupts the runt, still lookin' at the Kid. "Is that really Kid Scanlan?"

I calls the Kid over.

"Kid," I says, "meet Mister – er – "

"Sapp," says the runt. "Joe Sapp!" He sticks out his hand. "I remember you now," he tells the Kid. "I seen you fight some tramp in Fort Wayne last year. I think you hit this guy with everything but the referee and that's why I like your work. When I send in three bucks for a place to sit down at a box fight, I expect to see assault and batter and not the Virginia Reel! Why – "

"Not to give you a short answer," I butts in, "but how about the insane asylum over there?" I points to the buildin'. "Do we see that or don't we?"

Right away he straightens up and sticks his finger at it.

"It takes exactly twelve, temptin' minutes to completely compose and accurately assemble a loaf!" he shouts. "We never heard of waste, and efficiency was born in this factory. The only thing that loafs here is the bread! Each eager employee has his own particular part to perform and that accounts for the amazin' and awesome accuracy with which we bake the beautiful bread. Step this way!"

"Believe me!" says the Kid, "I wish I had a line of patter like that! 'Amazin' and awesome accuracy'!" he repeats. "Do you get that?"

Right then about a dozen dames and their consorts come breezin' in the main entrance. Offhand, they look like the hicks that gives the "Seein' New York" busses a play, and when the runt spots them he ducks and grabs my arm.

"C'mon!" he says. "Shake it up! If them boobs see me, I'll have to show 'em all over the plant! That's a gang of them Snooks' Tourists, seein' the world for fourteen eighty-five a-piece, breakfast at hotel on third mornin' out and bus from train included! Most of them is wisenheimers from Succotash Crossin', Mo.; and they're out to see that they don't get cheated. They're gonna see everything like it says on the ticket, and some of 'em is ready to sue Snooks because they got somethin' in their eye from lookin' out the train window and missed eight telegraph poles and a water tank on account of it. The rest of them sits around knockin' everything on general principles and claimin' the thing is a fake. Then there'll be one old guy in the party with a trick horn he holds to his ear, and, when I get all through tellin' 'em about the mixin' shop, the deef guy will say, 'Hey? What was that about the airship again?' There will also be three veteran school-teachers which will want samples of the bread and hide out a couple of rolls on the side. And then one young married couple which started sayin' 'Wonderful!' when the train pulled out of the old home town and which has said nothin' else but that since! No, sir! I'm off them tourists – c'mon, sneak around here!"

He boldly walks into the buildin' where all the noise is comin' from, and not wantin' to act yellah before strangers we followed him in. They was a lot of things in there and if you ever make the town, Joe Sapp will show 'em to you. He has to, in order to eat. But the only thing I remember was the way them lovely, luxurious loaves was artistically assembled, and I'll remember that little item till the insurance company pays off!

They was a great, big machine in the middle of the floor and that was the thing that was makin' the bread and noise. A half dozen of them skilled Scandinavians stood away up on a gallery at one end and their job was of a pourin' nature. They was all dressed in white and wore little trick hats on which it said this, "No Human Hands Touch It." I didn't know whether it meant the skilled Scandinavians or the beautiful bread.

"The most marvelous, magnificent, mammoth invention of the age!" bawls the runt so's we could hear him over the noise. "Here is where the beautiful bread is blissfully baked by the wonderful workmen! This machine cost the sensational sum of half a million dollars, and its capacity is a trifle over five hundred finely finished luscious loaves each and every – "

That's all I heard because I went in a trance from watchin' the thing. I never seen nothin' like it before and I know darn well I never will again. Listen! Them skilled Scandinavians poured in raw wheat at one end of this here machine, and it come out the other end, steamin' hot bread! Some machine, eh? Not only that, but when it come out, it was baked, labelled, wrapped in oil paper and smellin' most heavenly from that generous gob of Gazoopis, as the runt said.

I dragged the Kid outside and we started for the railroad station without comment. As we passed out the door, we heard the runt screamin', probably thinkin' we was still there.

"One section reduces the wheat to flour, another mixes the dough, it passes on to the steam ovens and then what happens? Bread! Over here – "

The Kid stops all of a sudden, takes a hitch in his belt and looks back at the shop.

"Hell!" he says. "They can't make no bread like that!"

"You seen 'em do it, didn't you?" I asks him, although I was thinkin' the same thing myself.

"Even at that," he comes back, "I don't believe it!"

We walks on a little ways, and the Kid stops again.

"I certainly wish I could talk like that little runt!" he shoots out. "Take it from me, that bird is there forty ways. He's got Webster lookin' like a dummy!"

He keeps on mutterin' to himself as we breeze up to the station, and, when I lean over to get an earful I hear him sayin', "They're all simple, sassy and suckers! We feed 'em oranges, oatmeal and olives!"

So, as I said before, they may be such a thing as ghosts. After watchin' that bread bakin' machine at play I'll go further than that. There may be anything!

One day at the trainin' camp, a couple of weeks after we hit New York, a handler comes to me and says they's two guys outside that wants to see the Kid. I hopped out to take a flash at 'em, but the Kid has been reached, and when I come on the scene he's shakin' hands with 'em. One of these guys was dressed the way the public thinks bookmakers and con men doll up and he wore one of them sweet, trustin' innocent faces like you see on the villain in a dime novel. He looked to me like he'd steal a sunflower seed from a blind parrot.

But it was the other guy that was the riot to me.

He was tall and lanky, dressed all in black like the pallbearer the undertaker furnishes, and the saddest-lookin' boob I ever seen in my life! If he wasn't the original old Kid Kill-Joy, he was the bird that rehearsed him, believe me! Y'know just from lookin' at this guy, a man would get to thinkin' about his past life, the time he throwed the baby down the well when but a playful child, how old his parents was gettin' and the time Shorty Ellison run off with the red-headed dame that lived over the butcher's. You wished you had saved your money or somebody else's, suddenly findin' out that it was a tough world where a poor man didn't have a Chinaman's chance, and you wondered if death by drownin' was painful or not.

That's the way it made you feel when you just looked at this guy. Ever see one of 'em?

He had a trick of sighin'. Not just ordinary heaves, but deep, dark and gloomy sighs that took all the life out of whoever he sighed at. If they had that bird over in Europe, they never would have been no war, because when he started sighin', nobody would have had enough ambition left to fight. Every time he opened his mouth I thought he was gonna say, "Merciful Heaven help us all!" or somethin' like that. But he didn't. He just sighed.

The Kid tells me the riot of color was Honest Dan Leduc, and that he was the best behaved guy that ever spent a week end in Sing Sing, where he had gone every now and then to study jail conditions at the request of thirteen men, the same bein' a judge and a jury. The sad-lookin' boob was Professor Pietro Parducci, the well known medium.

"Medium what?" I says, when the Kid pulls that one.

The Kid frowns at me and turns to his new found friends.

"Don't mind Foolish here," he tells 'em, "he's got the idea that everything is crooked. He thinks the war was a frame-up for the movies, and the Kaiser got double-crossed, but he ain't a bad guy at that. He knows more about makin' money than a lathe hand at the mint." He jerks his thumb at Honest Dan and swings around on me. "This guy and me was brung up together," he explains, "and before I went into the fight game we was as close as ninety-nine and a hundred. He's been all over the world since then, he says so himself, but just now he's up against it. It seems he was runnin' a pool room on Twenty-Eighth Street and he give the wrong winner of the Kentucky Derby to the precinct captain. The next mornin' the captain give every cop in the station house a axe and Dan's address. His friend here is a now, whosthis and – "

 

Honest Dan pulls what I bet he thought was a pleasant smile. It reminded me more of a laughin' hyena.

"One minute!" he butts in. "My friend, the world-renowed Professor Parducci, is a medium, a mystic and a swami. He's the seventh son of a seventh son, born with a veil and spent two years in Indiana with the yogi. He can peer into the future or gaze back at the past. He is in direct communication with the spirits of the dear departed and as a crystal gazer and palmist he stands alone!"

"That's a great line of patter, Dan," says the Kid, "but we met a guy on the trip back that had the English language layin' down and rollin' over when he snapped his fingers. Generous gobs of Gazoopis and likable, loyal Lithuanians! Can you tie that?"

I was still lookin' over the gloomy guy with the name that sounded like a brand of olive oil, and I decided he was the bunk. I asked him could he tell my fortune, and he draws himself up and claims he's not in harmony just now. That was the tip-off to me, and I figures he has come out to take the Kid for his bankroll. I knowed he couldn't tell no fortunes the minute I seen him. He didn't look to me as if he could tell his own name, and I bet all the spirits he ever communicated with was called private stock. The end of his nose was as red as a four alarm fire and the back of his collar was all wore off from where he had kept throwin' back his head so's the saloon keepers could meet expenses. Honest Dan said he couldn't speak much English, so I guess he had stopped at "I'll have the same" and "Here's a go!"

Well, I had the right dope, because the next week the Kid goes down to the bank and draws out five thousand bucks to set Honest Dan and the professor up in business with. They was gonna open a swell fortune-tellin' joint on Fifth Avenue. I said the thing sounded crooked to me, and the Kid got sore and told me Honest Dan couldn't do nothin' like that, it wasn't in him. He showed me where Dan had always got time off for good conduct, no matter what jail he was in.

The professor brightens up for a minute when the Kid hands over the roll, but after that he went right back into the gloom again.

Honest Dan gives the Kid a receipt for the sucker money and him and his trick medium goes on their way. After a while, I forgot about 'em. The Kid fights Edwards and a couple of more tramps and knocks 'em all kickin' and we're just gonna grab one of them "See America Firsts" for the coast when some club promoter goes crazy and offers us ten thousand iron men to fight Joe Ryan. The Kid would have fought the Marines for half of that, so we run all the way to the club and signed articles whiles the guy that hung up the purse was still wishin' he had stayed on the wagon.

The Kid had got Professor Parducci to fix him up with a few love charms and owls' ears by which he was gonna make himself solid with Miss Vincent. In fact Scanlan fell so hard for the medium stuff that when the professor told him to get at all cost a lock of Miss Vincent's hair clipped at eighteen minutes after eleven on a rainy Sunday night, he writes out to her and asks her to send him a lock cut just that way!

When he wasn't pesterin' the professor on how to win the movie queen, he was goin' around mutterin', "Loyal, likeable Lithuanians and generous gobs of Gazoopis!" until the newspaper guys wrote that Kid Scanlan would be a mark for the first good boy he fought, because like everybody else that was a sudden success, he had took to usin' stimulants which is only sold on a doctor's prescription. On the level, he'd git a wad of paper and sit around all night with a dictionary, writin' down all the words that begin with the same letter and then he'd git up and repeat that stuff for a hour.

One afternoon we went downtown to look over this joint run by Honest Dan and the professor. It was in one of them studio buildings on Fifth Avenue near Twenty-Eighth Street, and the rent they was payin' for it would have kept the army in rubber heels for six years. They's a long line of autos outside and the inmates was streamin' in and out of the place like a crowd goin' to see the beloved rector laid out. Some of the dames would be familiar to you, if you've been readin' the box scores in the latest divorce mêlées, or the lineup of the committee for the aid of the Esquimaux victims of the war.

We get in a elevator, and, floatin' up to the roof, walk down what would have been a fire trap on the East Side, and here we are at Professor Parducci's Temple of the Inner Star. A couple of West Indian hall boys, who's gag line was "Say-hib," lets us in. They was dressed in sheets and had towels twisted around their heads and smelled strongly of gin. Pretty soon Honest Dan comes out and shakes hands all around. Except for his face, you'd never know it was the same guy. His hair is brushed all the way back like the guys that poses for the underwear ads and he's dressed in a black suit that fit him better than most of his skin. In his shirt front they's a diamond that looked like a young arc light, and he had enough gems on his hands to make J. P. Morgan gnash his teeth.

He told me that him and the professor wasn't doin' no more business than a guy would do in Hades with the ice water concession, and that Barnum was wrong when he said they was a sucker born every minute. Honest Dan said his figures showed there was about two born every second.

He leads us into a great big hall that was filled with statues, pictures, rugs, sofas, women and fatheads. The furnishings of this joint would make Buckingham Palace look like a stable. It must have ruined the Kid's five thousand just to lay in scenery for that one room alone. The statues and pictures was nearly all devoted to one subject, and that was why should people wear clothes – especially women? The victims is all lollin' around on them plush sofas, drinkin' tea and lookin' like a ten-year-old kid at church or a guy waitin' in the doctor's office to find out if he's got consumption or chilblains. It was as quiet as a Sunday in Philadelphia and they was also a very strong smell of burnin' glue, which Honest Dan said was sacred incense that always had to be used by the professor before he could work.

Among the decorations was a very large dame sittin' over in a corner dressed within a inch of her life. I suppose she had ears, a neck and hands, but you couldn't tell right away whether she had or not, because them parts of her anatomy, as the feller says, was buried under a carload of diamonds. You could see by her face that at one time she had probably been a swell-lookin' dame, but them days was all over. Still, she was makin' a game try at comin' back, and from her complexion she must have been kept busy day and night openin' bottles and cans signed on the outside by Lillian Russell and etc.

This dame was havin' the best time of anybody in the joint. She was sittin' up very straight and solemn with both chins restin' in her glitterin' hands and from the look in her eyes some Sunday paper had just claimed she was the best lookin' woman in America and the like.

A guy wouldn't have to be no Sherlock Holmes to see that this was the bird that was bein' readied for the big killin' by Honest Dan and his trick professor. The rest of them was just what you might call the chorus.

Sittin' right beside the stout party was a kid that had just dropped in from the cover of a magazine. She was the kind of female that could come down to breakfast with the mumps and her hair in curl papers, fry the egg on the wrong side and yet make the lucky guy across the table go out whistlin' and pityin' his unwed friends. You know how them dames look when they have give some time to dollin' up, don't you? Well, this one had everything; take it from me, she was a knockout! She's tappin' the floor with a classy little foot and tryin' to see can she pull a silk handkerchief apart with her bare hands, the while registerin' this, "This-medium-thing-is-the-bunk-and-I-wish-I-was-out-of-here!"

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