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The Emily Emmins Papers

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VII
Certain Social Uncertainties

Londoners have no definiteness of any sort. Their most striking trait is, paradoxically, a vague uncertainty, and this is seen in everything connected with London, from the weather to the gauzy, undecided, wavering scarfs which the women universally wear.

Indeed I do not know of anything that so perfectly represents the mentality of an Englishwoman as these same uncertain morsels of drapery.

This state of things is doubtless founded on a logical topographical fact. Baedeker states that the city of London is built on a tract of undulating clay soil, and the foundation of the average Londoner’s mind seems to be of equal instability.

I have learned from the recent newspapers that, owing to these lamentable subsoil conditions, Saint Paul’s Cathedral is even now cracking and crumbling, and parallel cases may sometime be noted among the great minds of the Britons.

I trust this will not be mistakenly thought to mean any disparagement to the British mind, whether great or small. It is, I am sure, a matter of taste; and the English people prefer their waveringness of brain, as the Pisan Tower prefers to lean.

The result of this state of things is, naturally, a lack of a sense of proportion, and an absolute ignorance of values.

And it is this that makes it impossible, or at least improbable, to generalize about the manners and customs of London’s polite society; though indeed anything so uncertain as their society ways can scarcely be called customs.

I received one morning from Mrs. C. a hastily-written note of invitation to dine with her that same evening.

“Quite informally,” the note said, “and afterward,” it went on, “we will drop in at Lady Sutherland’s.”

As I had learned that “quite informally” meant anything its writer chose it to mean, I was uncertain as to the formality of the function, and, having no idea who Lady Sutherland might be, I asked information of a casual caller.

“Who is she?” was the response, “why, in social importance, she’s only next to the King! that’s all! She’s the Duchess of Sutherland. She lives in Stafford House. You may not be familiar with Stafford House, but it is on record that when Queen Victoria was there, calling on a former Duchess of Sutherland, she took her leave with the remark, ‘I will now go from your palace to my humble home,’ referring to her own residence in Buckingham.”

I was dumfounded! To be invited to Stafford House in that careless way, and to have the Duchess of Sutherland mentioned casually as Lady Sutherland, – well!

And so for the informal dinner I arrayed myself in the most elaborate costume in my wardrobe.

Nor was I overdressed. The informal dinner proved to be a most pompous function, and after it we were all whisked into carriages, and taken to the reception at Stafford House.

Once inside of the beautiful palace I ceased to wonder at Queen Victoria’s remark. Admitted to be the most beautiful of all English private mansions, Stafford House seemed to my American inexperience far more wonderful than Aladdin’s palace could possibly have been.

The magnificent Entrance Hall, with its branching staircase and impressive gallery, seemed an appropriate setting for the beautiful Duchess, who stood on the staircase landing to greet her guests. Robed in billows of white satin, and adorned with what seemed to me must be the crown jewels, the charming, gracious lady was as simple and unaffected of manner as any American girl. She greeted me with a sincerity of welcome that had not lost its charm by having already been accorded to thousands of others.

Then, a mere atom of the thronging multitude, I was swept on by the guiding hands of belaced and bepowdered lackeys, and, quite in keeping with the unexpectedness of all things in London, I found myself suddenly embarked on a sightseeing tour. But this was a sort of sightseeing toward which I felt no objection. To be jostled by thousands, all arrayed in costumes and jewels that were sights in themselves; to visit not only the great picture gallery of Stafford House, but the smaller apartments, rarely shown to visitors; to be treated by guests and attendants as an honored friend of the family and not as an intruder; all these things made me thoroughly enjoy what would otherwise have been a sightseeing bore.

It was a marvellous pageant, and to stand looking over the railing of the high balcony at the crush of vague-expressioned lights of London society, drifting slowly up the staircase in their own impassive way, was to me a “Sight Which Should on No Account be Omitted.”

With a sort of chameleonic tendency, I involuntarily acquired a similar air, and like one in a dream I was introduced to celebrities of all degrees. Authors of renown, artists of repute, soldiers of glorious record, all were presented in bewildering succession.

Their demeanor was invariably gracious, kindly, and charming; they addressed me as if intensely interested in my well-being, past, present, and future. And yet, combined with their warm interest, was that indefinite, preoccupied, waveringness of expression, that made me feel positive if I should suddenly sink through the floor the speaker would go on talking just the same, quite unaware of my absence.

The feast prepared for this grand army of society was on a scale commensurate with the rest of the exhibition.

Apparently, whoever was in charge had simply provided all there was in the world of everything; and a guest had merely to mention a preference for anything edible, and it was immediately served to him.

The Londoners of course, being quite unaware what they wanted to eat, vaguely suggested one thing or another at random; and the vague waiters, apparently knowing the game, brought them something quite different. These viands the Londoners consumed with satisfaction; but in what was unmistakably a crass ignorance of what they were eating.

All this fascinated me so that I greatly desired to try experiments, such as sprinkling their food thickly with red pepper or putting sugar in their wine. I have not the slightest doubt that they would have calmly continued their repast, without the slightest suspicion of anything wrong.

The air of the “passive patrician” of London society is unmistakable, inimitable, and absorbingly interesting; and never did I have a better opportunity to observe it than at the beautiful reception at Stafford House to which I was invited, “quite informally.”

In contrast to this, and as a fine example of the Londoner’s utter absence of a sense of proportion, listen to the tale of a lady who called on me one day.

I had met her before, but knew her very slightly. She was exceedingly polite, and well-bred, and of very formal manner.

The purpose of her call was to invite me to her house. She definitely stated a date ten days hence, and asked if I would enjoy a bread-and-milk supper. “For we are plain folk,” she said, “and do not entertain on an elaborate scale.”

I accepted with pleasure, and she went politely away.

But I was not to be fooled by intimations of informality. “Bread and milk,” indeed! that, I well knew, was a euphonious burlesque for a high tea if not a sumptuous dinner. I remembered that she had called personally to invite me; that she asked me ten days before the occasion; and that the hour, seven o’clock, might mean anything at all.

Therefore, when the day came, I donned evening costume, called a hansom, and started.

I had never been to the house before, and on reaching it found myself confronted by a high stone wall and a broad wooden door.

Pushing open the latter, I doubtfully entered, and seemed to be in a large and somewhat neglected garden filled with a tangle of shrubs, vines, and flowers. Magnificent old trees drooped their branches low over the winding paths; rustic arbors, covered with earwiggy vines, would have delighted Amy March; here and there a broken and weather-beaten statue of stone or marble poked its head or its headlessness up through the wandering branches.

I started uncertainly along the most promising of the paths, and at last came in sight of a house.

A picturesque affair it was. A staircase ran up on the outside, and a tree, – an actual tree – came up through the middle of the roof. It was like a small, tall cottage, almost covered with rambling vines, and surrounded by an irregular, paved court.

From an inconspicuous portal my hostess advanced to greet me. She wore a summer muslin, simply made, and I promptly felt embarrassed because of my stunning evening gown.

Her welcome was most cordial, and expressive of beaming hospitality.

“You must enter by the back door,” she explained, “as the vines have grown over the trellis, so that we cannot get around them to the front door to enter; though of course we can go out at it. But this side of the house is more picturesque, anyway. Do you not think it delightful?”

A bit bewildered, I was ushered into a room, strange, but most interesting. It contained a mantel and fireplace which had been originally in Oliver Goldsmith’s house, and which was a valuable gem, both intrinsically and by association. The other fittings of the room were quite in harmony with this unique possession, and showed experienced selection, and taste in arrangement. The next room, in the centre of the house, was the one through which the tree grew. Straight up, from floor to ceiling, the magnificent trunk formed a noble column, around which had been built a somewhat undignified table.

Another room was entirely furnished with wonderful specimens of old Spanish marquetry – such exquisite pieces that it seemed unfair for one person to own them all. Any one of them would have been a gem of any collection.

 

My friend was a charming hostess; and when her husband appeared, he proved not only a charming host, but a marvellous conversationalist.

So engrossed did we all become in talking, so quick were my friends at repartee, so interesting the tales they told of their varied experiences, that the time slipped away rapidly, and the quaint old clock, which was a gem of some period or other, chimed eight before any mention had been made of the evening meal.

“Why, it’s after supper-time!” exclaimed my hostess, “let us go to the dining-room at once.”

The dining-room was another revelation. One corner was occupied by a huge, high-backed angle-shaped seat of carved wood, which carried with it the atmosphere of a ruined cathedral or a Hofbrauhaus. The latter effect was perhaps due to the sturdy oaken table which had been drawn into the corner, convenient to the great settee.

After we were seated, a maid suddenly appeared. She was garbed in a gorgeous and elaborate costume which seemed to be the perfection of a peasant’s holiday attire. Huge gold earrings and strings of clinking beads were worn with a confection of bright-colored satin and cotton lace, which would have been conspicuous in the front row of a comic opera chorus.

If you’ll believe me, that Gilbert and Sullivan piece of property brought in and served, with neatness and despatch, a meal which consisted solely of bread and milk!

The bowls were of Crown Derby, the milk in jugs of magnificent old ware, and the old silver spoons were beyond price.

Yet so accustomed had I become to unexpectedness, and so imbued was I with the spirit of surprise that haunted the whole place, that the proceeding seemed quite rational, and I ate my bread and milk contentedly and in large quantities.

There was no other guest, but I shall never forget the delight of that supper. Never have I seen a more innate and beautiful hospitality; never have I heard more delightfully witty conversation; never have I been so fascinated by an experience.

And so if Londoners choose to scribble a hasty note inviting one carelessly to a reception at Stafford House, and if they see fit to make a personal call far in advance to ask one to a bread-and-milk supper, far be it from me to object. But I merely observe, in passing, that they have no sense of proportion, at least in their ideas of the formality demanded by social occasions.

VIII
A Sentimental Journey

I suppose every one experiences sudden moments of self-revelation that come without rhyme or reason, like a thunderbolt out of a clear sky: revelations that make clear in one illuminative flash conditions and motives that have been tangled in a vague obscurity of doubt.

It was when such an instantaneous radiance of mental vision came to me I realized at once why I had come to England. It was simply and only that I might visit Stratford-on-Avon.

Nor was this pilgrimage to be lightly undertaken. Well I knew that the position Shakespeare occupied in my lists of hero-worship demanded that a fitting tribute of emotion be displayed at sight of such material memorials as were preserved at his birthplace.

Moreover, I knew that, whatever might be my sense of reverential homage, in me the power of emotional demonstration did not abound.

But it is ever my custom, when possible, to supply or amend such lacks as I may note in my nature, by any available means.

And what could be wiser than when going on such an important journey, and where I knew my own powers would fall short of an imperative requirement, to take with me some one who should adequately supplement my shortcomings?

Being of a methodical nature, I have my friends as definitely classified and as neatly pigeon-holed as my old letters. Mentally running over my collection of available companions, I stopped at Sentimental Tommy, knowing I need look no further.

Of course Sentimental Tommy was not his real name, but it is my custom to bestow upon my friends such titles as seem to me appropriate or descriptive.

Sentimental Tommy, then, was the only man in the world, so far as I knew, who would make a perfect associate for a day in Stratford. His especial qualifications were a chameleonic power of adaptability, an instant and sympathetic comprehension of mood, an unbounded capacity for sentiment, and a genius for comradeship. He was also a man to whom one could say “come, and he cometh,” without any fuss about it.

The date being arranged, I turned to my Baedeker and was deeply delighted to discover that we must take a train from Euston Station. For it seemed that the wonderful columned façade of Euston was the only appropriate exit from London, when one’s destination was Stratford. I had hoped that our route might cause us to pass through Upper Tooting, as, next to Stratford, this was to me the most interesting name in my little red book. I know not why, but Upper Tooting has always possessed for me a strange fascination and, though it sounds merely like the high notes of a French horn, yet my intuition tells me that it is full of deep and absorbing interest.

Sentimental Tommy met me at Euston Station, and bought tickets for Stratford as casually as if it had been on the Pennsylvania Railroad. Tommy was in jubilant spirits that morning, with the peculiar kind of international triumph which comes only to an American who has attained some especial favour of the English. Gleefully he told me of his great luck: Only that morning he had been kicked by the King’s cat! An early stroll past Buckingham Palace and along Constitution Hill had resulted in an interview with the royal feline, and the above-mentioned honorable result had been achieved. My observation to the effect that I didn’t know that cats kicked, was met by the simple statement that this cat did, – and then we went on to Stratford.

The ride being in part through the same country that I had traversed when coming to London, I felt quite at home in my surroundings; and we chatted gayly of everything under the sun except the immortal hero of our pilgrimage.

That’s what I like about Tommy – he has such a wonderful intuitive sense of conversational values. And though his obsession by Shakespeare is precisely the same as my own, and though he is himself a Bartlett’s Concordance in men’s clothing, yet I knew, for a surety, that he would quote no line from the poet through the entire day.

As we had neither of us ever been in Stratford before, we left the train at the station and paced the little town with an anticipation that was like a blank page, to be written on by whatever might happen next.

Trusting to Tommy’s instinct, we asked no questions of guidance, and started off at random, on a nowise remarkable street. It was an affable August day, and our gait was much like that of a snail at full gallop; yet before we turned the first corner tears stood in my eyes, – though whether caused by the thrill of being on Shakespeare’s ground, or the reflection of Tommy’s discernibly suppressed emotion, I’ve no idea.

But for pure delightfulness of sensation it is difficult to surpass that aimless wandering through Stratford, with a subconsciousness of what was awaiting us.

In London, historical associations crop up at every step; but, though pointing backward, each points in a different direction, and so they form a great semicircular horizon which becomes misty and vague in the distance. This is restful, and gives one a mere sense of blurred perspective. But Stratford is definite and coherent. Everything in it, material or otherwise, points sharply back to the one figure, and the converging rays meet with a suddenness that is dazzling and well-nigh stunning.

Stratford is reeking with dramatic quality, and a sudden breath of its atmosphere makes for mental unbalance.

“Don’t take it so hard,” said Tommy, with his gentle smile; “this is really the worst of it, – except perhaps one other bit, – and it will soon be over.”

“Why, we haven’t begun yet,” said I, in astonishment.

“You’re thinking of the Birthplace, the Memorial, and the Church. You ought to know that we can see, absorb, and assimilate those things in just about one minute each. It is this that counts, – this, and the footpath across the fields to Shottery.”

“And the River,” I added.

“Yes, and the River.”

Following his unerring instincts, Tommy’s steps led us, though perhaps not by the most direct route, to the Shakespeare Hotel.

“You know,” he said, “intending visitors to Stratford are invariably instructed by returned visitors to go to the Red Lion Inn, or Red Bear, or Red something; but instinct tells me that this hostelry has a message for us.”

Nor was the message only that of the typical English luncheon which the dining-room afforded. There were many other points about that hotel which impressed me with peculiar delight, from the quaint entrance hall to the garden at the back.

Each room is named for one of Shakespeare’s plays, and has the title over its door. After hesitating between Hamlet and Twelfth Night, I finally concluded that should I ever spend a whole summer in Stratford, which I fully intend to do, I should take possession of the delightful, chintz-furnished Love’s Labour’s Lost.

The library was a continuation of fascination. A strange-shaped room whose length is half a dozen times its width, it seemed a place to enter but not to leave.

However, one does not visit Stratford for the delights of hotel-life, and, luncheon over, we again began our wanderings.

By good luck we chanced first upon the Memorial Theatre. The good luck lay in the fact that, having seen the outside of this Tribute to Genius, we had no desire to enter. It was remindful of a modern New England high school building, and, though we knew it contained authentic portraits and first folios, it had little to do with our Shakespeare.

We paused at the Monument, and commented on the cleverness of the happy thought that provided Philosophy to fill up the fourth side of Shakespeare’s genius.

And then we went on to Henley Street and the house where Shakespeare was born.

We entered the narrow door-way into the old house, which shows so plainly the frantic endeavor at preservation, and we climbed the stairs to the room where the poet was born. The air was smoky with memory and through it loomed the rather smug bust, its weight supported by a thin-legged, inadequate table.

With Tommy I was not troubled by the objectionable thought of “first impressions.” In the first moment we took in, with one swift glance, the fireplace, the walls, the windows, and the few scant properties, and after that our attitude was as of pilgrims returning to an oft-visited shrine.

In the room back of the Birthroom, the one that looks out over the garden, sat the old custodian of the place. He was a large handsome man with none of the doddering, mumbling effects of his profession.

He looked at me keenly, as I stood looking out of the back window, my thoughts all with Mary Arden, and he said, in a low voice, “You love him, too,” and I said, “Yes.”

A little shaken by the Birthplace, but of no mind to admit it, we went gayly through the Stratford streets, passing groups of Happy Villagers, and so suddenly did we meet the Avon, that we almost fell into it. We chanced upon two broad marble steps that seemed to be the terminal of a macadamized path to the river.

The Avon was using the lower of these two steps, so we sat on the upper one and watched the children sailing boats upon the Memorial Stream. This brought to my mind Mr. Mabie’s word picture of Shakespeare at four years old, and for a time the baby Shakespeare took precedence over the man poet.

It is scarcely fair that the Avon should be so beautiful of itself, for this, with its vicarious interests, makes it too blessed among rivers.

Then we went to Holy Trinity. The approach, plain as way to parish church, seemed like a solemn ceremony, and, as Tommy afterward admitted, “it got on his nerves.”

Unbothered by verger or guide, oblivious to tourists, if any were there, we walked straight to the chancel, looked at Shakespeare’s grave, – and walked away.

It was fortunate for me at this moment that I had taken Sentimental Tommy with me; for, as his emotions are so much more available than mine, so he has them under much better control.

I had expected to look around the church a bit, but Tommy led me away, through the old graveyard, to the low wall by the river. And there, under the waving old trees, we sat until we could pick up our lost three hundred years.

Back through the town we went; and I must needs stop here and there at the little shops, which, with their modern attempts at quaintness, display relics and antiques, more or less genuine.

 

Few of their wares appealed to me, so I contented myself with a tiny celluloid bust of Shakespeare, which by chance presented the familiar features with an expression of real power and intellect. It was strange to find this poet face on a cheap trinket, and with deep thankfulness of heart I possessed myself of my one souvenir of Stratford.

It is directly opposed to all the instincts of Tommy’s nature to ask instructions in matters which he feels that he ought to know intuitively.

And so, upon his simple announcement, “This is the footpath across the fields to Shottery, – to Anne Hathaway’s Cottage,” we started.

As Tommy had hinted, during our walk from the station, there would be another bit of the real thing; and this was it. The walk across the fields was crowded with impulses that came perilously near emotional intensity. But from such appalling fate we were saved by our sense of humor. One cannot give way to emotion if one is conscious of its humorous aspect. And we agreed that as the path across the field had been here ever since Shakespeare trod it, and as it would in all probability remain for some time in the future, the mere coincidence that we were traversing it at this particular moment was nothing to be thrilled about.

And yet, – it was the path from Stratford to Shottery, and we were there!

But it was a longer path than we had thought, and the practicality which is one of the chief ingredients of Tommy’s sentiment moved him to look at his watch and announce that we would have to turn back at once, if we would catch the last train to London.

Not entirely disheartened at leaving Anne Hathaway’s cottage unvisited, – for we both well knew the value of the unattained, – we turned, and wandered back to the station just in time for the late afternoon train.

And that was why we didn’t discover until some time afterward that we had taken the wrong road across the fields; and that, as we imagined our faces turned toward it, Anne Hathaway’s cottage was getting further and further away to our left.