He avoided his uncle, Mr. Carew, and made up his mind that if the master of the house were brusque to him, he would not return, were the threshold worn never so dear by little feet. Bella had the loveliest little feet a fellow connoisseur of plastic beauty could wish to see, could wish to watch twinkle in run-down slippers, in scuffled boots – in boots where a button or two was always lacking – and once when she kicked off her strap slipper at a lesson Fairfax saw, through a hole in the stocking, one small perfect toe – a toe of Greek marble perfection, a most charming, snowy, rosy bit of flesh, and he imagined how adorable the little foot must be.

To an audience, composed of a dreamy boy and an ardent, enthusiastic little girl, Fairfax confessed his talent, spoke of his hopes, of his art, even hinted at genius, and one day fetched his treasures, his bits of moistened clay, to show the children.

"Oh, they are perfectly beautiful, Cousin Antony. Wouldn't you do Gardiner's head for mother?"

On this day, with his overcoat and hat, Fairfax had laid by a paper parcel. It was stormy, and around the upper windows the snow blew and the winds cried. Propped up by pillows, Gardiner, in his red flannel dressing-gown, nestled in the corner of the sofa. Antony regarded Bella, red as a cardinal bird in her homely dress; he had seen her wear no other dress and would have regretted the change.

"Oh, I'll do Gardiner one of these days, but I reckon I'll make another study to-day."

"Me?" Bella shook back her mane.

Her cousin considered her with an impersonal eye, whose expression she did not understand to be the artist's gauge and measure.

"Bella," he said shortly, "I'm going to make a cast of your foot."

She was sitting on the sofa and drew her feet under her.

"Only just my foot, Cousin Antony, not all of me?"

"Come now," said the sculptor, "it won't take long. It's heaps of sport."

He unrolled the paper parcel he had brought, unfolding a mass of snowy, delectable looking powder.

"Ask old Ann to fetch us a couple of basins, deep ones, some water and a little oil and salt."

When after toilsome journeys up and down the stairs of the four-storied house, the things had been fetched, Fairfax mixed his plaster, eagerly watched by the children. Perched on the edge of the divan, Bella brooded over the foaming, marvellous concoction, into whose milky bubbles she saw art fall like a star – a genius blossom like a flower. She gazed at Antony's hands as they plunged in and came out dripping; gazed as though she expected him to bring forth some peerless image his touch had called to life. His shirt sleeves rolled up over his fine arms, his close high-cropped and sunny hair warm upon his brow, his eyes sparkling, he bent an impassioned face over the milky plaster.

"Now," Fairfax said, "hurry along, Bella, I'm ready!"

She responded quietly. "I'm here. It's like a snow pie, Cousin Antony."

"Take off your shoe and stocking."

"Cousin Antony!"

A painful flush of red, the drawing under her more closely of the little legs, showed how far she had been from comprehending.

"Casts are taken from life, Bella," informed her cousin practically, "you'll see. I'm going to make a model from life, then watch what happens. I reckon you're not afraid, honey?"

Gardiner kicked his foot out from under the rugs. "Do mine."

With the first timidity Antony had seen her display, Bella divested herself of her shoe and drew off her dark stocking, and held him out the little naked foot, a charming, graceful concession to art.

"It's clean," she said simply.

He took it in his big hand and it lay like a pearl and coral thing in his palm. Bella did not hear his murmured artistic ecstasies. Fairfax deftly oiled the foot, kneeling before it as at a shrine of beauty. He placed it in one of the basins and poured the plaster slowly over it, sternly bidding her to control her giggles and her "ouches" as it could not harm.

"Keep perfectly still. Do not budge till the plaster sets."

"Oh, it's setting already," she told him, "hard! You won't break off my foot, Cousin Antony?"

"Nonsense."

Whilst the cast set he recited for them "St. Agnes's Eve," a great favourite with the children, beyond their comprehension, but their hearts nevertheless stirred to the melody. As Fairfax leant down to break the model Bella helped him bravely.

"Now, might I put on my stocking, Cousin Antony?"

He had been pouring the warm plaster into the mould and had forgotten her, and was reproached.

The twilight gathered and made friends with the storm as they waited for the cast to harden. Old Ann came in and lighted the gas above the group on the old divan.

"Be the hivenly powers! Mr. Fairfax, ye've here a power of a dirt."

Fairfax, who had taken a fancy to the patient old creature, who had' known his mother and was really more a slave to the children than his own black Mammy, bore the scolding peacefully.

"Ye're the childest of the three, sor."

Antony caught her arm. "Wait and see, old Ann," and he kneeled before the cooled plaster and broke his model, released his work and held up the cast.

"For the love of hiven, Mr. Antony, it's Miss Bella's foot ye've got, sor."

She stared as at a miracle, then at her little lady as though she expected to see a missing member. Bella danced around it, pleaded for it, claimed it. Gardiner was allowed to feel how cold it was, and Fairfax took it home in his overcoat pocket, anxious to get safely away with it before his uncle came and smashed it, as he had the feeling that Mr. Carew would some day smash everything for him. That night when she undressed Bella regarded with favour the foot that had been considered worthy of a cast and extracted sacredly a bit of plaster which she found between the toes, and Antony Fairfax limped home to the House that Jack Built, his heavy step lighter for the fairy foot, the snow-white, perfect little foot he carried triumphantly in his pocket.

CHAPTER X

He was too sincerely an artist not to make pictures of all he saw, and, being sincere, he made his lines true, and then outlined the sketch, softening, moulding, moulding… His aunt's gentle inefficiency (she was kind to him, affectionate, and called him "her dear boy") was to Fairfax only charming, feminine softness, and he grew fond of Mrs. Carew, indulgent to her faults, listened half convinced to her arguments, admired her in her multitudinous toilettes, in all of which she was original, found her lovely and graceful. Her eyes were deer-like – not those of a startled fawn, but like a doe's who stands gazing at a perfect park, whose bosks she takes to be real forests. Mrs. Carew knew absolutely nothing of life. Fairfax at twenty-three, knew less of it, and he could not criticize her vision. He saw his uncle through Bella's eyes, but he never passed the master of the house in the halls, taking good care to escape him. It was not easy to associate fear with Bella; her father had not impressed her free mind with this sentiment.

"Father," she told Antony, "is the most important man in New York City, the cook said so. He might be President, but he doesn't want to; he likes his own work best. Father's work is making money, and he quite understands how hard such a thing is. That is why there is so little in the house, Cousin Antony. Even the cook hadn't a cent when I asked her to lend me a penny. We used to have five cents a week, but now mother has to be so careful that we're hard up. It's awful when there are treats on, Cousin Antony, because you see, you ought to do your share. That is why Gardiner and I always stick around together and say we don't like children… No," she said firmly, "I really couldn't take five cents, Cousin Antony; thank you ever so much. We're bound in honour not to; we promised never to take from a stranger; yes, I know you're not a stranger, and I forget to whom we promised, but I really couldn't, Cousin Antony."

Mrs. Carew could, however. One day, on her way to the magic car, as it waited with its lean horses and jingle-jangle to take the lady "sharping," that day she borrowed two dollars from Fairfax, who, being a pauper, had always money in his pocket; having in reality nowhere else to keep it – and having none to keep elsewhere. The two dollar bill went to join ghostly company with the drawing lessons money, and fluttered away to the country of unpaid bills, of forgotten obligations, of benefits forgot, and it is to be wondered if souls are ever at peace there.

"Father," said Bella, "is the 'soul of honour.' When Ann comes to rub Gardiner's feet at night (they are so often tired, Cousin Antony), she told me about father's character. She's awfully Irish, you wouldn't understand her. Father goes to 'board meetings' (I don't know what they are, but they're very important) and they call him 'your honour,' and Ann says it's all because of his soul. He never breaks his word, and when the bills come in…"

The drawing lessons went bravely and wearily on day after day. Because his aunt wished it, Fairfax guided Gardiner's inert fingers across the page and almost tied Bella to her chair. On drawing days he lunched with the household, and honestly earned his food. Half fed, keen with a healthy appetite, he ate gratefully. They had been pausing at the end of a half-hour's torture when Bella took up her monologue on her father's character.

"When the bills come in he shuts himself in the library. I hear him walk up and down; then he comes out with his face white, and once, long past dinner-time, when mother didn't come in, he said to me, 'Where in heaven's name is your mother? What can she find left in the shops to buy?' just that, he asked me that, Cousin Antony. I felt awfully sorry. I was just going to ask him for five cents, but I hadn't the heart."

That she had heart for her father, this child of twelve, and at so tender an age could see and comprehend, could pity, struck Fairfax, and on his part he began to see many things, but being a man and chivalrous, he pitied the woman as well.

"My aunt is out of her element," he decided; "she cannot be in love with her husband; no woman who loved anything on earth could gad about as she does," and he wondered, and the deer in the park gazing at an artificial wilderness became more and more of a symbol of her.

Regarding the man they called "his honour" Fairfax had not made up his mind.

Gardiner developed scarlet fever and lay, so Mrs. Carew assured Antony, "at the door of death," and Bella had been sent away to the country. Mr. Carew lived at the Club, and Antony made daily visits and did countless errands for his aunt. One day, toward the end of the little boy's convalescence, Fairfax came in late and heard the sound of a sweet voice singing. He entered the drawing-room quietly and the song went on. Mrs. Carew had a lovely voice, one of those natural born voices, heart-touching, appealing; one of those voices that cause an ache and go to the very marrow, that make the eyes fill. As though she knew Antony was there, and liked the entertainment, she sang him song after song, closing with "Oh, wert thou in the cold blast," then let her hands rest on the keys. Fairfax went over to the piano.

"Why didn't you tell me you sang like this, Aunt Caroline?" The emotion her songs had kindled remained in his voice.

"Oh, I never sing, my dear boy, your uncle doesn't like music."

"Damn," said the young man sharply; "I beg your pardon. You've got the family talent; your voice is divine."

She was touched but shook her head. "I might have sung possibly, if your uncle had ever cared for it. He'll be back to-morrow and I thought I'd just run these things over."

As she rose and left the piano he observed how young she was, how graceful in her trailing dress. The forced housing of these weeks of Gardiner's illness had quieted the restless spirit. Mrs. Carew was womanly to him, feminine for the first time since his arrival. It was at the end of his tongue to say, "Why did you ever marry that man?" He thought with keen dislike of the husband whose appearance would close the piano, silence the charming voice, and drive his aunt to find occupation in the shops and in charities. He became too chivalrous.

"Flow gently, sweet Afton," as sung by her, echoed thence afterwards in his mind all his life. The melody was stored in the chambers of his memory, and whenever, in later years, he tried not to recall 700 Madison Avenue, and the inhospitable home, maddeningly and plaintively these tunes would come: "Roll on, silver moon," that too. How that moon rolled and hung in the pale sky of remembrance, whose colour and hue is more enchanting than ever were Italian skies!

Mrs. Carew had an audience composed of two people. Little Gardiner, up and dressed in his flannel gown, and the big cousin fathering him with a protecting arm, both in the sofa corner. Mrs. Carew's mellow voice on those winter afternoons before Bella returned, before Mr. Carew came back from the Club, flowed and quavered and echoed sweetly through the room. In the twilight, before the gas came, with old-fashioned stars set in the candelabra, the touching pathos of the ballads spoke to the romantic Fairfax … spoke to his twenty-three years and spoke dangerously. He became more and more chivalrous and considered his aunt a misunderstood and unloved woman. Long, long afterwards, a chord, a note, was sufficient to bring before him the square drawing-room with its columns, furnish with an agglomeration of gaudy, rich, fantastic things expressive of her uncertain taste. He saw again the long dark piano and the silhouette of the woman behind it, graceful, shadowy, and felt the pressure against his arm of little Gardiner, as they two sat sympathetically lifted to an emotional pitch, stirred as only the music of a woman's voice in love-songs can stir a man's heart.

Bella came back and there was an end of the concerts. A charm to keep Bella silent had not yet been found, unless that charm were a book. "She could not read when mother sang," she said, "and more than that, it made her cry." And when Mr. Carew's latchkey scratched in the door, Bella flew upstairs to the top story, Antony and Gardiner followed more slowly; Mrs. Carew shut her piano, and took the cars again to forget her restlessness in the purchase of silks and dry goods and house decorations, and was far from guessing the emotion she had aroused in the breast of her nephew – "Flow gently, sweet Afton." Nothing flowed gently in Fairfax's impetuous breast. Nothing flowed gently on the tide of events that drifted past slowly, leaving him unsuccessful, without any opening into fame.

CHAPTER XI

Cedersholm returned to New York and Fairfax presented himself again at the studio, getting as far as the workroom of the great Swede who had started in life the son of a tinsmith in Copenhagen. The smell of the clay, the sight of the figures swathed in damp cloths, the shaded light, struck Fairfax deliciously as he waited for an audience with Cedersholm. Fairfax drew his breath deep as though he were once again in his element. Cedersholm was out, and with no other encouragement than the sight of the interior of the four walls, Antony was turned away. His mother had added to his fast melting funds by a birthday gift, and Fairfax was nearly at the end of this.

Walking up from Cedersholm's to his uncle's house, a tramp of three miles, he limped into the children's room, on his usually bright face the first shadow they had seen. Bella was already seated at her table. Her six weeks in the country had sent her back, longer, slimmer, her skirt let down at the hem an inch, and some pretence to order in her hair. The dark mass of her hair was lifted back, held by a round comb; Bella was much transformed.

"Hello, honey," cried her cousin, "what have you been changing into?"

"What do you think of my back comb, Cousin Antony? It's the fourth. I've broken three. All cheap, luckily, not the best quality."

Bella took the comb from her hair and handed it to Antony, and, unprisoned, her locks fell triumphantly around her face.

"I like you better that way, little cousin," said Fairfax, "and," continued the drawing master, "you've a wonderful new pair of shoes, Bella!"

The little leg was encased in a light blue silk stocking, and the perfect little foot, whose rosy curves and lines Fairfax knew, was housed in a new blue kid shoe with shining white buttons, entirely out of keeping with the dear old red dress which, to Fairfax, seemed part of Bella Carew.

"Dancing school," she said briefly; "mother promised us we might go ages ago, long before you came, Cousin Antony."

"About ten years ago, I fink," said Gardiner helpfully.

"Nonsense," corrected his sister sharply, "but long enough ago for these to grow too small." She held up her pretty foot. "We got as far as the shoes and stockings (real silk, Cousin Antony, feel). Aren't they perfectly beautiful? We didn't dare, because of the bills, get the dress, you know, so I guess mother's been waiting for better times. But just as soon as I came back from the country and they let out the hem and bought the comb, I said to Gardiner, 'There, my dancing shoes will be too small.'" She leant down and pinched the toes. "They do squeeze." She crinkled up her eyes and pursed up the little red mouth. "They pinch awfully, but I'm going to wear them to drawing lessons, if I can't to dancing lessons. See," she smoothed out her drawing board and pointed to her queer lines, "I have drawn some old things for you, a couple of squares and a triangle."

Fairfax listened, amused; the problems of his life were vital, she could not distract him. He took the rubber, erasing her careless work, sat down by her and began to give her real instruction. Little Gardiner, excused from all study, amused himself after his own fashion in a corner of the sofa, and after a few moments of silence, Fairfax's pupil whispered to him in a low tone —

"I can't draw anything, Cousin Antony, when you've got that look on."

Fairfax continued his work.

"It's no use, you've got the heavy look like the heavy step. Are you angry with me?"

Not her words, but her voice made her cousin stop his drawing. In it was a hint of the tears she hated to shed. Bella leant her elbow on the table, rested her head in her hand and searched Fairfax's face with her eloquent eyes. They were not like her mother's, doe-like and patient; Bella's were dark eyes, superb and shadowy. They held something of the Spanish mystery, caught from the strain that ran through the Carew family from the Middle Ages, when the Carez were nobles in Andalusia.

"I am angry with myself, Bella; I am a fool."

"Oh no, you're not," she breathed devotedly, "you're a genius."

The tension of Fairfax's heart relaxed. The highest praise that any woman could have found, this child, in her naïveté, gave him.

"Why don't you make some figures and sell them, Cousin Antony? Are you worried about money troubles?" She had heard these terms often.

"Yes," he said shortly, "just that."

He had gone on to sketch a head on the drawing-board, touching it absently, and over his shoulder Bella murmured —

"Cousin Antony, it's just like me. You just draw wonderfully."

He deepened the shadows in the hair and rounded the ear, held it some way off and looked at it.

"I wish I had some clay," he murmured.

He had brought the cast of the foot back to show it to his aunt when an occasion should offer. It stood now in the little cabinet where Bella and Gardiner kept their treasures.

"I went to see Mr. Cedersholm to-day," Fairfax continued, for lack of other confidant taking the dark-eyed child; "now, if Cedersholm would only take me up, and give me the chance to work under him, I'd soon show him."

Bella agreed warmly. "Yes, indeed, you soon would."

CHAPTER XII

The odours of strange meats and sauces were wafted throughout the house. Little troublesome feet pattered up and down the dingy back stairs, and whenever Bella and Gardiner were laid hold upon they were banished. They were inoculated with excitement and their nostrils pricked with the delicious smells of flowers and smilax and feast meats.

Mr. Carew annually gave a banquet to some twenty New Yorkers, who he was so generous as to think were nearly as great as himself. The household was not constructed or run on a hospitable basis and nothing was in tune for entertaining. Sympathetic Bella, thrilling with liveliest interest, assisted at the preparations, and to her bright cheeks and eyes her mother bewailed —

"Only twenty glasses, Bella, of the fine engraved deer and pheasant pattern, and we shall be twenty-four."

"Mother, give me one in a paper and I'll take it down town and match it."

Her mother laughed. "Match it, why they were made by hand years ago, and are worth ten dollars apiece."

"Oh, dear," breathed the little girl, and multiplied: "Two hundred dollars for twenty. Mother!"

The child stole silently out from the glistening array. Ten dollars apiece. And she and Gardiner at their last nursery tea-party… Through the door, as she slipped away, she looked back at her mother, standing thoughtful over the rows of crystal. In the great mahogany cage which, like a small dark château, surmounted the pedestal of carved wood, the blackbird Jetty huddled on his perch. He was a superb specimen, black as jet, whence his name, a free woodland spirit, with a yellow bill like a crocus flower, and piercing eyes. Bella passed under the cage and called up to him, "Sing, Jetty, sing."

Piped a blackbird from a beechwood spray,
"Little maid, slow wandering this way,
What's your name?" said he.

Little Bell had wandered through the glade,
She looked up between the beechwood's shade,
"Little Bell," said she…

The child crooned to the bird her schoolroom poem. In return, Jetty sang a short, brilliant little roulade, his one trained tune, which Bella had vainly tried to pick out on the piano. She never heard half so sweet a song from any bird.

"Jetty is my favourite singer," she had said to Antony. But as she lingered now under his cage in order to lengthen out the time, which, because of her aching conscience, was hanging heavy, Jetty blinked down at her as she stood with her hands behind her back, her face uplifted; he peered at her like a weird familiar spirit. "Listen, Jetty. Gardiner and I took those perfectly beautiful, expensive glasses for our tea party. He smashed all three of them. There was a glass for Gardiner, a glass for me and one for the uninvited guest – no, I mean the unexpected guest. Gardiner sat down on the glasses where I had put them out to wash them. He would have been awfully cut only he had father's overcoat on (one of father's old coats, we got it out of the camphor chest)." She ceased, for Jetty, in the midst of the confession, hopped down to take a valetudinarian peck at his yellow seeds.

"Now," murmured Bella, "the question is, shall I tell mother on an exciting day like this when she is worried and nervous, and, if I do tell her, wouldn't it be carrying tales on poor little Gardiner?"

Jetty, by his food cup, disheartened and discouraged and apparently in a profound melancholy, depressed Bella; she left him, turned and fled.

Bella picked a forbidden way up the freshly oiled stairs and joined her little brother. There she listened to tales, danced on tiptoe to peer through the stair rails, and hung with Gardiner over the balustrade and watched and listened. The children flew to the window to see the cabs and carriages drive up, fascinated by the clicking of the doors, finding magic in the awning and the carpeting that stretched down the stoop to the curb; found music in the voices below in the hallway as the guests arrived. Bella could hardly eat the flat and unpalatable supper prepared for her on the tray, and, finally, she seized her little brother.

"Come, let's go down and see the party, Gardiner."

She dragged him after her, half-reluctant and wholly timid. On the middle of the stairway she paused. The house below was transformed, hot and perfumed with flowers, the very atmosphere was strange. Along the balustrade, their hands touched smilax garlands. The blaze of light dazzled them, the sweet odours, the gaiety and the spirit of cheer and life and good-fellowship came up on fragrant wings. The little brother and sister stood entranced. The sound of laughter and men's agreeable voices came soaring in, the gaiety of guests at a feast, and, over all rose a sound most heavenly, a low, thrilling, thrilling sound.

Jetty was singing.

The children knew the blackbird's idyl well, but it was different this night. They heard the first notes rise softly, half stifled in his throat, where Jetty caressed his tune, soothed it, crooned with it, and then, preluded by a burst all his own of a few adorable silver notes, the trained melody came forth.

"Oh, Gardiner," breathed the little girl, "hear Jetty. Isn't it perfectly beautiful?"

They stepped softly on downstairs, hand in hand, into the lower rooms, over to the dining-room where the thick red curtains hung before the doorway. Gardiner wore his play apron and his worsted bed slippers. Bella – neither the little brother nor the old nurse had observed that Bella had made herself a toilette. The dark hair carefully brushed and combed, was tied back with a crimson ribbon, and below her short dress shone out her dancing school blue stockings and her tight blue shoes. Peering through the curtains, the children could see the dinner company to their hearts' content. Bella viewed the great New Yorkers, murmuring under her breath the names and wondering to whom they belonged. Judge Noah Davis, famous for the breaking of the Tweed ring – him, Bella knew, he was a frequent caller. There was a prelate of the Church and there was some one whom Bella wanted especially to see – Cedersholm, Mr. Cedersholm – which could he be? Which might he be? Little Gardiner's hand was hot in hers. He whispered beseechingly —

"Come, Bella, come, I'm afwaid."

"Hear Jetty, Gardiner, be quiet."

And the bird's voice nearly drowned the murmur and the clamour of the dining-room. Mr. Carew, resplendent in evening clothes, displayed upon his shirt front the badge of the Spanish Society (a golden medal hung by a silken band). It was formed and founded by the banker and he was proud of his creation.

"Who would ever suppose that father didn't like company? Whoever would think that you could be afraid of father!"

Suave, eloquent, Carew beamed upon his guests, and his little daughter admired him extravagantly. His hair and beard were beautiful. Touching the medal on his breast, Carew said —

"Carez is the old name, Cedersholm."

Cedersholm! Bella stared and listened.

"Yes, Carez, Andalusian, I believe, to be turned later in England into Carew; and the bas-relief is an excellent bit of sculpturing."

Mr. Carew undid the medal and handed it to the guest on his right.

"Here, Cedersholm, what do you think of the bas-relief?"

Cedersholm, already famous in New York, faced Bella Carew and she saw him plainly. This was the sculptor who could give Cousin Antony his start, "his fair chance." He did not look a great man, as Bella thought geniuses should look; not one of the guests looked as great and beautiful as Cousin Antony. Why didn't they have him to the dinner, she wondered loyally. Hasn't he got money enough? Perhaps because he was lame.

Jetty was lame. He had broken his leg in the bars once upon a time. How he sang! From his throat poured one ecstatic roulade after another, one cascade after another of liquid delicious sweetness. Fields, woods, copses, and dells; sunlight, moonlight, seas and streams, all, all were in Jetty's passion of song.

Gardiner had left his sister's side and stood under the bird-cage gazing up with an enraptured face. He made a pretty, quaint figure in the deserted room, in his gingham apron and his untidy blonde hair.

Bella heard some one say, "What wonderful singing, Mrs. Carew." And she looked at her mother for the first time. The lady was all in white with a bit of old black point crossed at her breast and a red camellia fastened there. Her soft fine hair was unpretentiously drawn away neatly, and her doe-like eyes rested amiably on her guests. She seemed to enjoy her unwonted entertainment.

Still Bella clung to her hiding-place, fascinated by the subdued noise of the service, the clinking of the glasses, listening intelligently to a clever raconteur when he told his anecdote, and clapping her hand on her mouth to keep from joining aloud in the praise that followed, and the bead of excitement mounted to her head like the wine that filled the glasses, the engraved deer and pheasant glasses, three of which had been massacred upstairs. The dinner had nearly reached its end when the children slipped down, and the scraping of chairs and a lull made Bella realize where she was, and when she escaped she found that Gardiner had made his little journey upstairs without her guardianship. Bella's mind was working rapidly, for her heart was on fire with a scheme. In her bright dress she leaned close to the dark wainscoting of the stairway and heard Jetty sing. How he sang! That was music!

"Why do people sing when there are birds!" Bella thought. Low and sweet, high and fine, the running of little country brooks, unattainable as a weather vane in the sun.

Bella was at a pitch of sensitive emotion and she felt her heart swell and her eyes fill. She would have wept ignominiously, but instead shot upstairs, a red bird herself, and rushed to the cabinet where her childish treasures were stored away.