The Native Races [of the Pacific states], Volume 5, Primitive History

It is not likely that Américanistes of the present day will disagree materially with the preceding conclusions, especially as they do not positively assert the southern origin of the Nahua peoples or deny their traditional migration from the north. The general theory alluded to of a great migration from north to south, and the theory of a civilized race of foreign origin extinct long before the Conquest, will find few defenders in view of the results of modern research. It is true that many writers attribute more or less positively the grand ruins of Central America to the Toltecs after their migration southward in the eleventh century; but their decision has been generally reached without even considering the possible existence of any other civilized nation in the annals of American antiquity. Their studies have shown them that Palenque was not the work of an extinct race, and they have consequently attributed the ruins to the oldest people mentioned in the popular version of American traditional history – the Toltecs, and the more naturally because that people, according to the tradition, had migrated southward. Mr Stephens, who arrived at this conclusion in the manner indicated, admits that from a study of the ruins themselves he would have assigned the foundation of the cities to a much more remote period.²⁹⁴

MONUMENTS AND INSTITUTIONS

Thus the monumental relics of Central America by themselves and by comparisons with other American ruins, point directly to the existence of a great empire in the Palenque region; and the observed phenomena of myths, language, and institutions agree perfectly with such a conclusion, which, however, unaided, they could not have established. We may then accept as a reality the Votanic Maya empire on the authority of the native traditions confirmed by the tangible records of ruined cities, and by the condition of the southern civilized nations in the sixteenth century. It is more than probable that Palenque was the capital, as Ordoñez believes – the Nachan of the Votanic epoch – and not improbable that Ococingo, Copan, and some of the older Yucatec cities were the centres of contemporaneous, perhaps allied powers.²⁹⁵

TRADITIONS OF THE QUICHÉS

I pass next to the traditions of the Quiché nations as preserved in the Popol Vuh, or National Book, and known to the world through the Spanish translation of Ximenez and the French of Brasseur de Bourbourg.²⁹⁶ These traditions, the authenticity and general accuracy of which there is no reason to doubt, constitute a hopelessly entangled network of mythic tales, without chronology, but with apparent although vague references here and there, to actual events in the primitive history of the peoples whose descendants were the Quichés and Cakchiquels, and with a more continuous account in the closing chapters, of the Quiché annals of a much later period, immediately preceding the Conquest. In the introduction we read: "This is the origin of the ancient history of Quiché. Here we write the annals of the past, the beginning of all that has taken place in the city of Quiché, among the tribes of the Quiché nations. Behold we bring about the manifestation of what was in obscurity, its first dawning by the will of the Creator and of the Former, of Him who begets and of Him who gives being. Their names are Hunahpu Vuch – 'shooter of the blowpipe at the opossum,' Hunahpu Utïu – 'shooter of the blowpipe at the coyote,' Zaki Nima Tzyiz – 'great white pricker,' Tepeu – the 'dominator,' and Gucumatz – the 'plumed serpent;' Heart of the Lakes, Heart of the Sea, Master of the Verdant Planisphere, Master of the Azure Surface. Thus it is that these also are named, sung, and celebrated – the grandmother and the grandfather, whose names are Xpiyacoc and Xmucane, preserver and protectrice; twice grandmother and twice grandfather, as it is stated in the Quiché annals; concerning whom was related all that they did afterwards in the light of life, in the light of the word, (civilization). Behold that which we shall write after the word of God, and in Christianity; we shall bring it to light because the Popol Vuh, the national book, is no longer visible, in which it was clearly seen that we came from beyond the sea – 'the narrative of our life in the land of shadow, and how we saw the light and life,' as it is called. It is the first book, written in olden times; but its view is hidden from him who sees and thinks. Wonderful is its appearance, and the narrative of the time when he (the Creator) finished everything in heaven and on earth."²⁹⁷

Then follows an account, which has already been presented in a condensed translation,²⁹⁸ of a time when all was silent, and there was yet no earth, and no living thing, only the immobility and silence of a boundless sea, on the surface of which floated the Creator and his companion deities named above, including Gucumatz, the 'plumed serpent.' Then the light appeared and the earth with its vegetation was created by Gucumatz and the Dominator at the word of Hurakan, Heart of Heaven, the Thunderbolt. Life and fecundity were given to the animals and birds, who were distributed as guardians of the forests and mountains, and called upon to speak and praise the names of those that had made them; but the poor animals, after efforts twice repeated, could not obey, and were assigned a position far below that which they had been intended to fill. Two attempts at the creation of intelligent beings followed, both failures. First man was made of earth, and although he could speak, he was intellectually stupid and physically clumsy, unable to stand erect, and soon mingled with the water like a man of mud. He was destroyed by the disgusted creators. The sorcerers, Xpiyacoc and Xmucane, grandmothers of the sun and of the moon, were consulted in the second creation, and the 'chief of Toltecat' is mentioned in addition to the names already given. Lots were cast, all needful precautions were taken, and man was made again of wood and pith; but he lacked intelligence, led a useless life, and forgot the Heart of Heaven. They became numerous on the face of the earth, but the gods were wroth and sent upon them a flood, and a resinous shower from heaven; their houses refused to cover them, the trees shook them from the branches where they sought shelter, the animals and even the household implements turned against the poor wooden men, reviling and persecuting them, until all were destroyed, save a few who remained as a memorial in the form of apes.²⁹⁹

At this point the character of the narrative changes somewhat, and, although an account of a third and final creation of man, given on a subsequent page,³⁰⁰ should, in the opinion of Brasseur, be introduced here, I proceed with a résumé of the Quiché tradition in the order of its arrangement in both the Spanish and French version, devoting a paragraph to each chapter of the French translation.

There was sky and earth, but little light; and a man named Vucub Cakix, 'seven aras, or paroquets,' was puffed up with pride and said, "those that were drowned were like supernatural beings;³⁰¹ now will I be great above all created beings. I am their sun and their moon; great is my splendor." He was not the sun, nor did his view reach over the whole earth, but he was proud of his riches. This was when the flood destroyed the wooden manikins. Now we will tell when Vucub Cakix was defeated and man was made.

VUCUB CAKIX AND ZIPACNA

This is the cause of his destruction by two young men, Hunahpu (or Hunhunahpu) and Xbalanque, 'little tiger,' who were really gods, and thought it not good that Vucub Cakix should swell with pride and offend the Heart of Heaven; and they plotted against his life and wealth. He had two sons, Zipacna and Cabrakan, the 'earthquake,' by his wife Chimalmat. Zipacna's work was to roll the great mountains which he made in a night, and which Cabrakan shook at will. The death of the father and son was resolved upon by the two young men.

Vucub Cakix was shot by them while eating the fruit called nanze in a tree-top, and his jaw broken, although in revenge he carried home the arm of Hunahpu, which he hung over the fire. But an old man and an old woman, Zaki Nim Ak and Zaki Nima Tzyiz – divinities already named, in human disguise – were induced by the two young men to volunteer their services in curing the jaw of Vucub Cakix, who seems to have been a king, for they found him on his throne howling with pain. They pulled out his broken teeth of precious stones, in which he took great pride, substituting grains of maize; they dimmed his eyes, took away his riches, and recovered the missing arm. Then the king died as did his wife, and the purpose of Hunahpu and Xbalanque was accomplished against him who was proud and regarded not the will of the Heart of Heaven.

These are the deeds of Zipacna, son of Vucub Cakix, who claimed to be creator of the mountains. Bathing at the river-side he found four hundred young men striving in vain to carry away a tree which they had cut. Generously he bore the burden for them, and was invited to join their band, being an orphan; but they soon plotted against him, casting a tree upon him in a deep pit they had employed him to dig. He cunningly took refuge in a branch gallery, cut off his hair and nails for the ants to carry up to his foes, waited until the four hundred had become intoxicated in their rejoicing at his supposed death, emerged from the pit, and toppled over their house upon them so that not one escaped.

But in his turn Zipacna was conquered by Hunahpu and Xbalanque, who were grieved that the four hundred had perished. Zipacna, bearing the mountains by night, wandered in the day by the river and lived on fish and crabs; by an artificial crab his two foes enticed him in a time of hunger to crawl on all fours into a cavern at the bottom of a ravine, where the mountain, previously mined, fell upon him. Thus perished and was turned to stone, at the foot of Mt Meavan, the self-styled 'maker of the mountains,' the second who by his pride displeased the deities.

One only now remained, Cabrakan. "It is I who destroy the mountains," he said; but it was the will of Hurakan, 'the thunderbolt,' that his pride also should be humbled, and the order was given to Hunahpu and Xbalanque. They found him at his favorite employment of overturning the hills, enticed him eastward to exhibit his skill and overthrow a particularly high mountain which they claimed to have seen, killed a bird with their blowpipe on the way, and poisoned it with earth before it was given Cabrakan to eat. Thus was his strength destroyed; he failed to move the mountain, was tied, and buried.

THE IMMACULATE CONCEPTION

Thus ends the first of the four divisions of the Popol Vuh.³⁰² Next we are to hear something of the birth and family of Hunahpu and Xbalanque. The recital is, however, to be covered with mystery, and only half is to be told of the relation of their father.³⁰³ Xpiyacoc and Xmucane had two sons, Hunhunahpu and Vukub Hunahpu, the first being as the French translation unintelligibly renders it a sort of double personage. The former had also by his wife Xbakiyalo two sons, Hunbatz and Hunchouen, very wise, great artists, and skillful in all things; the latter never married. All four spent the day in playing at dice and at ball, and Voc, the messenger of Hurakan, came to see them, Voc who remained not far from here nor far from Xibalba.³⁰⁴ After the death of Xbakiyalo, the two played ball, journeying toward Xibalba, having left Hunbatz and Hunchouen behind, and this became known to Hun Came and Vukub Came, monarchs of Xibalba, who called together the council of the empire and sent to summon them or to challenge them to a game of ball, that they might be defeated and disgraced.

The messengers were owls, four in number; and the players, after a sad parting from their mother, Xmucane, and from the young Hunbatz and Hunchouen, followed them down the steep road to Xibalba from the ball-ground of Nimxob Carchah.³⁰⁵ Crossing ravines and rivers, including one of blood, they came to the royal palace of Xibalba, and saluted two wooden figures as monarchs, to the great amusement of the latter and the assembled princes. Then the brothers were invited to a place on the seat of honor, which proved to be a red-hot stone, and the contortions of the guests when they sat upon it provoked a new burst of laughter which well-nigh resulted in apoplexy. Five ordeals are here mentioned as existing in Xibalba, to the first of which only, that of the House of Gloom,³⁰⁶ were the brothers subjected; then they were sacrificed and their bodies buried together. But the head of Hunhunahpu was hung in a tree, which at once became covered with gourds from which the head could not be distinguished, and it was forbidden to all in Xibalba to approach that tree.

But Xquiq, a virgin princess, daughter of Cuchumaquiq, heard of the tree, and went alone to taste the forbidden fruit. Into her outstretched hand the head of Hunhunahpu spat, and the spittle caused the young girl to conceive, and she returned home, after a promise from the head that no harm should result to her. All this was by the order of Hurakan. After six months her condition was observed by her father, and in spite of her protestations that she had known no man, the owls, the royal messengers, were ordered to sacrifice her and bring back her heart in a vase. She persuaded and bribed the royal officers, however, by the promise of future emoluments, to carry back to the kings the coagulated sap of the blood-wort instead of her blood and heart, and she escaped; thus were Hun Came and Vukub Came tricked by this young girl.

Xquiq, far advanced in pregnancy, went for protection to the place where Xmucane was living with the young Hunbatz and Hunchouen. The old woman was not disposed at first to credit the stranger's tale that she was with child by Hunhunahpu, and therefore entitled to protection as a granddaughter at the hands of Xmucane; but by calling upon the gods and gathering a basket of maize where no maize was growing, the young girl proved the justice of her claim, and was received by the great grandmother of her unborn children.

HUNAHPU AND XBALANQUE

The virgin mother brought forth twin sons, and they were named Hunahpu and Xbalanque. From their very birth they were ill-treated. They were turned out of the house by their grandmother for crying, and throughout childhood and youth were abused by Hunbatz and Hunchouen, by reason of jealousy. They passed their time shooting birds in the mountains with their blowpipes, while their brothers, great musicians, painters, and sculptors, remained at home singing and playing the flute. But at last Hunbatz and Hunchouen were changed by the young heroes into monkeys. Xmucane was filled with sadness, and she was offered the privilege of beholding again the faces of her favorite grandsons, if she could do so without laughing; but their grimaces and antics were too ludicrous; the old lady failed in three interviews to restrain her laughter, and Hunbatz and Hunchouen appeared no more. Hunahpu and Xbalanque became in their turn musicians and played the air of hunahpu qoy, the 'monkey of Hunahpu.'³⁰⁷

The first work undertaken by the twins was the clearing of a milpa or cornfield. It was not very difficult on the first day, for their enchanted tools worked by themselves while the young agriculturists went hunting, taking care to put dirt on their faces and to pretend to be at work when their grandmother brought their lunch at noon. In the night, however, the wild beasts met and replaced all the trees and shrubbery that the brothers had removed. Hunahpu and Xbalanque watched for them the next night, but in spite of their efforts the beasts all escaped – although the deer and rabbit lost their tails – except the rat, which was caught in a handkerchief. The rat's life was spared by the youths and in return this animal revealed the glorious deeds of their fathers and uncles, their games at ball, and the existence of a ball of India rubber with other implements of the game which they had left about the house. All of the implements and the ball came into their possession with the knowledge of the secret.

Joyful at their discovery Hunahpu and Xbalanque went away to play in the ball-ground of their fathers, and the monarchs of Xibalba, Hun Came and Vukub Came, heard them and were angry, and sent messengers to summon them as their fathers had been summoned to play at Xibalba. The messengers came to the house of Xmucane, who, filled with alarm, dispatched a louse to carry the summons to her grandsons. On the way the louse consented, to insure greater speed, to be swallowed by a toad, the toad by a serpent, and the serpent by the great bird Voc. On arrival a series of vomitings ensued, until the toad was free; but in spite of his most desperate efforts he could not throw up the louse, who, it seems, had played him a trick, lodged in his gums, and not been swallowed at all. However, the message was delivered, and the players returned home to take leave of their grandmother and mother. Before their departure they planted each a cane in the middle of the house, the fate of which should depend upon their own, since it would wither at their death.

The ball-players set out for Xibalba by the route their fathers had followed, passing the bloody river and the river Papuhya; but they sent in advance an animal called Xan, with a hair of Hunahpu's leg to prick the kings and princes. Thus they detected the artificial men of wood, and also learned the names of all the princes by their exclamations and mutual inquiries when pricked. On their arrival at court they refused to salute the manikins or to sit upon the red-hot stone; they even passed through the first ordeal in the House of Gloom, thus thrice avoiding the tricks which had been played upon their fathers.

The kings were astonished and very angry, and the game of ball was played, and those of Xibalba were beaten. Then Hun Came and Vukub Came required the victors to bring them four bouquets of flowers, ordering the guards of the royal gardens to watch most carefully, and committed Hunahpu and his brother to the House of Lances – the second ordeal – where the lancers were directed to kill them. Yet a swarm of ants in the brothers' service entered easily the royal gardens, the lancers were bribed, and the sons of Xquiq were still victorious. Those of Xibalba turned pale, and the owls, guards of the royal gardens, were punished by having their lips split.

Hunahpu and Xbalanque were subjected to the third ordeal in the House of Cold, but warmed by burning pine-cones they were not frozen. So in the fourth and fifth ordeals, since they passed a night in the House of Tigers and in the House of Fire without suffering injury; but in the House of Bats, although the occupants did them no harm, Hunahpu's head was cut off by Camazotz, 'ruler of bats,' who came from on high.

The beheading of Hunahpu was by no means fatal, but after a combination of events utterly unintelligible, including an assemblage of all the animals, achievements particularly brilliant by the turtle and rabbit, and another contest at ball-playing, the heroes came out uninjured from all the ordeals to which they were subjected in Xibalba.

DEATH OF THE TWIN BROTHERS

At last, instructing two sorcerers, Xulu and Pacam, that those of Xibalba had failed because the brutes were not on their side, and directing them also what to do with their bones, Hunahpu and Xbalanque stretched themselves voluntarily face down on a funeral pile, still in Xibalba, and died together. Their bones were pulverized and thrown into the river, where they sank and were changed into fine young men.

On the fifth day they re-appeared, like man-fishes; and on the day following in the form of ragged old men, dancing, burning and restoring houses, killing and restoring each other to life, and performing other wonderful things. They were induced to exhibit their skill before the princes of Xibalba, killing and resuscitating the king's dog, burning and restoring the royal palace; then a man was made the subject of their art, Hunahpu was cut in pieces and brought to life by Xbalanque. Finally, the monarchs of Xibalba wished to experience personally the temporary death; Hun Came, the highest in rank, was first killed, then Vukub Came, but life was not restored to them; the two shooters of the blow-pipe had avenged the wrongs of their fathers; the monarchs of Xibalba had fallen.

Having announced their true names and motives, the two brothers pronounced sentence on the princes of Xibalba. Their ball was to appear no more in the favorite game, they were to perform menial service, with only the beasts of the woods as vassals, and this was to be their punishment for the wrongs they had done; yet strangely enough, they were to be invoked thereafter as gods, or rather demons, according to Ximenez. The character of the Xibalbans is here described. They were fond of war, of frightful aspect, ugly as owls, inspiring evil and discord; faithless, hypocritical, and tyrants, they were both black and white, painting their faces, moreover, with divers colors. But their power was ruined and their domination ceased. Meanwhile, the grandmother Xmucane at home watched the growth of the canes, and was filled alternately with grief and joy, as these withered and again became green according to the varying fortunes of the grandsons in Xibalba.³⁰⁸ Finally, to return to Xibalba, Hunahpu and Xbalanque rendered the fitting funeral honors to their fathers who had perished there, but who now mounted to heaven and took their places as the sun and moon; and the four hundred young men killed by Zipacna became stars in the skies. Thus ends the second division of the National Book of the Quichés.³⁰⁹

MIGRATION FROM TULAN

The first chapter of the third division relates another and final creation of man from maize, in Paxil, or Cayala, 'land of divided and stagnant waters,' and has already been translated in full in another volume.³¹⁰ According to Brasseur's opinion it should follow the account of the preceding creations,³¹¹ and precede the narrative of the struggle with Xibalba; but was introduced here at the beginning of the Quiché migrations intentionally in order to attach the later Quiché nations more closely to the heroic epochs of their history. The remaining chapters of the division have also been translated in substance.³¹² In them are related the adventures of Balam-Quitzé, Balam-Agab, Mahucutah, and Iqi-Balam, the product of the final creation by Gucumatz and his companion deities, and the founders of the Quiché nations. The people multiplied greatly in a region called the East, and migrated in search of gods to Tulan-Zuiva, the 'seven caves,' where four gods were assigned to the four leaders; namely, Tohil, Avilix, Hacavitz, and Nicahtagah. Here their language was changed or divided, and the division into separate nations was established. Suffering from cold and endeavors to obtain fire while they were awaiting the sun, are the points most dwelt upon during their stay in Tulan, and in connection with these troubles the coming of an envoy from Xibalba is mentioned,³¹³ which circumstance may indicate that Tulan was in the Xibalban region. But they determined to abandon or were driven from Tulan, and after a tedious journey, including apparently a crossing of the sea, they reached Mt Hacavitz, where at last they beheld the sun. Mt Hacavitz was apparently in Guatemala, and the events mentioned in the record as having occurred subsequently to the arrival there, although many are of a mythical nature and few can be assigned to any definite epoch, may best be referred to the more modern history of the Quiché-Cakchiquel nations in Guatemala, to be treated in a future chapter.

The events preceding the rising of the sun on Mt Hacavitz, are not easily connected with the exploits of Hunahpu and Xbalanque; but to suppose that they follow in chronologic order, and that the traditions in question reflect vaguely the history of the heroes or tribes that prevailed against Xibalba is at least as consistent as any theory that can be formed. The chief objection is the implied crossing of the sea during the migration from Tulan, which may be an interpolation. A lamentation which they chanted on Mt Hacavitz has considerable historical importance. "Alas," they said, "we were ruined in Tulan, we were separated, and our brothers still remain behind. Truly we have beheld the sun, but they, where are they now that the dawn has appeared? Truly Tohil is the name of the god of the Yaqui nation, who was called Yolcuat Quitzalcuat (Quetzalcoatl) when we parted yonder in Tulan. Behold whence we set out together, behold the common cradle of our race, whence we have come. Then they remembered their brothers far behind them, the nation of the Yaqui whom their dawn enlightened in the countries now called Mexico. There was also a part of the nation which they left in the east, and Tepeu and Oliman were the places where they remained."³¹⁴

A Cakchiquel record of what would seem to be the same primitive traditions contained in the Popol Vuh, exists but has never been published. It is only known through an occasional reference or quotation in the writings of Brasseur de Bourbourg. From one of these references³¹⁵ we learn that the barbarian Utïu, Jackal, or Coyote, that conducted Gucumatz to Paxil where maize was discovered, was killed by one of the heroes or deities; hence the name Hunahpu Utïu, 'shooter of the blowpipe at the coyote.' The following quotation from the same document refers to the name Tulan, which with its different spellings occurs so perplexingly often in all the primitive traditions of American civilization. "Four persons came from Tulan, from the direction of the rising sun, that is one Tulan. There is another Tulan in Xibalbay and another where the sun sets, and it is there that we came; and in the direction of the setting sun there is another where is the god: so that there are four Tulans; and it is where the sun sets that we came to Tulan, from the other side of the sea where this Tulan is, and it is there that we were conceived and begotten by our mothers and our fathers."³¹⁶

MEANING OF THE QUICHÉ TRADITIONS

Such in a condensed form are the tales that make up the primitive annals of the Quiché nations of Guatemala. We may be very sure that, be they marvelous or common-place, each is founded on an actual occurrence, and has its meaning. That meaning, so far as details are concerned, has been doubtless in most instances lost. We may only hope to extract from the tenor of the record as a whole, a general idea respecting the nature of the historic events thus vaguely recorded; and even this would be perhaps a hopeless task, were it not for the aid derived from the Tzendal traditions, with monumental, institutional, and linguistic arguments already considered, and the Nahua records yet to be examined. It is not altogether visionary to behold in the successive creations by Gucumatz, the 'plumed serpent,' and his companions, as we have done in the coming of Votan, the introduction or growth of a new civilization, new forms of government or religion, new habits of life in America; even if we cannot admit literally the arrival at a definite time and place of a civilizer, Gucumatz, or hope to reasonably explain each of his actions. It is not necessary to decide whether the new culture was indigenous or of foreign origin; or even to suppose it radically different from any that preceded or were contemporaneous with it. We need not go back to ancient times to see partisans or devotees attach the greatest importance to the slightest differences in government or religion, looking with pity or hatred on all that are indifferent or opposed. Thus in the traditions before us opponents and rivals are pictured as the powers of darkness, while tribes that cling to the freedom of the forests and are slow to accept the blessings of civilized life, are almost invariably spoken of as brutes. The final creation of man, and the discovery of maize as an essential element in his composition, refer apparently to the introduction among or adoption by the new people or new sect of agriculture as a means of support, but possibly to the creation of a high rank of secular or religious rulers. Utïu, the Jackal, a barbarian, led Gucumatz and his companions to Paxil Cayala where maize was found, but was killed by the new-comers in the troubles that ensued. Early in the narrative, however, the existence of a rival power, the great empire of Xibalba, almost synonymous with the infernal regions, is explicitly indicated, and a large portion of the Popol Vuh is devoted to the struggle between the two. The princes and nations of Xibalba, symbolized in Vukub Cakix, Zipacna, Cabrakan, Hun Came, and Vukub Came, were numerous and powerful, but, since the history is written by enemies, they were of course bad. Their chief fault, their unpardonable sin, consisted in being puffed up with pride against the Heart of Heaven, in refusing to accept the views of the new sect. Consequently the nations and chiefs that had arrayed themselves on the side of Gucumatz, represented by Xbalanque and Hunahpu, of several generations, struggle long and desperately to humble their own enemies and those of the supreme god, Hurakan. The oft-repeated struggles are symbolized by games at ball between the rival chiefs. The ball grounds or halls are battle-fields. The animals of the forests often take a prominent part on one side or the other; that is, the savage tribes are employed as allies. Occasionally men are for some offense or stupidity changed to monkeys, or tribes allied with the self-styled reformers and civilizers prove false to their allegiance and return to the wild freedom of the mountains. It is difficult, if not impossible, to determine the meaning of that portion of the narrative which recounts the immaculate conception of the princess Xquiq; but Brasseur, not without reason, sees in the birth of Hunahpu and Xbalanque from a Xibalban mother, an indication that the rival nations became more or less mixed by intermarriage. The same author conjectures that the quarrels between the two twins and their elder half-brothers record dissensions that arose between the chiefs of pure and mixed blood. After a long series of wars with varying results, symbolized by the repeated games of ball, and the ordeals to which Xbalanque and his brother were successively subjected, the princes of Xibalba were defeated. From the terms in which the victory is described in the tradition, the general impression is conveyed that it was not a conquest involving the destruction of cities and the extermination or enslaving of the people; but rather the overthrow of a dynasty; the transfer of the supreme power to nations that formerly occupied subordinate positions. The chief feature in the celebration of the triumph was the apotheosis of the heroes who had fallen during the struggle.