Czytaj tylko na LitRes

Książki nie można pobrać jako pliku, ale można ją czytać w naszej aplikacji lub online na stronie.

Czytaj książkę: «The Alibi Girl»

Czcionka:

Praise for C J Skuse

‘This darkly comic novel…has the potential to become a cult classic’

DAILY MAIL

‘This isn’t a book for the squeamish or the faint-hearted … think Bridget Jones meets American Psycho

RED

‘Filthy and funny… a compulsive read’

SUNDAY TIMES

‘You MUST read this book especially if you like your (anti) heroes dirty-mouthed, deadly dark, dark dark. I adored it’

FIONA CUMMINS, AUTHOR OF RATTLE

‘This anti-hero is psychotic without doubt… incredibly funny’

SHOTS

‘Brutal, bone-crunching, enthralling and entertaining… as brilliant as it is shocking, and marks a fascinating turning point for a young and vibrant author’

LANCASHIRE POST

‘If you like your thrillers darkly comic and outrageous this ticks all the boxes’

SUN

‘Makes Hannibal Lecter look like Mary Poppins… this is going to give me a serious book hangover’

JOHN MARRS, AUTHOR OF THE ONE

C J SKUSE was born in 1980 in Weston-super-Mare. She has two First Class degrees in Creative Writing and Writing for Young People, and aside from being a novelist works as a Senior Lecturer at Bath Spa University.

Also by C J Skuse:

Sweetpea

In Bloom (Book 2 in the Sweetpea series)

For Young Adults:

Pretty Bad Things

Rockoholic

Dead Romantic

Monster

The Deviants

The Alibi Girl

C J Skuse


ONE PLACE. MANY STORIES

Copyright


An imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

First published in Great Britain by HQ in 2020

Copyright © C J Skuse 2020

C J Skuse asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © January 2020 ISBN: 9780008311407

Note to Readers

This ebook contains the following accessibility features which, if supported by your device, can be accessed via your ereader/accessibility settings:

 Change of font size and line height

 Change of background and font colours

 Change of font

 Change justification

 Text to speech

 Page numbers taken from the following print edition: ISBN 9780008311391

For my excellent friend, Laura Myers

Alibi Clock (n):

a clock which strikes one hour,

while the hands point

to a different time,

the real time being neither one

nor the other.

E. COBHAM BREWER 1810–1897. Dictionary of Phrase and Fable. 1898.

Contents

Cover

Praise

About the Author

Booklist

Title Page

Copyright

Note to Readers

Dedication

Present Day

Chapter 1: Ellis

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

24 Hours Later

Chapter 16: Foy

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

December 23rd One Year Later

Chapter 28: Ellis

Author’s Note

Acknowledgements

Extract of Sweetpea

About the Publisher

Present Day

Curl Up and Dye,

Spurrington-on-Sea,

North-West England

1
Ellis

Monday, 21st October

I can’t read this Hello! magazine again. There’s only so many times I can admire Brooklyn Beckham’s left armpit. It’s not as though there’s anything else to read either. There’s a Vogue with dried snot on the contents page. And Charlize Theron is on the cover of Cosmo so I can’t even touch that one. I’ve been afraid of her since Snow White. Keep thinking she’ll come out of the page and bite me.

So, in the absence of reading material, I’m squinting at a cockroach scuttling across the floor with a clump of shorn hair on its back like some tiny game show host. My own hair sits lankly around my ears – it can’t wait another day. I’ll give it another five minutes before I go back to the flat and dye it myself over the bath with a kit.

And now the baby’s grizzling. I’ve tried sticking my knuckle in her mouth but she’s hungry. I’m not feeding her here. How can you talk to a perfect stranger quite politely one moment and then flop your boob out the next? How do women do that? And what is the stranger supposed to do? Not look at it? A boob is my third most private part after my feet and my noo-noo. I’d look. Not for long, but I would look.

After fifteen-and-a-half full minutes, a short Roseanne Barr-ish woman scuffs through the beaded curtain. She has Hobbit feet wedged into mint-green flip flops and tattoos up and down both forearms – Tom Hiddlething as Loki all up her right, Chris HemWhatNot as Thor all up her left.

‘Hiya, I’m Steffi. Is it Mary?’ Her eyes don’t smile.

‘Yes. Mary Brokenshire.’

Steffi’s in a washed-out Gryffindor T-shirt and her hair is spare rib coloured, parted and shaved severely up the side.

‘If you’d like to come this way …’

Steffi leads me through the beads, across the glittery black floor tiles and through a grubby woodchip archway, towards the sinks but not quite at them. We swerve over to a side chair with a mirror in front of it and she sits me down and places her hot hands on my shoulders. She gives me an unnecessary chat about what I want done even though she already knows because I came in last week for a patch test and we went through it all then.

‘Right, black it is then. Have you been offered a tea or coffee?’

‘No.’ I don’t like tea or coffee. I’d prefer a juice but they don’t have juice, only some value squash which I only have to look at to feel my teeth rotting at the roots. Even I know asking for a milk would be too childish in this environment so, for appearances sake, I say, ‘I’d love a tea, thanks.’

Steffi disappears and returns with a cape but no tea. She waits for me to take Emily out of the papoose and transfer her to the pushchair, hoping to catch a glimpse. I get it: people love babies. I tuck her into the buggy and drape a muslin over the opening. I don’t like people looking at her, or me, for too long. Just in case.

Steffi sweeps the cape around my body, rendering everything but my head invisible. I used to like wearing a cape. Or an oversized bath towel. There’s nothing quite like that feeling of getting out of a hot bath, wrapping the big bath towel around you and pretending to fly up the corridor with the towel flapping along behind. Me and my cousin Foy used to do that all the time after our baths. Or was it only once?

‘How are you coping with the little one?’ Steffi asks.

‘Fine, thanks. She’s our fifth, so we’re used to being tired all the time. You know what it’s like, I’m sure!’

‘Oh yeah,’ she says, face brightening. ‘We’ve got four and it’s chaos. We love it though. Love the chaos!’ We share the laugh only parents can share as she begins pasting on my colour. ‘Have you got anything planned for the rest of the day?’ I get the impression she’s asked this question 11,000 times. There’s no inflection. No real note of interest. I still answer.

‘Not really. A bit of shopping. Pick the kids up. I’m still on maternity leave from my practice so it’s nice not to have such a rigid timetable.’

‘What sort of practice?’

‘I’m a doctor. A GP.’

‘Oh right. Where are they all today then? At a friend’s house?’

I’m momentarily confused. ‘My children? They’re all at school.’

‘They not on half term?’

‘They’re all at private school,’ I say. ‘Their half term was last week.’

‘Oh,’ she says, with more than a hint of lemon juice about it. ‘You’ve got four of them at private school?’

‘Yeah,’ I tell her proudly, rocking the buggy. ‘Apples of their daddy’s eye. We’re stopping at five though. I’m having my tubes tied in January, I’ve told him already. He’d have a football team, given half the chance.’

‘Yeah, I think mine would!’

‘It’s our anniversary today so my mum and dad are going to have the kids tonight so we can go out for a meal.’

‘Ooh, where are you going? Anywhere nice?’

What a stupid question that is. No, we’re off to a complete dive with a one-star hygiene rating and a chef who wipes his bum on the lettuce. ‘The China Garden. The one with the gold dragon hanging from the ceiling? His treat.’

‘What does he do then, your bloke?’

I ignite when she says ‘Your bloke’. It’s lovely to have a bloke who belongs to me. ‘He’s a personal trainer.’

‘Nice. I wish my old man would take me out. Do you know I don’t think we’ve had a night out since our Livvy was born. And she’s starting Reception next month.’

‘Oh really?’

‘Yeah. We can’t afford it anyway. Rich’s been laid off from the airport.’

‘Oh right,’ I say, with the hint of gloom she seems to expect. ‘What did he—’

‘—baggage handler at John Lennon. Twenty years he gave them. Went in on his days off when they were striking and everything. And he caught a terrorist.’

‘Oh gosh.’ Cockroach Game Show Host scuttles back along the skirting board. I pretend to have a coughing fit and Steffi asks if I’d like some water, which is when she’s reminded about the tea she hasn’t made me yet and scurries off to see ‘where it’s got to’ like tea has a mind of its own.

I’m finally brought my tea and two Custard Creams – one with a corner snapped off. I remove the top of one biscuit and scrape out the cream with my bottom teeth. I put the two sides back together and munch it until it makes a neat circle of spitty biscuit between my thumbs, then I put it in my mouth ’til it dissolves. I don’t realise until I swallow that Steffi has been watching me. My cheeks flame as red as my roots.

But then my phone pings in my handbag and I rifle around to find it. ‘Probably Daddy, checking in on his girls.’

‘Ahhh,’ says Steffi, all misty-eyed.

It isn’t Daddy. It’s an email from eBay, letting me know about their half term sale on personalised school stationery.

‘Was it him?’ says Steffi, combing my colour through.

‘Yeah. He’s asking if I want anything brought in. Bless him.’

‘He sounds like a keeper.’ I hold up my iPhone screen to show her his photo. She takes it off me and squints. ‘Blimey, he’s gorgeous.’

I know what she’s thinking – that a woman like me couldn’t have possibly ‘got’ a guy like him. ‘I’m very lucky.’ She returns me the phone and I put him away safely in my bag. ‘We were childhood sweethearts.’

‘You started early then. I thought you looked young to have five kids.’

‘I had the first one at fourteen.’

‘Blimey.’

‘Then the twins, then Harry. Wasn’t easy with the medical degree, but we managed. Then this little surprise came along.’

‘I met my Rich on a hen weekend.’

I hadn’t asked and it’s not interesting to me but I pretend it’s the most interesting thing because for some reason I’m happy in her company. Two married mums together. ‘I love a good knees-up.’

‘Yeah it did get a bit rowdy,’ she laughs. ‘He did karaoke to “Once, Twice, Three Times a Lady” and pointed at me when he was singing. I knew then he was The One.’

I smile at the mirror. ‘The One. It’s a nice feeling, isn’t it?’

‘Oh, don’t get me wrong, we have our moments. He woke up yesterday with a cold, right? And his breathing has become all like that Darth Wossit. And I said to him “Rich, I swear to God, if you breathe like that anymore, I’m gonna ram your head in the bacon slicer.” He was winding me up that much.’

I don’t get that. Why stay with a person whose breathing makes you want to commit actual murder on their head? So I ask her.

‘So you don’t love him anymore?’

‘Oh, course I do,’ she laughs. ‘I were only joking. Just wish he worked on an oil rig or summut, so he’d leave the bloody house once in a while, you know?’

I don’t get that either but, before I can ask, she hands me the same magazine I read six times in the waiting room and I’m treated to another glimpse of hairy Brooklyn and interviews with Liam Payne’s mother and the Britain’s Got Talent failure who’s had twenty facelifts and still hates himself.

We used to play Britain’s Got Talent at the pub. It would be after the kitchen had closed for the evening. Auntie Chelle would be helping Uncle Stu in the bar and the boys would be upstairs and me and Foy would sneak down for midnight feasts of still-warm chips from the fryers and leftover baguette ends dipped in salad cream. We’d take it in turns to come through from the utility room, telling a sob story to the panel of stuffed toys on the breakfast bar then screech ‘Flying Without Wings’ into a vinegar bottle. Miss Whiskers and Thread Bear always put us through to Bootcamp.

After half an hour, Steffi returns. ‘Let’s get you washed. Leave her with Jodie.’

The one called Jodie, with the shoulder tattoo of moons and stars and the white DMs, appears beside the buggy, all smiley and young. ‘Yeah, I’ll watch her for ya.’

‘Don’t let her out of your sight, will you?’ I say.

‘No probs. Can I have a little hold if she wakes up?’

‘No, I’d rather you didn’t. Thanks. She’s better left to her own devices.’

Steffi leads me back across the glittery floor to the sinks. I must get some glitter. I don’t know what for yet but I don’t use nearly enough of it. It’ll be November soon so I could get a head start on decorating for Christmas. Steffi’s pressing buttons and running water before I’ve even sat down. As I do, a bizarre kneading sensation begins in my lower back, rising up my spine and into my shoulder blades.

‘Oh my god!’ I jerk forwards and I realise it’s one of those massage chairs.

‘Is it too hard for you?’ she asks.

‘Um, no, sorry. I just never tried one before.’

‘Do you want me to turn it off?’

‘No, it’ll be fine. I think.’

‘It’s supposed to help you relax,’ she says. ‘But some people don’t like the feel of it. Let me know if it gets too much.’

I lie back again and within moments I’m letting out involuntary grunts at the luscious deep kneading all over my back. I’m making noises people usually only make when they do naughties. Luckily, there are too many dryers on for anyone to hear me.

‘I’ve recently started selling Avon on the side actually,’ says Steffi out of nowhere. ‘Would you be interested in a catalogue?’

‘Uh—’

‘And I’m organising a party at my place on Saturday night if you’re free?’

I’ve done nothing to warrant this invitation but I’m imagining she gets the smell of money off me, knowing I have four children at private school. ‘It would be difficult,’ I say, between grunts. ‘Saturdays are our family days normally.’

‘Bring ’em all along. Our kids’ll be there. They can watch Disney in the family room. The blokes usually go down the pub.’

‘My Kaden doesn’t drink. He’s more into his coconut water and plankton shots.’

‘Well he can sit in the other room watching Ant and Dec, can’t he? Go on, it’ll be a laugh. I can’t promise any food but people usually only want Pringles and Prosecco at these things, don’t they? Bring a bottle.’

‘Well I can’t drink at the moment because I’m breastfeeding but it sounds great. I’d love to come. Thank you.’

And while my lips are saying I’d love to, I know I won’t go. I’m breaking into a sweat thinking about it. I’m like Ariel in The Little Mermaid. I’m ginger and I want to be with them – up where they walk and run and play all day in the sun. But I can’t be part of that world. And I absolutely cannot be ginger. That’s just how it is.

But I say no more and after divulging her address, Steffi doesn’t ask me again. She vigorously rubs my head and I’m in ecstasy. By the time we’re on the second shampoo I’m used to the sensations and I just want to feel the pressing of her fingers into my scalp; the rubbing and rinsing and smoothing; the kneading into my back and shoulders. I want to lie in this synthetic coconut paradise forever. I crane my neck through the archway and see Jodie rocking the buggy while scrolling her phone.

The salon’s getting busy now and the radio blares out ‘Despacito’ which one of them has turned up because ‘this was all we danced to on our holidays’. They went to Spain together, I gather, three of the staff. They spent most of the time ‘paralytic’ but it seems to make them very happy hearing the song again. They’re obviously a close bunch. Natalya with the Princess Leia buns knows all the words and whisks her hips in time to the music. Steffi and Toni are behind me, bitch-chatting about their ex-husbands. Meg with the topknot is folding towels and chit-chatting to her client about her own disastrous holiday to ‘that place where Maddie went missing’.

‘It rained most days. And there were all these turds in the sea. Then we got robbed and came home.’

The taps go off and the water stops to a drip, drip. The chair stops massaging and I keenly feel the loss. A grey towel stinking of cooked mince wraps around my head and I’m led back across the glittery floor to get dried and styled. Jodie’s disappeared to make coffee. The baby’s still sleeping, no thanks to her.

Any softness in Steffi’s face from the conversation about kids has skinned over. She’s concentrating now – brushing me roughly as the burning air from the dryer sets about my head. She scrunches, ruffles and shakes me until I’m dry before straightening it into a jet black bob with my parting once again located.

She affords me a few more seconds of bliss as she rakes it through, shielding my eyes while caking it with Elnet. Before I know it, she’s holding up the mirror. Black bob. Brown eyes. The red is dead. Nobody would know it was me.

‘That alright for you, Mary?’

‘That’s perfect, thanks so much.’

‘You’re very welcome.’ She removes my cape and I flick off the brake on the pushchair and wheel Emily over to the desk to pay. I’m expecting her to mention the Avon party again but she doesn’t.

The radio waffles on – an advert for a conservatory firm, twenty-five percent off windows and doors, some aquatics company are giving away fish and it’s Kids Eat Free at the Jungle Café – none of which I can take advantage of but I pretend like it’s all very reasonable.

Then the door opens with a little jingle and three men file in, one after the other. There’s no rush to their movements. The first two wipe their feet on the mat, the third wipes his nose on his sleeve. And my entire body floods with ice – I can’t move. They are loud and unapologetic. All laughter and smoker’s coughs.

My breath catches – I know that laugh. The short, straw-haired one with predatory eyes and a cheeky-chappy smile, like his face is at odds with itself. He carries the air of someone with power. Power over the other two. It’s them. I know it is.

Think rationally. Think logically. Breathe. Scants is always telling me I’m paranoid. It’s not them. It’s too much of a coincidence, them being here, me being here. Deeper breaths. Act normal. It’s three ordinary men. Three innocent customers.

Steffi holds out her chubby mitt with the gold rings, her fingers like strangled chipolatas. ‘That’ll be £32.00 then Mary, thank you.’

I can’t concentrate on anything but the three men. Three little pigs blowing my house down. I can smell their thick layers of aftershave. Aramis, unless I’m mistaken, and something else. Lynx or Old Spice. I can’t breathe.

The short, stocky one with straw-coloured hair and brown camel coat starts in with an anecdote about a crash on the motorway which meant they were late for something. Late for what, I can’t figure – my brain’s too busy careening around bends. And the music’s too loud – screechy punk guitars now. The brown-haired one in the leather bomber jacket, skinny jeans and trainers does a selfie with the one they call Natalya – old mates? – while the third, built like a tank, is all knuckles and chins and seems happy to stand there, the limelight firmly on the other two. He’s the heavy. They’re all pally – Meg joins in, selfying with the brunette for Instagram. Two others join in – Jodie and Toni. Fawning like the men are rock stars. But I know them. I’ve seen them in my nightmares. And I know that laugh.

I pay Steffi and tell her to put the change in the charity box. On the counter is a box of hand-knitted animals – lions, tigers and bears – all with a Halloween Scream Egg sewn inside the head with googly eyes stuck on. I want one but I also want to leave.

‘A customer makes them for the donkey sanctuary,’ Steffi explains, posting the coins in the tin. I know I’ve got to get out but I can’t decide which animal I want – a lion, a tiger or a bear. Bomber Jacket is coming towards the desk. He’ll stand beside me. He’ll see my face. I fumble for a knitted lion.

‘Thanks,’ I say, no more than a whisper. ‘Bye.’ I wheel the pushchair awkwardly towards the door.

Steffi calls out, ‘Oh, and that Avon party I mentioned…’

I’m forced to be rude and not answer her. Unbeknown to me, The Tank has followed me to the door and opens it for me before I can get there.

I daren’t look up. But at the last second, before the door closes, I thank him briefly and we lock eyes. A shadow of a frown that’s either confusion or recognition.

‘Mind how you go now,’ he says, and his deep voice sends a freeze through me. Was it a Bristolian accent? Could have been. He only said five words but I caught a definite twang. Tears come and there’s nothing I can do to stop them. All I can think about is getting back to the flat and locking every door and window.

‘How are they here?’ I mutter to myself, trying to catch my breath, pushing the buggy back along the road until I’m practically running, back along the high street and onto the seafront. As I pass, the doughnut man sticks his head out of his van and calls out, ‘Charlotte! Charlotte! I saved you some fried doughnut holes!’ But I pretend like I haven’t heard him and keep running, looking behind every few steps to see if anyone’s following. They’re not, they’re definitely not, and there’s salt and sand in my eyes and my throat because it’s windy, but I don’t stop until I’m nearly back.

I cry wee wee wee, all the way home.

Through the gate and down the steps, and finally we’re inside the flat. Patio doors locked tight. Main door locked and bolted. Lounge curtains drawn. The cats are all in and accounted for. I take Emily out of the pushchair and she grizzles but I hold her against me, warm and tight so she’s safe. Only then does my breathing slow. I notice the answerphone flashing. You have one new message. I press Play.

Silence.

Crackling.

Breathing.

Click.

Dead tone.

‘Wrong number. Means nothing,’ I reassure Emily, though my heart pounds.

Taking her into the bedroom, I draw the blind and slump down onto the springy single bed the landlord said he’d replace soon. I hold Emily against my neck, skin to skin. Safety. My heart beats in my ears. It’s the only sound.

I stare up at the walls, almost bare apart from the Frida Kahlo print the previous tenant hung there in a glass frame. I don’t even know who Frida Kahlo is but the landlord said the picture was called ‘Time Flies’ and the guy who’d left it was an artist who died of an overdose. Frida’s wearing a white dress in the picture. And there’s a little aeroplane above her head. And a clock on a shelf. Her eyebrows scare me. I don’t know what it means. I don’t know what any of it means.

Darmowy fragment się skończył.

399 ₽
33,03 zł