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And so after all it is to the “line-wall” – to that formidable bulwark of masonry and gun-metal which fringes the town of Gibraltar from the Old Mole to Rosia Bay – that one returns as to the chief attraction from the historical point of view, of the mighty fortress. For two full miles it runs, zigzagging along the indented coast, and broken here and there by water-gate or bastion, famous in military story. Here, as we move southward from the Old Mole, is the King’s Bastion, the most renowned of all. Next comes Ragged Staff Stairs, so named from the heraldic insignia of Charles V.; and farther on is Jumper’s Battery, situated at what is held to be the weakest part of the Rock, and which has certainly proved itself to be so on one ever memorable occasion. For it was at the point where Jumper’s Battery now stands that the first English landing-party set foot on shore; it was at this point, it may be said, that Gibraltar was carried. The fortunes of nomenclature are very capricious, and the name of Jumper – unless, indeed, it were specially selected for its appropriateness – has hardly a better right to perpetuation in this fashion than the name of Hicks. For these were the names of the two gallant officers who were foremost in their pinnaces in the race for the South Mole, which at that time occupied the spot where the landing was effected; and we are not aware that history records which was the actual winner. It was on the 23rd of July, 1704, as all the world knows, that these two gallant seamen and their boats’ crews made their historic leap on shore; and after all, the accident which had preserved the name of one of them is not more of what is familiarly called a “fluke” than the project of the capture itself, and the retention of the great fortress when captured. It is almost comic to think that when Sir George Rooke sailed from England, on the voyage from which he returned, figuratively speaking, with the key of the Mediterranean in his pocket, he had no more notion of attacking Gibraltar than of discovering the North-West Passage. He simply went to land England’s candidate for the Spanish throne, “King Charles III.,” at Lisbon; which service performed, he received orders from the English Government to sail to the relief of Nice and Villa Franca, which were supposed to be in danger from the French, while at the same time he was pressed by Charles to “look round” at Barcelona, where the people, their aspirant-sovereign thought, were ready to rise in his favor. Rooke executed both commissions. That is to say, he ascertained that there was nothing for him to do in either place – that Barcelona would not rise, and that Nice was in no danger of falling; and the admiral accordingly dropped down the Mediterranean towards the Straits – where he was joined by Sir Cloudesley Shovel with another squadron – with the view of intercepting the Brest Fleet of France, which he had heard was about to attempt a junction with that of Toulon. The Brest Fleet, however, he found had already given him the slip, and thus it came about that on the 17th of July these two energetic naval officers found themselves about seven leagues to the east of Tetuan with nothing to do. It is hardly an exaggeration to say that the attack on Gibraltar was decreed as the distraction of an intolerable ennui. The stronghold was known to be weakly garrisoned, though, for that time, strongly armed; it turned out afterwards that it had only a hundred and fifty gunners to a hundred guns, and it was thought possible to carry the place by a coup-de-main. On the 21st the whole fleet came to anchor in Gibraltar Bay. Two thousand men under the Prince of Hesse were landed on what is now the neutral ground, and cut off all communication with the mainland of Spain. On the 23rd Rear-Admirals Vanderdussen and Byng (the father of a less fortunate seaman) opened fire upon the batteries, and after five or six hours’ bombardment silenced them, and Captain Whittaker was thereupon ordered to take all the boats, filled with seamen and marines, and possess himself of the South Mole Head. Captains Jumper and Hicks were, as has been said, in the foremost pinnaces, and were the first to land. A mine exploded under their feet, killing two officers and a hundred men, but Jumper and Hicks pressed on with their stout followers, and assaulted and carried a redoubt which lay between the Mole and the town. Whereupon the Spanish Governor capitulated, the gates on the side of the isthmus were thrown open to the Prince of Hesse and his troops, and Gibraltar was theirs. Or rather it was not theirs, except by the title of the “man in possession.” It was the property of his Highness the Archduke Charles, styled his Majesty King Charles III. of Spain, and had he succeeded in making good that title in arms, England should, of course, have had to hand over to him the strongest place in his dominions, at the end of the war. But she profited by the failure of her protégé. The war of the Spanish Succession ended in the recognition of Philip V.; and almost against the will of the nation – for George I. was ready enough to give it up, and the popular English view of the matter was that it was “a barren rock, an insignificant fort, and a useless charge” – Gibraltar remained on her hands.

Undoubtedly, the King’s Bastion is the center of historic military interest in Gibraltar, but the line-wall should be followed along its impregnable front to complete one’s conception of the sea defenses of the great fortress. A little farther on is Government House, the quondam convent, which now forms the official residence of the Governor; and farther still the landing-place, known as Ragged Staff Stairs. Then Jumper’s Bastion, already mentioned; and then the line of fortification, running outwards with the coast line towards the New Mole and landing-place, returns upon itself, and rounding Rosia Bay trends again southward towards Buena Vista Point. A ring of steel indeed – a coat of mail on the giant’s frame, impenetrable to the projectiles of the most terrible of the modern Titans of the seas. The casemates for the artillery are absolutely bomb-proof, the walls of such thickness as to resist the impact of shots weighing hundreds of pounds, while the mighty arches overhead are constructed to defy the explosion of the heaviest shells. As to its offensive armament, the line-wall bristles with guns of the largest caliber, some mounted on the parapet above, others on the casemates nearer the sea-level, whence their shot could be discharged with the deadliest effect at an attacking ship.

He who visits Gibraltar is pretty sure, at least if time permits, to visit Algeciras and San Roque, while from farther afield still he will be tempted by Estepona. The first of these places he will be in a hurry, indeed, if he misses; not that the place itself is very remarkable, as that it stands so prominently in evidence on the other side of the bay as almost to challenge a visit. Add to this the natural curiosity of a visitor to pass over into Spanish territory and to survey Gibraltar from the landward side, and it will not be surprising that the four-mile trip across the bay is pretty generally made. On the whole it repays; for though Algeciras is modern and uninteresting enough, its environs are picturesque, and the artist will be able to sketch the great rock-fortress from an entirely new point, and in not the least striking of its aspects.

And now, before passing once for all through the storied portal of the Mediterranean, it remains to bestow at least a passing glance upon the other column which guards the entrance. Over against us, as we stand on Europa Point and look seaward, looms, some ten or a dozen miles away, the Punta de Africa, the African Pillar of Hercules, the headland behind which lies Ceuta, the principal Spanish stronghold on the Moorish coast. Of a truth, one’s first thought is that the great doorway of the inland sea has monstrously unequal jambs. Except that the Punta de Africa is exactly opposite the Rock of Gibraltar, and that it is the last eminence on the southern side of the Straits – the point at which the African coast turns suddenly due southward, and all is open sea – it would have been little likely to have caught the eye of an explorer, or to have forced itself upon the notice of the geographer. Such as it is, however, it must stand for the African Pillar of Hercules, unless that demi-god is to content himself with only one. It is not imposing to approach as we make our way directly across the Straits from Gibraltar, or down and along them from Algeciras towards it: a smooth, rounded hill, surmounted by a fort with the Spanish flag floating above it, and walled on the sea side, so little can its defenders trust to the very slight natural difficulties offered even by its most difficult approach. Such is Ceuta in the distance, and it is little, if at all, more impressive on a closer inspection. Its name is said to come from Sebta, a corruption of Septem, and to have been given it because of the seven hills on which it is built. Probably the seven hills would be difficult to find and count, or with a more liberal interpretation of the word, it might very likely be as easy to find fourteen.

Ceuta, like almost every other town or citadel on this battle-ground of Europe and Africa, has played its part in the secular struggle between Christendom and Islam. It is more than four centuries and a half since it was first wrested from the Moors by King John of Portugal, and in the hands of that State it remained for another two hundred years, when in 1640, it was annexed to the Crown of Castille. King John’s acquisition of the place, however, was unfortunate for his family. He returned home, leaving the princes of Portugal in command of his new possession; which, after the repulse of an attempt on the part of the Moors to recapture it, he proceeded to strengthen with new fortifications and an increased garrison. Dying in 1428, he was succeeded by his eldest son, Edward, who undertook an expedition against Tangier, which turned out so unluckily that the Portuguese had to buy their retreat from Africa by a promise to restore Ceuta, the king’s son, Don Ferdinand, being left in the hands of the Moors as a hostage for its delivery. In spite of this, however, the King and Council refused on their return home to carry out their undertaking; and though preparations were made for recovering the unfortunate hostage, the death of Edward prevented the project from being carried out, and Prince Ferdinand remained a prisoner for several years. Ceuta was never surrendered, and passing, as has been said, in the seventeenth century from the possession of Portugal into that of Spain, it now forms one of the four or five vantage-points held by Spain on the coast of Africa and in its vicinity. Surveyed from the neighboring heights, the citadel, with the town stretching away along the neck of land at its foot, looks like anything but a powerful stronghold, and against any less effete and decaying race than the Moors who surround it, it might not possibly prove very easy to defend. Its garrison, however, is strong, whatever its forts may be, and as a basis of military operations, it proved to be of some value to Spain in her expedition against Morocco thirty years ago. In times of peace it is used by the Spaniards as a convict station.

The internal attractions of Ceuta to a visitor are not considerable. There are Roman remains in the neighborhood of the citadel, and the walls of the town, with the massive archways of its gates, are well worthy of remark. Its main feature of interest, however, is, and always will be, that rock of many names which it thrusts forth into the Straits, to form, with its brother column across the water, the gateway between the Eastern and the Western World. We have already looked upon it in the distance from El Hacho, the signal tower on the summit of the Rock of Gibraltar. Abyla, “the mountain of God,” it was styled by the Phœnicians; Gibel Mo-osa, the hill of Musa, was its name among the Moors; it is the Cabo de Bullones of the Spaniard, and the Apes’ Hill of the Englishman. It may be well seen, though dwarfed a little by proximity, from its neighboring waters; a curious sight, if only for its strange contrast with the European Pillar that we have left behind. It is shaped like a miniature Peak of Teneriffe, with a pointed apex sloping away on either side down high-shouldered ridges towards its companion hills, and presenting a lined and furrowed face to the sea. It is its situation, as has been noted already, and not its conformation, which procured it its ancient name. But however earned, its mythical title, with all the halo of poetry and romance that the immortal myths of Hellas have shed around every spot which they have reached, remains to it for ever. And here we take our farewell look of the Pillars of Hercules to right and left, and borne onwards amidstream by the rushing current of the Straits, we pass from the modern into the ancient world.

II
ALGIERS

“A Pearl set in Emeralds” – Two distinct towns, one ancient, one modern – The Great Mosque – A Mohammedan religious festival – Oriental life in perfection – The road to Mustapha Supérieur – A true Moorish villa described – Women praying to a sacred tree – Excessive rainfall.

“Algiers,” says the Arab poet, with genuine Oriental love of precious stones in literature, “is a pearl set in emeralds.” And even in these degenerate days of Frank supremacy in Islam, the old Moorish town still gleams white in the sun against a deep background of green hillside, a true pearl among emeralds. For it is a great mistake to imagine North Africa, as untravelled folk suppose, a dry and desert country of arid rocky mountains. The whole strip of laughing coast which has the Atlas for its backbone may rank, on the contrary, as about the dampest, greenest, and most luxuriant region of the Mediterranean system. The home of the Barbary corsairs is a land of high mountains, deep glens, great gorges; a land of vast pine forests and thick, verdant undergrowth. A thousand rills tumble headlong down its rich ravines; a thousand rivers flow fast through its fertile valleys. For wild flowers Algeria is probably unequaled in the whole world; its general aspect in many ways recalls on a smaller scale the less snow-clad parts of eastern Switzerland.

When you approach the old pirate-nest from the sea, the first glimpse of the African coast that greets your expectant eye is a long, serrated chain of great sun-smitten mountains away inland and southward. As the steamer nears the land, you begin, after a while, to distinguish the snowy ridge of the glorious Djurjura, which is the Bernese Oberland of Algeria, a huge block of rearing peaks, their summits thick-covered by the virgin snow that feeds in spring a score of leaping torrents. By-and-by, with still nearer approach, a wide bay discloses itself, and a little range of green hills in the foreground detaches itself by degrees from the darker mass of the Atlas looming large in the distance behind. This little range is the Sahel, an outlier just separated from the main chain in the rear by the once marshy plain of the Metidja, now converted by drainage and scientific agriculture into the most fertile lowland region of all North Africa.

Presently, on the seaward slopes of the Sahel, a white town bursts upon the eye, a white town so very white, so close, so thick-set, that at first sight you would think it carved entire, in tier after tier, from a solid block of marble. No street or lane or house or public building of any sort stands visible from the rest at a little distance; just a group of white steps, you would say, cut out by giant hands from the solid hillside. The city of the Deys looks almost like a chalk-pit on the slope of an English down; only a chalk-pit in relief, built out, not hewn inwards.

As you enter the harbor the strange picture resolves itself bit by bit with charming effect into its component elements. White houses rise up steep, one above the other, in endless tiers and rows, upon a very abrupt acclivity. Most of them are Moorish in style, square, flat-roofed boxes; all are whitewashed without, and smiling like pretty girls that show their pearly teeth in the full southern sunshine. From without they have the aspect of a single solid block of stone; you would fancy it was impossible to insert a pin’s head between them. From within, to him that enters, sundry narrow and tortuous alleys discover themselves here and there on close inspection; but they are too involved to produce much effect as of streets or rows on the general coup d’œil from the water.

Land at the quay, and you find at once Algiers consists of two distinct towns: one ancient, one modern; one Oriental, one Western. Now and again these intersect, but for the most part they keep themselves severely separate.

The lower town has been completely transformed within half a century by its French masters. What it has gained in civilization it has lost in picturesqueness. A spacious port has been constructed, with massive mole and huge arcaded breakwater. Inside, vast archways support a magnificent line of very modern quays, bordered by warehouses on a scale that would do honor to Marseilles or to Liverpool. Broad streets run through the length and breadth of this transformed Algiers, streets of stately shops where ladies can buy all the fripperies and fineries of Parisian dressmakers. Yet even here the traveller finds himself already in many ways en plein Orient. The general look of the new town itself is far more Eastern than that of modernized Alexandria since the days of the bombardment. Arabs, Moors and Kabyles crowd the streets and market-places; muffled women in loose white robes, covered up to the eyes, flit noiselessly with slippered feet over the new-flagged pavement; turbaned Jews, who might have stepped straight out of the “Arabian Nights,” chaffer for centimes at the shop-doors with hooded mountain Berbers. All is strange and incongruous; all is Paris and Bagdad shaking hands as if on the Devonshire hillsides.

Nor are even Oriental buildings of great architectural pretensions wanting to this newer French city. The conquerors, in reconstructing Algiers on the Parisian model, have at least forborne to Haussmannise in every instance the old mosques and palaces. The principal square, a broad place lined with palm-trees, is enlivened and made picturesque by the white round dome and striking minarets of the Mosquée de la Pêcherie. Hard by stands the Cathedral, a religious building of Mussulman origin, half Christianized externally by a tower at each end, but enclosing within doors its old Mohammedan mimbar and many curious remains of quaint Moorish decoration. The Archbishopric at its side is a Moorish palace of severe beauty and grandeur; the museum of Græco-Roman antiques is oddly installed in the exquisite home raised for himself by Mustapha Pasha. The Great Mosque, in the Rue Bab-el-Oued, remains to us unspoiled as the finest architectural monument of the early Mohammedan world. That glorious pile was built by the very first Arab conquerors of North Africa, the companions of the Prophet, and its exquisite horse-shoe arches of pure white marble are unsurpassed in the Moslem world for their quaintness, their oddity, and their originality.

The interior of this mosque is, to my mind, far more impressive than anything to be seen even in Cairo itself, so vast it is, so imposing, so grand, so gloomy. The entire body of the building is occupied throughout by successive arcades, supported in long rows by plain, square pillars. Decoration there is none; the mosque depends for effect entirely on its architectural features and its noble proportions. But the long perspective of these endless aisles, opening out to right and left perpetually as you proceed, strikes the imagination of the beholder with a solemn sense of vastness and mystery. As you pick your way, shoeless, among the loose mats on the floor, through those empty long corridors, between those buttress-like pillars, the soul shrinks within you, awe-struck. The very absence of images or shrines, the simplicity and severity, gives one the true Semitic religious thrill. No gauds or gewgaws here. You feel at once you are in the unseen presence of the Infinite and the Incomprehensible.

The very first time I went into the Great Mosque happened, by good luck, to be the day of a Mohammedan religious festival. Rows and rows of Arabs in white robes filled up the interspaces of the columns, and rose and fell with one accord at certain points of the service. From the dim depths by the niche that looks towards Mecca a voice of some unseen ministrant droned slowly forth loud Arabic prayers or long verses from the Koran. At some invisible signal, now and again, the vast throng of worshippers, all ranged in straight lines at even distances between the endless pillars, prostrated themselves automatically on their faces before Allah, and wailed aloud as if in conscious confession of their own utter unworthiness. The effect was extraordinary, electrical, contagious. No religious service I have ever seen elsewhere seemed to me to possess such a profundity of earnest humiliation, as of man before the actual presence of his Maker. It appeared to one like a chapter of Nehemiah come true again in our epoch. We few intrusive Westerns, standing awe-struck by the door, slunk away, all abashed, from this scene of deep abasement. We had no right to thrust ourselves upon the devotions of these intense Orientals. We felt ourselves out of place. We had put off our shoes, for the place we stood upon was holy ground. But we slunk back to the porch, and put them on again in silence. Outside, we emerged upon the nineteenth century and the world. Yet even so, we had walked some way down the Place de la Régence, among the chattering negro pedlers, before one of us dared to exchange a single word with the other.

If the new town of Algiers is interesting, however, the old town is unique, indescribable, incomprehensible. No map could reproduce it; no clue could unravel it. It climbs and clambers by tortuous lanes and steep staircases up the sheer side of a high hill to the old fortress of the Deys that crowns the summit. Not one gleam of sunshine ever penetrates down those narrow slits between the houses, where two people can just pass abreast, brushing their elbows against the walls, and treading with their feet in the poached filth of the gutter. The dirt that chokes the sides is to the dirt of Italy as the dirt of Italy is to the dirt of Whitechapel. And yet so quaint, so picturesque, so interesting is it all, that even delicate ladies, with the fear of typhoid fever for ever before their eyes, cannot refuse themselves the tremulous joy of visiting it and exploring it over and over again; nay, more, of standing to bargain for old brass-work or Algerian embroidery with keen Arab shopkeepers in its sunless labyrinths. Except the Mooskee at Cairo, indeed, I know no place yet left where you can see Oriental life in perfection as well as the old town of Algiers. For are there not tramways nowadays even in the streets of Damascus? Has not a railway station penetrated the charmed heart of Stamboul? The Frank has done his worst for the lower town of his own building, but the upper town still remains as picturesque, as mysterious, and as insanitary as ever. No Pasteur could clean out those Augean stables.

In those malodorous little alleys, where every prospect pleases and every scent is vile, nobody really walks; veiled figures glide softly as if to inaudible music; ladies, muffled up to their eyes, use those solitary features with great effect upon the casual passer-by; old Moors, in stately robes, emerge with stealthy tread from half-unseen doorways; boys clad in a single shirt sit and play pitch-and-toss for pence on dark steps. Everything reeks impartially of dirt and of mystery. All is gloom and shade. You could believe anything on earth of that darkling old town. There all Oriental fancies might easily come true, all fables might revive, all dead history might repeat itself.

These two incongruous worlds, the ancient and the modern town, form the two great divisions of Algiers as the latter-day tourist from our cold North knows it. The one is antique, lazy, sleepy, unprogressive; the other is bustling, new-world, busy, noisy, commercial. But there is yet a third Algiers that lies well without the wall, the Algiers of the stranger and of the winter resident. Hither Mr. Cook conducts his eager neophytes; hither the Swiss innkeeper summons his cosmopolitan guests. It reaches its culminating point about three miles from the town, on the heights of Mustapha Supérieur, where charming villas spread thick over the sunlit hills, and where the Western visitor can enjoy the North African air without any unpleasant addition of fine old crusted Moorish perfumes.

The road to Mustapha Supérieur lies through the Bab-Azzoun gate, and passes first along a wide street thronged with Arabs and Kabyles from the country and the mountains. This is the great market road of Algiers, the main artery of supplies, a broad thoroughfare lined with fondouks or caravanserais, where the weary camel from the desert deposits his bales of dates, and where black faces of Saharan negroes smile out upon the curious stranger from dense draping folds of some dirty burnouse. The cafés are filled with every variety of Moslem, Jew, Turk, and infidel. Nowhere else will you see to better advantage the wonderful variety of races and costumes that distinguishes Algiers above most other cosmopolitan Mediterranean cities. The dark M’zabite from the oases, arrayed like Joseph in a coat of many colors, stands chatting at his own door with the pale-faced melancholy Berber of the Aurès mountains. The fat and dusky Moor, over-fed on kous-kous, jostles cheek by jowl with the fair Jewess in her Paisley shawl and quaint native head-gear. Mahonnais Spaniards from the Balearic Isles, girt round their waists with red scarves, talk gaily to French missionary priests in violet bands and black cassocks. Old Arabs on white donkeys amble with grave dignity down the center of the broad street, where chasseurs in uniform and spahis in crimson cloaks keep them company on fiery steeds from the Government stud at Blidah. All is noise and bustle, hurry, scurry, and worry, the ant-hill life of an English bazaar grotesquely superimposed on the movement and stir of a great European city.

You pass through the gates of the old Moorish town and find yourself at once in a modern but still busy suburb. Then on a sudden the road begins to mount the steep Mustapha slope by sharp zigzags and bold gradients. In native Algerian days, before Allah in his wisdom mysteriously permitted the abhorred infidel to bear sway in the Emerald City over the Faithful of Islam, a single narrow mule-path ascended from the town wall to the breezy heights of Mustapha. It still exists, though deserted, that old breakneck Mussulman road a deep cutting through soft stone, not unlike a Devonshire lane, all moss-grown and leafy, a favorite haunt of the naturalist and the trap-door spider. But the French engineers, most famous of road-makers, knew a more excellent way. Shortly after the conquest they carved a zigzag carriage-drive of splendid dimensions up that steep hill-front, and paved it well with macadam of most orthodox solidity. At the top, in proof of their triumph over nature and the Moslem, they raised a tiny commemorative monument, the Colonne Voirol, after their commander’s name, now the Clapham Junction of all short excursions among the green dells of the Sahel.

The Mustapha road, on its journey uphill, passes many exquisite villas of the old Moorish corsairs. The most conspicuous is that which now forms the Governor-General’s Summer Palace, a gleaming white marble pile of rather meretricious and over-ornate exterior, but all glorious within, to those who know the secret of decorative art, with its magnificent heirloom of antique tiled dados. Many of the other ancient villas, however, and notably the one occupied by Lady Mary Smith-Barry, are much more really beautiful, even if less externally pretentious, than the Summer Palace. One in particular, near the last great bend of the road, draped from the ground to the flat roof with a perfect cataract of bloom by a crimson bougainvillea, may rank among the most picturesque and charming homes in the French dominions.

It is at Mustapha, or along the El Biar road, that the English colony of residents or winter visitors almost entirely congregates. Nothing can be more charming than this delicious quarter, a wilderness of villas, with its gleaming white Moorish houses half lost in rich gardens of orange, palm, and cypress trees. How infinitely lovelier these Eastern homes than the fantastic extravagances of the Californie at Cannes, or the sham antiques on the Mont Boron! The native North African style of architecture answers exactly to the country in whose midst it was developed. In our cold northern climes those open airy arcades would look chilly and out of place, just as our castles and cottages would look dingy and incongruous among the sunny nooks of the Atlas. But here, on the basking red African soil, the milk-white Moorish palace with its sweeping Saracenic arches, its tiny round domes, its flat, terraced roofs, and its deep perspective of shady windows, seems to fit in with land and climate as if each were made for the other. Life becomes absolutely fairy-like in these charming old homes. Each seems for the moment while you are in it just a dream in pure marble.

I am aware that to describe a true Moorish villa is like describing the flavor of a strawberry; the one must be tasted, the other seen. But still, as the difficulty of a task gives zest to the attempt at surmounting it, I will try my hand at a dangerous word-picture. Most of the Mustapha houses have an outer entrance-court, to which you obtain admission from the road by a plain, and often rather heavy, archway. But, once you have reached the first atrium, or uncovered central court, you have no reason to complain of heaviness or want of decoration. The court-yard is generally paved with parti-colored marble, and contains in its center a Pompeian-looking fountain, whose cool water bubbles over into a shallow tank beneath it. Here reeds and tall arums lift their stately green foliage, and bright pond-blossoms rear on high their crimson heads of bloom. Round the quadrangle runs a covered arcade (one might almost say a cloister) of horse-shoe arches, supported by marble columns, sometimes Græco-Roman antiques, sometimes a little later in date, but admirably imitated from the originals. This outer court is often the most charming feature of the whole house. Here, on sultry days, the ladies of the family sit with their books or their fancy-work; here the lord of the estate smokes his afternoon cigar; here the children play in the shade during the hottest African noon-day. It is the place for the siesta, for the afternoon tea, for the lounge in the cool of the evening, for the joyous sense of the delight of mere living.