Czytaj książkę: «Now We Are Six»
Now We Are Six
A. A. Milne
with the originalillustrations by E. H. Shepard, in colour
Copyright
First published 13 October 1927 by Methuen & Co. Ltd
Published in this edition 2004 by Egmont Books Limited
239 Kensington High Street, London W8 6SA
Text by A. A. Milne copyright © Trustees of the Pooh Properties
Line illustrations copyright © E. H. Shepard
Colouring of the illustrations by Mark Burgess
copyright © 1989 Egmont UK Limited
All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.
First e-book edition April 2010
ISBN 978 1 4052 55844
1 3 5 7 9 10 8 6 4 2
A CIP catalogue record for this title is available
from the British Library
This paperback is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
Dedication
TO
Anne Darlington NOW SHE IS SEVEN AND BECAUSE SHE IS SO SPESHAL
INTRODUCTION
When you are reciting poetry, which is a thing we never do, you find sometimes, just as you are beginning, that Uncle John is still telling Aunt Rose that if he can’t find his spectacles he won’t be able to hear properly, and does she know where they are; and by the time everybody has stopped looking for them, you are at the last verse, and in another minute they will be saying, ‘Thank-you, thank-you,’ without really knowing what it was all about. So, next time, you are more careful; and, just before you begin you say, ‘Er-h’r’m!’ very loudly, which means, ‘Now then, here we are’; and everybody stops talking and looks at you; which is what you want. So then you get in the way of saying it whenever you are asked to recite … and sometimes it is just as well, and sometimes it isn’t … and by and by you find yourself saying it without thinking. Well, this bit which I am writing, called Introduction, is really the er-h’r’m of the book, and I have put it in, partly so as not to take you by surprise, and partly because I can’t do without it now. There are some very clever writers who say that it is quite easy not to have an er-h’r’m, but I don’t agree with them. I think it is much easier not to have all the rest of the book.
What I want to explain in the Introduction is this. We have been nearly three years writing this book. We began it when we were very young … and now we are six. So, of course, bits of it seem rather babyish to us, almost as if they had slipped out of some other book by mistake. On page whatever-it-is there is a thing which is simply three-ish, and when we read it to ourselves just now we said, ‘Well, well, well,’ and turned over rather quickly. So we want you to know that the name of the book doesn’t mean that this is us being six all the time, but that it is about as far as we’ve got at present, and we half think of stopping there.
A. A. M.
P. S. – Pooh wants us to say that he thought it was a different book; and he hopes you won’t mind, but he walked through it one day, looking for his friend Piglet, and sat down on some of the pages by mistake.
Table of Contents
Cover Page
Title Page
Copyright
Dedication
INTRODUCTION
SOLITUDE
KING JOHN’S CHRISTMAS
BUSY
SNEEZLES
BINKER
CHERRY STONES
THE KNIGHT WHOSE ARMOUR DIDN’T SQUEAK
BUTTERCUP DAYS
THE CHARCOAL-BURNER
US TWO
THE OLD SAILOR
THE ENGINEER
JOURNEY’S END
FURRY BEAR
FORGIVEN
THE EMPEROR’S RHYME
KNIGHT-IN-ARMOUR
COME OUT WITH ME
DOWN BY THE POND
THE LITTLE BLACK HEN
THE FRIEND
THE GOOD LITTLE GIRL
A THOUGHT
KING HILARY AND THE BEGGARMAN
SWING SONG
EXPLAINED
TWICE TIMES
THE MORNING WALK
CRADLE SONG
WAITING AT THE WINDOW
PINKLE PURR
WIND ON THE HILL
FORGOTTEN
IN THE DARK
THE END
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