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Jax Miller
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Copyright

Harper

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published by HarperCollinsPublishers 2015

Copyright © Jax Miller 2015

Jax Miller asserts the moral right to be identified as the author of this work

Cover layout design © HarperCollinsPublishers 2015

Cover photographs © Jacket layout design © HarperColl‌insPublishers 2015

Cover design © www.headdesign.co.uk

Cover photographs © Anne Heine/Alamy (chapel in landscape); Stephen Mulcahey/Arcangel Images (female figure)

A catalogue record for this book is available from the British Library

This is a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental. The only exception to this are the characters Dean Scott, Syd Fraser, and Tony Wishart – who have given their express permission to be fictionalized in this volume – and Hector, the resident Banff Police Station ghost, who hasn’t. All behaviour, history, and character traits assigned to these individuals have been designed to serve the needs of the narrative and do not necessarily bear any resemblance to the real people. The Tarlair Outdoor Swimming Pool signage appears courtesy of Aberdeenshire Council.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

Source ISBN: 9780007595914

Ebook Edition © July 2015 ISBN: 9780007595891

Version 2015-11-27

Praise for Freedom’s Child:

‘A terrific read from a powerful new voice’

Karin Slaughter

‘Original, compelling and seriously recommended’

Lee Child

‘Seldom has a literary creation bounced off the page with as much raw vitality … one of the standout debuts of the year’

Guardian

‘There’s a reckless power to Miller’s untamed prose … she’s just plain amazing’

New York Times

‘A relentless and fiercely compelling debut. Freedom’s Child will hold you captive until the very last page’

Richard Montanari

‘A propulsive, full-throttle tale of revenge and redemption’

Irish Times

‘Freedom’s Child isn’t just a great debut, it’s a great book with one of the most angry, complex and compelling heroines this side of a certain girl with a certain tattoo’

Simon Toyne

‘I loved it. Such an original new voice’

Kate Medina

‘Brilliant’

Julia Crouch

‘Freedom’s Child is a remarkable novel that is as emotionally gripping as it is pulse-pounding. Equally heartbreaking and hard-boiled, Jax Miller has delivered a sensational debut novel’

Ivy Pochoda

‘Freedom’s Child is a page-turning tale of redemption that explores the complicated, intertwined bonds of motherhood and justice’

Elizabeth L. Silver

‘Horror, mistrust, deception and a cracker of a female protagonist. A top-notch, right rollicking read’

Writing.ie

‘A ferocious, witty, tough-as-nails debut’

The Times (South Africa)

‘Abounds with a charged rawness which is quite compelling to witness’

Jaffa Reads Too

‘This is a tense, absorbing read with a restless energy about it that appealed to me completely … I’m sticking with this author for life’

Liz Loves Books

Dedication

For Babchi and the boss of the city.

And to Pat Raia, the Robin to my Gotham.

Table of Contents

Cover

Title Page

Copyright

Praise for Freedom’s Child

Dedication

Prologue

Part I

Chapter 1: Freedom and the Whippersnappers

Chapter 2: Mason and Violet

Chapter 3: The Cockroach

Chapter 4: Home to ma

Chapter 5: The Need to Know

Chapter 6: The Music of the Devil

Chapter 7: High School Sweetheart

Chapter 8: The Suicide Jar

Chapter 9: Freedom and Passion

Chapter 10: The Delaney House

Chapter 11: Copper

Chapter 12: The Firm and the Archangel

Chapter 13: On The Breast

Chapter 14: Mattley

Chapter 15: The Empty Womb

Chapter 16: Peter

Part II

Chapter 17: The Bluegrass

Chapter 18: Freedom in Jesus

Chapter 19: The Third-Day Adventists

Chapter 20: The Nose of a Viper

Chapter 21: A Favor

Chapter 22: The Land of Freedom

Chapter 23: Freedom and Sacrifice

Chapter 24: Freedom and the Road Less Traveled

Chapter 25: Cat’s Cradle

Chapter 26: The End of Autumn

Chapter 27: America the Beautiful

Chapter 28: Charmed

Chapter 29: The Legend of Freedom

Chapter 30: Cuckoo

Chapter 31: Sunset

Chapter 32: Run, Rebekah, Run

Chapter 33: Speak Udda Debble

Chapter 34: The Whipping Post

Chapter 35: Freedom and Discovery

Chapter 36: Retired

Chapter 37: Freedom and Surrender

Chapter 38: Freedom McFly

Chapter 39: The Shadows of the Phoenix

Chapter 40: The Skin of Butterfly Wings

Chapter 41: Sunrise

Part III

Chapter 42: Eggshells

Chapter 43: The General Store

Chapter 44: With Prejudice

Chapter 45: Stripped

Chapter 46: All Debts Are Paid

Chapter 47: When Life Gives You Lemons

Chapter 48: The Deacons

Chapter 49: Their Blood, Your Hands

Chapter 50: Cabin Fever

Chapter 51: A Parade of White

Chapter 52: Whistler’s Field

Chapter 53: A Parade of Black

Chapter 54: Sunday

Chapter 55: Painter

Chapter 56: Sovereign Shore

Acknowledgments

About the Author

About the Publisher

Prologue

My name is Freedom Oliver and I killed my daughter. It’s surreal, honestly, and I’m not sure what feels more like a dream, her death or her existence. I’m guilty of both.

It wasn’t long ago that this field would ripple and rustle with a warm breeze, gold dancing under the blazes of a high noon sun. The Thoroughbreds, a staple of Goshen, would canter along the edges of Whistler’s Field. If you listen close enough, you can almost hear the laughter of farmers’ children still lace through the grain, a harvest full of innocent secrets of the youthful who needed an escape but didn’t have anywhere else to go. Like my Rebekah, my daughter. My God, she must have been beautiful.

But a couple weeks is a long time when you’re on a journey like mine. It could almost constitute something magnificent. Almost.

I catch my breath when I remember. Somewhere in this field, my daughter is scattered in pieces.

Goshen, named after the Land of Goshen from the Book of Genesis, somewhere between Kentucky’s famous bourbon trails in America’s Bible Belt. The gallops of Thoroughbreds that haunt this dead pasture are replaced with the hammering in my rib cage. The mud cracks below me as I cross the frostbitten field, steps ripping the earth with each fleeting memory. The skies are that certain shade of silver you see right before a snowstorm; now, the color of my filthy fucking soul.

I’m reminded of the sheriff behind me with an itchy finger and a Remington aimed between my shoulder blades. I’m reminded of my own white-knuckled grip on my pistol.

Call me what you will: a murderer, a cop killer, a fugitive, a drunk. You think that means anything to me now? In this moment? The frost pangs my lungs in such a way that I think I might vomit. I don’t. Still out of breath, I use the dirty robe to wipe blood from my face. I don’t even know if it’s mine. There’s enough adrenaline surging through my veins that I can’t feel pain if it is.

“This is it, Freedom,” the sheriff calls out in his familiar southern drawl. The tears make warm streaks over my cold skin. The cries numb my face, my lips made of pins and needles. There’s a lump in my throat I can’t breathe past. What have I done? How the hell did I end up here? What did I do so wrong in life that God deemed me so fucking unworthy of anything good? I’m not sure. I’ve always been the one with the questions, never the answers.

PART I

1
Freedom and the Whippersnappers
Two Weeks Ago

My name is Freedom, and it’s a typical night at the bar. There’s a new girl, a blonde, maybe sixteen. Her eyes are still full of color; she hasn’t been in the business long enough. Give it time. Looks like she can use something to eat, use some meat on her bones. I know she’s new because her teeth are white, a nice smile. In a month or two, her gums will shelve black rubble, and she’ll be nothing but bone shrink-wrapped in skin. That’s what happens in that line of work. The perks of being young are destroyed by the lurid desires of men and the enslavement of drug addiction. Such is life.

A biker has her by her golden locks, heading for the parking lot. The place is too busy, nobody notices. He blends in with the other leather vests and greasy ponytails, the crowd crammed from entrance to exit. But I notice. I see her. And she sees me, eyes glassed over with pleading, a glint of innocence that may very well survive if I do something. But I have to do something now.

“Watch the bar,” I yell to no one in particular. I’m surprised by my own agility as I jump over the bar and into the horde, pushing, elbowing, kicking, yelling. I find them, a trail of perfume behind the young girl. I take the red cap of the Tabasco sauce off with my teeth and spit it out. The biker can’t see me coming up behind him as he tries to leave the bar; he towers over me by a good foot and a half. I cup my palm and make a pool of hot sauce.

* * *

I still own the clothes I was raped in. What can I say? I’m a glutton for punishment. My name is Freedom, though seldom do I feel free. Those were the terms I made with the whippersnappers; if I did what they wanted, I could change my name to Freedom. Freedom McFly, though I never got to keep the McFly part. They said it sounded too Burger King-ish. Too ’80s. Fucking whippersnappers.

Freedom Oliver it is.

I live in Painter, Oregon, a small town showered in grit, rain, and crystal meth, where I tend a rock pub called the Whammy Bar. My regulars are fatties from the West Coast biker gangs like the Hells Angels, the Free Souls, and the Gypsy Jokers, who pinch my husky, tattooed flesh and cop their feels.

“Let me get a piece of that ass.”

“Let me give you a ride on my bike.”

“How ’bout I give you freedom from those pants?”

I hide my disgust behind a smile that convinces the crowd and stick my chest out a little more; it brings in the tips, even if it makes me shudder. They ask where my accent’s from and I tell them Secaucus, New Jersey. Truth be told, it’s from a shady area on Long Island, New York, called Mastic Beach. It’s not like the peckerwoods can tell the difference.

I tear out my umbrella in the early morning after my shift is over and the bar is closed. I squint through the October rains and the smoke of a Pall Mall. I swear to God, it’s rained every day since I was born. To my left, adjacent to the Whammy Bar, is Hotel Painter. The neon letters drone through the rain, where some key letters are knocked out so the sign spells HOT PIE. Appropriate, given that it’s one of those lease-by-the-hour roach motels that offer ramshackle shelter to anyone wanting to rent cheap pussy. The ladies huddle under the marquee of the reception desk to hide from the rain and yell their good-byes my way. I wave back. Goldilocks isn’t there. Good. Looks like the night’s slowed down.

Fuck this umbrella if it doesn’t want to close. I chuck it to the dirt lot and climb into the rusty hooptie of a station wagon. I remove my nose ring and put the smoke out in an overflowing ashtray.

“Jesus Harry Christ,” I scream, alarmed by a knock on the window. I can’t see through the condensation and open it a crack to find a couple suits. “Whippersnapping jack holes.” They look at me like I’m nuts, but I’m pretty sure they expect it. People have a hard time trying to understand what I say most of the time. “Isn’t it late for you guys?”

“Well, you keep making us come out here like this,” says one of them.

“It was an accident.” I shrug as I get out of the car.

“Trying to blind a man with Tabasco sauce was an accident?”

“Semantics, Gumm,” I say as I fiddle with the keys. “Guy got rough with one of the girls, so I slapped him on the cheek. Only I missed his cheek and got his eyes. I only just so happened to have Tabasco sauce spill in my hand not a moment before. Besides, he’s not pressing charges, so I’m sorry you guys had to make the trip from Portland.”

“You’re walking on thin ice,” says Howe.

“Tabasco won’t blind you.” I shake the rain from my hair. “Just hurts like fuck and keeps you awake.”

“Well, he was mad enough to call the cops. If it weren’t for us, you’d be sitting in jail right now,” says Gumm.

“Besides, an eye patch suits him.” I lead them into the closed pub, turn on the power, and grab three Budweisers. They eyeball the beverages. “Relax. I won’t tell,” I offer.

The lights are dim, borderline interrogational, above the island bar in the middle of a large, old wooden floor furnished with the occasional pool table. The scent of stale smoke hangs heavy, etched in the wood’s grooves like a song impressed on a vinyl record. The music turns on to Lynyrd Skynyrd. U.S. Marshals Gumm and Howe each flip a stool down from the bar and sit.

“You know how it goes,” says Agent Gumm, with his salt-and-pepper hair, handlebar mustache, and sagged jowls. He doesn’t want to be here, I can tell. I don’t want him here either. Court-mandated. Fuck the system. Let’s get this over with. We’ll fill out the forms, I’ll get a lecture. Consider this a warning. Yeah, yeah, it’s always considered. To Gumm’s side is Agent Howe, who does a quick read over the files in their manila envelopes. “How’s this job treating you, Freedom?”

“I’d come up with a clever remark, but I’m too tired for the bullshit.” I wipe my leather jacket with a bar towel. “Just slap me on my wrist and we can all be on our way, why don’t you?”

“Was just asking about the job, is all,” says Howe, a handsome man in his early forties with jet-black hair and green eyes. I’d bang him. Well, maybe if he wasn’t such an asshole. Though I doubt that’d stop me anyway.

“Let’s cut the shit. You two didn’t come all the way here from Portland to get on my ass about a tiny bar scuffle.”

They twirl their bottles between their palms. Gumm uses his sleeve to wipe the sweat from his beer off the wood. They look at each other with those raised eyebrows, the kind of look that says, Are you going to tell her or should I?

“Will ya just spit it out?” I roll my eyes and hop onto the bar in front of them. I pull their envelopes from under me and sit Indian-style, their eyes level with my knees.

“Freedom, Matthew was released from prison two days ago. He was granted an appeal and won.” Gumm pretends to cough with the words. Well, isn’t that just dandy? I rest my elbows on my knees, chin on my fists. Which facial expression shall I feign? I go for ignorance, as if I have no idea who this Matthew is that they’re talking about. But I do. It’s why I am a protected witness. In the Witness Protection Program. WPP. Whips. Whippersnappers. But lucky me, I was dismissed with prejudice, meaning I cannot be charged for the same crime twice. Thank God for small favors.

“And?” I don’t want them to know that my heart is pounding and I’m starting to sweat.

Gumm leans in closer. “For a time to be determined, we are heightening your protection. We’ll have one of ours come see you on a weekly basis. Keep a low profile.”

“You mean lower than a biker bar in the middle of nowhere?”

“A small cross to bear for killing a cop, Freedom.” And there are those nasty looks and curled lips from these guys that I know all too well. “C’mon, you’ve got nothing to lose if you admit it already. I mean, you can’t be tried again for it. We know you did it.”

“Good luck proving it. And nice of you assholes to give me a heads-up.” I chug my beer and aim my chin at the door. “Be careful driving back to the big city in that rain. Don’t want you two dying in some terrible accident.” I finish the beer. “That’d just be terrible.”

At least they take the hint. Sometimes they don’t. Sometimes they overstay their welcome. Sometimes they do it on purpose just to piss me off. “By the way.” Howe rises from his stool and closes his coat. “I have to ask. Procedure, you know …” He speaks through his teeth like he has thorns in his ass.

I’ll save him the trouble, if only to get them the hell out of here faster. Their files stick to my wet boots as I bounce from the bar. I grab the soggy pages from under me and hand them over. “Don’t worry, I’m still on my meds,” but this is a blatant lie. And I think they know it’s a lie but don’t care. “No need to ask.”

* * *

I think about Matthew, released from prison after eighteen years; eighteen years of his imprisonment that secured my eighteen years of freedom.

Alone in the shitty apartment, I crawl out of wet clothes and dry my naked body against the cushions of a musty tweed couch. Alone I cry. Alone I look at an old picture of my dead husband, Mark, the one photo that survived an incident with a sink and a book of matches a couple decades ago. Alone I open a bottle of whiskey. Alone I whisper two names in the dark.

“Ethan.”

“Layla.”

Alone. Fucking whippersnappers.

2
Mason and Violet

I am a boy. This woman’s arms protect me from the vastness of the ocean, blue as far as the eye can see until it forms a gray line dotted with ships. I bury my face in her neck; her laughter moves my small body. But I don’t know who she is. I look up at the sky through her red hair; pockets of sunshine flash spellbindingly through wet locks. Her body, warmer than anything I’ve ever known, a blanket in the coolness of the waves. Her skin smells of coconut and lime. The sounds of seagulls roll in my ears, and I know I love this woman, I just don’t know who the hell she is. “Who are you?” I ask. She never answers in these dreams, just a straight row of blinding white from her mouth. I can’t wake up and I’m not so sure that I want to. She turns so the waves crash into her back, screams of delight in my neck. I wrap my legs tighter around her waist. And during the stillness between the wallops, I trace the tattoos on her shoulders, pick grains of sand from the ends of her hair, and tell her I love her.

“Where is your sister?” she asks.

Mason Paul wakes, shivering in his own sweat, the air still thick even hours after making love, her taste still on his lips. What makes this recurring dream a nightmare, he doesn’t know. He uses his thumb and index finger to gently grab the bones of Violet’s wrist, moving her arm from his stomach. Mason grabs a pack of cigarettes hidden in his sock drawer and sneaks outside, his movement delicate so as not to wake her.

Still too warm for an October night in Louisville, Kentucky, Mason stands naked at the double doors of his balcony, unsure whether his shoulders are an inch higher because of the satisfaction she left with him or with trepidation from the dream. Behind him, Violet snores, sprawled on top of silk sheets the color of her name. He pulls on the Marlboro and watches the stars that glow orange to correlate with the nearing of All Saints’ Day. He pours a bourbon Manhattan with a splash of butterscotch schnapps. It smells like candy corn. It smells like Halloween. These dreams, you’d think I’m some damn mental case. He clears the phlegm of a mild hangover from his throat.

The branches of black willows swing in the large backyard of the Victorian home, a Queen Anne architecture of ivory with black fringes, one that probably housed masters and slaves more than a century ago. He brings his silver necklace to his lips, warming the cross with his breath, but it’s just habit. In recent years, Mason decided it might be less disappointing to consider God as a loosely thrown noun instead of something profound. But it reminds him of his younger sister, Rebekah, the only member of his family who hasn’t shunned him. He misses her greatly. The bourbon doesn’t help.

The home was born of old southern money from Cavendish tobacco fields that line the property’s edges, well-to-do bankers who made lucrative investments when the American economy was at its golden peaks. And now Mason, a promising twenty-four-year-old with a possible future in one day becoming the state’s most successful defense attorney after sticking his foot in the door of one of the most profitable law firms in Kentucky only weeks after acing the bar exam. Impressive at his age, but not entirely unheard of. Currently an associate at the firm, rumors of him being the next senior associate attorney swirled around the offices, which would make him the fastest to reach such a position. The result of a lot of interning, many many hours, and being smart as a whip. He flicks the cigarette down to the grass when he hears Violet turn in her sleep and pretends not to notice her.

A moment later, she wraps her lanky arms around his bare chest from behind. “You’ve been smoking, haven’t you?” Mason hears her smile bleed into the question. I always knew I’d end up with one of my coworkers. Of course, she’d be a corporate lawyer embroiled in the campaign against big tobacco companies.

Cicadas shrill in the distance and bullfrogs croak in the nearby swamps and weeping willows. Mason smirks. “Who, me?” The Manhattan glistens in the moonlight as he places his hand on hers, his gaze still in the backyard.

She squeezes him and breathes onto his back. “I can feel your heart racing with my lips.” She kisses between his shoulder blades.

“Another dream …” He takes a long draw from the martini glass.

“It’ll be OK,” but she worries her attempts at comfort fall on deaf ears.

Mason walks out of her arms and into the bedroom, sitting down on the ottoman with his bottle of Maker’s Mark, his laptop, and papers on the floor around his feet. He goes to his fake Facebook account, Louisa Horn. Thoughts of his sister Rebekah swim through the furrows of his brain. No word in days is odd for her. Hope she finally got the sense to get out of that place. Mason tries to distract himself with the pile of papers that form a cyclone around him. He shuffles through the work, breathing the vapors of bourbon between each page. He feels bad that he can’t make love to his girlfriend because of the distractions of his sister not writing and the rape case finally about to end tomorrow. It’s always that kind of stuff that gets to him. Who could get a hard-on with siblings and court trials on the brain?

“You’re still working on the Becker case?”

“Just double-checking that all my ducks are in a row for tomorrow, is all.” He looks up at her and smiles. “Otherwise, you can forget about Turks and Caicos.”

“Not a chance in hell.” Violet stretches and yawns.

He studies the photos from Saint Mary’s Hospital, the victim’s rape exam. Tender patches colored eggplant branded under her eyes and between her thighs stir something that merits another sip. Behind him, Violet looks down at the same thing.

“How many times do you have to look at those?” she asks.

“Believe me, I don’t like it any more than you do.” He traces the edges of the paper with his fingertips. He sometimes wishes he could become desensitized, lose all sympathy toward the victim like some of his colleagues. “It’s just until I can become senior at the firm, love. Maybe partner, in a few years.”

“Sell your soul to the devil?”

“More like renting it out.” From an envelope, he pulls out a photo and hands it to Violet. He speaks low onto the rim of his glass. It was the only opening in a good firm back then. It was where he was needed. But he wants to get into a different area of practice soon enough, maybe white-collar or real estate, something like that.

She examines the picture. “Where the hell did you get this?”

“An anonymous tip.” He takes the photo from her and examines it. “This is what’s going to win the case. This is what’s going to make me partner at the firm.”

“Paint the victim as a whore …” She trails off.

“I know.” Mason takes a deep breath and rubs his brow.

“It’s perfect.” Violet kisses the top of Mason’s head and walks off. “You’re going to be a fucking star.”

He watches her walk out into the hall, enjoying the way the naked skin of her backside rocks before him, something akin to the artwork painted on the inside of a virtuoso’s dream. As she disappears down the staircase, he washes the image down with another sip. His eyes wander back to the photos, the one Violet approved of: the victim, topless and laughing on his client’s lap the night of the rape in question. The Maker’s Mark gives him confidence, a little more hope than he might have if he were sober: if he can just win this case, he can move into any area of law he wants and never again have to defend another scumbag criminal.

“Where is your sister?” The question of the redheaded stranger from his dream reverberates between his ears.

“That’s a damn good question, lady,” he answers to himself as he goes back to the laptop. “Hopefully as far away from Goshen as someone like her can get.”

It doesn’t sit with him well, Rebekah not contacting him. He knows she’s naive, a bit gullible, traits that can be confused for being slow, but can be chalked up to southern hospitality. Mason clicks to her Facebook page. The inactivity is out of character—she usually posts devotional scripture daily. The last post reads: Galatians 5:19–21.

After years of having it shoved down his throat, Mason still knows the quote without having to look it up. “Now the works of the flesh are manifest, which are these; Adultery, fornication, uncleanness, lasciviousness, idolatry, witchcraft, hatred, variance, emulations, wrath, strife, seditions, heresies, envyings, murders, drunkenness, revellings and such like: of the which I tell you before, as I have also told you in time past, that they which do such things shall not inherit the kingdom of God.”

Below the scripture is a photo of Rebekah and their little sister, Magdalene. But Mason never met Magdalene—his mother was just pregnant with her at the time he was shunned from their church, disowned by the family.

Mason created a fake Facebook account, Louisa Horn, to stay in touch with his sister. He wonders if his parents finally worked out that Rebekah was in contact with him behind their backs. From what he understands, Rebekah was able to keep their father’s suspicions at bay by telling him that Louisa Horn was merely somebody interested in their church. Mason knew of the church’s newly added techniques of preaching in front of department stores and such, trying to lead the lost into salvation, notches in the Bible belts … and the fictional Louisa Horn was just another prospect.

Had Mason known that wanting to become a lawyer, even the mere thought of leaving home, would warrant a sudden severing of contact, he would have been more cautious. But over the years, the wiring in his dad’s brain seemed to shift and loosen from that of a normal-enough evangelistic preacher into something else, something more fanatical. None of the rumors credible, Mason could just laugh them off. But with his father’s transition only developing when Mason was a teenager, and the four-year age gap between him and Rebekah, the fervent dogmas of his father were mostly in hindsight, changes progressing after Mason left home and his family chose to have nothing to do with him.

Mason sits back, rubs his chin, and squinches his brow. He white-knuckles the neck of Maker’s Mark. The red wax coating that covers the glass makes it look like his hands are bleeding. Stigmata, he thinks, remembering an elderly lady in the community who went to his father once for guidance, convinced that she bore the wounds of Christ. But that was a long time ago, back in Goshen. Never a shortage of religious zealots there. Mason rereads the Galatians scripture from his laptop once more. He gets a shiver and thinks to himself, Run, Rebekah, run.

3
The Cockroach

My name is Freedom and my eyelids are heavy. Through the hangover, I stretch my nakedness across the unkempt bed. My mouth tastes like death, the whiskey seeps grossly from my pores, cheekbones soggy with rye. 11:30 a.m. Not bad. My thighs, sore from hip bones; I know the feeling well. I turn over to Cal on his stomach, his naked ass in the air as he lies stiff in a dead man’s pose.

“You cockroach,” I yap as I kick him right off the bed. He takes the tangled sheets with him. “Who the hell said you could come over and fuck me?”

“You called me in the middle of the night and threw yourself at me,” he yells up from the floor. I have no reason to disbelieve him, it’s not the first time. Cal’s a cowboy, and that’s the best way to describe him. Five years my junior and looking even five years younger, Cal’s the rare sort who can pull off long blond hair and cowboy boots. I, of course, will never admit it out loud, but he has the body of a god and is hung even better than Christ himself.

I throw his white tee at him and slip into a CBGB extra-large T-shirt and stumble into the kitchen. I don’t know whose shirt this is. Could be anybody’s. It’s mine now.

I find a clean dish among a pile of ones I plan to wash someday. I pour dry farina into a chipped bowl and drown it in spiced rum. I sigh. “Was I at least good?” I tend to black out during my romps in the hay. He comes up behind me, turns me around. He picks me up and I wrap my legs around him on the dirty sink.

“As always, Free-free.” He smiles. I’m too hungover for his smile. I push him away.

“Careful, cowboy.” I take a shot from the rum, just to bite the hair of the dog. The cap’s been MIA for days now. There’s a silence that some would regard as awkward, but it isn’t, not to me. In fact, I like quiet. Quiet is good. He gulps orange juice from the carton in front of an open refrigerator. He breathes the tang from his cheeks like a fire-breathing dragon.

“Who is Mason?” He doesn’t care. He reads the ingredients of the juice. He likes the organic shit. Hippie.

“Who?” I observe the filthy kitchen. I just don’t have the energy to clean it. I haven’t had the energy in a long time.

“After you passed out,” he speaks into the pathetically empty fridge. “You were having a nightmare and kept on yelling Mason.” I play dumb, an act I play well. What can I say? I live in a world surrounded by incompetent retards, including Cal. But his skills in the sack compensate for a head full of rocks.

“I never met no Mason.” It’s a double negative, therefore I still tell the truth. A simple manipulation of words to sneak past Cal. “I probably just heard it on TV or something.” The phone rings and I rummage through the kitchen cabinets for it. I put it there when the headaches come. Cal looks at me like most people do: confused. I follow the cord to where the phone sits on a few cans of peas in the back. “Yeah?” I answer. “Yellow? Hello?” I hold the receiver tight against my jaw. I pretend to end the call, covering the hang-up with my hand. “It was the wrong number. Those good-for-nothing salesmen or something.” I’m not telling the truth.

“Your face says otherwise, Free-free.”

I hate when he calls me Free-free. It reminds me of a kid’s pet hamster. The carton of orange juice is back to his lips for seconds. Must be the gin I added to it the other day. And with that stupid grin and those washboard abs, I pretend to watch a commercial ad for Tropicana. I think of their slogan: Tropicana’s got the taste that shows on your face. Sure, if dumb is a flavor.

“I gotta shower.” I untangle the phone cord and walk for the bathroom. “Please be gone by the time I’m out.”

4
Home to Ma
Three Days Ago

Matthew Delaney sits on the lidless metal commode in a solitary cell. Ossining, New York, home to Sing Sing prison. He holds a small stack of papers on his bare thighs as he wipes himself.

“Let’s do this, Delaney,” says Jimmy Doyle, the correctional officer. Matthew smiles politely and requests just another minute to finish. The officer looks away. The officers always look away. One by one, he tears each page into tiny pieces and flushes them with his piss and shit.

He kisses one last inch-long square, cut perfect with nail clippers he had snuck in more than a year ago. The scrap reads “Nessa Delaney.”

“Nessa, Nessa, Nessa,” he whispers to the wall of his six-foot-by-eight-foot cell, an old photograph with her eyes scratched out taped above his cot. “I don’t know which I might enjoy more. When I made love to you all those years ago …”

“Time to go, Delaney.” Doyle opens the steel door.

But Matthew takes one more moment to speak to Nessa. “Or when I find you and cut your arms off before drinking the blood?” He feels his guts lift with excitement, the idea of her death akin to the feeling of falling in love. The hatred and yearning for her have blended into one single emotion over the years, one he could neither resist nor fully grasp.

A smirk crawls across his face as he walks down the C-block. Toward the north end is med-sec, medium security, where, as opposed to the solitary confinement that Matthew was so accustomed to, these were shared cells with bars.

Matthew swings his bag filled with his personal belongings over his shoulder as he follows the officer, one he was well acquainted with. The inmates of the north end holler and cheer at his departure, rattling their tin cups against the bars and turning their soap wrappers into confetti, as such celebrations are afforded after a man’s time is served. At the last cell, before entering another passage of security, an inmate sporting ink of the Aryan race throws his shoe at the side of Matthew’s head.

And the smirk becomes teeth grinding.

In a swift movement that resembles something choreographed, Matthew lets his bag fall, reaching into the cell with both arms and pulling the prisoner backward against the bars. He uses his left hand to pull on his right wrist, arm wrapped around his neck and pulling tighter. “Do we have a fucking problem?” He seethes at the man, whose lips start to lose their pigment. He cannot answer, his voice constricted by Matthew’s elbow.

“Cut it out, Delaney.” The guard grabs his biceps. “You’re two steps away from freedom. You gonna throw it away because of this asshole?”

“Freedom …” He releases the man.

“Now, c’mon.” Doyle keys in a code. “Your family’s waiting.”

When they pass security and have a minute alone, Matthew sighs, the blood returning from his face and back to the rest of his body. He shakes the guard’s shoulder. “I can’t thank you enough for all you’ve done while I’ve been stuck in here, Jimmy.”

“I’ve known you since we were kids, Matty.” But Matthew knows the help came only because his mother was the guard’s go-to dealer for good cocaine and the occasional supper. Matthew couldn’t care less, as long as he could get the information his little heart so desired, information pertaining to Nessa Delaney, now known, if his information is correct, as Freedom Oliver. “I’ll come by the house and see you guys soon, gotta visit my mom down there, anyway,” he tells Matthew.

When met by other officers, the guard nudges Matthew in the back. “Let’s move it, Delaney.”

* * *

Mastic Beach, New York: once a hidden gem on the south shores of Long Island, adorned with summer homes and bungalows for Manhattanites getting away for beach holidays during the warmer months. In recent enough memory, it was a safe haven where everybody knew everybody and the streets were lined with crisp, white fencing. Mastic Beach had color and clear skies and everyone loved to listen to the elders speak about the place when the roads were still made of dirt and of pastoral lands before the invention of the automobile. Small businesses were family-owned and -operated, with scents of baked bread that permeated in and through Neighborhood Road. Marinas flooded with beautiful sails that poked from Moriches Bay and rose to the heavens.

But then heroin trickled its way through the sewers of Brooklyn and emptied into the streets of Mastic Beach, and before long, crime rose to astronomical levels. Where people used to smile in passing, now they keep their heads down in fear of being jumped and beaten. Stabbings are as common as visits to the Handy Pantry. The elderly are robbed and the children of Mastic grow up way too fast. Thirteen and pregnant? Congrat-u-fucking-lations. And chances are, if you actually have a grassy patch big enough to be considered a yard, then more than once you’ve seen the lights of a police helicopter looking for a suspect on foot. And in those instances, your brain runs through every troublemaker that you know from your block until you have an idea of who it is they’re looking for.

Today, Mastic Beach is the dumping ground for Section 8 government housing and every perv, creep, and sicko on the Sex Offender Registry list. The town glows red on maps because of them. Every week, the residents get letters in the mail, mandated by Megan’s Law, telling them of rapists and child molesters living only a few houses down. Small businesses have become enclaves of illegal Arabs. And the gangs have colonized the area: the Bloods, the Crips, MS-13. The whites are the minority these days. Except for the Delaneys. They’re their own gang, a whole other species.

* * *

Peter doesn’t have to count how many boxes of wine it takes to get Lynn Delaney drunk. The answer is two, the equivalent of six bottles. But it’s no wonder, when the mother of the Delaney brothers weighed in at six hundred-plus pounds.

Lynn becomes out of breath with every lift and swig of the wineglass. The cabernet stains the crevices of her smile, a smile hard to see past the quarter-ton of lard melting over the king-size bed that has to be supported by cinder blocks instead of the standard brass legs. It’s the first time Peter can remember his mother making an effort to improve her appearance, the purple lipstick stuck to her gray and hollow teeth, a result of too many root canals from years ago when she actually gave a shit about her grin.

“Luke!” she shouts across the house.

“What,” Luke whines from the kitchen.

“Grab me my hair spray off the dresser here.” The yells cause her to be out of breath.

“Get Peter to do it. He’s closer to you.”

“Peter can’t do it. Peter’s retarded.” Peter eyeballs his mother’s grotesqueness from his wheelchair. Lynn continues, “Just get me the fucking hair spray, goddamn it.”

“Fuck sake, Ma.” Luke storms up the hall to her bedroom and tosses the hair spray that was sitting only three feet away from her.

The fat under her arms jiggles as she uses the ol’ Aqua Net, the lighter fluid with a shelf life of ten thousand years, in her nappy gray curls. From the kitchen, John and Luke scream together at the Yankees game, the cracking of Heineken cans from the freezer. Peter smells the fish off his two brothers after they had spent the day down at Cranberry Dock.

It wasn’t uncommon: grown men living with their mothers in these parts. Could be blamed on a shitty economy, but it’s usually overbearing mothers who need house funding and/or lazy men, and there was a shortage of neither in Mastic Beach.

“Ungrateful little bastard,” Lynn says behind Luke’s back.

“Hey, Ma, Matthew’s pulling up!” John screams.

“I’m fucking coming.” She pumps the last of the generic wine from the box and sifts through a pillowcase full of prescription pills until she finds a Xanax to chew on. She plucks the clumps of mascara from her blue eyes, rubs her lavender nightgown straight, and burps as she turns off one of her reality judge shows.

She totters and flounders to climb aboard Mr Mobility, the poor scooter that carries her overflowing body down the hall. Peter follows in his wheelchair. She rolls down, past the crucifixes and photos of the boys when they were actually still boys. At the end of the hall next to the entrance of the living room, a small table that serves as a shrine to her dead son, Mark: a framed photo of him in his NYPD blues, smiling around burned-out tea-light candles. She kisses her hand and touches the picture of his face. She worships the dead. Many in that dirty town do. They pour the first sips of all their drinks to the ground, they get married with speeches of the greatness of lost loved ones, even if they were scum. That’s just the way it is. Praise the dead, turn the scumbags into heroes. Beside Mark’s photo are three red candles, one for each of Lynn’s miscarriages. And though she lost them before their genders could be determined, she knew, she just knew, they were all daughters and named each one, respectively, Catherine, Mary, and Josephine.

An Irish Catholic, Lynn’s made a lucrative living abusing the welfare system and five sons with as many different fathers who took her name instead of Uncle Sam’s. Delaney, a name attached to trouble and whiskey tolerance. It’s a joke around the neighborhood that even the mailman gives the Delaneys’ mail to the cops, since they’re bound to be there sooner or later. As the car pulls in the driveway, Peter watches Lynn inspect her sons lined up by the front door.

First is the youngest brother, Luke, the most charming and promiscuous of the Delaneys. Even when all the girls knew he was responsible for spreading chlamydia to some of the locals, he was still irresistible to them. With blond hair and green eyes that can pierce holes into yours, and rumors of having a porn-star-size cock, he toyed with the idea of becoming a model a few years back. But he never went anywhere with it and opted to hang drywall for a living instead and spread his seed all over Long Island. Six kids that he knows of, at least. Peter curls his upper lip at the overwhelming stench of his cologne attempting unsuccessfully to cover the smell of fluke fish and sweat.

Next is John, a stout man with all the recessive genes: green eyes, red hair, and a temper that can make the streets shake. He has a silver cap for a front tooth and a face full of red hair. He speaks very little, always has, and always seems to dress in heavy clothes, even flannels in the summer. Known as Mastic’s loan shark, John goes nowhere without his baseball bat. If you can pay him back, he’s the best there is. And if you can’t, just change your name and skip town. While everyone knows that he’s not a mute, not one person outside of his family can recall one time they ever heard him speak. Lynn scratches his beard. “Why must you always hide this pretty face?”

Peter is the one in the wheelchair with cerebral palsy, who everyone assumes is mentally retarded, even his own mother sometimes. Peter is Lynn’s excuse to collect a disability check from social services. Unlike his brothers, Peter prefers to stay in his room with pirated movies and books online, staying out of trouble, so to speak. Peter hates his mother. She talks to him like he’s a child, makes him eat the things she knows he can’t stand, and always steals the money he’s entitled to from the government, instead opting to spend it on stuffing her own face while Peter gets the scraps like a junkyard dog. And the term junkyard is fitting, given that the home is kept like a hoarder’s paradise.

His mother smooths out his loose Spider-Man tee, uses her spit to fix his black hair, and pretends not to notice when he jerks away from her. He tells her to fuck off, but no one hears him, or they don’t want to.

In one uniform motion, as if the dam breaks, they all go out to the porch to meet with Matthew. Matthew screams with a smile into his brothers’ arms as he steps out of an old Buick, a clear plastic “personal belongings” bag trailing him. Headlocks and punches in the arms and thighs are the traditional greeting of the Delaneys. And, of course, what kind of reunion would this be without the stares of the nosy neighbors, the same ones who call the police every time the Delaney household gets a little too loud in the middle of the night? Luke is the first to break out the beer.

“Let’s take it in the house,” Lynn shouts from the doorway.

Matthew holds the beer up against the light of an overcast sky. “Christ, eighteen years in the joint, this is certainly overdue.”

“What’s it like not getting laid for eighteen years?” Luke jokes on the way into the house. Lynn smacks him on the arm.

“Almost worth it, after tonight.” Matthew laughs. “Sorry, Ma.”

Inside, Metallica plays in the background as they spend the morning catching up. But the time’s come to talk about the very topic that has brought such a cloud over the family for so long: Nessa Delaney.

Find her.

Find her kids.

Bring them home.

Make the family complete once again.

* * *

The spines of the other Delaney brothers surge with currents of electricity when around Matthew and their mother. With the back doors open, leading to a small backyard, the kitchen smells of wet autumn leaves and marijuana. It’s impossible to tell where the October fog begins and the smoke ends.

“Eighteen years is a lot of time to think. To collect. To dream,” says Matthew, between sips of his Heineken. He tilts his head to the side. “I’d be lying if I said I didn’t want the cunt dead,” his voice always smooth and velvety, like a song at a funeral. As he says the words, he swears he can detect Nessa’s scent. How could he possibly explain his love for her to his family? Who would understand? And despite being caged like an animal for nearly half his life, his eyes always smile, like he’s dying to tell the world all the secrets of the universe. The rest of the guys fidget in their seats around the kitchen table. They nod and pretend to understand, out of fear.

“She murders Mark. Your brother. My son,” Lynn begins, stoned on her Xanax-and-cabernet cocktail. “She takes my grandchildren and hides them away so that we can never see them. The children of Mark.” She absently picks the red nail polish from her fingernails. She feels the blood in her body start to curdle. She feels her feet start to swell, start to retain water from not being back in bed, decides it’s because she needs sugar and proceeds to stuff an orange Hostess cupcake into her cheek. “And then she frames you, my innocent Matthew, and sends you to prison for eighteen mother-fucking years.” Lynn shakes her head with a smile, citrusy crumbs falling in the folds of her neck. She crosses her hands, those fat little sausages with red tips like she’s ripped through someone’s flesh. “Nessa Delaney.” She sticks her tongue out and cringes, resents the fact that they once shared the same last name. “The audacity of the cunt. She must pay.” Lynn begins to sweat with the efforts of chewing and swallowing. “And we must find her children. After all, isn’t that what family’s all about?” Her sons recognize that gleam, the flames behind her eyes starting to ignite with ingenious plotting, often seen right before she shoplifts or rips a guy off from Craigslist or sends her sons to get something she wants but can’t have. “I wish we did this twenty years ago.”

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28,48 zł
Ograniczenie wiekowe:
0+
Data wydania na Litres:
28 grudnia 2018
Objętość:
322 str. 4 ilustracji
ISBN:
9780007595891
Właściciel praw:
HarperCollins

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