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Ngaio Marsh
Off With His Head


Copyright

HARPER

an imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

Published by HarperCollinsPublishers 2009 Off With His Head first published in Great Britain by Collins 1957

Copyright © Ngaio Marsh Ltd 1956

Ngaio Marsh asserts the moral right to be identified as the author of these works

A catalogue copy of this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author–s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Source ISBN: 9780006512455

Ebook Edition © OCTOBER 2009 ISBN: 9780007344727

Version: 2018–04–03

Contents

Cover

Title Page

Copyright

Cast of Characters

Author’s Note

1 Winter Solstice

2 Camilla

3 Preparation

4 The Swords Are Out

5 Aftermath

6 Copse Forge

7 The Green Man

8 Question of Fact

9 Question of Fancy

10 Dialogue for a Dancer

11 Question of Temperament

12 The Swords Again

13 The Swords Go In

Keep Reading

Also by the Author

About the Publisher

Cast of Characters


Mrs Bünz
Dame Alice Mardian Of Mardian Castle
The Rev. Samuel Stayne Rector of East Mardian, her great-nephew by marriage
Ralph Stayne Her great-great-nephew and son to the Rector
Dulcie Mardian Her great-niece
William Andersen Of Copse Forge, blacksmith
Daniel Andersen His sons
Andrew Andersen
Nathaniel Andersen
Christopher Andersen
Ernest Andersen
Camilla Campion His granddaughter
Bill Andersen His grandson
Tom Plowman Landlord of the Green Man
Trixie Plowman His daughter
Dr Otterly Of Yowford, General Practitioner
Simon Begg Of Simmy-Dick’s Petrol Station
Superintendent Carey Of the Yowford Constabulary
Police Sergeant Obby Of the Yowford Constabulary
Superintendent Roderick Alleyn
Detective-Inspector Fox Of the CID
Detective-Sergeant Bailey New Scotland Yard
Detective-Sergeant Thompson

Author’s Note

To anybody with the smallest knowledge of folklore it will be obvious that the Dance of the Five Sons is a purely imaginary synthesis combining in most unlikely profusion the elements of several dances and mumming plays. For information on these elements I am indebted, among many other sources, to England’s Dances by Douglas Kennedy and Introduction to English Folklore by Violet Alford.

N.M.

CHAPTER 1
Winter Solstice

Over that part of England the Winter Solstice came down with a bitter antiphony of snow and frost. Trees, minutely articulate, shuddered in the north wind. By four o’clock in the afternoon the people of South Mardian were all indoors.

It was at four o’clock that a small dogged-looking car appeared on a rise above the village and began to sidle and curvet down the frozen lane. Its driver, her vision distracted by wisps of grey hair escaping from a headscarf, peered through the fan-shaped clearing on her windscreen. Her woolly paws clutched rather than commanded the wheel. She wore, in addition to several scarves of immense length, a handspun cloak. Her booted feet tramped about over brake and clutch-pedal, her lips moved soundlessly and from time to time twitched into conciliatory smiles. Thus she arrived in South Mardian and bumped to a standstill before a pair of gigantic gates.

They were of wrought-iron and beautiful but they were tied together with a confusion of shopkeeper’s twine. Through them, less than a quarter of a mile away, she saw on a white hillside, the shell of a Norman castle, theatrically erected against a leaden sky. Partly encircled by this ruin was a hideous Victorian mansion.

The traveller consulted her map. There could be no doubt about it. This was Mardian Castle. It took some time in that deadly cold to untangle the string. Snow had mounted up the far side and she had to shove hard before she could open the gates wide enough to admit her car. Having succeeded and driven through, she climbed out again to shut them.

‘“St Agnes Eve, ach bitter chill it was!”’ she quoted in a faintly Teutonic accent. Occasionally, when fatigued or agitated, she turned her short o’s into long ones and transposed her v’s and w’s.

‘But I see no sign,’ she added to herself, ‘of hare nor owl, nor of any living creature, godamercy.’ She was pleased with this improvisation. Her intimate circle had lately adopted ‘godamercy’ as an amusing expletive.

There arose from behind some nearby bushes a shrill cachinnation and out waddled a gaggle of purposeful geese. They advanced upon her, screaming angrily. She bundled herself into the car, slammed the door almost on their beaks, engaged her bottom gear and ploughed on, watched from the hillside by a pair of bulls. Her face was pale and calm and she hummed the air (from her Playford album) of ‘Sellinger’s Round.’

As the traveller drew near the Victorian house she saw that it was built of the same stone as the ruin that partly encircled it. ‘That is something, at least,’ she thought. She crammed her car up the final icy slope, through the remains of a Norman archway and into a courtyard. There she drew in her breath in a series of gratified little gasps.

The courtyard was a semi-circle bounded by the curve of old battlemented walls and cut off by the new house. It was littered with heaps of rubble and overgrown with weeds. In the centre, puddled in snow, was a rectangular slab supported by two pillars of stone. ‘Eureka!’ cried the traveller.

For luck she groped under her scarves and fingered her special necklace of red silk. Thus fortified, she climbed a flight of steps that led to the front door.

It was immense and had been transferred, she decided with satisfaction, from the ruin. There was no push-button, but a vast bell, demonstrably phoney and set about with cast-iron pixies, was bolted to the wall. She tugged at its chain and it let loose a terrifying rumpus. The geese, which had reappeared at close quarters, threw back their heads, screamed derisively and made for her at a rapid waddle.

With her back to the door she faced them. One or two made unsuccessful attempts to mount and she tried to quell them, collectively, with an imperious glare. Such was the din they raised that she did not hear the door open.

‘You are in trouble!’ said a voice behind her. ‘Nip in, won’t you, while I shut the door. Be off, birds.’

The visitor was grasped, turned about and smartly pulled across the threshold. The door slammed behind her and she found herself face to face with a thin, ginger-haired lady who stared at her in watery surprise.

‘Yes?’ said the lady. ‘Yes, well, I don’t think – and in any case, what weather!’

‘Dame Alice Mardian?’

‘My great-aunt. She’s ninety-four and I don’t think –’

With an important gesture the visitor threw back her cloak, explored an inner pocket and produced a card.

‘This is, of course, a surprise,’ she said. ‘Perhaps I should have written first but I must tell you – frankly, frankly – that I was so transported with curiosity – no, not that, not curiosity – rather with the zest of the hunter, that I could not contain myself. Not for another day, another hour even!’ She checked. Her chin trembled. ‘If you will glance at the card,’ she said. Dimly, the other did so.

‘Mrs Anna Bünz,’ she read.

FRIENDS OF BRITISH FOLKLORE

GUILD OF ANCIENT CUSTOMS

THE HOBBY HORSES

Morisco Croft, Bapple-under-Baccomb, Warwickshire

‘Oh dear!’ said the ginger-haired lady, and added: ‘But in any case, come in, of course.’ She led the way from a hall that was scarcely less cold than the landscape outside into a drawing-room that was, if anything, more so. It was jammed up with objects. Mediocre portraits reached from the ceiling to the floor, tables were smothered in photographs and ornaments, statuettes peered over each other’s shoulders. On a vast hearth dwindled a shamefaced little fire.

‘Do sit down,’ said the ginger-haired lady doubtfully, ‘Mrs – ah – Buns.’

‘Thank you, but excuse me – Bünz. Eü, eü,’ said Mrs Bünz, thrusting out her lips with tutorial emphasis, ‘or if eü is too difficult, Bins or Burns will suffice. But nothing edible!’ She greeted her own joke with the cordial chuckle of an old acquaintance. ‘It’s a German name, of course. My dear late husband and I came over before the war. Now I am saturated, I hope I may say, in the very sap of old England. But,’ Mrs Bünz added, suddenly vibrating the tip of her tongue as if she anticipated some delicious titbit, ‘to our muttons. To our muttons, Miss – ah –’

‘Mardian,’ said Miss Mardian, turning a brickish pink.

‘Ach, that name!’

‘If you wouldn’t mind –’

‘But of course. I come immediately to the point. It is this, Miss Mardian, I have driven three hundred miles to see your great-aunt.’

‘Oh dear! She’s resting, I’m afraid –’

‘You are, of course, familiar with the name of Rekkage.’

‘Well, there was old Lord Rekkage who went off his head.’

‘It cannot be the same.’

‘He’s dead now. Warwickshire family, near Bapple.’

‘It is the same. As to his sanity I feel you must be misinformed. A great benefactor. He founded the Guild of Ancient Customs.’

‘That’s right. And left all his money to some too-extraordinary society.’

‘The Hobby Horses. I see, my dear Miss Mardian, that we have dissimilar interests. Yet,’ said Mrs Bünz, lifting her voluminous chins, ‘I shall plod on. So much at stake. So much.’

I’m afraid,’ said Miss Mardian vaguely, ‘that I can’t offer you tea. The boiler’s burst.’

‘I don’t take it. Pray, Miss Mardian, what are Dame Alice’s interests? Of course, at her wonderfully great age –’

‘Aunt Akky? Well, she likes going to sales. She picked up nearly all the furniture in this room at auctions. Lots of family things were lost when Mardian Place was burnt down. So she built this house out of bits of the old castle and furnished it from sales. She likes doing that, awfully.’

‘Then there is an antiquarian instinct. Ach!’ Mrs Bünz exclaimed excitedly, clapping her hands and losing control of her accent. ‘Ach, sank Gott!’

‘Oh crumbs!’ Miss Mardian cried, raising an admonitory finger. ‘Here is Aunt Akky.’

She got up self-consciously. Mrs Bünz gave a little gasp of anticipation and, settling her cloak portentously, also rose.

The drawing-room door opened to admit Dame Alice Mardian.

Perhaps the shortest way to describe Dame Alice is to say that she resembled Mrs Noah. She had a shapeless, wooden appearance and her face, if it was expressive of anything in particular, looked dimly jolly.

‘What’s all the row?’ she asked, advancing with the inelastic toddle of old age. ‘Hallo! Didn’t know you had friends, Dulcie.’

‘I haven’t,’ said Miss Mardian. She waved her hands. ‘This is Mrs – Mrs –’

‘Bünz,’ said that lady. ‘Mrs Anna Bünz. Dame Alice, I am so inexpressibly overjoyed –’

‘What about? How de do, I’m sure,’ said Dame Alice. She had loose-fitting false teeth which of their own accord chopped off the ends of her words and thickened her sibilants. ‘Don’t see strangers,’ she added. ‘Too old for it. Dulcie ought to’ve told yer.’

‘It seems to be about old Lord Rekkage, Aunt Akky.’

‘Lor’! Loony Rekkage. Hunted with the Quorn till he fell on his head. Like you, Dulcie. Went as straight as the best, but mad. Don’t you ’gree?’ she asked Mrs Bünz, looking at her for the first time.

Mrs Bünz began to speak with desperate rapidity. ‘When he died,’ she gabbled, shutting her eyes, ‘Lord Rekkage assigned to me, as vice-president of the Friends of British Folklore, the task of examining certain papers.’

‘Have you telephoned about the boilers, Dulcie?’

‘Aunt Akky, the lines are down.’

‘Well, order a hack and ride.’

‘Aunt Akky, we haven’t any horses now.’

‘I keep forgettin’.’

‘But allow me,’ cried Mrs Bünz, ‘allow me to take a message on my return. I shall be so delighted.’

‘Are you ridin’?’

‘I have a little car.’

‘Motorin’? Very civil of you, I must say. Just tell William Andersen at the Copse that our boiler’s burst, if you will. Much obliged. Me niece’ll see you out. Ask you to ’scuse me.’

She held out her short arm and Miss Mardian began to haul at it.

‘No, no! Ach, please. I implore you!’ shouted Mrs Bünz, wringing her hands. ‘Dame Alice! Before you go! I have driven for two days. If you will listen for one minute. On my knees –’

‘If you’re beggin’,’ said Dame Alice, ‘it’s no good. Nothin’ to give away these days. Dulcie.’

‘But, no, no, no! I am not begging. Or only,’ urged Mrs Bünz, ‘for a moment’s attention. Only for von liddle vord.’

‘Dulcie, I’m goin’.’

‘Yes, Aunt Akky.’

‘Guided as I have been –’

‘I don’t like fancy religions,’ said Dame Alice, who with the help of her niece had arrived at the door and opened it.

‘Does the Winter Solstice mean nothing to you? Does the Mardian Mawris Dance of the Five Sons mean nothing? Does –’ Something in the two faces that confronted her caused Mrs Bünz to come to a stop. Dame Alice’s upper denture noisily capsized on its opposite number. In the silence that followed this mishap there was an outbreak from the geese. A man’s voice shouted and a door slammed.

‘I don’t know,’ said Dame Alice with difficulty and passion, ‘I don’t know who yar or what chupter. But you’ll oblige me by takin’ yerself off.’ She turned on her great-niece. ‘You,’ she said, ‘are a blitherin’ idiot. I’m angry. I’m goin’.’

She turned and toddled rapidly into the hall.

‘Good evening, Aunt Akky. Good evening, Dulcie,’ said a man’s voice in the hall. ‘I wondered if I –’

‘I’m angry with you, too. I’m goin’ upshtairs. I don’t want to shee anyone. Bad for me to get fusshed. Get rid of that woman.’

‘Yes, Aunt Akky.’

‘And you behave yershelf, Ralph.’

‘Yes, Aunt Akky.’

‘Bring me a whishky and shoda to my room, girl.’

‘Yes, Aunt Akky.’

‘Damn theshe teeth.’

Mrs Bünz listened distractedly to the sound of two pairs of retreating feet. All by herself in that monstrous room she made a wide gesture of frustration and despair. A large young man came in.

‘Oh, sorry,’ he said. ‘Good evening. I’m afraid something’s happened. I’m afraid Aunt Akky’s in a rage.’

‘Alas! Alas!’

‘My name’s Ralph Stayne. I’m her nephew. She’s a bit tricky, is Aunt Akky. I suppose being ninety-four, she’s got a sort of right to it.’

‘Alas! Alas!’

‘I’m most frightfully sorry. If there’s anything one could do?’ offered the young man. ‘Only I might as well tell you I’m pretty heavily in the red myself.’

‘You are her nephew?’

‘Her great-great-nephew actually. I’m the local parson’s son. Dulcie’s my aunt.’

‘My poor young man,’ said Mrs Bünz, but she said it absentmindedly: there was speculation in her eye. ‘You could indeed help me,’ she said. ‘Indeed, indeed, you could. Listen. I will be brief. I have driven here from Bapple-under-Baccomb in Warwickshire. Owing partly to the weather, I must admit, it has taken me two days. I don’t grudge them, no, no, no. But I digress. Mr Stayne, I am a student of the folk dance, both central European and – particularly – English. My little monographs on the Abram Circle Bush and the symbolic tea-pawt have been praised. I am a student, I say, and a performer. I can still cut a pretty caper, Mr Stayne. Ach yes, godamercy.’

‘I beg your pardon?’

‘Godamercy. It is one of your vivid sixteenth century English ejaculations. My little circle has revived it. For fun,’ Mrs Bünz explained.

‘I’m afraid I –’

‘This is merely to satisfy you that I may in all humility claim to be something of an expert. My status, Mr Stayne, was indeed of such a degree as to encourage the late Lord Rekkage –’

‘Do you mean Loony Rekkage?’

‘– to entrust no less than three Saratoga trunkfuls of precious precious family documents to my care. It was one of these documents, examined by myself for the first time the day before yesterday, that has led me to Mardian Castle. I have it with me. You shall see it.’

Ralph Stayne had begun to look extremely uncomfortable.

‘Yes, well now, look here, Mrs –’

‘Bünz.’

‘Mrs Burns, I’m most awfully sorry but if you’re heading the way I think you are then I’m terribly afraid it’s no go.’

Mrs Bünz suddenly made a magnificent gesture towards the windows.

‘Tell me this,’ she said. ‘Tell me. Out there in the courtyard, mantled in snow and surrounded at the moment by poultry, I can perceive, and with emotion I perceive it, a slighly inclined and rectangular shape. Mr Stayne, is that object the Mardian Stone? The dolmen of the Mardians?’

‘Yes,’ said Ralph. ‘That’s right. It is.’

‘The document to which I have referred concerns itself with the Mardian Stone. And with the Dance of the Five Sons.’

‘Does it, indeed?’

‘It suggests, Mr Stayne, that unknown to research, to experts, to folk dancers and to the societies, the so-called Mardian Mawris (the richest immeasurably of all English ritual dance-plays) was being performed annually at the Mardian Stone during the Winter Solstice up to as recently as fifteen years ago.’

‘Oh,’ said Ralph.

‘And not only that,’ Mrs Bünz whispered excitedly, advancing her face to within twelve inches of his, ‘there seems to be no reason why it should not have survived to this very year, this Winter Solstice, Mr Stayne – this very week. Now, do you answer me? Do you tell me if this is so?’

Ralph said: ‘I honestly think it would be better if you forgot all about it. Honestly.’

‘But you don’t deny?’

He hesitated, began to speak and checked himself.

‘All right,’ he said. ‘I certainly don’t deny that a very short, very simple and not, I’m sure, at all important sort of dance-play is kept up once a year in Mardian. It is. We just happen to have gone on doing it.’

‘Ach, blessed Saint Use and Wont.’

‘Er – yes. But we have been rather careful not to sort of let it be known because everyone agrees it’d be too ghastly if the artsy-craftsy boys – I’m sure,’ Ralph said, turning scarlet, ‘I don’t mean to be offensive but you know what can happen. Ye olde goings-on all over the village. Charabancs even. My family have all felt awfully strongly about it and so does the Old Guiser.’

Mrs Bünz pressed her gloved hands to her lips. ‘Did you, did you say “Old Guiser”?’

‘Sorry. It’s a sort of nickname. He’s William Andersen, really. The local smith. A perfectly marvellous old boy,’ Ralph said and inexplicably again turned scarlet. ‘They’ve been at the Copse Smithy for centuries, the Andersens,’ he added. ‘As long as we’ve been at Mardian if it comes to that. He feels jolly strongly about it.’

‘The Old Man? The Guiser?’ Mrs Bünz murmured. ‘And he’s a smith? And his forefathers perhaps made the hobby horse?’

Ralph was uncomfortable.

‘Well –’ he said and stopped.

‘Ach! Then there is a hobby!’

‘Look, Mrs Burns, I – I do ask you as a great favour not to talk about this to anyone, or – or write about it. And for the love of Mike not to bring people here. I don’t mind telling you I’m in pretty bad odour with my aunt and old William and, really, if they thought – look, I think I can hear Dulcie coming. Look, may I really beg you –’

‘Do not trouble yourself. I am very discreet,’ said Mrs Bünz with a reassuring leer. ‘Tell me, there is a pub in the district, of course? You see I use the word pub. Not inn or tavern. I am not,’ said Mrs Bünz, drawing her hand-woven cloak about her, ‘what you describe as artsy-craftsy.’

‘There’s a pub about a mile away. Up the lane to Yowford. The Green Man.’

‘The Green Man. A-a-ach! Excellent.’

‘You’re not going to stay there!’ Ralph ejaculated involuntarily.

‘You will agree that I cannot immediately drive to Bapple-under-Baccomb. It is 300 miles away: I shall not even start. I shall put up at the pub.’

Ralph, stammering a good deal, said: ‘It sounds the most awful cheek, I know, but I suppose you wouldn’t be terribly kind and – if you are going there – take a note from me to someone who’s staying there. I – I – my car’s broken down and I’m on foot.’

‘Give it to me.’

‘It’s most frightfully sweet of you.’

‘Or I can drive you.’

‘Thank you most terribly but if you’d just take the note. I’ve got it on me. I was going to post it.’ Still blushing he took an envelope from his breast-pocket and gave it to her. She stowed it away in a business-like manner.

‘And in return,’ she said, ‘you shall tell me one more thing. What do you do in the Dance of the Five Sons? For you are a performer. I feel it.’

‘I’m the Betty,’ he muttered.

‘A-a-a-ch! The fertility symbol, or in modern parlance –’ She tapped the pocket where she had stowed the letter. ‘The love interest. Isn’t it?’

Ralph continued to look exquisitely uncomfortable. ‘Here comes Dulcie,’ he said. ‘If you don’t mind I really think it would be better –’

‘If I made away with myself. I agree. I thank you, Mr Stayne. Good evening.’

Ralph saw her to the door, drove off the geese, advised her to pay no attention to the bulls as only one of them ever cut up rough, and watched her churn away through the snow. When he turned back to the house Miss Mardian was waiting for him.

‘You’re to go up,’ she said. ‘What have you been doing? She’s furious.’

II

Mrs Bünz negotiated the gateway without further molestation from livestock and drove through what was left of the village. In all, it consisted only of a double row of nondescript cottages, a tiny shop, a church of little architectural distinction and a Victorian parsonage: Ralph Stayne’s home, no doubt. Even in its fancy dress of snow it was not a picturesque village. It would, Mrs Bünz reflected, need a lot of pepping-up before it attracted the kind of people Ralph Stayne had talked about. She was glad of this because in her own way, she too was a purist.

At the far end of the village itself and a little removed from it she came upon a signpost for East Mardian and Yowford and a lane leading off in that direction.

But where, she asked herself distractedly, was the smithy? She was seething with the zeal of the explorer and with an itching curiosity that Ralph’s unwilling information had exacerbated rather than assuaged. She pulled up and looked about her. No sign of a smithy. She was certain she had not passed one on her way in. Though her interest was academic rather than romantic, she fastened on smithies with the fervour of a runaway bride. But no. All was twilight and desolation. A mixed group of evergreen and deciduous trees, the signpost, the hills and a great blankness of snow. Well, she would inquire at the pub. She was about to move on when she saw simultaneously a column of smoke rise above the trees and a short man, followed by a dismal dog, come round the lane from behind them.

She leaned out and in a cloud of her own breath shouted: ‘Good evening. Can you be so good as to direct me to the Corpse?’

The man stared at her. After a long pause he said: ‘Ar?’ The dog sat down and whimpered.

Mrs Bünz suddenly realized she was dead-tired. She thought: ‘This frustrating day! So! I must now embroil myself with the village natural.’ She repeated her question. ‘Vere,’ she said, speaking very slowly and distinctly, ‘is der corpse?’

‘Oo’s corpse?’

‘Mr William Andersen’s?’

‘Ee’s not a corpse. Not likely. Ee’s my dad.’ Weary though she was she noted the rich local dialect. Aloud, she said: ‘You misunderstand me. I asked you where is the smithy. His smithy. My pronunciation was at fault.’

‘Copse Smithy be my dad’s smithy.’

‘Precisely. Where is it?’

‘My dad don’t rightly fancy wummen.’

‘Is that where the smoke is coming from?’

‘Ar.’

‘Thank you.’

As she drove away she thought she heard him loudly repeat that his dad didn’t fancy women.

‘He’s going to fancy me if I die for it,’ thought Mrs Bünz.

The lane wound round the copse and there, on the far side, she found that classic, that almost archaic picture – a country blacksmith’s shop in the evening.

The bellows were in use. A red glow from the forge pulsed on the walls. A horse waited, half in shadow. Gusts of hot iron and seared horn and the sweetish reek of horse-sweat drifted out to mingle with the tang of frost. Somewhere in a dark corner beyond the forge a man with a lantern seemed to be bent over some task. Mrs Bünz’s interest in folklore, for all its odd manifestations, was perceptive and lively. Though now she was punctually visited by the, as it were, off-stage strains of the Harmonious Blacksmith, she also experienced a most welcome quietude of spirit. It was as if all her enthusiasms had become articulate. This was the thing itself, alive and luminous.

The smith and his mate moved into view. The horseshoe, lunar symbol, floated incandescent in the glowing jaws of the pincers. It was lowered and held on the anvil. Then the hammer swung, the sparks showered, and the harsh bell rang. Three most potent of all charms were at work – fire, iron and the horseshoe.

Mrs Bünz saw that while his assistant was a sort of vivid enlargement of the man she had met in the lane and so like him that they must be brothers, the smith himself was a surprisingly small man: small and old. This discovery heartened her. With renewed spirit she got out of her car and went to the door of the smithy. The third man, in the background, opened his lantern and blew out the flame. Then, with a quick movement he picked up some piece of old sacking and threw it over his work.

The smith’s mate glanced up but said nothing. The smith, apparently, did not see her. His branch-like arms, ugly and graphic, continued their thrifty gestures. He glittered with sweat and his hair stuck to his forehead in a white fringe. After perhaps half a dozen blows the young man held up his hand and the other stopped, his chest heaving. They exchanged rôles. The young giant struck easily and with a noble movement that enraptured Mrs Bünz.

She waited. The shoe was laid to the hoof and the smith in his classic pose crouched over the final task. The man in the background was motionless.

‘Dad, you’re wanted,’ the smith’s mate said. The smith glanced at her and made a movement of his head. ‘Yes, ma’am?’ asked the son.

‘I come with a message,’ Mrs Bünz began gaily. ‘From Dame Alice Mardian. The boiler at the castle has burst.’

They were silent. ‘Thank you, then, ma’am,’ the son said at last. He had come towards her but she felt that the movement was designed to keep her out of the smithy. It was as if he used his great torso as a screen for something behind it.

She beamed into his face. ‘May I come in?’ she asked. ‘What a wonderful smithy.’

‘Nobbut old scarecrow of a place. Nothing to see.’

‘Ach!’ she cried jocularly, ‘but that’s just what I like. Old things are by way of being my business, you see. You’d be’– she made a gesture that included the old smith and the motionless figure in the background –‘you’d all be surprised to hear how much I know about blackschmidts.’

‘Ar, yes, ma’am?’

‘For example,’ Mrs Bünz continued, growing quite desperately arch, ‘I know all about those spiral irons on your lovely old walls there. They’re fire charms, are they not? And, of course, there’s a horseshoe above your door. And I see by your beautifully printed little notice that you are Andersen, not Anderson, and that tells me so exactly just what I want to know. Everywhere, there are evidences for me to read. Inside, I dare say –’ She stood on tiptoe and coyly dodged her large head from side to side, peeping round him and making a mocking face as she did so. ‘I dare say there are all sorts of things –’

‘No, there bean’t then.’

The old smith had spoken. Out of his little body had issued a great roaring voice. His son half turned and Mrs Bünz, with a merry laugh, nipped past him into the shop.

‘It’s Mr Andersen, senior,’ she cried, ‘is it not? It is – dare I? – the Old Guiser himself? Now I know you don’t mean what you’ve just said. You are much too modest about your beautiful schmiddy. And so handsome a horse! Is he a hunter?’

‘Keep off. ’Er be a mortal savage kicker. See that naow,’ he shouted as the mare made a plunging movement with the near hind leg which he held cradled in his lap. ‘She’s fair moidered already. Keep off of it. Keep aout. There’s nobbut men’s business yur.’

‘And I had heard so much,’ Mrs Bünz said gently, ‘of the spirit of hospitality in this part of England. Zo! I was misinformed, it seems. I have driven over two hundred –’

‘Blow up, there, you, Chris. Blow up! Whole passel’s gone cold while she’ve been nattering. Blow up, boy.’

The man in the background applied himself to the bellows. A vivid glow pulsed up from the furnace and illuminated the forge. Farm implements, bits of harness, awards won at fairs flashed up. The man stepped a little aside and in doing so, he dislodged the piece of sacking he had thrown over his work. Mrs Bünz cried out in German. The smith swore vividly in English. Grinning out of the shadows was an iron face, half-bird, half-monster, brilliantly painted, sardonic, disturbing and, in that light, strangely alive.

Mrs Bünz gave a scream of ecstasy.

‘The Horse!’ she cried, clapping her hands like a mad woman. ‘The Old Hoss. The Hooden Horse. I have found it. Gott sie danke, what joy is mine!’

The third man had covered it again. She looked at their unsmiling faces.

‘Well, that was a treat,’ said Mrs Bünz in a deflated voice. She laughed uncertainly and returned quickly to her car.

CHAPTER 2
Camilla

Up in her room at the Green Man, Camilla Campion arranged herself in the correct relaxed position for voice exercise. Her diaphragm was gently retracted and the backs of her fingers lightly touched her ribs. She took a long, careful deep breath and as she expelled it, said in an impressive voice:

‘Nine Men’s Morris is filled up with mud.’ This she did several times, muttering to herself, in imitation of her speechcraft instructor whom she greatly admired, ‘On the breath dear child: on the breath.’

She glanced at herself in the looking-glass on the nice old dressing-table and burst out laughing. She laughed partly because her reflection looked so solemn and was also slightly distorted and partly because she suddenly felt madly happy and in love with almost everyone in the world. It was glorious to be eighteen, a student at the West London School of Drama and possibly in love, not only with the whole world, but with one young man as well. It was heaven to have come alone to Mardian and put up at the Green Man like a seasoned traveller. ‘I’m as free as a lark,’ thought Camilla Campion. She tried saying the line about Nine Men’s Morris with varying inflexions. It was filled up with mud. Then it was filled up with mud, which sounded surprised and primly shocked and made her laugh again. She decided to give up her practice for the moment, and feeling rather magnificent helped herself to a cigarette. In doing so she unearthed a crumpled letter from her bag. Not for the first time she re-read it.

Dear Niece,

Dad asked me to say he got your letter and far as he’s concerned you’ll be welcome up to Mardian. There’s accommodation at the Green Man. No use bringing up the past I reckon and us all will be glad to see you. He’s still terrible bitter against your mother’s marriage on account of it was to a R.C. So kindly do not refer to same although rightly speaking her dying ought to make all things equal in the sight of her Maker and us creatures here below.

Your affec. uncle

Daniel Andersen

Camilla sighed, tucked away the letter and looked along the lane towards Copse Forge.

‘I’ve got to be glad I came,’ she said.

For all the cold she had opened her window. Down below a man with a lanthorn was crossing the lane to the pub. He was followed by a dog. He heard her and looked up. The light from the bar windows caught his face.

‘Hallo, Uncle Ernest,’ called Camilla. ‘You are Ernest, aren’t you? Do you know who I am? Did they tell you I was coming?’

‘Ar?’

‘I’m Camilla. I’ve come to stay for a week.’

‘Our Bessie’s Camilla?’

‘That’s me. Now, do you remember?’

He peered up at her with the slow recognition of the mentally retarded. ‘I did yur tell you was coming. Does Guiser know?’

‘Yes. I only got here an hour ago. I’ll come and see him tomorrow.’

‘He doan’t rightly fancy wummen.’

‘He will me,’ she said gaily. ‘After all he’s my grandfather! He asked me to come.’

‘Noa!’

‘Yes, he did. Well – almost. I’m going down to the parlour. See you later.’

It had begun to snow again. As she shut her window she saw the headlights of a dogged little car turn into the yard.

A roundabout lady got out. Her head was encased in a scarf, her body in a mauve handicraft cape and her hands in flowery woollen gloves.

‘Darling, what a make-up!’ Camilla apostrophized under her breath. She ran downstairs.

The bar-parlour at the Green Man was in the oldest part of the pub. It lay at right angles to the Public which was partly visible and could be reached from it by means of a flap in the bar counter. It was a singularly unpretentious affair, lacking any display of horse-brasses, warming-pans or sporting prints. Indeed the only item of anything but utilitarian interest was a picture in a dark corner behind the door; a faded and discoloured photograph of a group of solemn-faced men with walrus moustaches. They had blackened faces and hands and were holding up, as if to display it, a kind of openwork frame built up from short swords. Through this frame a man in clownish dress stuck his head. In the background were three figures that might have been respectively a hobby-horse, a man in a voluminous petticoat and somebody with a fiddle.

Serving in the private bar was the publican’s daughter, Trixie Plowman, a fine ruddy young woman with a magnificent figure and bearing. When Camilla arrived there was nobody else in the Private, but in the Public beyond she again saw her uncle, Ernest Andersen. He grinned and shuffled his feet.

Camilla leant over the bar and looked into the Public. ‘Why don’t you come over here, Uncle Ernie?’ she called.

He muttered something about the Public being good enough for him. His dog, invisible to Camilla, whined.

‘Well, fancy!’ Trixie exclaimed. ‘When it’s your own niece after so long and speaking so nice.’

‘Never mind,’ Camilla said cheerfully. ‘I expect he’s forgotten he ever had a niece.’

Ernie could be heard to say that no doubt she was too upperty for the likes of them-all, anyhow.

‘No I’m not,’ Camilla ejaculated indignantly. ‘That’s just what I’m not. Oh dear!’

‘Never mind,’ Trixie said, and made the kind of face that alluded to weakness of intellect. Ernie smiled and mysteriously raised his eyebrows.

‘Though of course,’ Trixie conceded, ‘I must say it is a long time since we seen you,’ and she added with a countrywoman’s directness: ‘Not since your poor mum was brought back and laid to rest.’

‘Five years,’ said Camilla nodding.

‘That’s right.’

‘Ar,’ Ernie interjected loudly, ‘and no call for that if she’d bided homealong and wed one of her own. Too mighty our Bessie was, and brought so low’s dust as a consequence.’

‘That may be one way of looking at it,’ Trixie said loftily. ‘I must say it’s not mine. That dog of yours stinks,’ she added.

‘Same again,’ Ernie countered morosely.

‘She wasn’t brought as low as dust,’ Camilla objected indignantly. ‘She was happily married to my father who loved her like anything. He’s never really got over her death.’

Camilla, as brilliantly sad as she had been happy, looked at Trixie and said: ‘They were in love. They married for love.’

‘So they did, then, and a wonderful thing it was for her,’ Trixie said comfortably. She drew a half-pint and pointedly left Ernie alone with it.

‘Killed ’er, didn’t it?’ Ernie demanded of his boots. ‘For all ’is great ’ordes of pelf and unearthly pride, ’e showed ’er the path to the grave.’

‘No. Oh, don’t! How can you!’

‘Never you heed,’ Trixie said and beckoned Camilla with a jerk of her head to the far end of the Private bar. ‘He’s queer,’ she said. ‘Not soft, mind, but queer. Don’t let it upset you.’

‘I had a message from Grandfather saying I could come. I thought they wanted to be friendly.’

‘And maybe they do. Ernie’s different. What’ll you take, maid?’

‘Cider, please. Have one yourself, Trixie.’

There was a slight floundering noise on the stairs outside, followed by the entrance of Mrs Bünz. She had removed her cloak and all but one of her scarves and was cosy in Cotswold wool and wooden beads.

‘Good evening,’ she said pleasantly. ‘And what an evening! Snowing again!’

‘Good evening, ma’am,’ Trixie said, and Camilla, brightening up because she thought Mrs Bünz such a wonderful ‘character makeup’, said:

‘I know. Isn’t it too frightful!’

Mrs Bünz had arrived at the bar and Trixie said: ‘Will you take anything just now?’

‘Thank you,’ said Mrs Bünz. ‘A noggin will buck me up. Am I right in thinking that I am in the Mead Country?’

Trixie caught Camilla’s eye and then, showing all her white teeth in the friendliest of grins, said: ‘Us don’t serve mead over the bar, ma’am, though it’s made hereabouts by them that fancies it.’

Mrs Bünz leant her elbow in an easy manner on the counter. ‘By the Old Guiser,’ she suggested, ‘for example?’

She was accustomed to the singular little pauses that followed her remarks. As she looked from one to the other of her hearers she blinked and smiled at them and her rosy cheeks bunched themselves up into shiny knobs. She was like an illustration to a tale by the brothers Grimm.

‘Would that be Mr William Andersen you mean, then?’ Trixie asked.

Mrs Bünz nodded waggishly.

Camilla started to say something and changed her mind. In the Public, Ernie cleared his throat.

‘I can’t serve you with anything then, ma’am?’ asked Trixie.

‘Indeed you can. I will take zider,’ decided Mrs Bünz, carefully regional. Camilla made an involuntary snuffling noise and, to cover it up, said: ‘William Andersen’s my grandfather. Do you know him?’

This was not comfortable for Mrs Bünz, but she smiled and smiled and nodded and, as she did so, she told herself that she would never never master the extraordinary vagaries of class in Great Britain.

‘I have had the pleasure to meet him,’ she said. ‘This evening. On my way. A beautiful old gentleman,’ she added firmly.

Camilla looked at her with astonishment.

‘Beautiful?’

‘Ach, yes. The spirit,’ Mrs Bünz explained, waving her paws, ‘the raciness, the élan!’

‘Oh,’ said Camilla dubiously. ‘I see.’ Mrs Bünz sipped her cider and presently took a letter from her bag and laid it on the bar. ‘I was asked to deliver this,’ she said, ‘to someone staying here. Perhaps you can help me?’

Trixie glanced at it. ‘It’s for you, dear,’ she said to Camilla. Camilla took it. Her cheeks flamed like poppies and she looked with wonder at Mrs Bünz.

‘Thank you,’ she said, ‘but I don’t quite – I mean – are you –?’

‘A chance encounter,’ Mrs Bünz said airily. ‘I was delighted to help.’

Camilla murmured a little politeness, excused herself and sat down in the inglenook to read her letter.

Dear Enchanting Camilla (she read),

Don’t be angry with me for coming home this week. I know you said I mustn’t follow you, but truly I had to because of the Mardian Morris and Christmas. I shan’t come near you at the pub and I won’t ring you up. But please be in church on Sunday. When you sing I shall see your breath going up in little clouds and I shall puff away too like a train so that at least we shall be doing something together. From this you will perceive that I love you.

Ralph

Camilla read this letter about six times in rapid succession and then put it in the pocket of her trousers. She would have liked to slip it under her thick sweater but was afraid it might fall out at the other end.

Her eyes were like stars. She told herself she ought to be miserable because after all she had decided it was no go about Ralph Stayne. But somehow the letter was an antidote to misery, and there went her heart singing like a lunatic.

Mrs Bünz had retired with her cider to the far side of the inglenook where she sat gazing – rather wistfully, Camilla thought – into the fire. The door of the Public opened. There was an abrupt onset of male voices; blurred and leisurely; unformed country voices. Trixie moved round to serve them, and her father, Ron Plowman, the landlord, came in to help. There was a general bumble of conversation. ‘I had forgotten,’ Camilla thought, ‘what they sound like. I’ve never found out about them. Where do I belong?’

She heard Trixie say: ‘So she is, then, and setting in yonder.’

A silence and a clearing of throats. Camilla saw that Mrs Bünz was looking at her. She got up and went to the bar. Through in the Public on the far side of Trixie’s plump shoulder she could see her five uncles: Dan, Andy, Nat, Chris and Ernie, and her grandfather, old William. There was something odd about seeing them like that, as if they were images in a glass and not real persons at all. She found this impression disagreeable and to dispel it called out loudly:

‘Hallo, there! Hallo, Grandfather!’

Camilla’s mother, whose face was no longer perfectly remembered, advanced out of the past with the smile Dan offered his niece. She was there when Andy and Nat, the twins, sniffed at their knuckles as if they liked the smell of them. She was there in Chris’s auburn fringe of hair. Even Ernie, strangely at odds with reality, had his dead sister’s trick of looking up from under his brows.

The link of resemblance must have come from the grandmother whom Camilla had never seen. Old William himself had none of these signs about him. Dwarfed by his sons he was less comely and looked much more aggressive. His face had settled into a fixed churlishness.

He pushed his way through the group of his five sons and looked at his granddaughter through the frame made by shelves of bottles.

‘You’ve come, then,’ he said, glaring at her.

‘Of course. May I go through, Trixie?’

Trixie lifted the counter flap and Camilla went into the Public. Her uncles stood back a little. She held out her hand to her grandfather.

‘Thank you for the message,’ she said. ‘I’ve often wanted to come but I didn’t know whether you’d like to see me.’

‘Us reckoned you’d be too mighty for your mother’s folk.’

Camilla told herself that she would speak very quietly because she didn’t want the invisible Mrs Bünz to hear. Even so, her little speech sounded like a bit of diction exercise. But she couldn’t help that.

‘I’m an Andersen as much as I’m a Campion, Grandfather. Any “mightiness” has been on your side, not my father’s or mine. We’ve always wanted to be friends.’

‘Plain to see you’re as deadly self-willed and upperty as your mother before you,’ he said, blinking at her. ‘I’ll say that for you.’

‘I am very like her, aren’t I? Growing more so, Daddy says.’ She turned to her uncles and went on, a little desperately, with her prepared speech. It sounded, she thought, quite awful. ‘We’ve only met once before, haven’t we? At my mother’s funeral. I’m not sure if I know which is which, even.’ Here, poor Camilla stopped, hoping that they might perhaps tell her. But they only shuffled their feet and made noises in their throats. She took a deep breath and went on. (‘Voice pitched too high,’ she thought.) ‘May I try and guess? You’re the eldest, You’re my Uncle Dan, aren’t you, and you’re a widower with a son. And there are Andy and Nat, the twins. You’re both married but I don’t know what families you’ve got. And then came Mummy. And then you, Uncle Chris, the one she liked so much, and I don’t know if you’re married.’

Chris, the ruddy one, looked quickly at Trixie, turned the colour of his own hair and shook his head.

‘And I’ve already met Uncle Ernie,’ Camilla ended, and heard her voice fade uneasily.

There seemed little more to say. It had been a struggle to say as much as that. There they were with their countrymen’s clothes and boots, their labourers’ bodies and their apparent unreadiness to ease a situation that they themselves, or the old man, at least, had brought about.

‘Us didn’t reckon you’d carry our names so ready,’ Dan said and smiled at her again.

‘Oh,’ Camilla cried, seizing at this, ‘that was easy. Mummy used to tell me I could always remember your names in order because they spelt DANCE: Dan, Andy, Nat, Chris, Ernie. She said she thought Grandfather might have named you that way because of Sword Wednesday and the Dance of the Five Sons. Did you, Grandfather?’

In the inglenook of the Private, Mrs Bünz, her cider half-way to her lips, was held in ecstatic suspension.

A slightly less truculent look appeared in old William’s face.

‘That’s not a maid’s business,’ he said. ‘It’s man’s gear, that is.’

‘I know. She told me. But we can look on, can’t we? Will the swords be out on the Wednesday after the 21st, Grandfather?’

‘Certain sure they’ll be out.’

‘I be Whiffler,’ Ernie said very loudly. ‘Bean’t I, chaps?’

‘Hold your noise then. Us all knows you be Whiffler,’ said his father irritably, ‘and going in mortal dread of our lives on account of it.’

‘And the Wing-Commander’s “Crack”,’ Ernie said monotonously pursuing his theme. ‘Wing-Commander Begg, that is. Old ’Oss, that is. ’E commanded my crowd ’e did: I was ’is servant, I was. Wing-Commander Simon Begg, only we called ’im Simmy-Dick, we did. ’E’ll be Old ’Oss, ’e will.’

‘Ya-a-as, ya-a-as,’ said his four brothers soothingly in unison. Ernie’s dog came out from behind the door and gloomily contemplated its master.

‘We can’t have that poor stinking beast in here,’ Trixie remarked.

‘Not healthy,’ Tom Plowman said. ‘Sorry, Ern, but there you are. Not healthy.’

‘No more ’tis,’ Andy agreed. ‘Send it back home, Ern.’

His father loudly ordered the dog to be removed, going so far as to say that it ought to be put out of its misery, in which opinion his sons heartily concurred. The effect of this pronouncement upon Ernie was disturbing. He turned sheet-white, snatched up the dog and, looking from one to the other of his relations, backed towards the door.

‘I’ll be the cold death of any one of you that tries,’ he said violently.

A stillness fell upon the company. Ernie blundered out into the dark, carrying his dog.

His brothers scraped their boots on the floor and cleared their throats. His father said: ‘Damned young fool, when all’s said.’ Trixie explained that she was as fond of animals as anybody but you had to draw the line.

Presently Ernie returned, alone, and after eyeing his father for some moments, began to complain like a child.

‘A chap bean’t let ’ave nothin’ he sets his fancy to,’ Ernie whined. ‘Nor let do nothin’ he’s a notion to do. Take my case. Can’t ’ave me dog. Can’t do Fool’s act in the Five Sons. I’m the best lepper and caperer of the lot of you. I’d be a proper good Fool, I would.’ He pointed to his father. ‘You’re altogether beyond it, as the doctor in ’is wisdom ’as laid down. Why can’t you heed ’im and let me take over?’

His father rejoined with some heat: ‘You’re lucky to whiffle. Hold your tongue and don’t meddle in what you don’t understand. Which reminds me,’ he added, advancing upon Trixie. ‘There was a foreign wumman up along to Copse Forge. Proper old nosey besom. If so be – Ar?’

Camilla had tugged at his coat and was gesturing in the direction of the hidden Mrs Bünz. Trixie mouthed distractedly. The four senior brothers made unhappy noises in their throats.

‘In parlour, is she?’ William bawled. ‘Is she biding?’

‘A few days,’ Trixie murmured. Her father said firmly: ‘Don’t talk so loud, Guiser.’

‘I’ll talk as loud as I’m minded. Us doan’t want no furreignesses hereabouts –’

‘Doan’t, then Dad,’ his sons urged him.

But greatly inflamed, the Guiser roared on. Camilla looked through into the Private and saw Mrs Bünz wearing an expression of artificial abstraction. She tiptoed past the gap and disappeared.

‘Grandfather!’ Camilla cried out indignantly, ‘she heard you! How could you! You’ve hurt her feelings dreadfully and she’s not even English –’

‘Hold your tongue, then.’

‘I don’t see why I should.’

Ernie astonished them all by bursting into shouts of laughter.

‘Like mother, like maid,’ he said, jerking his thumb at Camilla. ‘Hark to our Bessie’s girl.’

Old William glowered at his granddaughter. ‘Bad blood,’ he said darkly.

‘Nonsense! You’re behaving,’ Camilla recklessly continued, ‘exactly like an over-played “heavy”. Absolute ham, if you don’t mind my saying so, Grandather!’

‘What kind of loose talk’s that?’

‘Theatre slang, actually.’

‘Theatre!’ he roared. ‘Doan’t tell me you’re shaming your sex by taking up with that trash. That’s the devil’s counting-house, that is.’

‘With respect, Grandfather, it’s nothing of the sort.’

‘My granddaughter!’ William said, himself with considerable histrionic effort, ‘a play-actress! Ar, well! Us might have expected it, seeing she was nossled at the breast of the Scarlet Woman.’

Nat and Andy with the occasional unanimity of twins groaned: ‘Ar, dear!’

The landlord said: ‘Steady, souls.’

‘I really don’t know what you mean by that,’ Camilla said hotly. ‘If you’re talking about Daddy’s Church you must know jolly well that it isn’t mine. He and Mummy laid that on before I was born. I wasn’t to be a Roman and if my brother had lived he would have been one. I’m C. of E.’

‘That’s next door as bad,’ William shouted. ‘Turning your back on Chapel and canoodling with Popery.’

He had come quite close to her. His face was scored with exasperation. He pouted, too, pushing out his lips at her and making a piping sound behind them.

To her own astonishment Camilla said: ‘No, honestly! You’re nothing but an old baby after all,’ and suddenly kissed him.

‘There now!’ Trixie ejaculated, clapping her hands.

Tom Plowman said: ‘Reckon that calls for one all round on the house.’

The outside door was pushed open and a tall man in a duffle coat came in.

‘Good evening, Mr Begg,’ said Trixie.

‘How’s Trix?’ asked Wing-Commander Simon Begg.

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7,21 zł
Ograniczenie wiekowe:
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Data wydania na Litres:
16 maja 2019
Objętość:
305 str. 10 ilustracji
ISBN:
9780007344727
Właściciel praw:
HarperCollins

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