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The Villa in Italy
ELIZABETH EDMONDSON





Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

Harper An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollinsPublishers 2006

Copyright © A.E. Books Ltd 2006

Cover design © HarperCollinsPublishers Ltd 2014

Cover images © Shutterstock.com

The author asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780007223770

Ebook Edition © AUGUST 2009 ISBN: 9780007343416

Version: 2019-07-09

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For Teresa Chris Thank you!

Table of Contents

Cover Page

Title Page

Copyright

Note to Readers

Dedication

Prologue

The Journey

ONE

TWO

THREE

FOUR

FIVE

SIX

SEVEN

EIGHT

NINE

TEN

ELEVEN

The Villa

ONE

TWO

THREE

FOUR

FIVE

SIX

SEVEN

EIGHT

NINE

Lucius

ONE

TWO

THREE

FOUR

FIVE

SIX

SEVEN

EIGHT

NINE

TEN

ELEVEN

TWELVE

The Tower

ONE

TWO

THREE

FOUR

FIVE

SIX

SEVEN

EIGHT

NINE

TEN

ELEVEN

TWELVE

Arrivals & Departures

ONE

TWO

THREE

FOUR

FIVE

SIX

SEVEN

EIGHT

NINE

TEN

Keep Reading

About the Author

About the Publisher

PROLOGUE

The package from the lawyers arrived early one foggy April morning. It was wrapped in brown paper, tied with string and sealed with red wax.

The postman came whistling through the door to the offices of Hawkins & Hallett, bringing with him a gust of cold, damp air, and greeted the thin-lipped, middle-aged receptionist with a cheery, ‘Good morning.’

Miss Jay looked at him over the top of her half-moon spectacles, her eyes cold and disapproving. ‘What’s this?’ she said, as he handed her the package. Her mouth tightened as she saw the seal, complete with crest; really, these authors did give themselves airs. She turned it over, and saw the sender’s name: Winthrop, Winthrop & Jarvis.

‘Lawyers, I reckon,’ said the postman. ‘What have you lot been up to? Or maybe it’s the juicy memoirs of a judge. Anyhow, it’s to be signed for. The rest will be along later, same as usual.’

She signed the slip in neat, upright strokes, and handed it back to the postman. Then she drew the post book out of her drawer and made an entry. As she did so, the door opened again, letting in another blast of chilly air and a girl in a duffel coat.

‘Good morning, Miss Hallett,’ the receptionist said icily, and looked pointedly at the large clock. ‘Five minutes late again.’

The girl grinned and heaved herself out of her coat, which she hung on the hatstand behind the door. ‘What’s five minutes between friends, Miss Jay?’

‘Please take this package upstairs to Miss Hawkins. Right away.’

‘Okey-dokey,’ and the girl bounded up the brown lino stairs two at a time, her pony tail swinging as she went.

Miss Jay winced. Susie Hallett might be a partner’s daughter, but taking on a girl like that was a mistake, even if she only came in two mornings a week.

Susie swung herself round on the polished curve of the banister rail on the first floor and skidded to a halt outside a panelled door with ‘Miss Hawkins, Publishing Director’ written on the name board in bold gold letters. She knocked on the door, and went in without waiting for a reply. ‘Hello, Miss Hawkins. Post.’

‘Good morning, Susie. Why has Miss Jay sent it up to me unopened? What’s got into her?’

‘Dunno. She just told me to bring it up. Looks important, string and sealing wax.’

Susie lingered, curious, as Miss Hawkins snipped the string and unwrapped the parcel. Inside was a manuscript, and on top a covering letter.

Olivia Hawkins read the letter swiftly, and then put it down. She said nothing, but looked out of the long, elegant sash window, not seeing the raindrops dribbling down the panes, or the dingy light of a bleak spring morning, but instead, brilliant sunlight on an Italian landscape; in her mind, she was in Italy, sitting under the colonnades, laughing, drinking a toast with a woman no longer young, yet every bit as full of life as young Susie.

She blinked, and reached down into her handbag for a handkerchief.

‘Is something the matter? Is it a book?’

‘Yes, it’s a book. The memoirs of Beatrice Malaspina.’

‘What a lovely name.’

‘The letter is from a firm of lawyers, who had instructions to deliver the book to me after Beatrice Malaspina died.’

‘Is she dead? Was she a friend of yours? I’m sorry.’

‘Don’t be. I shall miss her, but she was born in 1870, so she had a long life. And a very full one.’

‘Eighteen seventy, goodness, so she lived to be eighty-seven.’ Susie tried to add seventy years of life to her own seventeen; she couldn’t imagine it. ‘Was she an Italian?’

‘No, she was English, but she married an Italian. Her own family had Italian connections, they owned a house in Italy called the Villa Dante, which she inherited. It is the most beautiful house, magical, a place of enchantment.’

‘How did you know her?’

‘We met during the war. She was a compelling personality, and she’d led a fascinating life. Rather a bohemian in her way; you would have liked her. She moved in artistic circles and knew most of the great painters and writers of her time. Many of them were her friends, and came to stay with her at the Villa Dante. She was a complex woman, and a great organiser. It annoyed her that people’s lives were so muddled; she used to say, “It only takes clear thinking and energy to change a life for the better, to set it off in a new direction.” ’

‘She sounds fun.’

‘She was.’

‘And these are her memoirs? Are we going to publish them?’

‘Oh, yes. What she’ll have to say about all those artists will make good reading, quite apart from the story of her own adventurous life.’

Susie was standing by the window, looking down at the dismal street, slick with rain. A rag and bone cart was going by, the horse’s back covered with an old sack to protect it from the wet, the driver shouting out his incomprehensible Londoner’s cry.

‘Oh, I meant to tell you, there were a couple of shifty-looking men hanging around when I came in. They’re still there, look, lurking outside number nine. Do you think they might be casing the joint?’

Olivia got up from her desk and joined Susie at the window. One glance was enough. She laughed. ‘You read too many thrillers, Susie. Those aren’t crooks—well, not the kind you were thinking of. Those are reporters. The man in the tweed coat is Giles Slattery of the Sketch. The one in the grubby mac with a camera is a photographer.’

‘Giles Slattery, the gossip columnist?’

‘Yes. I wonder who they’re waiting for.’

‘Somebody famous, do you think?’

‘What, here in Bloomsbury? I doubt it. Not the kind of famous Slattery goes for, at any rate.’

The Journey

ONE

Delia Vaughan was hanging on to the steering wheel as if to loosen her grip would be to admit defeat. The wind had risen to a deafening shriek, coming in wild gusts that made the canvas top of the car bang and flap as though at any moment it would fly off.

They had stopped two hours before, to put up the hood, when the wind had whipped Jessica’s hat off, and Delia had only just stopped her silk headscarf going the same way.

‘We should find a hotel,’ Jessica said. ‘The weather’s getting worse.’

Delia didn’t want to stay at a hotel. In her mind, the Villa Dante had come to represent a refuge, a haven from the storm, a destination that was more than journey’s end. It was irrational, but she was determined to press on, despite her exhaustion, her hacking cough and Jessica’s urgings for her to be sensible and get off the road and out of the storm.

‘We’re only about thirty miles away, let’s keep going.’

‘Let me find something to wrap round my head, then,’ said Jessica. ‘This car is full of draughts, and I can’t hear myself think with all the noise in my ears. When I get back to England, I’m going to sell it, and buy a saloon.’ She extracted a silk scarf from her bag and put it over her head, tying it under her chin. ‘Come on then, if you must.’

It was slow going, and Delia was as relieved as Jessica when they came to a sign that read San Silvestro. ‘We take the road going south, the lawyer said, and turn off immediately after we’ve gone under the railway bridge. Then it’s uphill, and we’ll see the gates and the villa.’

‘How can we see anything in all this?’ said Jessica.

Miraculously, as they went up the hill, the skies lightened for a moment, and they could see a pair of tall, wrought-iron gates silhouetted in the blazing wind.

‘It’s astonishing,’ yelled Delia, an unreasonable surge of excitement rising in her as she caught a glimpse of the classical façade of a large house. Then it was gone, and she pressed her foot hard down on the accelerator, hoping the strange noises the engine was making didn’t mean it was about to conk out.

They made it to the gates, and stopped the car, although Delia left the engine running, ‘Just in case,’ she shouted to Jessica.

The gates were shut, with a rusty chain looped round the bars to hold them together. The wind was rising by the minute, and now the air was full of flying sand: that was the sound like hail that had rattled against the hood of the car. ‘Are you sure this is the right place?’ Jessica said. ‘There’s no name anywhere.’

‘It’s where the lawyer said it would be, and we didn’t see a sign of any other house in the vicinity. Do you think this sand is blowing off a beach? I never asked how close the villa was to the sea.’

‘Do Italian beaches have red sand?’

‘I don’t know.’ Delia’s hair was whipping about her eyes, and she pushed it ineffectually back from her forehead, trying to wedge a strand behind her ears.

‘Is there a bell?’

‘Only this.’ Delia pointed to a brass bell attached to one of the stone gateposts. A frayed rope with a knot at its end swung from it in the wind.

‘Give it a tug,’ Jessica said.

They could hear a faint clang from the bell, but the sound was carried away by the wind.

‘It’s so hot,’ said Jessica. ‘Like a wind from the desert.’

‘Villa Dante or not,’ Delia said, ‘we’re going in. Or we’ll be flattened by this blasted tempest, and I hate to think what’ll happen if any more of it gets into the engine of your car. Stranded is what we’d be then.’

She gave the gates an impatient shake, and let out a cry of triumph, carried away in the wind, as the chain slithered to the ground. A sudden gust tore the gates apart, driving them inwards to land with a crash against the stones set alongside the driveway.

‘Watch out,’ cried Jessica, as the gates began to swing back towards them with squealing ferocity.

Delia flung herself against the left-hand one, and, hanging on to it, looked around for a stone to wedge it open.

‘There, on the grass,’ shouted Jessica, who had got back into the car and started to edge it forward.

Delia kicked the stone into place, then forced the other gate back and held it as Jessica drove the car through.

Jessica was gesturing at her to get into the car, but Delia first picked up the chain and waited for the moment when the gates clanged together to wrench it through and twist it round the bars.

‘It won’t hold,’ she yelled, as she got back into the car.

‘The gate’s the least of our worries,’ said Jessica. ‘I just hope there’s someone here to let us in.’

They drove up to the house, not noticing anything about it, intent only on getting the car and themselves under shelter, out of the terrifying, sand-laden wind.

‘This is the back of the house,’ yelled Delia. ‘Look for somewhere to put the car.’

‘There,’ Jessica said. ‘A stable, or is it a garage?’

‘It doesn’t matter, it’s shelter.’

The doors were banging to and fro in the wind and Delia struggled to hold them back while Jessica drove the car in.

Delia leant against the stone wall, blinking the sand out of her eyes. ‘What a relief to be out of that ghastly hot wind,’ she said.

‘We can’t stay here,’ Jessica said. ‘How do we get inside the house?’

In fact, Delia was perfectly happy to stay there, out of the wind, the engine switched off, every nerve in her body throbbing. Even a single step seemed beyond her, but Jessica was at her side, forcing her out once again into the maddening wind, so strong now that the sand stung her cheeks, and then, oh miracle, Jessica found a door, and opened it, and they were inside, out of the wind, and heat, and sand.

Wherever they were, it was blessedly cool, and the air was breathable.

Delia heard a crash and a muffled oath. ‘Are we in a kitchen, do you suppose?’ said Jessica, her voice seeming to Delia to come from a great distance. ‘There are shutters, but I shan’t open them, or everything will blow in from outside. Besides, there isn’t much light to let in. But I’ve found a sink, and I think I collided with a kitchen table. Can you see anything?’

Delia blinked. ‘I’ve still got sand in my eyes.’ She began to cough, a deep racking sound. ‘I think the sand’s got into my lungs, too, blast it.’

‘Hold on.’

The sound of running water, and then Jessica was beside her, wiping her face with a wet handkerchief. ‘Don’t you dare faint on me.’

‘I’m fine,’ said Delia untruthfully, her head spinning. ‘I never faint.’

‘Sit down.’ Jessica, miraculously, set a chair under Delia as her legs crumpled. ‘Put your head down between your knees. Go on. Blood to the head is what you need.’

The dizziness receded. ‘I can’t think what came over me.’

‘It’s that bronchitis,’ said Jessica. ‘It’s pulled you right down, and this wind and the blowing sand, it hardly makes it easy for anyone to breathe. You could do with a glass of water to drink, but I wouldn’t drink anything out of the tap. Feeling better? Then let’s see if anyone’s at home.’

No one was. They walked through shadowy rooms, accompanied by the sudden, distant roars of the wind. Shutters rattled; somewhere a door or window was banging.

‘Deserted,’ said Jessica.

‘Not for long,’ said Delia, running a finger over the surface of a marble-topped table and inspecting it by the meagre light filtering through the shutters.

‘Do you think it’s always windy like this?’

‘I think this is a sirocco,’ said Delia. ‘We did it at school, with Miss Pertinax, don’t you remember? She took us for geography, and was mad about the extremes of nature. Floods and tidal waves and hurricanes, and the wicked winds of Europe. The Föhn that drives you mad, and the mistral in the south of France, and the sirocco, a blinding southerly wind that blows up from the desert into Mediterranean Europe, bringing half the Sahara with it.’

‘How on earth do you remember all that?’

‘Winds are dramatic. You won’t remember it, because you never paid any attention in geography, and I used to do your homework for you.’

‘I did your maths,’ said Jessica. ‘Does this sirocco happen often?’

‘Quite rare, I think.’

‘Then why does it have to blow on the day we arrive?’

‘Fate,’ said Delia. ‘Angry gods.’

‘There is electricity, here are the light switches, but nothing happens when I press them.’

‘Switched off at the mains, or it could run on a generator.’

‘Now isn’t the time to investigate. There are bound to be oil lamps or candles somewhere. And if there’s been dusting done, perhaps there’s food in the house. And a wine cellar. Safer than water for drinking. You stay here; I’ll find a light.’

Delia could make out little of her surroundings, although she could dimly see a pillar, and judging by the smoothness of the stone under her hand, the bench she was sitting on was marble.

Jessica came back bearing a candle aloft, the small flame sending little shadows to and fro as it flickered in a draught. They were in a large marble-floored room, with fluted columns and enormous doors set in classical architraves.

Delia sat up, sudden alarm rising in her. Faces were looking out at her, a girl peeping round a door, a woman in flowing robes strumming at a lyre—was she hallucinating?

‘Good heavens,’ said Jessica, equally startled. ‘What the dickens …?’

Delia went over to take a closer look. ‘It’s all painting,’ she said. ‘The people, this door, the columns. Trompe l’oeil. It’s amazing!’

‘Thank God,’ said Jessica. ‘It gave me quite a fright, thinking the place was full of people. Anyway, good news—I found a mesh cupboard with some food, and a bottle of wine, and bottles of water on the floor. And there’s an oil lamp—see if I can get it to light.’

‘Do you know how to work an oil lamp? I do, so hand it over,’ said Delia. She sat down, with the oil lamp on the marble seat beside her, and removed the glass globe to get at the wick. ‘We used them at Saltford Hall when there were all those power cuts after the war.’

They retreated to the kitchen, where they sat at the scrubbed table and ate the bread, cheese and cold meat that had been left in the kitchen. Fortified with food and a glass of wine, Delia yawned. ‘What a day,’ she said. ‘I’m whacked. What we need is beds, which means upstairs.’

Jessica tidied the remains of the food away into the food safe. ‘Washing up can wait until the morning,’ she said. ‘Wasn’t there a staircase at the end of the hall with the wall paintings?’

They went up the stairs into a gallery and then came to a wide landing, with several large, polished doors leading off it. Opening them one after the other, they found four rooms ready for guests, with the beds made and clean towels hung over the rails at the washstands in the bathrooms.

‘They seem to be expecting us,’ Delia said.

‘Someone, anyhow.’ Jessica still wasn’t sure they were in the right place. ‘What if we wake up and find we’re at the Villa Ariosto, or the Villa Boccaccio?’

Delia said, ‘Then our hosts will be in for a surprise. It doesn’t matter; here we are, and here we stay, and if a claimant to my room turns up in the middle of the night, he or she can jolly well go and sleep somewhere else.’

‘I can’t see anyone being mad enough to be out in this wind.’

‘You have this room, and I’ll take the one next door. You have the oil lamp, I’ll have the candle.’

From what Delia could see by the light of her candle, she was in a large and grand room, the sort of room that would belong to the master or mistress of the house. Perhaps she shouldn’t be in here at all, but she was too sleepy to care.

The bed had an elaborate headboard, on which, in the flickering, shadowy light, Delia could make out the entwined initials, B M.

Beatrice Malaspina, she said aloud. Well, here I am at the Villa Dante. I do wonder what you want with me.

TWO

Until a week ago, Delia had never heard of Beatrice Malaspina, nor of the Villa Dante. She had been in her London flat when the postman’s whistle was followed by the bang of the letter flap and the thud as the post hit the doormat.

She went into the small hall and picked up the letters. A brown envelope from the electricity company. A white envelope, with a handwritten address. She knew who that was from, her agent Roger Stein’s wild scrawl was unmistakable. Her heart sank. He only wrote when he had something nasty to say, otherwise he’d be on the phone with a breezy, ‘Delia, dear girl …’

And what was this? She looked at the long envelope. It had to be a lawyer’s letter; why did lawyers feel the need to have different-sized stationery from everyone else? She turned it over. It was from Winthrop, Winthrop & Jarvis, the family solicitors—or at least, her father’s solicitors; they were nothing to do with her these days.

Was her father communicating with her now through his solicitors? Had things got that bad?

She began to cough, and cursed at the stab of pain in her chest. She took the post into the kitchen and put it down on the table. Then she went to the stove and turned on the gas under the kettle. Coffee would clear her brain and give her strength to open the letters.

She had her back turned to the window, and hadn’t seen the figure that was standing there, on the other side of the glass.

Jessica tapped on the window, softly at first, and then more loudly. Delia whirled round, startled and alarmed, then relaxed as she saw who it was. She hurried to the window, threw up the sash, and hauled Jessica in over the sill. A small black and tan dog jumped in after her, trailing its lead.

‘Jessica, for God’s sake, you nearly gave me a heart attack,’ she said, grabbing the dog’s lead and unclipping it from its collar. ‘What on earth are you doing climbing up my fire escape?’

‘I tell you what, it’s a miracle burglars aren’t in and out all day long. It’s hardly difficult.’

‘There’s an alarm I put on at night and when I go out,’ Delia said. ‘It makes a terrific racket, like an air raid siren. Good thing it wasn’t set, or you’d have had the heart attack and plunged to the ground. Oh, Lord; I can guess why you’re on my fire escape. Reporters?’

Jessica nodded.

‘Here?’

‘Staked out at the front, two of them, would you believe it? They know you’re a friend of mine; honestly, wouldn’t you think they had something better to do than follow me around?’

Delia went into her sitting room, edged round the Schiedmayer grand piano which took up nearly all the available space, and peered down into the square.

‘You’re absolutely right, there they are, bold as brass, not even bothering to lurk or look inconspicuous. The neighbours will be complaining, and pointing out that this is a nice area.’

‘Is it?’

‘Not really, or I couldn’t afford to live here. Respectable is what they mean. What’s up? You look all in. I can see your ghastly husband hasn’t agreed to give you a divorce. What’s he done now?’

‘Haven’t you seen the papers?’

‘Not that foul Giles Slattery again?’

‘No, although he’s one of the reporters hanging round the front door downstairs. No, this is important news, headlines in The Times kind: Richie’s been appointed a junior minister at the Foreign Office.’

‘Hell,’ Delia said. ‘That’ll make him even keener to stay respectably married, won’t it?’

Delia was Jessica’s oldest and best friend, and the only person who knew and understood her predicament, the only person whose advice she trusted. Despite the fact that their lives had taken such very different paths, and despite the fact that Jessica’s husband, Richard Meldon, disliked Delia almost as much as she did him, Delia and Jessica had remained the closest of friends. It was inevitable that if Jessica was in trouble she would come to Delia for refuge, advice, sympathy, good sense, and, Delia not being one to mince words, the truth.

‘How long have you got before he gets back from Hong Kong?’

‘One of the reporters outside my house shouted out something about him being back next week. Because of the new job, do you think? Or maybe just fed up with China.’

Jessica threw herself down on Delia’s large and comfortable sofa, and her dog jumped up beside her.

Delia’s sitting room was like Delia herself: exotic, larger than life and full of bright colours and untidiness. Delia, who was taller and had more curves than Jessica, liked bold colours on herself as well as in her surroundings, and she was dressed today in a huge scarlet sloppy joe jumper, with red sneakers on her feet and large gypsy hoops in her ears.

She looked at Jessica with affection tinged with anxiety. Jessica used to be a colourful dresser herself, favouring the blues and greens that suited her silvery blonde hair and the deep blue eyes set in a long Plantagenet face, but since her marriage she had become more and more neutral, camouflaging herself in camels and beiges and pale greys, none of which suited her colouring or her personality.

‘Come on, what else did the damned reporter say?’

‘Oh, he asked if Richie would be joining me in the Chelsea house.’

When Jessica had stormed out of the matrimonial home, a house in Mayfair, she had moved into a tiny house in Chelsea that belonged to friends who had been posted abroad, and Delia knew how happy she had felt there, in a place untainted by the husband she so hated.

They looked at each other in silence. ‘You’re welcome to stay here,’ said Delia. ‘Any time. You and Harry the pooch.’

Jessica’s dog, named Harry because he had come from Harrods, had been Delia’s wedding present to her. ‘So that at least there’ll be someone for you to love,’ Delia had said with savage percipience.

Richie had disliked the little dog from the start.

‘What is he, some kind of mongrel?’

‘He’s a Heeler.’

‘A what? Never heard of any such dog.’

‘They come from Lancashire. They nip at the heels of cattle.’

‘You believe that, you believe anything. What a stupid little tail, curled over like that. Why didn’t you ask me? I’d have bought you a proper dog.’

‘Thank you, Harry’s perfect.’

Delia knew that Richie wasn’t a man who could easily be kept out of anywhere he wanted to be; her Chelsea house would no longer seem safe to Jessica.

‘Talk about not wanting to take a hint,’ she said. ‘Why doesn’t he accept that the marriage is over, that it’s been a failure?’

‘Why ask? Nothing Richie does can be a failure.’

Delia had her own opinion about that. Richie was a failure as a human being, and not all his glowing war record as an ace fighter in the RAF, the brilliance as a speaker that had taken him into Parliament, his dashing good looks, his wealth, his connections or his influence made up for the fact that, deep down, ‘He’s a shit,’ she said.

‘I know that, and you know that, but he’s no such thing in the eyes of the world, and that’s why I’m now the demon woman for daring to leave him. My loving husband, so wonderful, how could I want to divorce him?’

‘Yes, it’s tough on you that the press eat out of his hand. Did you know that he and Giles Slattery go back a long way? They were at school together.’

Delia saw the flash of anxiety in Jessica’s eyes, those eyes that always showed when a sensitive spot had been touched.

‘I had no idea,’ Jessica said. ‘That’s an unholy alliance, if you like. Oh, God, do you suppose Richie sicked Slattery on to me? Just to torment?’

‘I expect so. It’s a good way of keeping tabs on you, while keeping his own nose clean.’

‘I’m going to have to get away. Go abroad. Only do you think the reporters would follow me there?’

‘What, send out search parties all over the Continent? You aren’t that much of a story.’

‘I wish I weren’t any kind of a story at all. Oh, why didn’t I listen to you? If I had, I wouldn’t be in this fix now.’

Delia had never really got to the heart of the reason why Jessica had married Richard Meldon. On the surface, it seemed a perfect match, but to one who knew Jessica as well as she did, it was doomed to disaster. Her reaction to Jessica’s engagement to Richie had been openly unenthusiastic.

‘Marry that man? Jessica, you can’t be serious. Go and take a cold bath, or hop on a banana boat to South America, anything to make you come to your senses.’

‘What’s wrong with Richie? He’s handsome, successful—’

‘And rich. Is he in love with you, or the fact that your family goes back for nine centuries? And what about his liking for older women?’

‘What older women?’

‘He has a reputation, that’s all. He’s discreet about it, but I heard from Fanny Arbuthnot that—’

‘Fanny’s a tedious gossip and always has been.’

‘Maybe, but she stayed with some people in the south of France and your Richie was among those present, and spent a good deal of his time in the company of Jane Hinton, who must be quite twenty years older than he is. And Fanny says he’s known for it.’

‘As it happens, I don’t care. My past is past, and so is his. Neither of us is coming virginal and innocent to the bridal chamber, why should I mind who he’s slept with before me?’

‘It’s who he’ll sleep with after you that you should worry about,’ Delia muttered.

‘Make me a cocktail,’ Jessica said. ‘A strong one.’

‘You’re drinking too much.’

‘It keeps the goblins at bay.’

‘Yes, it’s a pity you ever married the wretched man,’ Delia said. ‘I still don’t understand how you came to do anything so stupid. It wasn’t as though your friends didn’t warn you.’

‘Oh, trust me to make a mistake,’ Jessica said. ‘When you get into scrapes, you somehow manage to wriggle out of them, don’t you? With my scrapes, I end up having to live with the consequences.’

‘Richie’s more than a scrape.’

‘Unfortunately, he is. And marriage—God, what a colossal mistake that was. A few words said in front of an indifferent clergyman, and bang! you’re bound in chains.’

‘He’s still adamant about no divorce?’

‘Of course he is. He won’t hear of it, just shouts me down. I always thought divorce was quite simple. Didn’t you think, as I did, that the man of honour hops off down to Brighton to be found in bed with the chambermaid or whoever he’s paid for the privilege, and bingo, six months later you’re a free woman?’

‘Only Richie won’t do the honourable thing.’

‘Has Richie ever done an honourable thing in his life?’

They adjourned to the kitchen, where Delia rescued the coffee and they sat on either side of the kitchen table, with Harry between their feet.

‘Abroad isn’t such a bad idea,’ Delia said. ‘Where could you go? It would have to be somewhere Richie couldn’t track you down. It’s tricky, because even if you book yourself into some pension in a remote French village, you have to fill in all those forms for the police. And what officials know, Richie will be able to find out.’

‘I know,’ said Jessica. ‘Christ, what a mess.’ She looked down at the table. ‘You haven’t opened your letters. That’s me barging in and distracting you.’

‘They’re hardly important. An electricity bill, a moan from my agent and a lawyer’s letter.’ Delia began to cough again, and Jessica silently rose and got her a drink of water.

‘It doesn’t sound as though you’ve got rid of your bronchitis.’

‘No, it just lingers. The dreadful weather doesn’t help, and there’s nothing I can do except wait for it to clear up, which the specialist says it will, eventually.’

‘You’ve seen a specialist, then?’

‘Of course I have. All we singers rush to our favourite man at the hint of a sore throat or a chest infection.’

Delia was an opera singer, still too young at twenty-seven for the really major roles, but she was considered a rising star, booked for Glyndebourne, Sadler’s Wells, the Royal Opera House—and due to make her Salzburg debut that summer.

‘That’s what my agent’s moaning about,’ she said, opening his letter with some reluctance. ‘Yes, here we go, fatal to get a name for unreliability, can I give him a firm date when I will be well enough…’ She scrunched up the letter. ‘And this one is from my father’s lawyers,’ she went on. ‘God knows what he’s up to.’

She slit open the envelope and took out a single sheet of paper. ‘What on earth?’ She picked up the envelope again—yes, it was addressed to her, and the letter began ‘Dear Miss Vaughan’. Beneath the salutation was typed in capital letters, THE ESTATE OF THE LATE BEATRICE MALASPINA.

‘What is it?’ said Jessica. ‘Bad news?’

‘No,’ said Delia, passing her the letter.

‘Who’s this Beatrice Malaspina? Was she your godmother or something?’

‘I have no idea. I’ve never heard of her.’

They stared at one another. ‘How odd,’ said Jessica. ‘And yet she must have left you a legacy of some kind, otherwise why the letter? What do they say—please call at their office at your earliest convenience? How exciting. Get changed, and off you go.’

Delia had no intention of going to the offices of Winthrop, Winthrop & Jarvis, of Lincoln’s Inn Fields, and she said so. Jessica took no notice, and half an hour later Delia found herself sitting in a cab, wrapped up in a scarlet coat, ‘Like a matador’s cape,’ Jessica said, ‘but perfect for keeping out the cold,’ with a headscarf wound round her head.

Jessica had insisted on her taking a cab. ‘Walk, with that cough? Certainly not, and mind you come back by taxi, as soon as ever you can; don’t you see that I shall be dying of curiosity to know what it’s all about?’

Delia climbed the steep, ill-lit stairs which led to the sombre chambers of Winthrop, Winthrop & Jarvis, where the clerk eyed her with disfavour.

‘There’s no need to look at me like that,’ Delia said. ‘I’ve come to see Mr Winthrop. Tell him I’m here, please. Miss Vaughan. No, I don’t have an appointment, but I’m sure he’ll see me.’

‘I’m not sure whether—’

‘Just tell him I’m here.’

Reluctantly, the clerk disappeared through a dark door, to return in a few moments and, even more reluctantly, show her into the handsome panelled room which was the lair of Josiah Winthrop, senior partner of the firm.

Mr Winthrop greeted Delia with a formal, chilly courtesy that made her indignant. He was not a man ever to show much warmth, but he had known her since she was a child and there was no need to treat her as though she were one of his criminal clients. Bother him, Delia said inwardly; I know he wishes I weren’t here at all, but he could try to hide the fact.

‘Okay,’ she said deliberately, and watched him wince at the slang, so out of place in these surroundings where every word was weighed and considered. She took off her headscarf and shook her dark hair loose before sitting down on the hard wooden chair with arms that Mr Winthrop had moved forward for her. An uncomfortable chair, which ensured that undesirable clients didn’t outstay their welcome.

‘Spit it out,’ she said. ‘Who is this Beatrice Malaspina, and what has she to do with me?’

THREE

Jessica listened with rapt attention as Delia reported on her visit to the lawyers. Delia was sitting on the piano stool, while Jessica stretched out on the sofa, Harry curled up beside her.

‘So this lawyer is claiming they don’t know anything about her? But they’re representing her, they must know,’ Jessica said.

‘I don’t believe they do. I could tell from Mr Winthrop’s expression that he thinks it’s all most irregular. Mind you, he’s hardly a talkative man at the best of times; he’s the sort of lawyer who says as little as possible, as though every word came at a cost. Apparently, the instructions were from a firm of Italian lawyers, and they’re simply handling the English end.’

‘Are you sure there isn’t some connection with your family? After all, Winthrop is your father’s lawyer, isn’t he? And they’re a stuffy firm. Look how they’ve treated me; they won’t represent anybody who walks in off the street.’

‘I asked him, but he merely looked even more thin-lipped and said that his firm handled the affairs and estates of a great many clients. Which is true enough.’

‘Are you going to ask your parents if they know who Beatrice Malaspina was? Or have ever heard of the Villa Dante?’

‘No. Mother won’t have known her—she hates all foreigners. And you know how things are between my father and me. We haven’t spoken for over a year, and I’m not going to get in touch with him about this.’

‘It’s about time your pa faced facts and realised you’ve chosen your career, and are doing very well at it, and he’s not going to be able to drag you into the family firm, however much he wants to.’

‘Father never sees what he doesn’t want to. Anyhow, if he got wind of a will, he’d winkle the facts out of Winthrop and the Italian lawyers, or get his horribly efficient hornrimmed secretary to do it for him. Then, if he knew I was thinking of going to Italy, he’d want to organise it all. Aeroplane? Far too expensive; he’d have all the continental timetables out, to look up the cheapest possible route, and I’d end up trundling across the Alps on some old bus.’

Lord Saltford’s thriftiness was too notorious for Jessica to be able to argue with Delia about that.

‘And he’s never mentioned any Beatrice anybody. I don’t see any reason why he should know her.’

‘Maybe it’s all a trick, to lure you away. Perhaps the oh-so-respectable Mr Winthrop is a secret white slave trader?’

‘What, and I’ll find myself being shipped out to Buenos Aires in a crate? Oh, very likely!’

Jessica fiddled with a cushion tassel.

‘Are you really thinking of going to Italy? Will you follow the instructions in Beatrice Malaspina’s will, and go to this Villa Dante?’

‘I don’t know,’ said Delia. ‘It’s tempting, and I have to say I am curious about the whole thing.’

‘Perhaps she’s left you the house, the Villa Dante, and a fortune.’

‘Italians leave property to their families, always. Maybe a piece of jewellery, a brooch or a ring. Only why? Why me?’

‘And why make you go all the way to Italy for a brooch? No, whoever she was, and why ever she wanted you to go to Italy, it must be important. And the only way you’ll find out is by going. Would you ever forgive yourself if you passed on this?’

‘Mr Winthrop doesn’t like all the mystery, I could tell; he looked as though he had a bad smell under his long nose.’

Jessica sat up. ‘Why don’t we go together? It would suit me to go abroad, and it would do you good to get away from this dreadful, everlasting fog and rain and wind.’ She paused. ‘No, I suppose you can’t really spare the time. You’re hardly ever able to get away, what with rehearsals and performances and so on. That’s what having a successful career is all about.’

Delia dropped her hands on to the keys of the piano, picking out the notes of ‘Twinkle, twinkle, little star’ with two fingers, then weaving an ornate variation as she spoke. ‘As it happens, I’m thinking of taking a bit of time off. I’m not due to start rehearsals for a few weeks. Everything’s rather in the air at the moment,’ she added. ‘With this cough of mine. And Italy might have better weather than we’ve got here.’

Jessica’s mind turned to practicalities.

‘What’s the best way to get there? We could fly to Rome, I suppose, but we’d be followed by those damn reporters, and then Richie would know exactly where I was.’

‘Let’s go by car,’ said Delia. ‘You didn’t leave your car at Richie’s house, did you? It’s a long way, but we can share the driving, and, according to the lawyers, as long as I’m there by the end of the month, that’s okay.’

‘Doesn’t it need a lot of arranging, going abroad with a car? It won’t just be a matter of driving to Dover and nipping on the next ferry, will it? There’s insurance and green cards and all kinds of formalities when you want to take a car across the Channel.’ Jessica knew that if she went near a travel agent or the RAC, the hounds would be on her heels. ‘Oh, Lord,’ she said with a sigh. ‘Why is everything in my life so difficult just now?’

‘I have a friend who works at Thomas Cook,’ Delia said. ‘Michael will fix it all up for us. What’s the number of your car?’

She scribbled down the details. ‘We have to be inconspicuous, or the reporters will be on our tail. How can we drive away unnoticed if the press are camped on your doorstep? They must know your car.’

‘They do. I’ve been taking taxis everywhere to try to throw them off the trail. Pity we can’t take a cab to Italy. Do you think I should try to hire a car?’

‘To take abroad? I doubt if you could. No. Who looks after your car? Is it a local garage? Can you trust them?’

‘Do I trust anyone?’

‘You’ll have to, that’s all. Get them to collect the car from your house. If the reporters start nosing round, they can tell them it needs some work because you’re driving north at the weekend.’

‘By which time, we can be in France.’

‘If Michael gets a move on, yes.’

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