Czytaj książkę: «The Black Widow»

2
RUE DE GRENELLE, PARIS

LATER, THE FRENCH AUTHORITIES WOULD determine that the bomb weighed in excess of five hundred kilograms. It had been contained in a white Renault Trafic transit van and was detonated, according to numerous security cameras along the street, at ten o’clock precisely, the scheduled start time of the Weinberg Center conference. The attackers, it seemed, were nothing if not punctual.

In retrospect, the weapon was unnecessarily large for so modest a target. The French experts concluded that a charge of perhaps two hundred kilograms would have been more than sufficient to level the offices and kill or wound all those inside. At five hundred kilograms, however, the bomb toppled buildings and shattered windows the entire length of the rue des Rosiers. The shock wave was so violent—Paris actually recorded an earthquake for the first time in longer than anyone could remember—that the damage extended below ground as well. Water and gas mains cracked throughout the arrondissement, and a Métro train jumped the tracks while approaching the station at the Hôtel de Ville. More than two hundred passengers were injured, many severely. The Paris police initially thought the train had been bombed, too, and in response they ordered an evacuation of the entire Métro system. Life in the city quickly ground to a halt. For the attackers, it was an unexpected windfall.

The enormous force of the blast dug a crater in the rue des Rosiers twenty feet in depth. Nothing remained of the Renault Trafic, though the left rear cargo door, curiously intact, was found floating in the Seine near Notre-Dame, having traveled a distance of nearly a kilometer. In time, investigators would determine that the vehicle had been stolen in Vaulx-en-Velin, a bleak Muslim-majority suburb of Lyon. It had been driven to Paris on the eve of the attack—by whom, it was never established—and left outside a kitchen-and-bath store on the boulevard Saint-Germain. There it would remain until ten minutes past eight the following morning, when a man collected it. He was clean-shaven, approximately five foot ten inches in height, and was wearing a billed cap and sunglasses. He drove the streets of central Paris—aimlessly, or so it appeared—until nine twenty, when he picked up an accomplice outside the Gare du Nord. Initially, the French police and intelligence services operated under the assumption that the second attacker was male, too. Later, after analyzing all available video images, they concluded that the accomplice was in fact a woman.

By the time the Renault reached the Marais, both occupants had concealed their faces with balaclava masks. And when they emerged from the vehicle outside the Weinberg Center, both were heavily armed with Kalashnikov assault rifles, handguns, and grenades. The center’s two security guards were killed instantly, as were four other people who had yet to be cleared into the building. A passerby bravely attempted to intervene and was mercilessly slaughtered. The remaining pedestrians in the narrow street wisely fled.

The gunfire outside the Weinberg Center ceased at 9:59:30, and the two masked attackers moved calmly west along the rue des Rosiers to the rue Vieille-du-Temple, where they entered a popular boulangerie. Eight customers were waiting in an orderly queue. All were killed, including the woman behind the counter, who pleaded for her life before being shot several times.

It was at that instant, as the woman was collapsing to the floor, that the bomb inside the van exploded. The force of the blast shattered the windows of the boulangerie, but otherwise the building remained undamaged. The two attackers did not immediately flee the carnage they had inflicted. Instead, they returned to the rue des Rosiers, where a single surviving security camera recorded them moving methodically through the debris, executing the wounded and the dying. Among their victims was Hannah Weinberg, who was shot twice despite the fact that she had almost no chance of survival. The attackers’ cruelty was matched only by their competence. The woman was seen calmly clearing a jammed round from her Kalashnikov before killing a badly wounded man who, a moment earlier, had been seated on the fourth floor of the building.

For several hours after the attack, the Marais remained cordoned off, inaccessible to all but emergency workers and investigators. Finally, in late afternoon, when the last of the fires had been extinguished and the site was determined to be free of secondary explosives, the French president arrived. After touring the devastation, he declared it “a Holocaust in the heart of Paris.” The remark did not meet with a favorable reception in some of the more restive banlieues. In one, there erupted a spontaneous celebration that was quickly snuffed out by riot police. Most of the newspapers ignored the incident. A senior French police official called it “an unpleasant distraction” from the immediate task at hand, which was finding the perpetrators.

Their escape from the Marais, like everything else about the operation, had been meticulously planned and executed. A Peugeot Satelis motorbike had been left for them on a nearby street, along with a pair of black helmets. They traveled north, the male driving, the woman clinging to his waist, passing unnoticed through the stream of approaching police cars and ambulances. A traffic camera photographed them for the last time near the hamlet of Villeron, in the Val-d’Oise department. By midday they were the targets of the largest manhunt in French history.

The National Police and the gendarmerie saw to the roadblocks, the identity checks, the smashed windows of abandoned warehouses, and the severed padlocks of suspected hideouts. But inside a graceful old building located on the rue de Grenelle, eighty-four men and women were engaged in a search of a far different kind. Known only as the Alpha Group, they were members of a secret unit of the DGSI, France’s internal security service. The Group, as it was known informally, had been formed six years earlier, in the aftermath of a jihadist suicide bombing outside a landmark restaurant on the Avenue des Champs-Élysées. It specialized in human penetration of France’s sprawling jihadist underground and had been granted the authority to take “active measures” to remove potential Islamic terrorists from circulation before the Islamic terrorists could take active measures against the Republic or its citizenry. It was said of Paul Rousseau, Alpha Group’s chief, that he had plotted more bombings than Osama bin Laden, a charge he did not dispute, though he was quick to point out that none of his bombs actually exploded. The officers of Alpha Group were skilled practitioners in the art of deception. And Paul Rousseau was their undisputed leader and lodestar.

With his tweed jackets, tousled gray hair, and ever-present pipe, Rousseau seemed more suited to the role of absentminded professor than ruthless secret policeman, and not without good reason. Academia was where he began his career and where, in darker moments, he sometimes longed to return. A respected scholar of nineteenth-century French literature, Rousseau had been serving on the faculty of Paris-Sorbonne University when a friend in French intelligence asked him to take a job with the DST, France’s internal security service. The year was 1983, and the country was beset by a wave of bombings and assassinations carried out by the left-wing terrorist group known as Direct Action. Rousseau joined a unit dedicated to Direct Action’s destruction and, with a series of brilliant operations, brought the group to its knees.

He remained with the DST, battling successive waves of leftist and Middle East–based terrorism, until 2004, when his beloved wife Collette died after a long struggle with leukemia. Inconsolable, he retired to his modest villa in the Luberon and commenced work on a planned multivolume biography of Proust. Then came the bombing on the Champs-Élysées. Rousseau agreed to lay down his pen and return to the fight, but only on one condition. He had no interest in tailing suspected terrorists, listening to their telephone conversations, or reading their maniacal musings on the Internet. He wanted to go on offense. The chief agreed, as did the interior minister, and Alpha Group was born. In the six years of its existence, it had foiled more than a dozen major attacks on French soil. Rousseau viewed the bombing of the Weinberg Center not merely as a failure of intelligence but as a personal affront. Late that afternoon, with the French capital in turmoil, he rang the chief of the DGSI to offer his resignation. The chief, of course, refused it. “But for your penance,” he said, “you shall find the monster responsible for this outrage and bring me his head on a plate.”

Rousseau did not care for the allusion, for he had no intention of emulating the conduct of the very creatures he was fighting. Even so, he and his unit threw themselves into the task with a devotion that matched the religious zealotry of their adversaries. Alpha Group’s specialty was the human factor, and it was to humans they turned for information. In cafés, train stations, and back alleys across the country, Rousseau’s case officers met quietly with their agents of penetration—the preachers, the recruiters, the streetwise hustlers, the well-meaning moderates, the blank-eyed lost souls who had found a home in radical Islam’s global Ummah of death. Some spied out of conscience. Others spied for money. And there were some who spied because Rousseau and his operatives had given them no other choice. Not one claimed to know that an attack had been in the planning—not even the hustlers, who claimed to know everything, especially when money was involved. Nor could any of Alpha Group’s assets identify the two perpetrators. It was possible they were self-starters, lone wolves, followers of a leaderless jihad who had constructed a five-hundred-kilogram bomb under the noses of French intelligence and then delivered it expertly to their target. Possible, thought Rousseau, but highly unlikely. Somewhere, there was an operational mastermind, a man who had conceived the attack, recruited the operatives, and guided them skillfully to their target. And it was the head of this man that Paul Rousseau would deliver to his chief.

And so, as the whole of the French security establishment searched for the two perpetrators of the Weinberg Center attack, Rousseau’s gaze was already fixed resolutely upon a distant shore. Like all good captains in times of trouble, he remained on the bridge of his vessel, which in Rousseau’s case was his office on the fifth floor. An air of academic clutter hung over the room, along with the fruited scent of Rousseau’s pipe tobacco, a habit he indulged in violation of numerous official edicts regarding smoking in government offices. Beneath his bulletproof windows—they had been forced upon him by his chief—lay the intersection of the rue de Grenelle and the tranquil little rue Amélie. The building itself had no street entrance, only a black gate that gave onto a small courtyard and car park. A discreet brass plaque proclaimed that the building housed something called the International Society for French Literature, a particularly Rousseauian touch. For the sake of the unit’s cover, it published a thin quarterly, which Rousseau insisted on editing himself. At last count it had a readership of twelve. All had been thoroughly vetted.

Inside the building, however, all subterfuge ended. The technical support staff occupied the basement; the watchers, the ground floor. On the second floor was Alpha Group’s overflowing Registry—Rousseau preferred old-fashioned paper dossiers to digital files—and the third and fourth floors were the preserve of the agent runners. Most came and went through the gate on the rue de Grenelle, either on foot or by government car. Others entered through a secret passageway linking the building and the dowdy little antique shop next door, which was owned by an elderly Frenchman who had served in a secret capacity during the war in Algeria. Paul Rousseau was the only member of Alpha Group who had been allowed to read the shopkeeper’s appalling file.

A visitor to the fifth floor might have mistaken it for the office of a private Swiss bank. It was somber and shadowed and quiet, save for the Chopin that occasionally drifted through Paul Rousseau’s open door. His long-suffering secretary, the implacable Madame Treville, occupied an orderly desk in the anteroom, and at the opposite end of a narrow hall was the office of Rousseau’s deputy, Christian Bouchard. Bouchard was all things Rousseau was not—young, fit, sharply dressed, and far too good-looking. Most of all, Bouchard was ambitious. The chief of the DGSI had foisted him upon Rousseau, and it was widely assumed he would one day be Alpha Group’s chief. Rousseau resented him only a little, for Bouchard, despite his obvious shortcomings, was extremely good at his job. Ruthless, too. When there was bureaucratic dirty work to be done, invariably it was Bouchard who saw to it.

Three days after the Weinberg Center bombing, with the terrorists still at large, there was a meeting of department heads at the Interior Ministry. Rousseau loathed such gatherings—they invariably devolved into political point-scoring contests—so he sent Bouchard in his stead. It was approaching eight that evening when the deputy finally returned to the rue de Grenelle. Entering Rousseau’s office, he wordlessly placed two photographs on the desk. They showed an olive-skinned woman in her mid-twenties with an oval face and eyes that were like kaleidoscopes of hazel and copper. In the first photo her hair was shoulder length and brushed straight back from her unblemished forehead. In the second it was covered by a hijab of unadorned black silk.

“They’re calling her the black widow,” said Bouchard.

“Catchy,” said Rousseau with a frown. He picked up the second photo, the one where the woman was piously attired, and stared into the bottomless eyes. “What’s her real name?”

“Safia Bourihane.”

“Algerian?”

“By way of Aulnay-sous-Bois.”

Aulnay-sous-Bois was a banlieue north of Paris. Its crime-ridden public housing estates—in France they were known as HLMs, or habitation à loyer modéré—were some of the most violent in the country. The police rarely ventured there. Even Rousseau advised his streetwise case officers to meet their Aulnay-based sources on less dangerous ground.

“She’s twenty-nine years old and was born in France,” Bouchard was saying. “Even so, she’s always described herself as a Muslim first and a Frenchwoman second.”

“Who found her?”

“Lucien.”

Lucien Jacquard was the chief of the DGSI’s counterterrorism division. Nominally, Alpha Group was under his control. In practice, however, Rousseau reported over Jacquard’s head to the chief. To avoid potential conflicts, he briefed Jacquard on active Alpha Group cases but jealously guarded the names of his sources and the unit’s operational methods. Alpha Group was essentially a service within a service, one that Lucien Jacquard wished to bring firmly under his control.

“How much does he have on her?” asked Rousseau, still staring into the eyes of the woman.

“She popped up on Lucien’s radar about three years ago.”

“Why?”

“Her boyfriend.”

Bouchard placed another photograph on the desk. It showed a man in his early thirties with cropped dark hair and the wispy beard of a devout Muslim.

“Algerian?”

“Tunisian, actually. He was the real thing. Good with electronics. Computers, too. He spent time in Iraq and Yemen before making his way to Syria.”

“Al-Qaeda?”

“No,” said Bouchard. “ISIS.”

Rousseau looked up sharply. “Where is he now?”

“Paradise, apparently.”

“What happened?”

“Killed in a coalition air strike.”

“And the woman?”

“She traveled to Syria last year.”

“How long was she there?”

“At least six months.”

“Doing what?”

“Obviously, she did a bit of weapons training.”

“And when she returned to Paris?”

“Lucien put her under surveillance. And then …” Bouchard shrugged.

“He dropped it?”

Bouchard nodded.

“Why?”

“The usual reasons. Too many targets, too few resources.”

“She was a ticking time bomb.”

“Lucien didn’t think so. Apparently, she cleaned up her act when she came back to France. She wasn’t associating with known radicals, and her Internet activity was benign. She even stopped wearing the hijab.”

“Which is exactly what she was told to do by the man who masterminded the attack. She was obviously part of a sophisticated network.”

“Lucien concurs. In fact, he advised the minister that it’s only a matter of time before they hit us again.”

“How did the minister take the news?”

“By ordering Lucien to turn over all his files to us.”

Rousseau permitted himself a brief smile at the expense of his rival. “I want everything, Christian. Especially the watch reports after her return from Syria.”

“Lucien promised to send the files over first thing in the morning.”

“How good of him.” Rousseau looked down at the photograph of the woman they were calling “la veuve noire”—the black widow. “Where do you suppose she is?”

“If I had to guess, I’d say she’s back in Syria by now, along with her accomplice.”

“One wonders why they didn’t wish to die for the cause.” Rousseau gathered up the three photographs and returned them to his deputy. “Any other news?”

“An interesting development regarding the Weinberg woman. It seems her art collection included a lost painting by Vincent van Gogh.”

“Really?”

“And guess who she decided to leave it to.”

By his expression, Rousseau made it clear he was in no mood for games, so Bouchard quickly supplied the name.

“I thought he was dead.”

“Apparently not.”

“Why didn’t he attend the funeral?”

“Who’s to say he didn’t?”

“Have we told him about the painting?”

“The ministry would prefer that it remain in France.”

“So the answer is no?”

Bouchard was silent.

“Someone should remind the ministry that four of the victims of the Weinberg Center bombing were citizens of the State of Israel.”

“Your point?”

“I suspect we’ll be hearing from him soon.”

Bouchard withdrew, leaving Rousseau alone. He dimmed his desk lamp and pressed the play button on his bookshelf stereo system, and in a moment the opening notes of Chopin’s Piano Concerto No. 1 in E Minor crept into the silence. Traffic moved along the rue de Grenelle, and to the east, rising above the Seine embankments, glowed the lights of the Eiffel Tower. Rousseau saw none of it; in his thoughts he was watching a young man moving swiftly across a courtyard with a gun in his outstretched hand. He was a legend, this man, a gifted deceiver and assassin who had been fighting terrorists longer than even Rousseau. It would be an honor to work with him rather than against him. Soon, Rousseau thought with certainty. Soon …

3
BEIRUT

THOUGH PAUL ROUSSEAU DID NOT know it then, the seeds for just such an operational union had already been sown. For on that very same evening, as Rousseau was walking toward his sad little bachelor’s apartment on the rue Saint-Jacques, a car was speeding along Beirut’s seafront Corniche. The car was black in color, German in manufacture, and imposing in size. The man in back was long and lanky, with pale, bloodless skin and eyes the color of glacial ice. His expression projected a sense of profound boredom, but the fingers of his right hand, which were tapping lightly on the armrest, betrayed the true state of his emotions. He wore a pair of slim-fitting jeans, a dark woolen pullover, and a leather jacket. Beneath the jacket, wedged inside the waistband of the trousers, was a 9mm Belgian-made pistol he had collected from a contact at the airport—there being no shortage of weapons, large or small, in Lebanon. In his breast pocket was a billfold filled with cash, along with a well-traveled Canadian passport that identified him as David Rostov. Like most things about the man, the passport was a lie. His real name was Mikhail Abramov, and he was employed by the secret intelligence service of the State of Israel. The service had a long and deliberately misleading name that had very little to do with the true nature of its work. Men such as Mikhail referred to it as the Office and nothing else.

He looked into the rearview mirror and waited for the eyes of the driver to meet his. The driver’s name was Sami Haddad. He was a Maronite, a former member of the Lebanese Forces Christian militia, and a longtime contract employee of the Office. He had the gentle forgiving eyes of a priest and the swollen hands of a prizefighter. He was old enough to remember when Beirut was the Paris of the Middle East—and old enough to have fought in the long civil war that had torn the country to pieces. There was nothing Sami Haddad didn’t know about Lebanon and its dangerous politics, and nothing he couldn’t lay his hands on in a hurry—weapons, boats, cars, drugs, girls. He had once procured a mountain lion on short notice because the target of an Office recruitment, an alcoholic prince from a Gulf Arab dynasty, admired predatory cats. His loyalty to the Office was beyond question. So were his instincts for trouble.

“Relax,” said Sami Haddad, finding Mikhail’s eyes in the mirror. “We’re not being followed.”

Mikhail peered over his shoulder at the lights of the traffic following them along the Corniche. Any one of the cars might have contained a team of killers or kidnappers from Hezbollah or one of the extreme jihadist organizations that had taken root in the Palestinian refugee camps of the south—organizations that made al-Qaeda seem like dowdy old Islamic moderates. It was his third visit to Beirut in the past year. Each time, he had entered the country with the same passport, protected by the same cover story. He was David Rostov, an itinerant businessman of Russian-Canadian descent who acquired illicit antiquities in the Middle East for a largely European clientele. Beirut was one of his favorite hunting grounds, for in Beirut anything was possible. He had once been offered a seven-foot Roman statue, remarkably intact, of a wounded Amazon. The cost of the piece was $2 million, shipping included. Over endless cups of sweet Turkish coffee, he convinced the seller, a prominent dealer from a well-known family, to drop his price by half a million. And then he walked away, earning for himself the reputation of both a shrewd negotiator and a tough customer, which was a good reputation to have in a place like Beirut.

He checked the time on his Samsung mobile. Sami Haddad noticed. Sami noticed everything.

“What time is he expecting you?”

“Ten o’clock.”

“Late.”

“Money never sleeps, Sami.”

“Tell me about it.”

“Shall we go straight to the hotel, or do you want to take a drive first?”

“Your call.”

“Let’s go to the hotel.”

“Let’s take a drive.”

“No problem.”

Sami Haddad turned off the Corniche into a street lined with colonial French buildings. Mikhail knew it well. Twelve years earlier, while serving in the Sayeret Matkal special forces, he had killed a terrorist from Hezbollah as he lay sleeping in the bed of a safe house. To be a member of such an elite unit was the dream of every Israeli boy, and it was a particularly noteworthy achievement for a boy from Moscow. A boy who had to fight every day of his life because his ancestors happened to be Jewish. A boy whose father, an important Soviet academic, had been locked away in a psychiatric hospital because he dared to question the wisdom of the Party. The boy had arrived in Israel at the age of sixteen. He had learned to speak Hebrew in a month and within a year had lost all traces of a Russian accent. He was like the millions who had come before him, the early Zionist pioneers who had fled to Palestine to escape the persecution and pogroms of Eastern Europe, the human wrecks who came spilling out of the death camps after the war. He had shed the baggage and the weakness of his past. He was a new person, a new Jew. He was an Israeli.

“We’re still clean,” said Sami Haddad.

“Then what are you waiting for?” replied Mikhail.

Sami wound his way back to the Corniche and headed to the marina. Rising above it were the twin glass-and-steel towers of the Four Seasons Hotel. Sami guided the car into the drive and looked into the mirror for instructions.

“Call me when he arrives,” said Mikhail. “Let me know whether he has a friend.”

“He never goes anywhere without a friend.”

Mikhail collected his briefcase and overnight bag from the opposite seat and opened the door.

“Be careful in there,” said Sami Haddad. “Don’t talk to strangers.”

Mikhail climbed out and, whistling tunelessly, breezed past the valets into the lobby. A dark-suited security man eyed him warily but allowed him to enter without a search. He crossed a thick carpet that swallowed his footfalls and presented himself at the imposing reception desk. Standing behind it, illuminated by a cone of overhead light, was a pretty black-haired woman of twenty-five. Mikhail knew that the woman was a Palestinian and that her father, a fighter from the old days, had fled Lebanon with Arafat in 1982, long before she was born. Several other employees of the hotel also had troubling connections. Two members of Hezbollah worked in the kitchen, and there were several known jihadis in housekeeping. Mikhail reckoned that approximately ten percent of the staff would have killed him if informed of his true identity and occupation.

He smiled at the woman, and the woman smiled coolly in return.

“Good evening, Mr. Rostov. So good to see you again.” Her painted nails clattered on a keyboard while Mikhail grew light-headed from the stench of overripe azaleas. “We have you for just one night.”

“A pity,” said Mikhail with another smile.

“Do you require assistance with your luggage?”

“I can manage.”

“We’ve upgraded you to a deluxe sea-view room. It’s on the fourteenth floor.” She handed him his packet of room keys and gestured toward the elevators like a flight attendant pointing out the location of the emergency exits. “Welcome back.”

Mikhail carried his bag and briefcase into the elevator foyer. An empty carriage waited, its doors open. He stepped inside and, grateful for the solitude, pressed the call button for the fourteenth floor. But as the doors were closing, a hand poked through the breach and a man entered. He was thickset, with a heavy ridge over his brow and a jawbone built to take a punch. His eyes met Mikhail’s briefly in the reflection of the doors. A nod was exchanged, but no words passed between them. The man pressed the button for the twentieth floor, almost as an afterthought, and picked at his thumbnail as the carriage rose. Mikhail pretended to check his e-mail on his mobile and while doing so surreptitiously snapped the blunt-headed man’s photograph. He forwarded the photo to King Saul Boulevard, the location of the Office’s anonymous Tel Aviv headquarters, while walking along the corridor to his room. A glance around the door frame revealed no evidence of tampering. He swiped his card key and, bracing himself for attack, entered.

The sound of Vivaldi greeted him—a favorite of arms smugglers, heroin dealers, and terrorists the world over, he thought as he switched off the radio. The bed had already been turned down, a chocolate lay on the pillow. He went to the window and saw the roof of Sami Haddad’s car parked along the Corniche. Beyond was the marina, and beyond the marina the blackness of the Mediterranean. Somewhere out there was his back door. He was no longer allowed to come to Beirut without an offshore escape hatch. The next chief had plans for him—or so he had heard through the Office grapevine. For a secure institution, it was a notoriously gossipy place.

Just then, Mikhail’s mobile blossomed with light. It was a message from King Saul Boulevard stating that the computers could not identify the man who had joined him in the elevator. It advised him to proceed with caution, whatever that meant. He drew the blackout shade and the curtains and switched off the room lights one by one until the darkness was absolute. Then he sat at the foot of the bed, his gaze focused on the thin strip of light at the bottom of the door, and waited for the phone to ring.

It was not unusual for the source to be late. He was, as he reminded Mikhail at every opportunity, a very busy man. Therefore, it was no surprise that ten o’clock came and went with no call from Sami Haddad. Finally, at quarter past, the mobile flared.

“He’s entering the lobby. He has two friends, both armed.”

Mikhail killed the call and remained seated for an additional ten minutes. Then, gun in hand, he moved to the entrance hall and placed his ear against the door. Hearing nothing outside, he returned the gun to the small of his back and stepped into the corridor, which was deserted except for a single male member of the housekeeping staff. Upstairs, the roof bar was the usual scene—rich Lebanese, Emiratis in their flowing white kanduras, Chinese businessmen flushed with drink, drug dealers, whores, gamblers, adventure seekers, fools. The sea wind toyed with the hair of the women and made wavelets in the pool. The throbbing music, spun by a professional DJ, was a sonic crime against humanity.

Mikhail made his way to the farthest corner of the rooftop, where Clovis Mansour, scion of the Mansour antiquities-dealing dynasty, sat alone on a white couch facing the Mediterranean. He was posed as if for a magazine shoot, with a glass of champagne in one hand and a cigarette smoldering in the other. He wore a dark Italian suit and a white open-neck shirt that was handmade for him by his man in London. His gold wristwatch was the size of a sundial. His cologne hung around him like a cloak.

“You’re late, habibi,” he said as Mikhail lowered himself onto the couch opposite. “I was about to leave.”

“No, you weren’t.”

Mikhail surveyed the interior of the bar. Mansour’s two bodyguards were picking at a bowl of pistachios at an adjacent table. The man from the elevator was leaning against the balustrade. He was pretending to admire the view of the sea while holding a mobile phone to his ear.

“Know him?” asked Mikhail.

“Never seen him before. Drink?”

“No, thanks.”

“It’s better if you drink.”

Mansour flagged down a passing waiter and ordered a second glass of champagne. Mikhail drew a buff-colored envelope from his coat pocket and placed it on the low table.

“What’s that?” asked Mansour.

“A token of our esteem.”

“Money?”

Mikhail nodded.

“I don’t work for you because I need the money, habibi. After all, I have plenty of money. I work for you because I want to stay in business.”

“My superiors prefer it if money changes hands.”

“Your superiors are cheap blackmailers.”

“I’d look inside the envelope before calling them cheap.”

Mansour did. He raised an eyebrow and slipped the envelope into the breast pocket of his suit jacket.

“What have you got for me, Clovis?”

“Paris,” said the antiquities dealer.

“What about Paris?”

“I know who did it.”

“How?”

“I can’t say for certain,” said Mansour, “but it’s possible I helped him pay for it.”

4
BEIRUT—TEL AVIV

IT WAS HALF PAST TWO in the morning by the time Mikhail finally returned to his room. He saw no evidence to suggest it had been disturbed in his absence; even the little foiled chocolate lay at precisely the same angle atop his pillow. After sniffing it for traces of arsenic, he nibbled at a corner thoughtfully. Then, in an uncharacteristic fit of nerves, he hauled every piece of furniture that wasn’t bolted down into the entrance hall and piled it against the door. His barricade complete, he opened the curtains and the blackout shade and searched for his bolt-hole among the shipping lights in the Mediterranean. Instantly, he reproached himself for entertaining such a thought. The escape hatch was to be utilized only in cases of extreme emergency. Possession of a piece of intelligence did not fall into that category, even if the piece of intelligence had the potential to prevent another catastrophe like Paris.

They call him Saladin …

Mikhail stretched out on the bed, his back propped against the headboard, the gun at his side, and stared at the shadowy mass of his fortifications. It was, he thought, a truly undignified sight. He switched on the television and surfed the airwaves of a Middle East gone mad until boredom drove him toward the doorstep of sleep. To keep himself alert he guzzled a cola from the fridge bar and thought about a woman he had foolishly let slip through his fingers. She was a beautiful American of flawless Protestant pedigree who had worked for the CIA and, occasionally, for the Office. She was living in New York now, where she oversaw a special collection of paintings at the Museum of Modern Art. He’d heard she was seeing a man quite seriously, a bond trader, of all things. He contemplated calling her, just to hear the sound of her voice, but decided it would be unwise. Like Russia, she was lost to him.

What’s his real name, Clovis?

I’m not sure he ever had one.

Where’s he from?

He might have been from Iraq once, but now he’s a son of the caliphate …

Finally, the sky beyond Mikhail’s window turned blue-black with the coming dawn. He put his room in order and thirty minutes later slumped bleary-eyed into the back of Sami Haddad’s car.

“How did it go?” asked the Lebanese.

“Total waste of time,” replied Mikhail through an elaborate yawn.

“Where now?”

“Tel Aviv.”

“It’s not such an easy drive, my friend.”

“Then perhaps you should take me to the airport instead.”

His flight was at half past eight. He sailed through passport control as a smiling, somewhat drowsy Canadian and settled into his first-class seat aboard a Middle East Airlines jet bound for Rome. To shield himself from his neighbor, a Turkish salesman of disreputable appearance, he pretended to read the morning papers. In reality, he was considering all the possible reasons why an aircraft operated by the government of Lebanon might fail to reach its destination safely. For once, he thought glumly, his death would have consequences, for the intelligence would die with him.

How much money are we talking about, Clovis?

Four million, maybe five.

Which is it?

Closer to five …

The plane landed in Rome without incident, though it took Mikhail the better part of two hours to clear the organized stampede that was Fiumicino’s passport control. His stay in Italy was brief, long enough for him to switch identities and board another airplane, an El Al flight bound for Tel Aviv. An Office car waited at Ben Gurion; it whisked him north to King Saul Boulevard. The building at the western end of the street was, like Paul Rousseau’s outpost on the rue de Grenelle, a lie in plain sight. No emblem hung over its entrance, no brass lettering proclaimed the identity of its occupant. In fact, there was nothing at all to suggest it was the headquarters of one of the world’s most feared and respected intelligence services. A closer inspection of the structure, however, would have revealed the existence of a building within a building, one with its own power supply, its own water and sewer lines, and its own secure communications system. Employees carried two keys. One opened an unmarked door in the lobby; the other operated the lift. Those who committed the unpardonable sin of losing one or both of their keys were banished to the Judean Wilderness, never to be seen or heard from again.

Like most field agents, Mikhail entered the building through the underground parking garage and then made his way upward to the executive floor. Because the hour was late—the security cameras recorded the time as half past nine—the corridor was as quiet as a school that had been emptied of children. From the half-open door at the end of the hall stretched a slender rhombus of light. Mikhail knocked softly and, hearing no reply, entered. Stuffed into an executive leather chair behind a desk of smoked glass was Uzi Navot, the soon-to-be former chief of the Office. He was frowning at an open file as though it were a bill he could not afford to pay. At his elbow was an open box of Viennese butter cookies. Only two remained, not a good sign.

At length, Navot looked up and with a dismissive movement of his hand instructed Mikhail to sit. He wore a striped dress shirt that had been cut for a thinner man and a pair of the rimless spectacles beloved by German intellectuals and Swiss bankers. His hair, once strawberry blond, was gray stubble; his blue eyes were bloodshot. He rolled up his shirtsleeves, exposing his massive forearms, and contemplated Mikhail for a long moment with thinly veiled hostility. It wasn’t the reception Mikhail had expected, but then one never knew quite what to expect when one encountered Uzi Navot these days. There were rumors his successor intended to keep him on in some capacity—blasphemy in a service that regarded regular turnover at the top almost as a matter of religious doctrine—but officially his future was unclear.

“Any problems on the way out of Beirut?” Navot asked at last, as though the question had occurred to him suddenly.

“None,” answered Mikhail.

Navot snared a stray cookie crumb with the tip of a thick forefinger. “Surveillance?”

“Nothing we could see.”

“And the man who rode the hotel elevator with you? Did you ever see him again?”

“At the roof bar.”

“Anything suspicious?”

“Everyone in Beirut looks suspicious. That’s why it’s Beirut.”

Navot flicked the cookie crumb onto the plate. Then he removed a photograph from the file and dealt it across the desktop toward Mikhail. It showed a man sitting in the front seat of a luxury automobile, at the edge of a seaside boulevard. The windows of the car were shattered. The man was a bloody tattered mess, and quite obviously dead.

“Recognize him?” asked Navot.

Mikhail squinted in concentration.

“Look carefully at the car.”

Mikhail did. And then he understood. The dead man was Sami Haddad.

“When did they get him?”

“Not long after he dropped you at the airport. And they were just getting started.”

Navot spun another photo across the desk, a ruined building on an elegant street in downtown Beirut. It was Gallerie Mansour on the rue Madame Curie. Limbs and heads littered the pavement. For once the carnage wasn’t human. It was Clovis Mansour’s magnificent professional inventory.

“I was hoping,” Navot resumed after a moment, “that my last days as chief would pass without incident. Instead, I have to deal with the loss of our best contract employee in Beirut and an asset we spent a great deal of time and effort recruiting.”

“Better than a dead field agent.”

“I’ll be the judge of that.” Navot accepted the two photographs and returned them to the file. “What did Mansour have for you?”

“The man who was behind Paris.”

“Who is he?”

“They call him Saladin.”

“Saladin? Well,” Navot said, closing the file, “at least that’s a start.”

Navot remained in his office long after Mikhail had taken his leave. The desk was empty except for his leather-bound executive notepad, on which he had scrawled a single word. Saladin … Only a man of great self-esteem would grant himself a code name like that, only a man of great ambition. The real Saladin had united the Muslim world under the Ayyubid dynasty and recaptured Jerusalem from the Crusaders. Perhaps this new Saladin was similarly inclined. For his coming-out party he had flattened a Jewish target in the middle of Paris, thus attacking two countries, two civilizations, at the same time. Surely, thought Navot, the success of the attack had only whetted his lust for infidel blood. It was only a matter of time before he struck again.

For the moment, Saladin was a French problem. But the fact that four Israeli citizens had perished in the attack gave Navot standing in Paris. So, too, did the name that Clovis Mansour had whispered into Mikhail’s ear in Beirut. In fact, with a bit of skilled salesmanship, the name alone might be enough to secure the Office a seat at the operational table. Navot was confident in his powers of persuasion. A former field agent and recruiter of spies, he had the ability to spin straw into gold. All he needed was someone to look after the Office’s interest in any joint Franco-Israeli undertaking. He had but one candidate in mind, a legendary field agent who had been running operations on French soil since he was a boy of twenty-two. What’s more, the operative in question had known Hannah Weinberg personally. Unfortunately, the prime minister had other plans for him.

Navot checked the time; it was ten fifteen. He reached for his phone and dialed Travel.

“I need to fly to Paris tomorrow morning.”

“The six o’clock or the nine?”

“The six,” said Navot despondently.

“When are you coming back?”

“Tomorrow night.”

“Done.”

Navot rang off and then placed a final call. The question he posed was one he had asked many times before.

“How long before he’s finished?”

“He’s close.”

“How close?”

“Maybe tonight, tomorrow at the latest.”

Navot replaced the receiver and allowed his gaze to wander the spacious office that soon would no longer be his.

Tomorrow at the latest …

Maybe, he thought, or maybe not.

5
ISRAEL MUSEUM, JERUSALEM

IN THE FAR CORNER OF the conservation lab, a black curtain stretched from the white ceiling to the white floor. Behind it was a matching pair of oaken Italian easels, two halogen lamps, a Nikon camera mounted atop a tripod, a palette, a tiny bale of cotton wool, an ancient CD player smudged with several different colors of paint, and a trolley laden with pigments, medium, solvents, wooden dowels, and several Winsor & Newton Series 7 sable-hair paintbrushes. For the better part of the past four months, the restorer had labored there alone, sometimes late at night, sometimes long before dawn. He wore no museum credentials, for his true place of employment was elsewhere. The staff conservators had been advised not to mention his presence or even to speak his name. Nor were they to discuss the large painting, an Italian Old Master altarpiece, propped upon his easels. The painting, like the restorer, had a dangerous and tragic past.

He was below average in height—five foot eight, perhaps, no more—and slender of build. His face was high at the forehead and narrow at the chin, with wide prominent cheekbones and a long, bony nose that looked as though it had been carved from wood. The dark hair was cropped short and stained with gray at the temples, the eyes were an unnatural shade of green. His age was one of the most closely guarded secrets in Israel. Not long ago, when his obituary appeared in newspapers around the world, no verifiable date of birth ever found its way into print. The reports of his death had been part of an elaborate operation to deceive his enemies in Moscow and Tehran. They had believed the stories to be true, a miscalculation that allowed the restorer to take vengeance against them. Not long after his return to Jerusalem, his wife gave birth to a set of twins, a girl named Irene after his mother, and a son called Raphael. They were now—mother, daughter, son—three of the most closely guarded people in the State of Israel. So, too, was the restorer. He came and went in an armored American-made SUV, accompanied by a bodyguard, a fawn-eyed killer of twenty-five, who sat outside the door of the conservation lab whenever he was present.

His appearance at the museum, on a black and wet Wednesday in December a few days after the birth of his children, had come as a shock, and a profound relief, to the rest of the conservation staff. They had been warned he did not like to be observed while working. Still, they routinely poked their heads into his little curtained grotto merely to glimpse the altarpiece with their own eyes. Truth be told, he couldn’t blame them. The painting, Caravaggio’s Nativity with St. Francis and St. Lawrence, was arguably the world’s most famous missing work of art. Stolen from the Oratorio di San Lorenzo in Palermo in October 1969, it was now formally in the possession of the Vatican. The Holy See had wisely decided to withhold news of the painting’s recovery until the restoration was complete. Like many Vatican pronouncements, the official version of events would bear little resemblance to the truth. It would not mention the fact that a legendary Israeli intelligence officer named Gabriel Allon had found the missing painting hanging in a church in the northern Italian town of Brienno. Nor would it mention that the same legendary intelligence officer had been entrusted with the task of restoring it.

During his long career he had carried out several unusual restorations—he had once repaired a Rembrandt portrait that had been pierced by a bullet—but the Caravaggio altarpiece propped upon Gabriel’s easels was without question the most damaged canvas he had ever seen. Little was known of its long journey from the Oratorio di San Lorenzo to the church where he had found it. The stories, however, were legion. It had been kept by a Mafia don as a prize and brought out for important meetings of his henchmen. It had been chewed by rats, damaged in a flood, and burned in a fire. Gabriel was certain of only one thing: the painting’s wounds, while grievous, were not fatal. But Ephraim Cohen, the museum’s chief of conservation, was dubious. Upon seeing the painting for the first time, he advised Gabriel to administer last rites and return the altarpiece to the Vatican in the same wooden coffin in which it had arrived.

“Ye of little faith,” Gabriel had said.

“No,” replied Cohen. “Me of limited talent.”

Cohen, like the other members of the staff, had heard the stories—the stories of deadlines missed, of commissions abandoned, of church reopenings delayed. The snail-like pace of Gabriel’s work habits was legendary, almost as legendary as his exploits on the secret battlefields of Europe and the Middle East. But they soon discovered that his slowness was voluntary rather than instinctive. The craft of restoration, he explained to Cohen one evening while swiftly repairing the tattered face of Saint Francis, was a bit like making love. It was best done slowly and with painstaking attention to detail, with occasional breaks for rest and refreshment. But in a pinch, if the craftsman and his subject matter were adequately acquainted, a restoration could be done at extraordinary speed, with more or less the same result.

“You and Caravaggio are old friends?” asked Cohen.

“We’ve collaborated in the past.”

“So the rumors are true then?”

Gabriel had been painting with his right hand. Now he moved the brush to his left and worked with equal dexterity.

“What rumors are those?” he asked after a moment.

“That you were the one who restored the Deposition for the Vatican Museums a few years ago.”

“You should never listen to rumors, Ephraim, especially when they concern me.”

“Or the news,” said Cohen darkly.

His hours were erratic and unpredictable. An entire day might pass with no sign of him. Then Cohen would arrive at the museum to find a large portion of the canvas miraculously restored. Surely, he thought, he had a secret helper. Or perhaps Caravaggio himself was stealing into the museum at night, a sword in one hand, a brush in the other, to assist with the work. After one nocturnal session—a particularly productive visit during which the Virgin was returned to her former glory—Cohen actually checked the security footage. He found that Gabriel had entered the lab at half past ten in the evening and had departed at seven twenty the next morning. Not even the fawn-eyed bodyguard had been with him. Perhaps it was true, thought Cohen, as he watched the ghostly figure moving at one frame per second along a half-lit hall. Perhaps he was an archangel after all.

When he was present during normal business hours, there was always music. La Bohème was a particular favorite. Indeed, he played it so often that Cohen, who spoke not a word of Italian, could soon sing “Che gelida manina” from memory. Once Gabriel entered his curtained grotto, he never reappeared until the session was complete. There were no strolls in the museum’s sculpture garden to clear his head, no trips to the staff lunchroom for a jolt of caffeine. Only the music, and the soft tap-tap-tap of his brush, and the occasional click of his Nikon camera as he recorded his relentless progress. Before leaving the laboratory he would clean his brushes and his palette and put his trolley in order—precisely, noted Cohen, so he would be able to detect whether anyone touched his things in his absence. Then the music would go silent, the halogen lamps would dim, and with little more than a cordial nod to the others he would be gone.

By early April, with the winter rains a memory and the days warm and bright, he was hurling himself headlong toward a finish line only he could see. All that remained was the winged angel of the Lord, an ivory-skinned boy who floated in the upper reaches of the composition. It was a curious choice to leave for last, thought Cohen, for the boy angel had suffered serious injury. His limbs were scarred by heavy paint losses, his white garment was in tatters. Only his right hand, which was pointed heavenward, was undamaged. Gabriel restored the angel in a series of marathon sessions. They were noteworthy for their silence—there was no music during this period—and for the fact that, as he was repairing the angel’s auburn hair, a large bomb exploded in Paris. He stood for a long time before the lab’s small television, his palette slowly drying, watching as the bodies were pulled from the rubble. And when a photograph of a woman named Hannah Weinberg appeared on the screen, he flinched as though struck by an invisible blow. Afterward, his expression darkened and his green eyes seemed to burn with anger. Cohen was tempted to ask the legend whether he had known the woman, but decided against it. One could talk to him about paintings and the weather, but when bombs exploded it was probably better to keep one’s distance.

On the last day, the day of Uzi Navot’s journey to Paris, Gabriel arrived at the lab before dawn and remained in his little grotto long after the museum had closed for the night. Ephraim Cohen found an excuse to stay late because he sensed the end was near and wanted to be present to witness it. Shortly after eight o’clock he heard the familiar sound of the legend laying his brush—a Winsor & Newton Series 7—on the aluminum tray of his trolley. Cohen peered furtively through the slender gap in the curtain and saw him standing before the canvas, a hand resting against his chin, his head tilted slightly to the side. He remained in the same position, motionless as the figures in the painting, until the fawn-eyed bodyguard entered the lab and pressed a mobile phone urgently into his palm. Reluctantly, he lifted it to his ear, listened in silence, and murmured something Cohen couldn’t quite make out. A moment later both he and the bodyguard were gone.

Alone, Ephraim Cohen slipped through the curtain and stood before the canvas, scarcely able to draw a breath. Finally, he plucked the Winsor & Newton paintbrush from the trolley and slipped it into the pocket of his smock. It wasn’t fair, he thought, as he doused the halogen lamps. Perhaps he really was an archangel after all.