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CAROL CLEWLOW

Not Married, Not Bothered

An ABC for Spinsters


Spin-ster (spinsta) n. 1. an unmarried woman regarded as being beyond the age of marriage. 2. Law (in legal documents) a woman who has never married. Compare feme sole. 3. (formerly) a woman who spins thread for her living. [C14 (in the sense: a person, esp. a woman, whose occupation is spinning; C17: a woman still unmarried): from SPIN-STER] –

spinster-, hood n, – spinsterish adj.

Contents

Title Page A Is For … Attitude B Is For … Bridesmaid (As In Three Times A …) C Is For … Cliché D Is For … Death, Divorce And Moving House E Is For … Eleutherophobia F Is For … Finances G Is For … Gamophobia H Is For … Heroines I Is For … The Importance Of Aunts J Is for… Jane K Is For . . . Kinder L Is For … That Old Lost Love Story M Is For … Marriage N Is For … Nature Or Nurture? O Is For … An Old Maid P Is For … Philophobia Q Is For … A Question Of Sex R Is For … Regret S Is For … Solitude (Or Sunday In The Park With Riley) T Is For … Titles U Is For … The Unsuitable Liaison V Is For … Values (I.E., Family) W Is For … Weddings X Is For … Y Is … For That Old Yellow Brick Road Z Is For … Zing Zing Zing (Went My Heartstrings) About the Author Also By Carol Clewlow Copyright About the Publisher

A is for … Attitude

If you ask me how all this got started, I’d say it was with Magda deciding to marry herself.

You may wish to read that line again.

She was packing up one of her Spells for Beginners for a customer when she caught me.

‘RILEY! IMAGINE! JUST THE PERSON!’

Magda used to be in television, which is why she speaks in one of those loud overenthusiastic TV researcher’s voices. Then one day she found her hair was too high and her fingernails too long. Now she runs Hocus Pocus at the bottom of the High Street.

Deciding to get married was a big thing for Magda.

‘After all, I’ve been single all my lives.’ (She was previously a vestal virgin and after that a witch. Obviously this was before she went into television.)

Magda got the idea of marrying herself from some Weirdo of the Day paragraph in her morning paper. Except, of course, being Magda, she didn’t think it was weird at all.

‘I THINK IT’S WONDERFUL. TOTALLY EMPOWERING.’

Apparently the woman who married herself said she’d lived with herself for forty years. She felt she knew herself. She felt ready for the commitment.

‘Um … where did this happen exactly?’

‘California.’

Only in California.

Only in the loony tune town of my birth.

Over cappuccinos in her coffee shop, I said, ‘So how will it work, Magda? Will you promise to obey? Will you have a joint account? You’re a woman of substance. I hope you’ll insist on a prenup.’

She said, ‘I’m sorry you feel the need to mock, Riley. I’m surprised you don’t see it. I’m making a statement. For all of us.’

‘Us?’

‘Single women.’

And then she said it: ‘Spinsters, Riley.’

And that was where it started. Because it was like I was hearing it for the first time. That much-maligned, charming, noble, splendid old word.

Courtesy of Magda MacBride. Spinster of this parish.

Magda said, ‘It’s time for a new attitude, Riley.’

‘Damn it, she’s right,’ I said later to Danny.

This after I found the spinster sites on the Net: Be at peace with your singleness. Do not apologise for your chosen life-style …

‘For God’s sake. It’s all so goddamn craven.’

It was after that I started noticing things. What things? Well, this for instance, from one of those ‘Things I Wish I’d Known’ columns by some doyenne of the women’s movement.

I wish I’d known that breaking off my engagement didn’t mean resigning myself to eternal spinsterhood …

‘Resigning herself?’ I said. ‘Excuse me.’

And this too, from a celebrity journalist (female, to her shame) interviewing a hot-shot female film producer.

Despite, perhaps because of, what they are, a certain air of loss, of sadness will always cling to such women …

‘A certain air of loss and sadness …’ My Ss spat out on to the table. ‘Ssssimply because she can’t produce a husband and children.’

So that all of a sudden I’m beginning to get that old Jonathan Aitken feeling, that whole If it falls to me thing. I want to swish that old Sword of Truth in the air. And why? Because the more I think about it, the madder I am, and this because as far as I can see, it’s spinsters that have kept this damn country going. Teachers, civil servants, nurses, secretaries, plus a hundred other occupations, years of faithful service from the single woman and not just after World War One either. And for what? To go on being patronised and condescended to, to have her life considered so much of less worth than that of her married sister. Worse – and this in the new millennium – to continue being the subject of grubby jokes and prurient conjecture, to be caricatured as fey, grey and miserable on stage and screen and in all those fey, grey miserable novels.

‘We’re the last minority group,’ I said to Danny. ‘We suffer from prejudice. We need a campaign. T-shirts. Car stickers.’

Look. Once upon a time, spinsters were just that – women who spun for a living.

‘See …’ I said, jabbing a finger down on the dictionary, open like a Bible. ‘Once spinsters were just ordinary working girls.’

‘Still are,’ Danny said, diving a hand into his pocket. ‘Here’s your gas bill, Spinning Jenny. They stuck it through my door by mistake.’

From all this you will deduce that Danny is my neighbour. He’s also my workmate, both of us being employed – me as reporter, he as a photographer – on our weekly newspaper. More importantly, however, he’s my Obligatory Gay Male Friend and I am his …

‘What am I to you, Danny?’

‘My help in ages past, my hope for years to come …’

Danny comes from good Methodist stock and sometimes the past comes back to haunt him.

Over the years of our friendship (ten), and over many bottles of wine and/or the odd joint, Danny and I have debated all the major questions – whether there’s a God, if Keanu Reeves can act, if Google really is the only search engine.*

Gay men and spinsters will always be natural allies, according to Danny.

‘Gay men look at spinsters and know that’s pretty much where they’re going to be.’ He lays a hand on his heart. ‘Take me, for instance. Without you, I would never have known how truly rich and fulfilling life could be for the single person in their twilight years.’

Yes. Thank you, Danny.

Still, you can pretty much bet that any single woman of uncertain years these days will have a friend like Danny. Not that my years are remotely uncertain.

I was born at the turn of the decade, the year of Korea, the year they gave the Nobel Prize to Bertrand Russell, principally for his book on marriage (with three of his own he’d been able to research it closely), the year George Bernard Shaw died, who wrote, among other things, ‘All great truths begin as blasphemies’ (something to bear in mind, dear Reader). Also the year in which Peggy shcroft played Beatrice and to much acclaim at Stratford. Beatrice, that great spinster heroine, a woman with serious attitude, not curst like Kate, who also I love, but zot half as much as Beatrice, who was just so much more damn merry about the whole thing.

Born in a merry hour, surely?

No, sure, my lord, my mother cried …

‘Damn right. What a time I had of it with you … You were bloody hours coming.’

Oh, why not? She’s like Banquo’s ghost, after all. Don’t invite her to the feast and she’ll show up anyway.

Might as well start where all spinsters start.

Folks …

My mother.

Once in the back garden my brother-in-law, Fergie, put his arm comfortingly around his wife’s shoulder. He cast his eyes up into the soft sweet Somerset night.

‘Ah yes …’ he said. ‘Somewhere up there the mother ship is circling and it’s looking for Babs Gordon.’

Because our mother is barmy Our mother is bonkers. Our mother is barking, dippy, daft as a brush. Our mother is Madame Defarge at the foot of the guillotine, but in the words of the late great Freddie Mercury, only knitting on that one solitary needle.

Not that the comparison with the revolutionary Ms Defarge would at all suit our mother, she being one of those old-fashioned, unreconstructed Thatcherites doing such a stirling job holding back the party. (Oh thank you, thank you, thank you mother.)

And yet, and yet … if only this was the end of it.

If only the gods in their wisdom, in their compassion, had given Cassie and me a straightforwardly mad hang-em-and-flog-em Fascist for a mother. For instead Babs Gordon oscillates. Babs Gordon is a human fan, swinging eternally left to right, and for no discernible reason, blowing out the first vacuous, entirely illogical and idiosyncratic opinion that drops into her lovable Carmen-curled head. And while you, in your folly, might think it adds a certain piquancy, a certain frisson to life to walk up your mother’s front path of a morning never knowing, when the door opens, whether you’ll be confronted by Mother Theresa or the winner of the Genghis Khan Most Promising Newcomer Award, trust me, it doesn’t.

Shall we, for instance, be sympathetic to single mothers this fine morning?

‘Well, of course, I am. I’ve been one myself haven’t I?’*

Or shall we, by contrast, be taking a stronger line?

‘It’s all taxpayers’ money. You and me, we’re paying for them. You know that, don’t you?’

Or – I know – asylum seekers. An oldie but goldie. Shall we be extending the hand of friendship today?

‘I mean, I feel so sorry for them. Imagine having to shop with vouchers.’

Or shall we be in favour of putting them up against the wall and shooting them?

‘Don’t be ridiculous, Adeline, I really resent the way you do that.’

‘Do what?’

‘You know.’

‘What?’

‘Make me out to be some sort of … oh, I don’t know …’

‘Burbling, featherbrained, six-short-of-a-box reactionary old swinger?’

I lied.

Regrettably this is not something I’ve ever managed to say to my mother.

Meanwhile please note the reference to shopping in her sympathetic response to asylum seekers. To say that shopping plays a big part in Babs Gordon’s life is to indulge in the deplorable British habit of understatement. Shopping is Babs Gordon’s faith, her hope, the nearest, viz. the voucher argument, she’ll ever come to charity. Brought up as a wishy-washy Baptist, Babs Gordon thereafter converted to shopping. A card-carrying member of the Royal Society of Shoppers (Visa, Mastercard, Debenhams, John Lewis, but in particular M & S), at least once a month she drives the thirty miles to our nearest out-of-town Marks, a massive thing the size of the British Museum, there to walk the aisles in the same spirit, a dutiful tourist looking at all the exhibits and making her way through women’s wear, footwear, underwear, handbags and shoes, home furnishings and, of course, menswear, the last for which she heads expressly just so she can flutter her eyelashes like some sixteen-year-old virgin, and say with that deceptively careless, entirely self-satisfied and proprietorial air: ‘I’ll just slip in. See if I can get anything for Tommy.’

A word now about Tommy.

What is Tommy to my mother?

In other circumstances you might call Tommy my mother’s lover. But I don’t believe it. Not for one minute. And if you think this is the response of an anally retentive spinster daughter, well, frankly I don’t give a toss. Suffice it to say on the matter of sex, I wish my mother was having it, I wish I was having it, I wish you were having it, I wish we were all having it, I’m that generous. Still I’d lay a pound to a penny that my mother is not and never has been en flagrante with Tommy. Or with anyone else. Including our father. For while I recognise that the existence of Cass and myself would indicate some form of interchange between our mother and our father (I think we can safely rule out any of that early test tube stuff with the sperm of actors and vicars), I have every confidence that, at least on my mother’s part, we represent entirely token copulations.

Not that Babs does not like men. No, no. Our Babs adores men, a fact she is given to asserting frequently in her cups at parties.

‘I’ve always got on so much better with men.’ That’s one of her particular favourites, accompanied by those eternally fluttering lashes and that familiar hand laid deprecatingly upon bosom.

In short, there’s a word for what my mother is but I don’t intend to use it. Let’s just settle for flirt, a quaint old-fashioned term that would thrill my mother to her skinny marrow should she overhear it being used to describe her. For were you to venture, machete in hand, through the impenetrable jungle that is my mother’s mind, you would find there a scary image, the one she bears of herself, a Mata Hari figure, a femme fatale, condemned (hand fluttering upon bosom again) to wreak havoc and confusion in the hearts of men. As for Tommy, well, I guess the best thing to call him is her consort, the man she goes bowling with, on chaste single-room coach-tour holidays to the Swiss Alps, the Scottish Highlands and the Dutch Bulb Fields, as well as to all and every event at the Conservative Club, where Tommy is bar steward and chairman of the entertainments committee. And the fact that this entirely sexless relationship unquestionably suits Tommy down to his last buffed-up blazer button is not something my mother feels a need to take on board. And strange as it may seem, neither do I. It is one of only a handful of things for which I feel a need to defend my mother, and this because I am, at heart, a sixties person and therefore a fully paid-up member of the Whatever Is Your Bag/Whatever Turns You On Party. Furthermore, if it is the case that in an age and a world different from the one into which he was born, Tommy might otherwise be more merrily engaged flicking a towel at the firm buttocks of a handsome young pool boy … well … that’s his business. And long may the pair of them, my mother and he, ignore it.

This is a small town and with a small-town mentality. Despite, or possibly because of, this, as far as their friends and neighbours are concerned, Babs and Tommy are respectably à deux, occupying their own remarkably similar, chintzy, cushiony, squeaky-clean homes, each with matching pine block freshner down the toilet, pink seat cover and frilly Kleenex holder.

It’s been this way since our father died the best part of thirty years ago when the funeral baked meats, metaphorically at least, began to coldly furnish forth the marriage table.

‘Don’t go there,’ has been Cass’s advice from the first, counsel I followed reluctantly at first but, as time passed, increasingly easily.

To all intents and purposes, Tommy is now part of the family, not least thanks to thirty years of Christmas Days spent together. In essence, he still looks the way he looked at our father’s funeral, like some old-fashioned stiff-upper-lipped colonel with a stick beneath his armpit. His back is still ramrod straight, or at least it would be was it not for the shaking that has begun to afflict him and that may or may not be the onset of Parkinson’s. This shaking gives him the air of a man trying to control his anger but nothing could be further from the truth. In fact he’s an astonishingly peaceable man, miraculously so bearing in mind he spends so much time with my flighty, wildly irritating mother.

All of this would be fine was it not for the fact that, in clear contradiction of her own eminently comfortable lifestyle, she still feels the need occasionally to harass her spinsterdaughter

‘Hey, I’ve not noticed you’re in that much of a hurry to get hitched again, Mother.’

‘I’m not talking about getting married, Addy. No one has to get married these days.’ (Babs likes to think of herself as excessively modern.) ‘There just never seems to be anyone in your life, that’s all.’

‘Well, thank you for mentioning it. I don’t believe I’d noticed that, Mother.’

A strict diet of booze and fags plus the odd lettuce leaf pushed in a desultory way around her plate at what passes for meal times ensures that my mother’s size 8 figure never gets any bigger. Despite this unhealthy life-style she gets a clean bill of health every time she goes to the doctor (and while we’re on the subject, why do you go to the doctor, Mother; is it because he’s young and good-looking, you shameless hussy?). Given half a chance, she’d still do that Cleopatra thing of hopping forty paces through a public street. Robbed of the opportunity, she contents herself putting in a full day’s shopping at Marks & Spencer on a pair of heels that would provide training for a stilt walker.

Like Cleopatra, my mother believes with passion and spirit that age cannot wither her, an opinion most often expressed when she stands before her hall mirror patting her washboard stomach and uttering the now familiar words: ‘Haven’t put on a pound since I was sixteen,’ this always followed by a critical stare in the direction of whichever daughter has the misfortune to be caught in the mirror next to her, and the rider, ‘Darling … do I dream it … or are you a size 14?’ (Or 16 in Cassie’s case.)

I have learnt over the years that all my mother’s snips and snides are prefaced by the word ‘darling’. As in:

‘Darling … do you have to buy such clumpy shoes?’

‘Darling … is that a motorbike jacket you’re wearing?’

And now, of course: ‘Darling, all I’m saying is, do you really think your hair suits you that short?’ (The italics in all cases, I promise you, are my mother’s.)

As regards my hair, I’ve always worn it long. I’ve had every style known to man or beast (perms, pleats, plaits, highlights, low-lights, etc., etc.) but still it’s never risen much above my shoulders. Thus the day I came in with it ice white and shorn, my mother fell back against the sink like she was having a heart attack.

‘Oh, what have you done… what have you done?’ she moaned, clutching her chest.

‘I’ve had an arm amputated. I’ve shot the Prime Minister. Oh no. I’ve just remembered. I’ve only had my hair cut, Mother.’

She continued keening for a while. ‘Oh, your hair … your beautiful hair.’ But in the way of these things, grief soon turned to anger.

‘It was your saving grace, Adeline, you know that, don’t you?’

‘Oh, and I thought it was my crowning glory.’

Please note here my mother’s use of the name Adeline to address me, she being the only person on the planet to do so, and this on account of it being the one she gave me – a fancy French name, according to my dictionary of first names, although not in this instance, since I was named after an Adeline from Bromsgrove whose bridesmaid I later became and who had the bed next to my mother’s in the barracks in Cairo.*

The name was and is entirely unsuitable, one I would have had to wear like a bolt through my neck was it not for my father, God bless him. In a move that my mother would forever regret, she deputed him to register my birth, something that allowed him to pull one of only two known flankers over her in the history of their time together (the other was when he died to get away from her).

Afterwards he would claim that the middle name he gave me was that of a close friend killed in the war. He’d even take the trouble to look suitably mournful when he said it. Once, though, bending beneath a bonnet in his ramshackle old tin-roofed garage on one of our long evenings together, me standing beside him handing him his spanners, he told me he’d named me after his favourite car, a Riley Sprite he’d owned in the halcyon days of his youth, which translated means those days before he met my mother.

‘Lovely thing, she was. Four cylinder push-rod-operated overhead-valve engine.’

I assume he was talking about the Riley.

Thus I am Adeline Riley Gordon, but to all and sundry ever since (except, natch, my mother), Riley, not least because my father, keen to compound his crime and irritate my mother whenever possible – the revenge, raison d’être and principal calling of his married life – referred to me as that from Day One, firmly instructing my sister Cassie, three at the time, to follow his example.

In all this I count myself lucky. Not just because Riley suits me infinitely better than Adeline ever could (or, the horror … the horror … the appalling ‘Addy’), but because if I’d had the misfortune to be born a generation later, God knows, I might have had to put Golf or Mondeo or Fiesta at the top of my O level paper.

Anyway, I like Riley. It suits me. It has a jaunty, freedom-loving air that I like to think entirely encapsulates what I am. I think, I hope that, like Beatrice, a star danced when I was born.

‘Not from where I was looking it didn’t.’

Yes, thank you, Mother.

Anyway, I’m more than happy, just like Beatrice, to pay for my state by leading apes in hell when I die, this being the mythological punishment for spinsters, but one that holds no fears for me, coming of age as I did at a time and in a place where men were still getting used to the upright position. Confronted by the word ‘clitoris’, there’s still a few would guess at one of the lesser known Greek islands.

All in all I’d say the only downside, if downside there be to my name, is the jokes it provokes. Or rather, The Joke. Because there is only one. I’ve heard it a thousand times but, trust me, that’s not something that ever spoils the enjoyment of the joker.

‘Ri-l-ey …’ he’ll say, and I’ll watch as that geeky smile dawns and behind the skin of his face those old wheels and cogs start turning. ‘I suppose you live the life of Riley, then?’

And if you want know what all this Spinster’s Alphabet stuff is about I’d say it’s just that.

Because as a matter of fact, I think I do.*

* Answers in reverse order: Yes, No and How could we know?

* Author’s note: Cass was 29 and I was 26 by the time our father passed peacefully and gratefully away from our mother.

* Among many others. See B for Bridesmaids.

*As will be clear by now, the aim of this book is ever to inform. Thus you may be interested to know whence comes the term Life of Riley. It first appeared in a popular song performed by one Pat Rooney in 1880s America, ‘Are You the O’Reilly’, which describes all the things said O’Reilly would do if he was rich. Another song, ‘The Best in the House is None Too Good For Reilly’, shortened the name to the one we know and introduced the notion of R (e) iley as a carefree soul. The actual words the ‘Life of Riley’ appear in a third and later song, ‘My Name is Kelly’.

Faith and my name is Kelly Michael Kelly,

But I’m living the life of Reilly just the same.

With ‘My Name is Kelly’ the metamorphosis was complete. Reilly had become the idle, ne’er do well of popular fiction, and in particular of my mother’s morning newspaper for whom the phrase is indispensable, especially when applied to that vast amorphous body of people whose sole unifying feature is that they’re all somehow not just getting something for nothing but something due, by rights, to readers of said paper. This body includes but is by no means confined to:

 single mothers

 students

 gays

 lesbians

 blacks

 any teacher, vicar, lawyer, film or theatre director deemed by her morning newspaper to be ‘trendy’

 anyone with a good word to say for the sixties

 criminals (unless they’re actually members of the Tory Party)

 and last, but definitely not least, anyone receiving Unemployment Benefit.

‘Scroungers,’ is my mother’s rallying cry as she waves her paper in the air. ‘On the dole. Lying in bed all day. Leading the Life of Riley.’

B is for … Bridesmaid (as in 3 times a …)

According to The Guinness Book of Records, the world’s most prolific bridesmaid is believed to be one Euphrenia LaFayette of Big Flat, Arkansas. A combination of a large family and lack of good bridesmaid material in her mountain home is said to have led to Ms LaFayette being called on no less than sixty-three times. Interviewed by the Arkansas Sentinel upon her retirement at the age of forty-four, Miss LaFayette said, ‘Ah been up that damn aisle in every kinda dress, n’ carried every damn kinda posy. I’ve had every damn kinda contraption on ma head too, and dang me, if a gal caaaint get tired o’ that sorta thang.’

Ms LaFayette has never married.

I lied.

There is no Most Prolific Bridesmaid category in The Guinness Book of Records. Which is a pity.

I could have been a contender.

When I told Cass about Mad Magda deciding to marry herself and asking me to be one of her bridesmaids, she said, ‘Well, it’s not like you don’t have the experience.’

It’s a weird thing when you think about it that once upon a time the best way to bless the bridal pair, to wish them good luck in their marriage, was to have them met upon the church steps by a raggedy, smutty-faced boy chimney sweep complete with pneumoconiosis and brushes. You can still find the scene depicted on wedding cards, although it’s harder to lay your hands on the real thing these days, boy chimney sweeps having gone the way of so many of our great traditions – children down the mines, nimble-fingered seamstresses working by candlelight, blind and starving match-girls on every street corner. However, whereas we now balk at sticking young boys up chimneys, we show no such compunction at grabbing some innocent young female, thrusting her into a bad dress and bonnet, and pushing her, posy in hand, up the aisle behind the bridal party.

I know. I was that bridesmaid.

Look, the way I see it is this. Some people are born bridesmaids (particularly if they’re cursed with blonde ringlets); some people achieve bridesmaidhood; others, thanks to what can only be termed sheer dereliction of duty on the part of their sisters, have the bridesmaid thing thrust upon them. (Cassie, are you listening?)

Because if that whole ‘Three times a bridesmaid, never a bride’ thing* really is the ancient curse that Archie alleged all those years ago at Cass and Fergie’s wedding, then all I can say is my fate as a spinster was sealed early on. Six times – and this before the age of ten – I was forced into taffeta and tulle, to my mind a human rights abuse of the first order. In part this was due to Cassie cleverly throwing up on her frock within sight of the altar on her first booking (you’re pretty much finished on the bridesmaid circuit after that). But mainly it was due to all those Buffies and Madges and Snowies.

There’s a picture on the mantelpiece in my mother’s front room. More than a picture, an icon. Because the fact is that she looks wonderful in that photograph. They should have used it for a recruitment poster.

‘They did. How many times must I tell you?’

There’s not a ruck or a tuck or wrinkle in that uniform. The cap sits squarely on her head as she gazes straight-backed and grave into the camera. She sheds a tear over that picture sometimes and, trust me, my mother sheds a tear over very little.

‘All this will go when I go,’ she says, dabbing at her eyes pitifully with one of her customised floral Kleenex. ‘You two’ll just throw it away.’

‘Never, Mother, never.’

‘We’ll hang it on the wall.’

‘Light a candle beneath it.’

‘We’ll have one of those dippy little finger bowl things underneath so we can flick holy water on our foreheads as we pass.’

‘Oh, you.’ But there’s real pain in her voice.

It’s one of the few occasions when I feel genuinely sorry for my mother. For herein lies the source of my mother’s madness, the reason for all that lunacy. My mother, you see, never got over the war.

One night, helping her to the car from some wartime reunion night at the Conservative Club, Tommy on one side, me on the other, she clutched at his arm as he lowered her into the front seat.

‘They don’t understand, do they?’ she said. Her eyes were full of tears but, more than that, a terrible yearning sorrow. ‘I was twenty years old, Tommy. I was in Cairo …’

‘It’s alright, Babs, it’s alright,’ he said very gently, and in that moment I did understand, not just all that madness, but also her relationship with Tommy, and what this too might be about, this secret that belonged only to themselves and others of their ilk: what it had been like to be plucked from a small country town, not even full grown, and dropped down into a foreign, utterly exotic place – in my mother’s case Egypt; for Tommy, India. All this with that added ingredient of war. That what? Frisson? No, no, so much more that that. Something we’ve never known, please God will never know. Something that, for all the books and the films, we still can’t really imagine.

Ask my mother about the war, and you won’t hear anything about those bit part players like Hitler and Churchill. Instead you’ll get, ‘Did I ever tell you about the night Madge and I got caught by the curfew and had to climb in through the window after we’d been out all night at the Deck Club?’ Or, ‘Did I tell you how Buffy and I hired a truck and went out dressed as sheikhs to the Pyramids?’ Or, ‘Did I tell you about the night Snowy got drunk on arak and almost threw up over Larry Adler?’

Oh, yes. Many times. So many times, Mother.

As a child, I measured out my life with those visits from the Madges and Buffies and Snowies.

Upstairs in her bedroom, revelling in her round National Health glasses and her straight coarse blunt-cut hair from which slides and flowers and Alice bands would slip as if deliberately, Cassie would sit bent over her book, point-blank refusing to come down and join the party. Thus it would always be just me standing outside the lounge door waiting to be paraded on the rug in preparation for yet another outing as bridesmaid. Through the crack I’d hear the plop of the sherry cork, the sound of all that merciless, melancholy Chalet School laughter.

‘There we are, look … in that funny little place we found that day near the Continental Hotel. There’s you, Buffy, and you, Madge. And is that Snowy?’ A blood-red fingernail would stab the page of the photograph album in something I recognised even then as resentment.

They look so damned happy in those pictures, those young women, that’s the thing. All that leaning in, all that loving and laughter. They make war look such fun. Which is not their fault. The best of times in the worst of times among those elegant potted plants and wicker chairs in the pictures. Blame the table tops full of glasses if you must blame something, or the rakish nature of uniform. Blame Carpe Diem written in the wreathes of cigarette smoke over every table.

Our father is in those photographs. George Gordon, leaning forward, laughing. Battledress most rakishly unbuttoned of all. The man who betrayed our mother, double-crossed her with the oil-stained overalls that became his uniform after the war, that would replace the dashing airforce blue in which he had wooed her.

‘How many times must I tell you not to wear those bloody things around the house?’ she would rage at him. ‘You only do it to annoy me,’ which probably was the truth of it.

I asked my father once, in a blaze of teenage bravery, ‘Why did you marry her?’

He didn’t raise his head from beneath the bonnet. He said, ‘I was mad about her.’

As always he tried to make a joke of it. ‘Must have had a touch of the sun,’ he said, ‘desert fever,’ only then he turned serious. He raised his eyes, gave me a hard look across the engine. ‘It doesn’t do to be too romantic, Riley,’ he said.

According to my mother – this told with relish when he was alive – my father pursued her against her will, even after the war was over and they returned home from Cairo.

‘What could I do?’ she liked to simper. ‘Eventually I relented.’*

To say that our father disappointed our mother is to indulge again in that appalling habit of understatement. All their married life she made it clear that she despised him. Even the way she looked at him said she’d been fooled, deluded, cheated.

‘Oh … George,’ she’d say, this so often that as a child I thought this was his name. Oh … George. Always accompanied by a disgusted click of the tongue and a contemptuously raised eyebrow. Or sometimes a derisive snort and the stab of a bitter red fingernail on the photo album for those Buffies and Madges and Snowies.

They used to say in our home town that George Gordon could mend an engine with a piece of string and a six-inch nail. Old-timers I bump into in the street still sometimes repeat it, a fine thing, I always thought, to have chiselled on your tombstone. Not so my mother. She hated our father’s business. Each month on bill day the air would be full of her fury. It swirled around, mingling with the blue of her cigarette smoke as she sat there poring over the invoice books on the kitchen table. Over at the sink my father would be Swarfegaing his hands calmly, running them under the tap like some grease monkey Pilate.

‘How much?’ my mother would ask, her pen poised on the bill head.

‘Oh, I don’t know … charge her a tenner,’ whereupon a howl of wrath would rise up to the ceiling.

‘No … no … no. How much …? How much …? How much did it cost you to do the bloody job for her?’ And it was so often a her because there’s no question that my father could be a soft touch when it came to elderly single women, convincing my mother that it was the spinsters of our town who were ruining my father’s business.

‘Bloody old maids, they pull the wool over your eyes,’ she’d yell at him. ‘Well, they’re not doing the same to me, I can tell you.’

As far as she was concerned, the entire Spinster World was engaged in some sort of conspiracy.*

‘See … see …?’ she would scream, thrusting the local paper at him, folded at the wills page where the horrible truth was revealed – that yet another of my father’s ‘impoverished’ customers whose car he had mended for next to nothing had bequeathed her small fortune to a cat’s home or some charity rescuing pit ponies. Worse still, though, was when Olive Jepson died and left the lot to the Communist Party.

It’s a tribute to Olive Jepson that the mere mention of the word ‘spinster’ will bring her instantly to mind. She remains for me the Ur, my über-spinster, which I guess is what she also was for my father.

He liked to take me to see Olive Jepson. I figure now there were a number of reasons for this, not all of which I want to go into. Once, in the summer, as I sat on her lawn drinking lemonade, I saw my father clash closed the bonnet of the Austin-Healey, and walk up beside her where she sat sipping gin and tonic in her deck chair. As he got to her, he reached his hand down and she reached up hers, and for a moment their two hands were clasped in the air in the sort of strong, firm comradely grasp that I knew, even then, was unimaginable between him and my mother.

Olive was the town’s librarian. She drove a large green growling Austin-Healey, and in the summer did her gardening in a checked bikini no bigger than a brace of pocket handkerchiefs.

‘Honest to God … sixty if she’s a day …’ my mother would say with a sniff, and ‘mutton dressed as lamb,’ this last said too loudly once as Olive pulled weeds up in her front garden. Unabashed, Olive raised herself and gave a long mocking baaaaaaa over the hedge, something for which my mother never forgave her.

Olive was secretary of the local Communist Party, a small outfit, probably with scarcely more than a dozen members. She’d been in Spain with the International Brigade, where, rumour had it, her fiancé had been killed.

‘Actually he ran off with another comrade.’

I was fifteen when she told me this. It was the last time I saw her. She died from cancer very suddenly a few months later. It was winter, with a hoar frost on her lawn and I was sitting in her lounge. Outside the window, my father was blowing on his fingers beneath the Healey bonnet. She picked the picture up from the top of her grand piano: her and her fiancé sitting on some hard-baked earth, in fatigues and with packs on their backs, smiling. She smiled back as she looked at it.

She said, ‘Sometimes it’s really useful to have a dead fiancé, Riley.’ She put the picture back on the piano top, turned to look at me. She said, ‘This is a small town, Riley. I don’t know why but some people just seem happier if you can give them a good reason why you’re single.’

That day I heard my mother call Olive a ‘skinny sex-starved old woman’. I saw my father’s hands clench and unclench at his side. There was a set look on his face and, spying from the top of the stairs, I thought he was going to hit her. But then he went to the sink, turned on the tap, began lathering his hands under it. When he spoke his words were very clear and very cold and deliberate.

He said, ‘Well, you’d know all about that, wouldn’t you, Barbara?’

That was how it was at home when we were kids. A terrible ongoing argument that raged along like a swollen stream, all the time underground but sometimes bursting out above the surface.

Meal times were the worst. Our father could be cruel and very cutting.

‘Maybe you could tell your mother to pass that grey slop she likes to call mash,’ he said once. Another time, tasting one of her stews (and they were pretty bad), he strode to the sink and spat it out. ‘For God’s sake, woman,’ he said, ‘are you trying to poison us?’

The serving spoon was still in her hand. She held it up as if wanting to strike him with it and her eyes were white with fury.

‘I wish I could. I tell you, I wish I could poison you. It would be worth going to gaol for.’

Once, when they were arguing, Cass put her hands on the side of her head. She must have been about eight; I was three years younger. She began screaming, ‘Stop it, stop it, stop it …’ over and over.

In the end our father jumped up and put his arms around her. Tears ran down his face. He nursed her, crying, ‘I’m sorry. I’m sorry, Cassie.’

Mostly I solved the problem by eating very fast, throwing it all down, getting down from the table as soon as possible.

It’s a habit that continues to this day. I still eat far too fast. I remember it was one of the things Nathan noticed about me. That first time he took me out for a meal he stared curiously across the table.

‘You eat like a caveman, Riley,’ he said. ‘You throw your food down. You must hardly taste it.’

When he said it, I felt the tears prick behind my eyes. I picked up my napkin, slapped it petulantly down on the table.

I said, ‘Don’t criticise me,’ and he stretched a hand immediately across.

He said, ‘I’m sorry. I’m just interested, that’s all. I wondered why you ate so fast.’

But it’s too early for Nathan.

More, much more about Nathan later.

Cassie and Fergie’s wedding was my last outing as a bridesmaid. It was a wedding much of its time. Proof of this is the photograph that stands on the mantelpiece of their front room, a courageous act, bearing in mind the presence of their two children.

‘God, you look bad, Dad.’

‘Thank you, son.’

He does too, clad in the sort of cheap-looking white suit with a width of flare and lapel that could only have been expressly designed to engender scorn and derision from any fruit of the loins that would follow him.

Not so Cassie and I. In fact we look pretty good, both of us in Biba, with big floppy hats, Cass in cream and me in that unsurpassable Biba mulberry.

Fergie likes to say that his father would have paid Cass to marry him. A bewhiskered old major-general in the old tradition, he sent Fergie to boarding school in the same way he’d been sent. In the same way, Fergie was as thoroughly miserable.

According to Fergie, it left him with the same inability to communicate with women that had afflicted his father, which is why he still regards himself as being rescued the day that new art teacher Cass Gordon turned up in the staff room of the local comprehensive where he was already teaching science.

‘No sooner looked than they loved … no sooner loved than they were screwing like bunnies.’

‘Yes, thank you, Archie.’ This from my sister, Cass.

‘Such a charming sentiment and written in such large letters, as I recall, on the wedding card Fergie’s mother opened.’

True too. Fergie and Cass moved in together a bare few months after they met, a radical thing in our Land That Time Forgot back in the early seventies. A year later the major-general died so that Fergie was able to put down a deposit on a rambling cottage in Haviatt, a small village several miles to the west of our loony tune town, all of this occurring while I was out of the country on my travels.

They were married a year later in their local parish church, St Michael’s where, thirty years on (God, can it be that long?) Fergie is now Tower Captain. On practice nights during the summer I sometimes bike out, and sit on the wall beneath the shadow of the church to listen to the bells and watch the evening fall on the mellow mustard-coloured stonework. Afterwards Fergie and I walk across the fields to the pub where the talk will be of the mystery of sallies and bobs and touches, bell-ringing being a foreign language to those who don’t speak it.

From this you may deduce that I delight in the company of my brother-in-law, that I love him close on as much as I love my sister. I could call him a big cheese in his home village of Haviatt, only this would be a terrible pun on account of the fact that the place is famous for its prizewinning Cheddar. A parish councillor, Fergie also runs the pub skittle team and its folk club. This last I refuse to attend on account of a congenital dislike of beards and sandals, but, more importantly, miserable one-hundred-and-eight-verse ballads where women no better than they should be get rolled in the hay, and pregnant and/or dead afterwards. (Fergie says it’s not like this any longer but I’m not willing to take a chance on it.)

It was a lovely wedding at St Michael’s, I’ll say this – although weddings are definitely my least favourite ceremonies – a balmy late September day with a first fine twinge of autumn about it.

I liked Fergie from the first; not so Archie.

We met at the rehearsal the night before. His first words, having been told of my travels, were; ‘So, Bangkok,’ this with a distinctly lecherous look in his eye. ‘Was it like Emmanuelle, then?’

Scarcely have a best man and a bridesmaid had so little to say to each other at a reception. Forced eventually on to the dance floor with him, I said – rather cleverly, I thought – ‘Fergie’s such a nice guy. How come you ended up friends?’

He just grinned, refusing to be insulted. ‘Cut and thrust of the rugger field, darling,’ he said. ‘All that male bonding in the showers.’

Archie was delighted to learn this was my seventh outing as a bridesmaid. Flapping his hands and faintly bending his knees in what passed for dancing in the period, he said, ‘It’s a curse.’

‘Really?’

‘Absolutely. Only one way to get rid of it.’

‘Surprise me.’

‘Violent sexual congress with the best man at the immediate conclusion of the reception.’

As Fergie revved up his battered old Ford Capri in the fond but as it turned out faint hope that it would actually carry them as far as Scotland, Cass hurled her posy in the traditional devil-may-care manner back over her shoulder. Archie, towering above the rest of the crowd of well-wishers, caught it, neatly deflecting it into my accidentally upraised hands. In a moment my mother was upon me cooing.

‘Oh, darling … oh, darling …’

‘Oh, darling … what?’ I tossed the posy over to her like it was radioactive.

It was the early hours of the morning and I was collecting my coat from the hotel cloakroom when Archie finally caught me.

‘So?’

‘So … what …?’

‘Are you going to bed with me or not?’

‘That depends.’

‘On what?’

‘On whether the alternative is having my toenails pulled out one by one without the benefit of anaesthetic.’

My mother took the wedding posy home, put it on the kitchen windowsill in a vase where it withered and wilted and fell apart in the manner of Miss Havisham’s on that bridal table. The mortal remains she pressed and put in her favourite photograph album.

Some people take the sight of a primrose as the first sign of spring, others the cool clear sound of the cuckoo. For me it will always be the moment each year when, regular as clockwork, my mother reaches up to the sideboard for that album. Opening it up, she pulls out those crumbling remnants, holds them up to the light.

‘Oh, you,’ she will say in tones of irritation, which have grown more intense with each passing year, and which, faced with the horrible truth of Archie’s financial elevation, now threaten to overwhelm her.

‘Oh, you …’

‘Oh, me … what?’

‘You … you … you could have married Archie.’

* Discovering the derivation of this old saying, ‘Three times a bridesmaid, never a bride’ has proved surprisingly difficult, in particular why or how the figure of three came to be established as the one at which all hope should be abandoned. Listerine, the US mouthwash company, used ‘Often a bridesmaid but never a bride’ for its adverts in the 1920s, this itself an adaptation of the old British music-hall song ‘Why Am I Always the Bridesmaid?’ made famous by Lily Morris a few years earlier.

Why am I always the bridesmaid

And never the blushing bride?

The very question this volume seeks to answer.

* In fairness it should be pointed that at the time (see D for Divorce) she was in dire need of a husband.

* A nice touch, this, from a woman who not that long hence would prove to be so much happier being single.

Darmowy fragment się skończył.

7,16 zł
Ograniczenie wiekowe:
0+
Data wydania na Litres:
30 czerwca 2019
Objętość:
340 str. 1 ilustracja
ISBN:
9780007292400
Właściciel praw:
HarperCollins

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